We are fortunate to get knowledge from such senior singers like vijay ji.. In today's times he sure is immensely talented, learned, a mature artiste, simple living and popular.
Pranam Bijoyji . We are Lucy to get you as a proper Guru. I am following your thoroughly . And I also convey my regards to Mr. Sameeranji for his excellent conduction of this programme . I thank to CEC , Delhi for this programme.
So nice explanation of Aasawari that and it's subordinate Ragas is one of the greatest demonstration I have ever gone through. My heartiest Pronam to Guru vijay koparkarji. I wish to hear many such deeper explation of several other That/Raga from him. My sincere gratitude
This whole series is just wonderful! If u like a classical song, u can use P Sarkar or any other site to find out which raag it is based on, then listen to the detailed explanation of the raag here, and then enjoy the song even more! Soon, u may realize that u r drawn to a particular raag or thaat -- for me, its aasawari thaat.
Sir, you are very great teacher sir. Vijayji koparkar sir, you have a peculiar teaching skills which enlighten the students like me. Prof. Dr. Raghunandana
Sir u have too share us so amazing & very important sides in the Indian classical music.. it's very helpful in my study's ..thank you so much sir 🙏🏻🙏🏻🙏🏻🙏🏻
It's beautiful...and very much useful. Sir please provide a class about the difference between Raag Asavari and Jounpuri. 💐....their chalan, bandish and taan
The way of explaining the all aspects of raga is very good...it will going to be very helpful for music learners.....Expect more lessons from you in future 🙏🙏
I enjoyed Pt. Koparkar's exposition of the raag and how it is different from Jaunpuri and other related raags. Though for some reason, he did not mention Darbari at all, whihc has the same notes
maalaa siraanchaa 'Re' khupach aawadalaa.. 'Re' while ending the phrase .. and then resting to 'Sa' what a different appearance .. wow.. didnot felt it suspense or not felt as sad.. but it gives some hope ..this 'Re' appeared before 11:21 here..
Good information but this is not correct to say that in Gwalior gharana they don't sing komal rishabh asawari. Actually Gwalior gharana is the oldest gharana and mother of all gharanas , rather komal rishabh asawari ' s origin is also Gwalior ! And not kirana Gharana. Kirana gharana picked komal rishabh asawari from GWALIOR only !! Vishnu digambar paluskar ji of Gwalior and bhatkhande ji used to sing komal rishabh asawari.( Bhatkhande ji also learned here in Gwalior. ) D. V. Paluskar ji of Gwalior gharana used to sing komal rishabh with commond and beauty. His record of this rag is still popular. * Dr Ishwarchandra Ramchandra karkare, MBBS, MD, MA vocal music, classical singer doordarshan. ( Resident of Gwalior. )
Brilliant lesson only request is that other gentlemen is not needed he can brief guruji off the camera would be even better when one tries to listen again & again for me every morning then other gentleman becomes irritating
We are fortunate to get knowledge from such senior singers like vijay ji.. In today's times he sure is immensely talented, learned, a mature artiste, simple living and popular.
Pranam Bijoyji . We are Lucy to get you as a proper Guru. I am following your thoroughly . And I also convey my regards to Mr. Sameeranji for his excellent conduction of this programme .
I thank to CEC , Delhi for this programme.
Thanks a lot everyone for your sincere efforts..
सुधा समायी सुर सरिता में ,
सरस राग उद्गार ।
बरस रहे बन मेघ ज्ञान के ,
अति जग पर उपकार ।।
This is great Hindi poetry.
1❤🙏🏻@@trshuk
Keep rocking
Thanks Guru ji for aquatinting us with raga and thaat Asawari
Regards 🙏
Bahut sunder shaili sabhi rago me antar kar samjhane ki......
Jai ho
Just beautiful. And it is very helpful for any aspects of raga.
অপূর্ব গাইলেন
Pranam 🙏🙏🙏🙏🙏
Excellent may not suffice, it's more than that
अतीव सुन्दर ! गायक की स्वर माधुरी और भावाभिव्यक्ति की शक्ति उच्च स्तर की होतीहैं / धन्यवाद !
Very full of knowledge. Thank you so much for your dedicated and kind work to provide this to music learners. God bless you all 🙏🏽
Ineffable subtle and exhaustive melodious explanation My heart bows to Vijayji
Beautifully explained the minute differences amongst the rags of asaawari Thath
Full command over Indian classical music
Nice presentation sir 🇮🇪
🙏🙏❤❤
Very nice
Hats off for the lovely presentation, and more importantly, the sincere, selfless service, with absolutely no distracting elements.
Awesome
Beautiful explanation sir.. thank you for sharing valuable knowledge.
🙏🙏🙏🙏🙏
The great work. This is unique explanation. Keep it continue sir
How can raag asavari be differed from raag jaunpuri
Nice song
पंडीत जी great musician
आभार
pl.tel me difference between junpuri and asawari
So nice explanation of Aasawari that and it's subordinate Ragas is one of the greatest demonstration I have ever gone through. My heartiest Pronam to Guru vijay koparkarji. I wish to hear many such deeper explation of several other That/Raga from him. My sincere gratitude
Vaah , vijay ji , you are a good singer and good teacher also .
Very good, keen information & connecting ragas of asawari.
Shandar sir ji
very nice...
Excellent explanation, thanks very much for sharing this knowledge
Right sir
But no gurugi has time to teach in guru sishya parampara ie 24 hours
Koi ho hindustani vocalist to btaiye
Wana learn
No guru will teach you 24 hours. Its your practice that you have to do. He will only gave you a path and rest you have to practice by yourself.
Salute you Sir for such wonderful explanation. .Thank you for your great effort.
This whole series is just wonderful! If u like a classical song, u can use P Sarkar or any other site to find out which raag it is based on, then listen to the detailed explanation of the raag here, and then enjoy the song even more! Soon, u may realize that u r drawn to a particular raag or thaat -- for me, its aasawari thaat.
ATI Sundar !
Sir, you are very great teacher sir. Vijayji koparkar sir, you have a peculiar teaching skills which enlighten the students like me. Prof. Dr. Raghunandana
Best
Sir u have too share us so amazing & very important sides in the Indian classical music.. it's very helpful in my study's ..thank you so much sir 🙏🏻🙏🏻🙏🏻🙏🏻
Beautifully explained 👌🏽👌🏽
I just impressed ! Its a great experience
But komal rishabh asavari belongs to bhairavi thaat... isn't it?
Nice
Very nice explaining technic thank you sir
Pls make a lot of videos like this. 👌. This is very helpful.
Very soulful and nice
It's beautiful...and very much useful. Sir please provide a class about the difference between Raag Asavari and Jounpuri. 💐....their chalan, bandish and taan
Learning and learning! My pranam!
I am always confuse in between asawari & jaunpuri but now all clear, thanks panditji
Wah g wah
Super
The way of explaining the all aspects of raga is very good...it will going to be very helpful for music learners.....Expect more lessons from you in future 🙏🙏
Very useful for advance study
where the learner learns to differentiate among similar ragaas.🙏🌼
Thanks a lot. 🙏💐
It's better to change our scale
Very beautifully explained thanks 🙏
Thank you guruji
Very useful knowledge of raag asaavri
खूप सुंदर सिरीज... आम्हा विद्याथ्र्यांसाठी
If the phrases were written,it would be helpful to learn for beginners
Thank you so much 🙏
I enjoyed Pt. Koparkar's exposition of the raag and how it is different from Jaunpuri and other related raags. Though for some reason, he did not mention Darbari at all, whihc has the same notes
I guess time constraints
অসাধারণ 🙏
Raag bhervii pr bnaooo video
sir namacha gajar garje bhima teeri che notes upload kara
Best music guru
Well done
चांगला कार्यक्रम.
06:16
Thank u sir🙏
Very nice sir
The anchor has mind-blowing energy..!
کیا بات چیت ہندی میں نہیں ہو سکتی
Please, Hindi or Marathi
maalaa siraanchaa 'Re' khupach aawadalaa.. 'Re' while ending the phrase .. and then resting to 'Sa' what a different appearance .. wow.. didnot felt it suspense or not felt as sad.. but it gives some hope ..this 'Re' appeared before 11:21 here..
Waaaaaaa sir pls aur raag b sikhado bhut acha sikhate ho
Good information but this is not correct to say that in Gwalior gharana they don't sing komal rishabh asawari. Actually Gwalior gharana is the oldest gharana and mother of all gharanas , rather komal rishabh asawari ' s origin is also Gwalior ! And not kirana Gharana. Kirana gharana picked komal rishabh asawari from GWALIOR only !! Vishnu digambar paluskar ji of Gwalior and bhatkhande ji used to sing komal rishabh asawari.( Bhatkhande ji also learned here in Gwalior. ) D. V. Paluskar ji of Gwalior gharana used to sing komal rishabh with commond and beauty. His record of this rag is still popular. * Dr Ishwarchandra Ramchandra karkare, MBBS, MD, MA vocal music, classical singer doordarshan. ( Resident of Gwalior. )
Exactly.❤
Brilliant lesson only request is that other gentlemen is not needed he can brief guruji off the camera would be even better when one tries to listen again & again for me every morning then other gentleman becomes irritating
Please sing in b flat
डीयर सर प्लीज सेन्ड योर मोबाईल नंबर
Kripya Hindi ka prayog Karen
🙄 Baki sab to theek hai but... Why are they talking in English 🧐🤔?
Guruji is great but the compare talks too much & very loud too
All membar are marathi. So why all information in English. Pl.speek हिंदी or marathi
हिंदी मे चर्चा करोतो अछा
Hindi mein hota to accha hota
Very nice
Very nice