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Si dice che qualcuno in america, la voleva al posto di sinatra, come sua erede, si presentarono a casa sua, con un offarta irrinunciabile, ma lei disse No!!

I saw Michael Crawford's last performance as Phantom when i was 9. I think Sarah had stopped being Christine by that point because of the divorce. My friend's mother was a violinist for the performance and others. She was able to get us 2nd row seats. It was cool seeing her in the orchestra pit. Your comment about not having a full orchestra for every performance caught me off guard because of my experience, though it does make perfect sense. Did they utilize a live orchestra up until some point? While Michael will always be my favorite phantom, I've enjoyed many through videos. Hugh Panaro comes in a close second. I love his psychotic, almost Joker-like, interpretation of the phantom. It's unique and very engaging. Tenors are definitely my favorites. I may he alone in this, but I've never been a fan of the fact that Eric touches Christine in very intimate ways. The age gap is massive, but putting that aside, he's also a master manipulater and a murderer. He tried to force her to marry him, lest he kills her lover. His "love" for her is more like an obsession and a desire to control her. When a man ties a rope around your fiance's neck, threatening to kill him "or else", that's kind of a deal breaker, in my opinion. Heh. What I've loved about the musical since i was a child in the 80s is the music, both lyrical and orchestral. The lyrics matched with amazing singers/actors is everything to me. 💜

If you ever do Judy Garland, please focus on "mean to me".

You’re an amazing spiritual woman!!

I'm a senior citizen and tried to work on singing opera for over 40 years, to no avail, despite the fact that I know, and have been told, that I have a basically great instrument. I ended up doing church solos, but I was never sure of myself, and was often off pitch, not to mention that I never sang with even close to my full voice or range. this is despite the fact that I'm actually a good musician, as most of my accompanists enjoyed working with me from a musical standpoint. I'm also a trained classical pianist (intermediate amateur; feel free to check my channel) and have been studying music all my life -- various aspects, so i always felt that the vocal problems were physical/emotional/psychological. I'm also familiar with the operatic style and the main european operatic languages -- Italian/German/French. I wish I had discovered you when I was younger. Now that I'm retired, and my voice is still healthy, I may go back to church solos and if I do, I will definitely be contacting you for a lesson. Due to age I believe I have gone from being basically a soprano to a mezzo, but you never know, maybe you could even open up my upper range so I could sing at least the mezzo arias--not as glorious IMHO as the soprano arias, but some are beautiful indeed. You seem like someone who could have gotten through to me when many many others failed. I never blamed them; i always blamed myself. but perhaps it was the teachers who were unable to recognize what the blockage was and how to remedy it

"E se domani" è stato il successone di Mina del '64: tutte le emittenti radiofoniche la trasmettevano incessantemente per la delizia di chi amava veramente la musica leggera.

L'assoluta mancanza di uno sforzo o impegno per cantare, ha sempre lasciato tutti, me compreso ovviamente, quasi incredulo chi la ascoltava e continua ad ascoltare. Oggi la sua voce è ancora cristallina, ma il registro vocale si è spostato troppo verso la zona meno calda della voce, troppo in alto. In questo video è invece quasi al top che a mio modesto parere, raggiunse nei primi anni '70. In merito alla "OU", potremmo dire che si tratta di una sua e voluta personalizzazione, che comunque anche se non corretta, aggiunge del velluto a "improvviso". Il punto è che faceva con la voce e con assoluta naturalezza, tutto ció e forse oltre, ció che nessuna è nessuno poteva fare. Barbara Streisand aveva una tonalità di straripante bellezza, ma non l'assoluto e completo controllo di Mina. La voce di Mina era uno strumento assolutamente perfetto al 100%, Barbara al 99,5 o 6%. Complimenti per il suo italiano che devo darle un voto direi molto buono all'85%. Il mio inglese?, 6-7% non oltre purtroppo ❤..

Lei é straordinaria. Esprime concetti di tecnica vocale sulla grande Mina con chiarezza e passione in una lingua che non é la sua ! Complimenti,, anche lei ha una bella voce. Grazie.

OMG!!! This is more than awesome!!! You’re the one and only…no way!!!👏👏👏🌟🌟🌟🔝🎵

Woohoo congratulations Mary👏🏻😁

GET IT MARY!!! You are a star! Sending so much love your way!

Ramin is the best phantom ever.

So sweet!

Complimenti per questo bel canale, per la sua professionalità e per il suo italiano... Mina è una leggenda in Italia e in tutto il mondo, ma personalmente credo che in Italia abbiamo avuto due interpreti femminili che hanno toccato vette ancora più alte e sono Antonella Ruggiero e Giuni Russo... Spero che possa proporle sul suo canale

Great insight into Frank’s magic . He had great admiration for the song writers, arrangers and musicians......that was Frank’s play ground.........

Thank you, so much, for this! Your work shows and tells me techniques I've intuitively known for years but didn't have the courage (or the right vocal teaching) to fully utilize. Your method flows and is very freeing and is SO about trust! Trusting yourself and your voice. :) 💕

I love your talking voice so so much. Do you recommend any methods to train it, any course would you recommend to take. I love you <3

3:36 video start

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Tony Bennett , please!

I get so embarrassed when people hear me sing. The only person I ever sang for/ever allowed to hear me sing was my grandpa (R.I.P) on my mom’s side. There was one time, when I was in his living room and he was in his rocking chair in that room, I sang all of Christine’s lines from ALW’s Phantom of the Opera for him. While I did, he had closed his eyes and was smiling and moving his hands in the air like he was conducting. When I was done, I looked at him with a smile and a laugh and asked, "So, what did you think?”. He looked at me and said, “That was amazing and so beautiful. You hit the high notes so well”. Another time I sang all of Christine’s parts was at my grandparent’s house on my dad’s (R.I.P) side. I was downstairs in the play room and they were upstairs in the living room watching tv. I didn’t realize how loud I was singing. I was just so into it, so caught up, and so focused. When I was done, I heard someone clapping which made me turn around. When I saw it was my grandma, I got so embarrassed and my cheeks turned red. She smiled at me and said, “Ok. 1. You’re making grandpa mad. 2. That was so amazing and beautiful. You should be in theatre.” Most of the time, though, I sing Christine’s lines from Phantom of the Opera and Love Never Dies in my room and when I am home alone. I sing songs from other musicals too. Mainly those two, though. May I tell you my favorite musicals and what songs I LOVE singing from them?

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Magnifica spiegazione❤❤❤ Bellissimo

Brava. ...ottimo italiano. Molto competente.. ❤ Saluti Gaspare da Lugano Svizzera

butter, butter, oil, butter.

canzone stupenda. qui mina mi piace.e mi piace molto raramente.

Carissima,,, lei fà una descrizione poetica ,, del canto del cantante ,,,,

Amen

Sierra as Christine has single handedly made me want to learn operatic singing (although I know it will be hard for me as a fifteen year old with no vocal trainings before.) Thank you for this brilliant video!

I loved your commentary. You explain a lot of technique issues in a way that even a layman (or woman) can understand. Thank you. And as for Mr. Karimloo and Ms. Boggess...they were magnificent (as always).

Indimenticabile

Mina ha iniziato negli anni 50

Complimenti lei è magnifica, se non l'ha già fatto sarei curioso di una sua reaction a cantanti meno iconiche di Mina come Antonella Ruggiero dei Matia Bazar o Giuni Russo.

What a treat, Judy and Barbra, two extremely talented and amazing singers!

Bravaaaa! 😘

Si. Quell'oou è tipico di Mina. Anche con le e fa una specie " non solo teeeeiii".

Truly lovely voice and rendition.✨

BARBRA'S golden unique style at the beginning of her career.✨

Complimenti per la tua altissima professionalità. Hai vissuto in Italia e quindi senz'altro hai ascoltato le canzoni dei Matia Bazar ed in particolare "Ti Sento" e "Vacanze Romane" interpretate dalla loro prima cantante Antonella Ruggiero che noi tutti in Italia riteniamo una cantante "inarrivabile", fra l'altro le sue canzoni a differenza di Mina, sono conosciutissime ed amatissime in mezzo mondo, salvo forse i paesi di lingua anglosassone dove però a distanza di 40 anni queste canzoni vengono riscoperte e riproposte. Sarebbe bello ed INTERESSANTE avere una tua reazione (recensione) su Antonella Ruggiero e su una di queste due canzoni

Complimenti per la tua altissima professionalità e per l'ottimo italiano. Hai vissuto in Italia e quindi senz'altro hai ascoltato le canzoni dei Matia Bazar ed in particolare "Ti Sento" e "Vacanze Romane" interpretate dalla loro prima cantante Antonella Ruggiero che noi tutti in Italia riteniamo una cantante "inarrivabile", fra l'altro le sue canzoni a differenza di Mina, sono conosciutissime ed amatissime in mezzo mondo, salvo forse i paesi di lingua anglosassone dove però a distanza di 40 anni queste canzoni vengono riscoperte e riproposte. Sarebbe bello ed INTERESSANTE avere una tua reazione (recensione) su Antonella Ruggiero e su una di queste due canzoni.

Your rendition of this song is very beautiful.

🗣️ 🎶 🚿 🧼 a CARUSO sang THERE! 🚿 lol 💗 💘

Beautiful, Mary!

Thank you with my heart! ♥️🙏😄

You sound so beautiful.

Wow...epic🙇🏽‍♀️🙇🏽‍♀️🙇🏽‍♀️🙇🏽‍♀️👏🏽👏🏽👏🏽👏🏽👏🏽

I love this song and this was a beautiful rendition.