Concert acoustique du saxophoniste queer Bendik Giske | Les Soirées Nomades - avril 2019
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- čas přidán 16. 04. 2019
- Bendik Giske (Norvège, Allemagne) est un artiste et saxophoniste queer qui explore aussi bien les possibilités de son instrument que ses capacités physiques en tant qu'interprète. Sa musique, qui fusionne jazz et électronique, est hypnotique. Il n'utilise aucun effet de loop, tout est joué en direct et en souffle continu, et ses concerts sont envoûtants.
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I was there, mindblowing performance.
Постоянное, круговое дыхание. Дивно!!! Глубокое деяние...
Many points in common with Colin Stetson.
Ooooooooamazing
Stupendo
Scoooooter!
impressionnant j'ai parfois eu l'impression qu'il sciait un arbre. tres belle performance artistique!!!!!!!!!!
Made me think of this:
"Where does the astounding force of shofar come from? It is, for instance, blown four times at the closure of Yom Kippur, in very long continuous sounds which are reputed to fill the soul with an irresistible profound emotion.14 There is no melody, just the prolonged sounds reminiscent of a bull roaring. Reik sees the key to its secret in the Freudian myth of Totem and Taboo:
The specially anxious, groaning, blaring and long-sounding tone of shofar becomes understandable by the reminiscence of a roaring bull; it obtains its fateful significance by presenting, to the unconscious psychic life of the listener, the anxiety and the ultimate death struggle of the divine father-one could say his “swan song,” if the comparison wasn’t so utterly out of place here.... When the image of the father was rediscovered in the totemic animal and worshipped as divine, those who recognized it imitated its voice by onomatopoetic sounds. The imitation of the animal’s cry signified both the presence of God among the believers and their identification with him. The horn, the most characteristic trait of the totemic God, gave birth in the course of centuries to an instrument which was now used as the means of acoustic imitation. (Reik 1928, pp. 235-236)
So we have to recognize, in the sound of shofar, the voice of the Father,the cry of the dying primal father of the primitive horde,the leftover which comes both to haunt and to seal the foundation of his law. By hearing this voice, the community of believers establishes its covenant, its alliance with God; they assert their submission and obedience to the law. The law itself, in its pure form, before commanding anything specific,is epitomized by the voice,the voice that commands total compliance, although it is senseless in itself. The letter of the law can acquire its authority by the remnant of the dead father, that part of him which is not quite dead, what remained after his death and continues to testify to his presence-his voice-but also to his absence: it is a stand-in for an impossible presence, enveloping a central void."
Mladen Dolar
A Voice And Nothing More
Je n’aime pas sorry 🙄