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Concert Maestro
Registrace 20. 09. 2023
Half the videos on this (non-monetized) channel received takedown notices and were deleted, even though they were recorded from a public broadcaster and the music is public domain. If the rest of the videos receive copyright claims, this channel will cease to exist.
Classical music for every taste. Live concerts publicly broadcast and recorded.
Please keep your comments civilised. Like and subscribe if you want more content like this. If not, please just enjoy!
Classical music for every taste. Live concerts publicly broadcast and recorded.
Please keep your comments civilised. Like and subscribe if you want more content like this. If not, please just enjoy!
David Grimal & Les Dissonances @ George Enescu Festival 2023 (FULL CONCERT)
David Grimal & Les Dissonances @ George Enescu Festival 22.09.2023 (FULL CONCERT), Romanian Athenaeum
2:58 Claude Debussy: La mer, trois esquisses symphoniques pour orchestre, L. 109
32:44 Ernest Chausson: Poème, Op. 25
51:43 (David Grimal 1st encore) Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major - I. L'Aurore
57:56 (David Grimal 2nd encore) J.S. Bach: Sonata for Violin Solo No. 2 in A Minor, BWV 1003 - 1. Grave
1:06:58 Arnold Schoenberg: Pelleas und Melisande, Op. 5
SEPARATELY:
czcams.com/video/YlQrLuHMokQ/video.html
czcams.com/video/T2mI7YBObkA/video.html
czcams.com/video/QWuyo4JcCko/video.html
Recorded from public broadcast. Enjoy!
Please subscribe for more content like this! Cheers!
_____________________________________________________
Debussy all his life maintained a nearly total silence about his childhood. (At the time of the birth of Achille-Claude, Manuel-Achille Debussy and his wife ran a small ceramics store, the father soon changing to a job with the Fives-Lille‑Railway Company, which entailed moving the family to Clichy, a suburb of Paris). He did, however, make occasional and affectionate references to summer weeks spent at the beaches of Cannes. He learned then to love the sea, and no one who knows Debussy’s music need be told that what he loved particularly was its unpredictability, its ever‑changing nature. His parents at some point conceived the notion that he ought to be a sailor, but his vocation was determined when a Mme. Mauté de Fleurville, a lady with fascinating connections (she had been a pupil of Chopin and was the mother-in‑law of Paul Verlaine), discovered his musical gift.
Thirty years elapsed between those inspiring lessons and the first sketches for La Mer. It is, however, always a surprise to recall that La Mer was only the composer’s seventh major orchestral score, so brilliantly assured is it, so possessive in ways that sometimes make it seem that Debussy invented the modern orchestra.-Michael Steinberg
_____________________________________________________
Chausson’s Poème for violin and orchestra in three linked movements was composed in 1896. It was commissioned by the Belgian violin virtuoso Eugène Ysaÿe, to whom the work is dedicated and who gave its first public performances, in Nancy on 27 December 1896, then at the Concerts Colonne in Paris on 4 April 1897. Ysaÿe enthusiastically promoted the piece, systematically including it in the programmes of the recitals he gave all over the world, and later composed in his turn a Poème elegiaque inspired by Chausson’s work, published in 1893 and dedicated to Gabriel Fauré. Chausson initially conceived the Poème for violin and orchestra, but also transcribed it for violin and piano. Originally entitled Le Chant de l’amour triomphant, it was inspired by the short story ‘The Song of Love Triumphant’ by the Russian writer Ivan Turgenev, who lived in Paris from 1870 until his death in 1883, and through his residence with the Viardot family became friendly with numerous composers. Turgenev’s text, published in 1881, depicts a love triangle and a woman spellbound by a melody played on the violin. Some commentators have seen in the reference to this short story a possible evocation of Fauré’s ill-fated love for Pauline Viardot’s daughter Marianne. A key work in the violin repertory, the Poème combines a mysterious inspiration drawn from Turgenev’s work with brilliant violin writing that makes it a piece at once poetic and eloquent, in which the deployment of the performer’s technical capacities never seems to be a vain demonstration of virtuosity. (bruzanemediabase.com)
_____________________________________________________
Schoenberg's Pelleas und Melisande (1902-1903) is one of several compositions that has come to be regarded as the last gasp of Romanticism -- or one of its grandest survivors -- while simultaneously suggesting a future path for music. In this respect, it has much in common with the old-new music of Gustav Mahler, whose Fifth and Sixth symphonies were taking shape at roughly the same time. Of the two composers, it was Schoenberg ("Schönberg" until moving to the United States in 1934) who at the turn of the century clung more tenaciously to the past, a past dominated above all by Richard Wagner's by then nearly half-a-century old Tristan und Isolde, whose themes, dramatic and musical, haunted Schoenberg.
The immediate inspiration for Pelleas und Melisandewas Maurice Maeterlinck's 1892 drama, which gave rise to numerous other musical treatments, most notably the incidental scores by Fauré and Sibelius and Debussy's opera -- the latter to serve as a guiding light for a generation and more of European composers. (Herbert Glass)
2:58 Claude Debussy: La mer, trois esquisses symphoniques pour orchestre, L. 109
32:44 Ernest Chausson: Poème, Op. 25
51:43 (David Grimal 1st encore) Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 5 in G Major - I. L'Aurore
57:56 (David Grimal 2nd encore) J.S. Bach: Sonata for Violin Solo No. 2 in A Minor, BWV 1003 - 1. Grave
1:06:58 Arnold Schoenberg: Pelleas und Melisande, Op. 5
SEPARATELY:
czcams.com/video/YlQrLuHMokQ/video.html
czcams.com/video/T2mI7YBObkA/video.html
czcams.com/video/QWuyo4JcCko/video.html
Recorded from public broadcast. Enjoy!
Please subscribe for more content like this! Cheers!
_____________________________________________________
Debussy all his life maintained a nearly total silence about his childhood. (At the time of the birth of Achille-Claude, Manuel-Achille Debussy and his wife ran a small ceramics store, the father soon changing to a job with the Fives-Lille‑Railway Company, which entailed moving the family to Clichy, a suburb of Paris). He did, however, make occasional and affectionate references to summer weeks spent at the beaches of Cannes. He learned then to love the sea, and no one who knows Debussy’s music need be told that what he loved particularly was its unpredictability, its ever‑changing nature. His parents at some point conceived the notion that he ought to be a sailor, but his vocation was determined when a Mme. Mauté de Fleurville, a lady with fascinating connections (she had been a pupil of Chopin and was the mother-in‑law of Paul Verlaine), discovered his musical gift.
Thirty years elapsed between those inspiring lessons and the first sketches for La Mer. It is, however, always a surprise to recall that La Mer was only the composer’s seventh major orchestral score, so brilliantly assured is it, so possessive in ways that sometimes make it seem that Debussy invented the modern orchestra.-Michael Steinberg
_____________________________________________________
Chausson’s Poème for violin and orchestra in three linked movements was composed in 1896. It was commissioned by the Belgian violin virtuoso Eugène Ysaÿe, to whom the work is dedicated and who gave its first public performances, in Nancy on 27 December 1896, then at the Concerts Colonne in Paris on 4 April 1897. Ysaÿe enthusiastically promoted the piece, systematically including it in the programmes of the recitals he gave all over the world, and later composed in his turn a Poème elegiaque inspired by Chausson’s work, published in 1893 and dedicated to Gabriel Fauré. Chausson initially conceived the Poème for violin and orchestra, but also transcribed it for violin and piano. Originally entitled Le Chant de l’amour triomphant, it was inspired by the short story ‘The Song of Love Triumphant’ by the Russian writer Ivan Turgenev, who lived in Paris from 1870 until his death in 1883, and through his residence with the Viardot family became friendly with numerous composers. Turgenev’s text, published in 1881, depicts a love triangle and a woman spellbound by a melody played on the violin. Some commentators have seen in the reference to this short story a possible evocation of Fauré’s ill-fated love for Pauline Viardot’s daughter Marianne. A key work in the violin repertory, the Poème combines a mysterious inspiration drawn from Turgenev’s work with brilliant violin writing that makes it a piece at once poetic and eloquent, in which the deployment of the performer’s technical capacities never seems to be a vain demonstration of virtuosity. (bruzanemediabase.com)
_____________________________________________________
Schoenberg's Pelleas und Melisande (1902-1903) is one of several compositions that has come to be regarded as the last gasp of Romanticism -- or one of its grandest survivors -- while simultaneously suggesting a future path for music. In this respect, it has much in common with the old-new music of Gustav Mahler, whose Fifth and Sixth symphonies were taking shape at roughly the same time. Of the two composers, it was Schoenberg ("Schönberg" until moving to the United States in 1934) who at the turn of the century clung more tenaciously to the past, a past dominated above all by Richard Wagner's by then nearly half-a-century old Tristan und Isolde, whose themes, dramatic and musical, haunted Schoenberg.
The immediate inspiration for Pelleas und Melisandewas Maurice Maeterlinck's 1892 drama, which gave rise to numerous other musical treatments, most notably the incidental scores by Fauré and Sibelius and Debussy's opera -- the latter to serve as a guiding light for a generation and more of European composers. (Herbert Glass)
zhlédnutí: 646
Video
Poleva: White Interment | Bayerisches Staatsorchester & Vladimir Jurowski | Enescu Festival 2023
zhlédnutí 341Před 7 měsíci
Victoria Poleva: White Interment (Symphony No. 3) | Bayerisches Staatsorchester & Vladimir Jurowski | George Enescu Festival | 14.09.2023 | Bucharest Palace Hall Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers! Vladimir Jurowski conducts the Bayerisches Staatsorchester at the famous George Enescu Festival 2023 for the performance of “White Interment”, ...
R. Strauss: Burleske in D minor | Kirill Gerstein w/ Royal Concertgebouw Orchestra & Alan Gilbert
zhlédnutí 324Před 7 měsíci
Richard Strauss: Burleske in D minor, TrV 145 | Kirill Gerstein w/ Royal Concertgebouw Orchestra & Alan Gilbert | George Enescu Festival | 21.09.2021 | Bucharest Palace Hall Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers! The Burleske in D minor is a composition for piano and orchestra written by Richard Strauss in 1885-86, when he was 21. The work's ...
Kodály: Dances of Galánta | Hungarian National Philharmonic Orchestra & Cristian Mandeal
zhlédnutí 619Před 7 měsíci
Zoltán Kodály: Dances of Galánta | Hungarian National Philharmonic Orchestra & Cristian Mandeal | George Enescu Festival | 19.09.2023 | Bucharest Palace Hall Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers! The piece was composed on commission for the 80th anniversary of the Budapest Philharmonic Society. It is based on folk music of Galánta (now part ...
Shostakovich: Cello Concerto No. 1 | Sheku Kanneh-Mason w/ Hungarian Philharmonic & Cristian Mandeal
zhlédnutí 252Před 7 měsíci
Dmitri Shostakovich: Cello Concerto No. 1 in E-flat major, Op. 107 | Sheku Kanneh-Mason w/ Hungarian National Philharmonic Orchestra & Cristian Mandeal | George Enescu Festival | 19.09.2023 | Bucharest Palace Hall Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers! The Cello Concerto No. 1 in E-flat major, Op. 107, was composed in 1959 by Dmitri Shostakov...
Enescu: Symphony No. 2 in A major, Op. 17 | Hungarian National Philharmonic & Cristian Mandeal
zhlédnutí 714Před 7 měsíci
George Enescu: Symphony No. 2 in A major, Op. 17 | Hungarian National Philharmonic Orchestra & Cristian Mandeal | George Enescu Festival | 19.09.2023 | Bucharest Palace Hall Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers! Enescu began writing his Second Symphony late in 1912, and the manuscript score specifies the date of completion on 18 November 191...
Accademia Nazionale di Santa Cecilia & Tugan Sokhiev @ Enescu Festival 2023 (FULL 1ST CONCERT)
zhlédnutí 734Před 8 měsíci
Orchestra dell'Accademia Nazionale di Santa Cecilia & Tugan Sokhiev @ George Enescu Festival 15.09.2023 (FULL CONCERT), 1st night, Bucharest Palace Hall 0:33 George Enescu: Symphony No. 1 in E flat major, Op. 13 41:59 Pyotr Ilyich Tchaikovsky: Symphony No. 5 in E minor, Op. 64 1:35:40 (1st encore) Elgar’s Salut d’amour 1:42:07 (2nd encore) ‘Trepak’ from Tchaikovsky’s Nutcracker SEPARATELY: czca...
Hungarian Radio Symphony Orchestra & Christian Badea @ George Enescu Festival 2021 (FULL CONCERT)
zhlédnutí 460Před 8 měsíci
Hungarian Radio Symphony Orchestra & Christian Badea @ George Enescu Festival 2021 (FULL CONCERT) HUNGARIAN RADIO SYMPHONY ORCHESTRA CHOIR OF THE GEORGE ENESCU PHILHARMONIC CHRISTIAN BADEA conductor IOSIF ION PRUNNER conductor of the choir COSMIN IFRIM tenor KIAN SOLTANI cello 00:59 George Enescu: Vox Maris (The Voice of the Sea), Op. 31 33:39 Robert Schumann: Cello Concerto in A minor, Op. 129...
Enescu: Symphony No. 1, Op. 13 | Orchestra dell'Accademia Nazionale di Santa Cecilia & Tugan Sokhiev
zhlédnutí 259Před 8 měsíci
George Enescu: Symphony No. 1 in E flat major, Op. 13 | Orchestra dell'Accademia Nazionale di Santa Cecilia & Tugan Sokhiev | George Enescu Festival | 15.09.2023 | Bucharest Palace Hall Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers! Enescu completed the symphony in 1905, and it was premiered on Sunday, 21 January 1906 at the Théâtre du Châtelet in Pa...
Israel Philharmonic Orchestra & Lahav Shani @ George Enescu Festival 2023 (FULL 2ND CONCERT)
zhlédnutí 1,2KPřed 8 měsíci
Israel Philharmonic Orchestra & Lahav Shani @ George Enescu Festival 07.09.2023 (FULL CONCERT), 2nd night, Bucharest Palace Hall ISRAEL PHILHARMONIC LAHAV SHANI conductor ALEXANDRE KANTOROW piano 0:12 George Enescu: Romanian Rhapsody No. 1, Op. 11 14:27 Sergei Prokofiev: Piano Concerto No. 2 in G minor, Op. 16 48:46 (Alexandre Kantorow 1st encore) Igor Stravinsky: The Firebird Finale 53:26 (Ale...
Enescu: Vox Maris, Op. 31 | Hungarian Radio Symphony Orchestra & Christian Badea & Cosmin Ifrim
zhlédnutí 260Před 8 měsíci
George Enescu: Vox Maris (The Voice of the Sea), Op. 31 | Hungarian Radio Symphony Orchestra & Christian Badea & Cosmin Ifrim | George Enescu Festival | 21.09.2021 | Bucharest Palace Hall HUNGARIAN RADIO SYMPHONY ORCHESTRA CHOIR OF THE GEORGE ENESCU PHILHARMONIC CHRISTIAN BADEA conductor IOSIF ION PRUNNER conductor of the choir Enescu Vox Maris Op. 31 COSMIN IFRIM tenor SIMILAR CONTENT: czcams....
Brahms: Symphony No. 1 in C minor, Op. 68 | Israel Philharmonic Orchestra & Lahav Shani
zhlédnutí 523Před 8 měsíci
Johannes Brahms: Symphony No. 1 in C minor, Op. 68 | Israel Philharmonic Orchestra & Lahav Shani | George Enescu Festival | 07.09.2023 | Bucharest Palace Hall Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers! It took Brahms over 20 years to produce his First Symphony. He had actually started several symphonies before completing the First, but these had ...
Kian Soltani: Persian Fire Dance @ George Enescu Festival 2021
zhlédnutí 746Před 8 měsíci
Kian Soltani: Persian Fire Dance played as an encore @ George Enescu Festival | 21.09.2021 | Bucharest Palace Hall Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers!
Alexandre Kantorow: Stravinsky - The Firebird Finale (L'Oiseau de feu: Final) @ Enescu Festival 2023
zhlédnutí 276Před 8 měsíci
Alexandre Kantorow: Igor Stravinsky - The Firebird Finale (L'Oiseau de feu: Final) played as an encore @ George Enescu Festival | 07.09.2023 | Bucharest Palace Hall RELATED CONTENT: czcams.com/video/K76rv7Dr5hU/video.html czcams.com/video/3jLwyFFu8vk/video.html Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers!
Tchaikovsky: Symphony No. 5 | Orchestra dell'Accademia Nazionale di Santa Cecilia & Tugan Sokhiev
zhlédnutí 2KPřed 8 měsíci
Pyotr Ilyich Tchaikovsky: Symphony No. 5 in E minor, Op. 64 | Orchestra dell'Accademia Nazionale di Santa Cecilia & Tugan Sokhiev | George Enescu Festival | 15.09.2023 | Bucharest Palace Hall Recorded from public broadcast. Enjoy! Please subscribe for more content like this! Cheers! The Symphony No. 5 in E minor, Op. 64 by Pyotr Ilyich Tchaikovsky was composed between May and August 1888 and wa...
Bartók: The Miraculous Mandarin Suite, Op. 19 | Hungarian Radio Symphony Orchestra & Christian Badea
zhlédnutí 191Před 8 měsíci
Bartók: The Miraculous Mandarin Suite, Op. 19 | Hungarian Radio Symphony Orchestra & Christian Badea
Mendelssohn: Spinning Song | Israel Philharmonic Orchestra & Lahav Shani @ Enescu Festival 2023
zhlédnutí 156Před 9 měsíci
Mendelssohn: Spinning Song | Israel Philharmonic Orchestra & Lahav Shani @ Enescu Festival 2023
Mahler: Symphony No. 2 (Resurrection) | Zubin Mehta & Maggio Musicale Fiorentino Orchestra and Choir
zhlédnutí 1,5KPřed 9 měsíci
Mahler: Symphony No. 2 (Resurrection) | Zubin Mehta & Maggio Musicale Fiorentino Orchestra and Choir
Strauss II & Josef Strauss: Pizzicato Polka | Israel Philharmonic Orchestra & Lahav Shani
zhlédnutí 122Před 9 měsíci
Strauss II & Josef Strauss: Pizzicato Polka | Israel Philharmonic Orchestra & Lahav Shani
Alexandre Kantorow: Liszt - Sonetto 104 del Petrarca (Petrarch's Sonnet 104) @ Enescu Festival 2023
zhlédnutí 436Před 9 měsíci
Alexandre Kantorow: Liszt - Sonetto 104 del Petrarca (Petrarch's Sonnet 104) @ Enescu Festival 2023
Béla Bartók: Romanian Folk Dances | Hungarian Radio Symphony Orchestra & Christian Badea
zhlédnutí 204Před 9 měsíci
Béla Bartók: Romanian Folk Dances | Hungarian Radio Symphony Orchestra & Christian Badea
Vienna Philharmonic & Jakub Hrůša @ George Enescu Festival 2023 (FULL 2ND CONCERT)
zhlédnutí 2,5KPřed 9 měsíci
Vienna Philharmonic & Jakub Hrůša @ George Enescu Festival 2023 (FULL 2ND CONCERT)
George Enescu: Romanian Rhapsody No. 1, Op. 11 | Israel Philharmonic Orchestra & Lahav Shani
zhlédnutí 180Před 9 měsíci
George Enescu: Romanian Rhapsody No. 1, Op. 11 | Israel Philharmonic Orchestra & Lahav Shani
Schumann: Cello Concerto | Kian Soltani w/ Hungarian Radio Symphony Orchestra & Christian Badea
zhlédnutí 2KPřed 9 měsíci
Schumann: Cello Concerto | Kian Soltani w/ Hungarian Radio Symphony Orchestra & Christian Badea
Wagner: Tannhäuser Overture | Hungarian Radio Symphony Orchestra & Christian Badea
zhlédnutí 321Před 9 měsíci
Wagner: Tannhäuser Overture | Hungarian Radio Symphony Orchestra & Christian Badea
Prokofiev: Piano Concerto No. 2 | Alexandre Kantorow w/ Israel Philharmonic Orchestra & Lahav Shani
zhlédnutí 967Před 9 měsíci
Prokofiev: Piano Concerto No. 2 | Alexandre Kantorow w/ Israel Philharmonic Orchestra & Lahav Shani
Bayerisches Staatsorchester & Vladimir Jurowski @ George Enescu Festival 2023 (FULL 1ST CONCERT)
zhlédnutí 1,1KPřed 9 měsíci
Bayerisches Staatsorchester & Vladimir Jurowski @ George Enescu Festival 2023 (FULL 1ST CONCERT)
Johann Strauss II: Auf der Jagd, polka schnell, Op. 373 | Vienna Philharmonic & Jakub Hrůša
zhlédnutí 728Před 9 měsíci
Johann Strauss II: Auf der Jagd, polka schnell, Op. 373 | Vienna Philharmonic & Jakub Hrůša
Fazıl Say: Beethoven - Piano Sonata No. 23 in F minor, Op. 57 (Appassionata) @ Enescu Festival 2023
zhlédnutí 178Před 9 měsíci
Fazıl Say: Beethoven - Piano Sonata No. 23 in F minor, Op. 57 (Appassionata) @ Enescu Festival 2023
Chopin: Revolutionary Étude, Op. 10, No. 12 by Yefim Bronfman @ George Enescu Festival 2023
zhlédnutí 982Před 9 měsíci
Chopin: Revolutionary Étude, Op. 10, No. 12 by Yefim Bronfman @ George Enescu Festival 2023
Excelente Director Tugan Sokhiev
many thanks. I have seen Sokhiev 3 times and was impressed each time - his debut with the NYPhilharmonic, with the Concertgebouw and Philadelphia. I think he is up fro a major music directorship shortly
Flute sound are particularly beautiful.
38:10 smile well earned. They locked together...
Really one of the glorious interpretations of this phenomenal work, full of many remarkable moments of pianistic virtuosity.
George Enescu este poate cel mai important compozitor al muzicii noastre cu inflexiuni modilatorii ce prezinta modurile populare romanesti intr-o forma de o maniera neo-clasica dar in acelasi timp de o maniera unica romaneasca stilizata.
Jurowski made this Mahler No. 4 more lyrical sound. Lighter but very elegant. Love it!!!
si senior ole ay va
Beautiful, civilized music.
The encore was a real treat. When the Air was handled with space, it accentuates the details. Just like how Vladimir Mikhailovich handles most slow movements in symphonic repertoire, the stability gives establishment with articulated attention to details. Hence my bias, although I still have yet the time to study his intentions in greater detail... 🧡 🌻
Minunat! Mulțumesc maestre, Cristian Măcelaru !
Louise Alder is fantastic.
thank you for this recording!
Fantastic program!
👏👏👏
Small man makes great music ... Not with his much-praised "Sinfonietta" but with his fairy-tale-like music to the fable of "The Cunning Little Vixen", Janacek makes himself immortal, not with an heroic tale but with a fairy tale, just like his great predecessor Antonin Dvorak did with his "Rusalka" ...
Absolutely outstanding orchestra !
This is a truly amazing performance. Thank you so much for uploading such precious recording. Do you have all the films of past concerts in Enescu festival?
ルーマニア🇷🇴のBucharest Palace Hall
Ich kann nicht anders als es bedauern, dass Mahler diese wunderbare Sinfonie nicht bis zum Schluss rein instrumental gehalten hat. Der seltsame Gesang mit dem merkwürdigen (und überdies unverständlichen) Text stört mich immer. Schade (finde ich)!
The lied is the best part. A perfect ending.
Yeahhh what??? The lied is the best part of the whole symphony!!
Incredible
Que gran guitarrista és, saludos
❤❤
🏆🏆🏆🏆🏆🏆♥️♥️♥️♥️🎶🎼🎵
Fazıl Say forever ❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
Dmitry Shishkin e' un vero pianista. questo e' un pagliaccio
17:57 best solo horn ever…
And best Horn player ever
I Bedächtig-nicht eilen-recht gemächlich - 00:35 II In gemächlicher Bewegung - 18:43 III Ruhevoll (poco adagio) - 30:11 IV Sehr behaglich - 51:18
What is Hungarian about Galanta, did you go completely crazy or what? Look at the map and see, by the way our town is 80% Slovakian speaking, there is nothing really Hungarian on it, maybe villages to south but not in town. Btw greetings from Galanta
Extraordinaria demostración de talento y de evidencia viva de las más autenticas raíces del arte en Andalucía.
8:56 lol
Yes... 😂 Prokofiev is not for everybody.
Festivalul "George Enescu" este măsura inteligentei și talentului din România. Ce poate fi mai grăitor pentru noi când vedem românii împliniți în țările civilizate ale lumii,revenind cu laurii muncii lor?În imagine avem pe Dirijorul Orchestrei Naționale a Franței,CRISTIAN MACELARU, revenind în România pentru a conduce Festivalul "George Enescu".Mare satisfacție pentru România!
dacă nu ne spune-ai tu... nu știam...
Horrible sound
Why ? The recording?
Flawless 👏👏👏 pride of persia
♥️♥️🎼🎵🎼🎵🏆🏆🏆🏆🏆
Excellent. Reminiscent of Jurowski's outstanding live recording with the London Philharmonic a few years ago. Thanks for sharing this performance.
Merci!
Do you have the second Bavarian concert with Alpine Symphony? Thanks!
Yes, I will upload it in a few days.
Que gran concierto!! Tuve la fortuna de conocer al Maestro Gallardo del Rey y recibir una clase con él hace muchos años. Me alegra saber que sigue siendo uno de los mejores guitarristas del mundo. Y no solo guitarrista sino un gran compositor. Muchas gracias por este video.
Gracias maestro por este sublime concierto, lo disfruté como si estuviera en la sala👏👏👏👏🎼🎼🎼🎼🌹🌹🌹🌹
lindo tema felicitaciones Jose Maria veo el CAJON PERUANO temaso gran concierto como suena esa guitarra
It would be awesome if you also recorded the 2nd Concert of the Bayerisches Staatsorchester at the George Enescu Festival, where they played „Eine Alpensinfonie“ by Richard Strauss?! LG
I think I have it, but I do not know when I will get around to posting it. Maybe a few days, maybe a few weeks. Will reply here when I do. :)
czcams.com/video/lLFEWnnFaH8/video.html czcams.com/video/ioAH1kNPo_4/video.html
Franz Liszt dirigiendo?
Full blooded and enjoyable - thank you! It is just the sort of music that needs that sort of performance..
Why can’t some people get to their seats on time? It’s one of life’s great mysteries. The concerto was amazing nonetheless!
❤Grande violoncellista splendida esecuzione del bellissimo Concerto di Schumann ❤
Amazing orchestra & conductor. Bravissimo soloist Kian Soltani! Thanks.
EXCELENTE PIANISTA Y LA BATUTA SIEMPRE EXACTA DE VLADIMIR JUROWSKI...DESDE ARGENTINA...
Teşekkürler...
This is really interesting, but it is a pity the sound and images are not quite sychronised. Is there something you can do about that?
Seems fairly good to me. Can you point out some moments where the issue is clearly visible?
@@ConcertMaestroIt was consistently a tiny bit out - sound first, action second - all the way through. I will try to listen to it again later and will get back to you if the problem persists.
@@ConcertMaestro It's still there, I'm afraid. Take a look at 2 mins 40. You will hear the music move and THEN see the players play. In the end, it's not a huge problem - I just don't watch too closely!
@@Nai61a It looks good to me. But it also may be too subtle for me to notice. Unfortunately there is nothing I can do about it now. This is the only version I have. Maybe on a rerun, someday, a better version will come out.