![Demir Sezer](/img/default-banner.jpg)
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Demir Sezer
Registrace 12. 11. 2017
Hello there!
I'll be (ir)regularly uploading sheet music videos. I'll also seldom be uploading my own compositions. so yea, that's it
Email: demirszr27@gmail.com
Musescore: pomegranade_god
Discord: @demir.s
I'll be (ir)regularly uploading sheet music videos. I'll also seldom be uploading my own compositions. so yea, that's it
Email: demirszr27@gmail.com
Musescore: pomegranade_god
Discord: @demir.s
Anatoly Lyadov - Sur le prairie, Op. 23 [1890]
Anatoly Konstantinovich Lyadov (12 May 1855 - 28 August 1914) was a Russian composer, teacher and conductor. Lyadov was born in 1855 in St. Petersburg, Russian Empire, into a family of eminent Russian musicians. He was taught informally by his conductor step-father Konstantin Lyadov from 1860 to 1868, and then in 1870 entered the St. Petersburg Conservatory to study piano and violin. He taught at the St. Petersburg Conservatory from 1878, his pupils including Sergei Prokofiev, Nikolai Myaskovsky, Mikhail Gnesin, Lazare Saminsky, Lyubov Streicher, and Boris Asafyev.
Performed by Olga Solovieva
Performed by Olga Solovieva
zhlédnutí: 24
Video
Anatoly Lyadov - Dance of the Amazon, Op. 65 [1910]
zhlédnutí 34Před 2 hodinami
Anatoly Konstantinovich Lyadov (12 May 1855 - 28 August 1914) was a Russian composer, teacher and conductor. Lyadov was born in 1855 in St. Petersburg, Russian Empire, into a family of eminent Russian musicians. He was taught informally by his conductor step-father Konstantin Lyadov from 1860 to 1868, and then in 1870 entered the St. Petersburg Conservatory to study piano and violin. He taught ...
Anatoly Lyadov - 4 Arabesques, Op. 4 [1878]
zhlédnutí 46Před 4 hodinami
Anatoly Konstantinovich Lyadov (12 May 1855 - 28 August 1914) was a Russian composer, teacher and conductor. Lyadov was born in 1855 in St. Petersburg, Russian Empire, into a family of eminent Russian musicians. He was taught informally by his conductor step-father Konstantin Lyadov from 1860 to 1868, and then in 1870 entered the St. Petersburg Conservatory to study piano and violin. He taught ...
Anatoly Lyadov - Intermezzo No. 1 Orchestra Arr., Op. 8b [1883]
zhlédnutí 261Před 7 hodinami
Anatoly Konstantinovich Lyadov (12 May 1855 - 28 August 1914) was a Russian composer, teacher and conductor. Lyadov was born in 1855 in St. Petersburg, Russian Empire, into a family of eminent Russian musicians. He was taught informally by his conductor step-father Konstantin Lyadov from 1860 to 1868, and then in 1870 entered the St. Petersburg Conservatory to study piano and violin. He taught ...
Anatoly Lyadov - 2 Intermezzi, Op. 8 [1883]
zhlédnutí 42Před 7 hodinami
Anatoly Konstantinovich Lyadov (12 May 1855 - 28 August 1914) was a Russian composer, teacher and conductor. Lyadov was born in 1855 in St. Petersburg, Russian Empire, into a family of eminent Russian musicians. He was taught informally by his conductor step-father Konstantin Lyadov from 1860 to 1868, and then in 1870 entered the St. Petersburg Conservatory to study piano and violin. He taught ...
Nikolai Medtner - Piano Concerto No. 1, Op. 33 [1918]
zhlédnutí 264Před měsícem
Nikolai Karlovich Medtner (5 January 1880 - 13 November 1951) was a Russian composer and virtuoso pianist. After a period of comparative obscurity in the 25 years immediately after his death, he is now becoming recognized as one of the most significant Russian composers for the piano. A younger contemporary of Sergei Rachmaninoff and Alexander Scriabin, he wrote a substantial number of composit...
Sergei Prokofiev - The Tale of the Stone Flower // ACT I. Op. 118 [1948]
zhlédnutí 120Před 2 měsíci
Performed by: Bolshoi Theater Orchestra Gennady Rozhdestvensky “The Tale of the Stone Flower", op. 118 is a ballet by Sergei Prokofiev in four acts and eight scenes with a prologue and epilogue to a libretto by Mira Mendelson and Leonid Lavrovsky based on the Ural fairy tales of Pavel Petrovich Bazhov. The ballet premiered on February 12, 1954 at the Bolshoi Theater of the USSR under the title ...
Emil Hartmann - The Vikings at Helgeland, Op. 25 [1878]
zhlédnutí 104Před 2 měsíci
Emil Hartmann (1 February 1836-18 July 1898) was a Danish composer of the romantic period, fourth generation of composers in the Danish Hartmann musical family. Hartmann was born on 1 February 1836 in Copenhagen, the eldest son of composer Johan Peter Emilius Hartmann and of his composer wife Emma Hartmann. Emil Hartmann was a composer of the Danish Golden Age. He wrote seven symphonies, concer...
Prokofiev - Overture on Hebrew themes (Orchestra Arr.), Op. 34bis [1934]
zhlédnutí 377Před 5 měsíci
Sergei Prokofiev wrote the Overture on Hebrew Themes, Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years later the composer prepared a version for chamber orchestra, his “Op. 34 bis” Its structure follows the form of a fairly conventional sonata form. It is in the key of C minor. The clarinet and the cell...
Alexander Borodin - Songs and Romances [1852-1885]
zhlédnutí 256Před 5 měsíci
Alexander Borodin was a Romantic composer and chemist of Georgian-Russian extraction. He was one of the prominent 19th-century composers known as "The Five", a group dedicated to producing a "uniquely Russian" kind of classical music. Borodin is known best for his symphonies, his two string quartets, the symphonic poem In the Steppes of Central Asia and his opera Prince Igor. This collection co...
Mendelssohn - Capriccio Brillant, Op. 22 [1832] (Shelley)
zhlédnutí 73Před 6 měsíci
Performed by: London Mozart Players with Howard Shelley
Anatoly Lyadov - Scherzo for Orchestra, Op. 16 [1879]
zhlédnutí 141Před 6 měsíci
Anatoly Konstantinovich Lyadov (12 May 1855 - 28 August 1914) was a Russian composer, teacher and conductor. Lyadov was born in 1855 in St. Petersburg, Russian Empire, into a family of eminent Russian musicians. He was taught informally by his conductor step-father Konstantin Lyadov from 1860 to 1868, and then in 1870 entered the St. Petersburg Conservatory to study piano and violin. He taught ...
Nikolai Tcherepnin - Suite from Le Pavillon d'Armide, Op. 29a [1906]
zhlédnutí 132Před 7 měsíci
Nikolai Nikolayevich Tcherepnin (May 15 1873 - 26 June 1945) was a Russian composer, pianist, and conductor. He was born in Saint Petersburg and studied under Nikolai Rimsky-Korsakov at the Saint Petersburg Conservatory. He conducted for the first Paris season of Sergei Diaghilev's Ballets Russes. 00:00 I. L'introduction et scène première 07:47 II. Courantes. Danse des heures 10:03 III. La scèn...
Darius Milhaud - String Quartet No. 6, Op. 77 [1922]
zhlédnutí 394Před 7 měsíci
Performed by the Parisii Quartet Darius Milhaud (4 September 1892 - 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six-also known as The Group of Six-and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist com...
Emil Hartmann - Symphony No. 2, Op. 34 [1880]
zhlédnutí 148Před 7 měsíci
Emil Hartmann (1 February 1836-18 July 1898) was a Danish composer of the romantic period, fourth generation of composers in the Danish Hartmann musical family. Hartmann was born on 1 February 1836 in Copenhagen, the eldest son of composer Johan Peter Emilius Hartmann and of his composer wife Emma Hartmann. Emil Hartmann was a composer of the Danish Golden Age. He wrote seven symphonies, concer...
Anton Rubinstein - Caprice Russe, Op. 102 [1878]
zhlédnutí 301Před 10 měsíci
Anton Rubinstein - Caprice Russe, Op. 102 [1878]
Scriabin - Poem of Ecstasy // Compilation of longest codas
zhlédnutí 254Před rokem
Scriabin - Poem of Ecstasy // Compilation of longest codas
York Bowen - Ballade No. 2, Op. 87 [1941]
zhlédnutí 3,5KPřed rokem
York Bowen - Ballade No. 2, Op. 87 [1941]
A. Scriabin - Symphony No. 2, Op. 29 [1901]
zhlédnutí 434Před rokem
A. Scriabin - Symphony No. 2, Op. 29 [1901]
Felix Blumenfeld - Etude-Fantaisie, Op. 48 [1916]
zhlédnutí 1,4KPřed rokem
Felix Blumenfeld - Etude-Fantaisie, Op. 48 [1916]
Aleksandr Glazunov - The Kremlin, Op. 30 [1890]
zhlédnutí 6KPřed rokem
Aleksandr Glazunov - The Kremlin, Op. 30 [1890]
Saint-Saëns - Piano Concerto No. 3, Op. 29 [1869]
zhlédnutí 6KPřed rokem
Saint-Saëns - Piano Concerto No. 3, Op. 29 [1869]
Emil Hartmann - Symphony No 1, Op. 29 [1880]
zhlédnutí 1,1KPřed rokem
Emil Hartmann - Symphony No 1, Op. 29 [1880]
Sergei Prokofiev - Flute Sonata, Op. 94 [1943]
zhlédnutí 14KPřed rokem
Sergei Prokofiev - Flute Sonata, Op. 94 [1943]
York Bowen - Fantasia for Organ, Op. 136 [1951]
zhlédnutí 798Před rokem
York Bowen - Fantasia for Organ, Op. 136 [1951]
Saint-Saëns - Piano Concerto No. 2, Op. 22 [1868]
zhlédnutí 2,5KPřed rokem
Saint-Saëns - Piano Concerto No. 2, Op. 22 [1868]
Francis Poulenc - Chansons Polonaises, FP.69 [1934]
zhlédnutí 442Před rokem
Francis Poulenc - Chansons Polonaises, FP.69 [1934]
Sergey Taneyev - 2 Choruses, Op. 15 [1900]
zhlédnutí 351Před rokem
Sergey Taneyev - 2 Choruses, Op. 15 [1900]
beutiful work!
Yes!
Really beautiful!!
I recently learned Kitayenko’s and it was heaven.
Damn ! I've already heard those chords at 2:16 somewhere !
absolutely beautiful!
ALKAN WHY ARE YOU LIKE THIS 😂
Concert pianist Ben Laude (“Tonebase” channel) makes the case that this work is Rach’s most personal opus. And therefore, to him, it is over time, appreciated much more than the the great 2nd and 3rd concertos. It grows on one. Dismissing it as a failure is a mistake. Pianist Nicholai Lugansky makes a parallel case, here czcams.com/video/yDo1aM0jy6g/video.html
just me or this does not look chopin? I kinda see it a little bit but not really.
this was apparently meant for orchestra but became lost, is it possible to make the orchestrated version????
a video for each version
I love how Prok can be so lovely and 'utterly demented' (as someone commented elsewhere) in the same piece
beautiful. didn't know blumenfeld wrote such modern harmonies (although for his time they were anything but). I associate him much more with more chromatic romantic harmonies, rather than the whole tone related, less tonal ones here. great find, thank you :)
Ne zamandir muzikle ilgileniyorsun? Bu tarz eserleri dinleyip anlamaya calismak bile derin bir gecmisin oldugunu hissettiriyor.
6-7 sene filan
Üstüne bir de gençsin. Ne oldu da müziğe başladın klasik müziğe? Öncesinde seninle sohbet etmek istemiştim aklımdaki projelerden bahsedecektim. Insta falan var mı? Nereden ulaşabilirim çok fazla sorum var. Ben de senin gibi Musedcoredan falan eserlerimi daha piyanoda çalamadan yazıp arkadaşlarıma göstermiştim. CZcamsdan video atmanı bekliyorum bir cevaplık sohbet için. Videolarında kalitesinden herhalde haftalar alıyor
Why is this a full 5 min shorter than most other recordings? They omitted some repeats?
Could just as well be the tempo, I'll have to check it but I don't remember coming across any weirdness while making the video
@@DemirSezer That's 25min vs 30 min, proportionally quite significant. Maybe the others are taking repeats not written on the score? Are there different versions?
Stephen Hough’s recording is only 25:51 so very similar!😊
As we can see, there are no repeat marks in the score, so it is simply down to tempo differences between interpretations.
To be fair while doing some other score videos I did notice some conductors outright skipping a few pages, not playing them (Rozhdestvensky with Scriabin's 2nd symphony); so it could be possible this is the case here as well. Possibly not though since it's a concerto
Un pur délice !
Most comments about this piece seem to miss the point - the piece is called Ballade #2 - and it's CLEARLY inspired by Chopin's Ballade #2 in the opening theme. It's a tribute - but it's also an entirely new thing. Bowen was not "radically" innovative but was a perfect example of a composer who found his own new and unique voice within tonal music. He wasn't a mere 'throwback' - if you listen to a lot of his music, you realize that it's got this really unique marriage of super-late romantic ala-Rachmaninoff and impressionistic-ala Debussy/Ravel music - it's like a mix of Russian and French influences - combined with a uniquely English sensibility and style. I love his music for how potent the Romantic drama of it is - quite rare for English composers - and also how rich and opulent the harmonies are. I particularly love his fondness for augmented chords - a common feature of his work! He clearly took them from the impressionists but in his language they bring new colours to late-romantic harmonies.
Ce concerto vaut le détour et pourrait être présent dans le concert international... Merci infiniment. ❤
Teyzem benim ya çok güzel
This is just beautiful! Thank you very much
Majestic
I think from 6:30 it is the most romantic Prokofiev I ever heard
Beyond a certain motivic similarity, I don’t think this piece is as heavily inspired by Chopin as people here claim. Harmonically, it’s worlds apart and the structure is also a lot more cohesive than the Chopin F major ballade which is very episodic.
i honestly like this way more than chopin's take, its as if chopin had been taken into the future and had seen the likes of thelonious monk. I love this thing, thanks for uploading.
This lovely piece is lightly inspired by Chopins ballade 2…the composer has not borrowed heavily, as some commenters are suggesting.
I would say heavily inspired...
@PenguinMilk structurally speaking, perhaps. But the material, as in melodic and harmonic structure, definitely encompasses Bowen's compositional style
liszt
Feliszt Blumenfeld didn't work as well as I imagined it would :/
0:06 these chords, something between late romantic and Ravel, just beautiful...
It kind of annoys me that it seems like there's no piano score for this piece with the actual flute part available on the internet, I have also never seen the piano score published with the flute part too... seems like everyone else is content with reading from the violin version...
It's a shame that the only available scores with piano and flute are behind a paywall
Pieces like this are best forgotten as the trash they are. It is a good thing it's hard to find it.
I know I said this sounds like chopins 2nd ballade, but an even more striking comparison would be with rachmaninoffs 2nd prelude from his op.32 set. Please, please PLEASE go listen to this prelude if you havent already, the resembelances of that to this must be more then just coincedence. Besides, they did call York Bowen the english Rachmaninoff.
I had made a synthesia video of that a while back lol, looking back at it it's definitely extremely similar
@@DemirSezer also i forgot to add, whatever simularities it has with other pieces, it shoulden't take away from the beauty and epicness of the piece, so thank you for uploading this :)
@@DemirSezer 6:03
It means that Rachmaninov copied from Chopin. No surprise.
@@marinadela1361 i disagree
The style is very distinct and is a refreshing despite not being innovative. The only problem is that it's too similar to Chopin's 2nd Ballade that the listener will be marred from a great listening experience.
The more familiar you get with bowen's overall language, the similarity between chopin's ballade and this starts being less and less striking. For me, although there surely is some obvious resemeblance, I can easily listen to it without constantly comparing it to chopin's lol
blumenfeld is the goat
An impressive piece, if perhaps a little prolix, veering between Delius and Medtner. Joop Celis is absolutely the man for the job. I remember a Grampohone reviewer praising his 'pulverizing virtuosity'. Why he is not more famous I do not understand.
Oh wow how have I never heard of Delius before? A new composer for me to explore haha
Probably because he devotes most of his time to teaching at the Maastricht Conservatoire and isn't a full time concert pianist and recording artist.
I would never thought to have used ‘prolix’ to describe music before, but it’s a good choice for this piece: there are too many semiquavers for my taste, as if the composer felt he needed to constantly keep the chatter going, when actually the harmony often creates more than enough movement. Interesting work nonetheless.
Pero agradezco el tiempo que te haz tomado para orquestar.
Gracias por compartir, pero te hago notar que la escritura par C bajos está fuera de lo que realmente es...
haha gracias, no sabía mucho sobre organizar instrumentos cuando hice esto lol
I was going to try to learn, sat down for 5 minutes and said NVM lmfaooooo
Tr de Chopinin op 10 etütlerinin hepsini daha önce çalan olmuş mu? Yoksa ben ilk olacam
Ne kadar zor olsalar da standart repertuarın en önemli setlerinden biri olduğu için çalanı çok vardır derim
damn this is STUNNING and pretty consice :o
just like you
🤧🥵@@DemirSezer
11:45
2:46
Underrated composer ?
He was really famous in his time but I guess he isn't really as popular anymore
Depends by whom. 🙂 If you are interested, start with his 4th pf. concerto and behold the Rachmaninoff sound. You might also consider the second quartet from Op. 17, especially the finale. You might also consider the pf. quintet in, I believe, g minor (forgot the opus). For "after-dinner mints" (Horowitz expression) look up Etude in C major, played by Gregory Ginzburg. I generally define AGR as a "crappy composer who occasionally wrote great works." Whether it is underrating him, you decide. And finally listen to his (???) playing. I for one am convinced it's really him -- czcams.com/video/DGO_CRGQSSc/video.html
3:15
3:12
My ass trying not to compare this with chopins 2nd ballade(impossible)
for real
Could you mark where you find resemblance? I can't find it :/
it's rythmic and melodic structure are extremely close@@bozzigmupp510
Do you think you can timemark section from this ballade and Chopin's for comparison? @@DemirSezer
@@bozzigmupp510 literally the first few measures
Listening to this for the first time I can't help but wonder how similar the textural, motivic and rhythmic material is with Chopin's 2nd Ballade in F major.
Definitely inspired by it
this is great - I have sung some of these songs
Nice!
Been looking for this exact version. Ponchielli A. - “Dance of the hours” from la Gioconda vol. 113 Studio symphony of Prague nailed this
26:53
Beautiful 😍😍
5:43
I don’t know for you, but for me, the last chord must be held at least 10 seconds.
I think ashkenazy's 8 seconds is just 👌
@@DemirSezer Too short for me… but I usually love Ashkenazy’s conducting.
@@Dylonely42 fair enough :)
This last chord is one of the greatest ever…