Emily Remler 4 Queens Las Vegas 1988
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- čas přidán 2. 07. 2024
- 4 Queens Las Vegas
Host Alan Grant
Guitar Emily Remler
Bass Carson Smith
Drums John Pesce
01. Welcome 0:00
02. Yesterdays 1:12
03. Polka Dots & Moonbeams 9:58
04. All Blues 18:25
05. Intermission 32:05
06. Manha de Carnaval. 32:40
07. Family intros song/band 47:30
08. D Natural Blues in Bb
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Relentlessly brilliant. Thanks for introducing me to Pat Martino and opening the door to understanding Jazz guitar. Sorely missed.
Wish this was on video too...!!!!!!!...Can't believe it'll be 34 years since the tragedy come May 2024..!!..What an awful loss...!!!!!!!
RIP Emily. Gone but never forgotten.
❤ 💯
Tuve el privilegio de escucharla en vivo con Monty Alexander en caracas. Desde ese momento .for ever. Sere' fans de ella.para ese entonces compre' disco de ella. For ever Emily.
This is insane. I'm obsessed with Emily Remler at this point.
Me too. Her playing inspires me so much
Yea, this is about as exciting for me when I found Danny Gatton..
Same Here. I can't get enough of her.
@@donkkong5551 Exactly correct! 💯
God bless Emily , God Damn Heroin.. So many greats stolen from the music & guitar world by this awful drug. Love this photo showing her easy side . One of the best we've ever had & what a fine set she lays down here. We will miss her awesome talent always.
had the pleasure of knowing her and listening to her many times live. Such a brilliant artist who left us before the world really knew about her, an underrated jazz great. So very sad to lose her - especially to that satanic serum that has ruined way too many and robbed all of us while doing it.
@@kmjofpdrey You are lucky to have known her. I only learned about Emily a couple of months ago, been a fan of fusion for many years. Thought this kind of jazz was not for me. Guess I was wrong about that.
Emily knew how to play each note exactly where it hurts the most. It takes enormous amounts of precision and technique to make it sound so effortless and fluid. I think Miles would have loved her take on All blues. Totally blown away by this performance.
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Her playing was fresh and inventive and she was still maturing. Thankful for what she gave us and sad to think how much more could have been.
so sad. such a great player, such talent. and pretty. RIP Miss Emily.
This is unbelievably smokin. I discovered Emily's music way too late even though I have heard her name for years and years. So far, every recording I have heard has been top notch not only by her but the players she choose for her bands. What is sad is that there really isn't any documentary thing about her anywhere, at least not that ive found. But I am really grateful for the person that posted this video and to all the others who do similar to keep her music out there. She was really something else.
What an incredible musician! Musical perfection!
A great one set. Man, she was (still is) a real giant
Very energetic performance. I was pleasantly surprised. RIP Emily
I love this woman
Me too ❤️❤️❤️
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Oh my god, the first tune! She is BURNING!
What a gem! 💥💥
Got she sounds great on this.
What a beautiful artist, so musical, outstanding playing.
This is awesome music. Wes' best legacy with Jimmy Ponder, and jazz' s best legacy too at all, thank you very much, it's a masterpiece
She is outstanding gifted guitarist
This is so utterly satisfying and gratifying to listen to, I feel swept far away.
Thank you a million times !
She was clearly going through a Pat Martino period at this time, great stuff!!
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Young & super talented Emily R. delivers outstanding performance. Her interpretation of "Manha de Carnival" tune is of elegance and beauty. Thanks for uploading this CD/video. SL
Wow. Great sound feel everything. The real deal. Thanks for posting!
I agree----she was a GREAT!!!!!!!!! and an inspriration at all times------and her CD's should be much more accessible
Thank you for these shows. Emily was up there with some of the finest jazz guitarist. Sadly, she left us way to soon.
Thanks for this complete concert. I’m a total fan of Emily.
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Emily was awesome.
Thanks
She always sounds amazing but her playing here is on fire! I would love to have this on vinyl it sounds so good…. Fuck heroin
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how dumb was she to use it
Thank you so much for uploading this concert, Mr. Troyanos!
Outstanding
I was there with best friend Dave every body use to call him Rush
i love that we're slowly getting more and more gems like these thanks to the internet (and whoever decided to record/upload)... there are so many of us out there who only discovered her recently, this is amazing
A real treasure! Especially interesting to listen to her strong references to Pat Martino in "Black Orpheus".
GRACIAS
Wow, I've loads of her recordings and love 'em but this is the best I've heard, thanx for posting. The first tracks do sound like a solid gtr or maybe that piezo pickup Ovation she used sometimes, the later ones more standard semi-acoustic. Like Wes & Kenny Burrell, it's bebop but the lix are often blues or 11th chord driven - what a great find, a keeper; thanx again.
Loads of her recording??? I can trade, always looking for more Emily boots. Email me at jazzguitarist@aol.com and I can send you a list of what I have (@30 recordings)
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Listen to the lowest range when she's on the 5th and 6th strings. That distinctive thin hollowbody thud. I think this is her 335.
Thank you Andy for making this available. I'm really enjoying it.
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This rules. Thanks for sharing.
Alles ihr zu ehren, very great, Ein großer Spaß, sie zu hören, liebe Emily!
Plus the best guitar teacher ever!
yes. she was mine as well.
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Thank you!
Thanks for posting this excellent music!!!
Thank you.
Wonderful! Thank you.
Thank you very much!
great artist !
Carson Smith!
Que genialidad esto muchas gracias !
Yes.... she had classical BASE....very young.......she had the RYTHME in his blad... she was a metronome
Wonderful performance!
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Wow... this is really rare.
You know---I once read a review about her--I forget by who--But it stated that she was a pretty valid voice or part of the jazz world---though she never broke new ground..
I definitely agree that she was a VERY valid part of the jazz world-that part wasn't incorrect, but----the other part was--because she was somebody who practiced, studied, played, and listened upward-for the music, and remained mostly ALL THE TIME--THE MUSIC AND THE GUITAR ---and an inspiration, for how to feel and play and what to do and land on and be, for whatever she was doing lead line wise!!!! and in the moment for when I practice and play myself, anything jazz, - which is what I play--especially for me a VERY VERY VERY BIG Martino fan and WES--haha!!! or Diorio
Part of her new ground was a woman instrumentalist, dominating in the field of jazz guitarist. But as a composer, her songs need much more attention than they have gotten. Great original songs, that have very interesting harmony and form. Playing wise, maybe not that much different than her bebop counterparts, but I'd argue she knew how to structure a solo, unlike any other jazz guitarist and in IMHO any jazz musician. She had a wonderful sense of storytelling, and part of the reason her playing still sounds amazing 30 years later. I've read a few books about the making of Kind of Blue, one of the authors, elevated Coltrane while beating up Adderley, both on the record and in their other recordings. But the same critique was used, Cannonball...not an innovator. I'd argue, but he swung and played great. And then if you dip into his late 60's catalog, he did experiment with new ideas and very outside playing. Unlike Coltrane, he didn't stick with it, but he did try different mediums and always played great. If you listen to Emily, particularly on her last albums, you could see her expanding her horizons. Part of her last album, sounds like the roots of smooth jazz. I'd hope she wouldn't have gone fully down that empty pathway, but you could see the lines of exploring styles and different grooves. Either way, Emily was a goddess and what she brought musically and personally into this world is still having a positive affect on all who get into her music.
@@andyguitar Ditto to all that. I find a lot of fine guitarists get pretty cerebral and don't swing the way Emily did. She had great ideas, great chops, knew how to make it all flow. She is my favorite guitarist to copy. I shouldn't say it, but I almost feel a bit angry at her for the way she died. I want to hear so much more from her.
It's one of those where you can tell it's Emily by her sound.
Sweet energy at this show! Love that different guitar for her, perhaps a PRS? not sure but sounds so clean & crisp-ah those swinging mixed lead lines among the chord melody and double-stops at end of phrase!
Joe, I just grabbed that pic off the internet because I didn't have any pics from the actual concert. It looks like that's from a trade show where she might have picked up and tried different guitars. She is so swinging, isn't she? She had the greatest groove and feel.
That is Emily playing her Es-330
In the photo Emily is holding a Zion guitar. Those are excellent guitars-I nearly bought one many years ago. I don't know what guitar she is playing in this recording, but in her hands, wasn't every guitar a magical vehicle of soulful artistic creativity?
great
🌟🌟🌟🌟🌟 💙
Grande sensibilita' , morta giovanissima, ha detto e avrebbe avuto molto altro d ire
This is an amazing find! OP - were you at this show?
Wow, never knew this recording existed. She sounds fantastic! Is this some bootleg or something?
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Hey Mr.T
Hi Trevor
0:04
she always plays n phrases the cool things as if she couldnt fail being interesting
She did do things from Wes and insert parts, like I said, she worked on it- and that was one of the ways, but a lot of what she also did came from the doing , even though the studying gave her what to draw from and used which she knew and liked. That also comes from knowing the earlier music in and of jazz!!!! These are just a few reasons that she musically was pretty authentic to the MUSIC---and the GUITAR. She could be really a pretty studied person and the later album was a bit like Martino's fusion albums, and quite good, with a bit of Lee Ritenour, not really a leaning towards a smooth jazz album--career though--haha!!.. She was not a story teller or an actress pre se----either----though SHE SPOKE AS A PLAYER--musically-!!( lines)-!!!!-- --she instead played with a feel -----unassumed------- that stayed a lead player- who stayed musical--- true to her leanings and studies--=definitely!!!!!!!
You know---- Cannonball's only fault was being who he was, he sometimes relaxed on who he was-but---when he got up to be the music -he really could burn the instrument with the music and was explosive as all hell---filled with many things ( and that is another story) - and that reviewer--- i must tell you-------him and TRANE -you leave alone--haha!!!---and-as a woman--she could be treated like she was fluff or treated wrong even in the modern days.
She was so imaginative musician!!!!
Thank you very much!