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Beyond Groove Productions
Registrace 6. 09. 2015
BARTOK - Romanian Folk Dances - DAVID OISTRAKH QUARTET
DAVID OISTRAKH QUARTET :
Andrey Baranov - Violin
Rodion Petrov - Violin
Fedor Belugin - Viola
Alexey Zhilin - Cello
Recorded at the "Schubertiades de Thonex" in 2022
Audio and Video - Eliyah Reichen - Beyond Groove Productions
I. Bot tánc / Jocul cu bâtă (Stick Dance)
The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Torda administrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
II. Brâul (Sash Dance)
The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region.
III. Topogó / Pe loc (In One Spot)
The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.
IV. Bucsumí tánc / Buciumeana (Dance from Bucsum)
The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania).[5]
V. Román polka / Poarga Românească (Romanian Polka)
The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania.
VI. Aprózó / Mărunțel (Fast Dance)
The sixth and last dance is formed by two different melodies: the first from Belényes (present-day Beiuș) and the second from the village of Nyagra (present-day Neagra) within the Palotailva (present-day Lunca Bradului) commune. In both the orchestral version and the original piano version, the final two dances are performed attacca-without a break between movements.
Andrey Baranov - Violin
Rodion Petrov - Violin
Fedor Belugin - Viola
Alexey Zhilin - Cello
Recorded at the "Schubertiades de Thonex" in 2022
Audio and Video - Eliyah Reichen - Beyond Groove Productions
I. Bot tánc / Jocul cu bâtă (Stick Dance)
The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Torda administrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
II. Brâul (Sash Dance)
The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region.
III. Topogó / Pe loc (In One Spot)
The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.
IV. Bucsumí tánc / Buciumeana (Dance from Bucsum)
The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania).[5]
V. Román polka / Poarga Românească (Romanian Polka)
The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania.
VI. Aprózó / Mărunțel (Fast Dance)
The sixth and last dance is formed by two different melodies: the first from Belényes (present-day Beiuș) and the second from the village of Nyagra (present-day Neagra) within the Palotailva (present-day Lunca Bradului) commune. In both the orchestral version and the original piano version, the final two dances are performed attacca-without a break between movements.
zhlédnutí: 1 830
Video
BARTOK - Contrasts (Sz. 111, BB 116) - Andrey Baranov - Damien Bachmann - François Xavier Poizat
zhlédnutí 3,4KPřed rokem
Andrey Baranov - Violin Damien Bachmann - Clarinet François Xavier Poizat - Piano Recorded live at the festival "Le Mont Musical" 2021 in Mont-sur-Lausanne, Switzerland. Sound Engineer and Director of Photography : Eliyah Reichen Beyond Groove Productions
ROSSINI - Introduzione e Variazioni per Clarinetto e Orchestra - Damien Bachmann Clarinet
zhlédnutí 7KPřed rokem
Cadenza : Damien Bachmann Recorded Live in Victoria Hall, Geneva Damien Bachmann, Clarinet Kevin Griffiths, Conductor Orchestre de Chambre de Genève Sound and Video : Beyond Groove Productions - Eliyah Reichen
MOZART - Violin Concerto No. 3 in G major, K. 216 - Allegro - Roberto Gonzáles Monjas
zhlédnutí 3,4KPřed 2 lety
Wolfgang Amadeus Mozart (1756-1791) - Violin Concerto No. 3 in G major, K. 216 (1775) 1st Movement - Allegro Roberto Gonzáles Monjas - Violin Musikkollegium Winterthur Recorded in January 2021 in Winterthur Switzerland All the strings in the orchestra where recorded with tube microphones from Neumann (M582) The Solist was recorded using a Lomo 19A19Y2 Tube microphone The main stereo pair for th...
PROKOFIEV - Ouverture on Hebrew Themes Op. 34
zhlédnutí 3,2KPřed 2 lety
Damien Bachmann, Clarinet François-Xavier Poizat, Piano Sidonie Bougamont, Violin Martyna Lukasik, Violin Marie-Barbara Berlaud, Viola Martin Egidi, Viloncello Recorded at the "Schubertiades de Thônex" near Geneva, Switzerland Audio Engineer and Video : Eliyah Reichen - Beyond Groove Productions
MOZART - Oboe Concerto in C - K. 314 - Maria Sournatcheva
zhlédnutí 25KPřed 4 lety
Maria Sournatcheva - Oboe www.sournatcheva.com/ Musikkollegium Winterthur Thomas Zehetmair - Conductor Recorded on September 12, 2019 Audio Engineer, Eliyah Reichen Proudly using Thuresson microphones Video Production, Beyond Groove Productions - Eliyah Reichen
WEBER - Clarinet Concerto No 2 - Symphonieorchester Basel & Damien Bachmann
zhlédnutí 7KPřed 4 lety
Carl Maria von Weber - Clarinet Concerto No 2 Damien Bachmann - Clarinet Symphonie Orchester Basel Recording and Mix Engineer - Eliyah Reichen Beyond Groove Productions Recorded in June 2017
BRAHMS - Clarinet Quintet Op. 115 - Ébène String Quartet & Damien Bachmann
zhlédnutí 241KPřed 5 lety
Johannes Brahms - Quintet for Clarinet and Strings Opus 115 Allegro 00:00 Adagio 13:02 Andantino 25:12 Con moto 30:01 Damien Bachmann, clarinet www.damienbachmann.ch Quatuor Ébène www.quatuorebene.com Pierre Colombet Violin by Francesco Rugeri, Cremona (ca.1680) Bow by Charles Tourte (Paris, 19th century) Gabriel Le Magadure Violin with a Guarneri label (mid 18th century) Bow by Dominique Pecat...
Domenico Catalano plays "Kislev" by Daniel Schnyder
zhlédnutí 6KPřed 6 lety
Domenico Catalano - Bass Trombone Kislev by Daniel Schnyder Audio Recording and Video : Eliyah Reichen Beyond Groove Productions
VIVALDI - Four Seasons - Alexandra Conunova - Orchestre International de Genève
zhlédnutí 16MPřed 8 lety
1st Movement - Spring 1. Spring - I. Allegro 0:08 2. Spring - II. Largo 3:30 3. Spring - III. Allegro 6:00 2nd Movement - Summer 4. Summer - I. Allegro non molto 10:20 5. Summer - II. Adagio-Presto-Adagio 15:45 6. Summer - III. Presto 17:55 3rd Movement - Autumn 7. Autumn - I. Allegro 20:55 8. Autumn - II. Adagio Molto 26:10 9. Autumn - III. Allegro Pastorale 29:00 4th Movement - Winter 10. Win...
Лучше Вивальдю никто не пиликает! Она ТОП!❤
j'adore la clarinette
Bravo !
Riferimento
I loved every moment of this. Playing with such personality!
excellent ....A big thank you to all for the moment ...👍☺
Yes - a lovely performance of a beautiful work. Bravo Ébène String Quartet and Damien Bachmann. Bravissimo Herr Brahms! David Alexander Lillis. Wellington, New Zealand. 4 June 2024
Simplemente Alucinante!... Bravo!! 👏👏👏💥
Bravissimo!
Fantastichte technich!
heuuuuu.... WITHOUT VOICE. Thanks from France 05/2024
She's a beautiful gifted child of God 💯
Wow the passionate strokes... lead strings is feeling her music!🎯🎯🎯❤️🌎
czcams.com/video/I2py2PdG6dc/video.html
...Blagodar[ za Muzikata...Ot pyrviq pyt dokosna ...
Bravo!!!!!!!!!!!!!
Armonia angelical en la tierra. Gracia!
Weich und sanft! Bravo
Conunova demuestra un dominio técnico excepcional y una sensibilidad artística que permite que cada nota cobre vida con una expresión única. Su capacidad para transmitir la variedad de emociones y paisajes sonoros presentes en la obra es impresionante. Además, la Orquesta Internacional de Ginebra ofrece un acompañamiento experto y una sincronización impecable, creando un marco perfecto para el virtuosismo de Conunova.
17:58 - 20:30 Alexandra absolutely SHREDS that violin.
The anticipation at 10:24... we all know what's about to happen. She even smiles and looks at someone like "Here we go". I love it.
Really excellent execution but only I hear the soloist’s instrument play a little weak?
She's amazing! All players are awesome, but she's just incredible. Brava!
Incredibly moving music. Superb performance.
¡Bravooo!👏👏👏
I listened to Alexandra live in Turkey a few days ago and from the first moment I couldn't control my tears. It touched my soul.❤
Espectacular
I'm always amazed at how beautifully you can create such music from such a small instrument! I'm currently a violin student, and it's an instrument I always wanted to play. Finally, I'm retired and divesting 75% of my time to learning new music for the violin, and it's all so lovely (but I tend to go more for the faster music, which gives your fingers a great exercise--- no need to go to the gym!
Degni esecutori di Brahms grandiosi
Excepcional
Isteni hang! De azért van ki vetés. Magam sajnos nincs vékony ujjam . Nagy bőgöeg brácsa . Eljászom ❤❤❤
Meraviglioso !❤❤❤
Виртиозное исполнение молодцы
Sencillamete brutal!
Lovely ❤
Браво 👏👏👏💐 Очень часто пересматриваю, и слушаю. Музыка Вивальди это целый космос. 🤗
Podoba mi sie
So beautiful to hear ❤
Inanılmaz güzel, coşkulu, sanat ve ustalık ve yılların birikimi insanda olağanüstü duygular uyandırıyor..Bu müzikle zaman su gibi akıp gidiyor..😍💗💗💗
Que bella música ❤
Alexandra foi de longe muito técnica e como sempre impecável.
Simplesmente fantástico...
❤🎉😢
HAÏTI 🇭🇹 2024 !
¡¡¡Maravilloso!!!
Girl played Summer Presto so hard her violin strings are breaking and she just keeps going. Most metal version of that piece in my opinion 😆
this is insane
Simplemente excelente🎉
beyond amazing!
❤