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Registrace 4. 03. 2019
Creating a community for cinematographers and aspiring cinematographers to share information, inspiration, and news on the latest and greatest from Sony.
Recreations: The Creator with DP Oren Soffer
Introducing our new series: Sony Recreations where we give you a closer look at your favorite films. In this episode, Director of Photography Oren Soffer takes you behind the scenes of The Creator. From the camera settings and set up he used for the Sony FX3 to the lighting methods, follow along to learn how the filmmakers created the look of the film.
Special thanks to our amazing crew:
Producer: Industry Insiders
Director of Photography: Oren Soffer
Female Lead: Sophie Cook
Male Lead: Perry Madison
Behind the Scenes, Director of Photography: Katie Eleneke
B Camera: Gabe Carnick
Sound: Alejandro “Alex” Villasenor
Gaffer: Christopher Galdamez
Best Boy Electric: Garrett Moore
Key Grip: Michael Galdamez
PA: Angel Gutierrez
Colorist: Dave Cole
Editor: Trina Rodriguez
Graphics: Alex Beatty
Special thanks to CAM Lighting and Grip and Fotokem.
The Creator FX3 Rig: Tilta, Ronin
Lenses: Atlas Mercury
Subscribe to the Sony Cine Channel to learn more about Sony’s cinema cameras and lenses: czcams.com/channels/xwvhZVoD_COX-CAjAQpPhA.html
More Sony Cine Channels:
-Website: sonycine.com/
-Instagram: sonycine
-Facebook: SonyCinematography/
-Twitter: sonycine
Special thanks to our amazing crew:
Producer: Industry Insiders
Director of Photography: Oren Soffer
Female Lead: Sophie Cook
Male Lead: Perry Madison
Behind the Scenes, Director of Photography: Katie Eleneke
B Camera: Gabe Carnick
Sound: Alejandro “Alex” Villasenor
Gaffer: Christopher Galdamez
Best Boy Electric: Garrett Moore
Key Grip: Michael Galdamez
PA: Angel Gutierrez
Colorist: Dave Cole
Editor: Trina Rodriguez
Graphics: Alex Beatty
Special thanks to CAM Lighting and Grip and Fotokem.
The Creator FX3 Rig: Tilta, Ronin
Lenses: Atlas Mercury
Subscribe to the Sony Cine Channel to learn more about Sony’s cinema cameras and lenses: czcams.com/channels/xwvhZVoD_COX-CAjAQpPhA.html
More Sony Cine Channels:
-Website: sonycine.com/
-Instagram: sonycine
-Facebook: SonyCinematography/
-Twitter: sonycine
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this guy is a scummy political activist
Jon Joffin is the best. I learned so much from him.
I am going to get an FX30! Took so long to decide.
Which module are you using? L2?
What about all these videos that teach you how to work with ISO values in different way. Like use lower native for dark scenes and high native for much brighter exterior scenes?
This was a wonderful experience
Anybody elses fx6 have quite a bit of noise on 12800 iso, like quite a bit...
The practical lights gave it a nice touch, added depth to the scene and Aputure lights...well I never would have guessed.
Don't do scary thrillers but what I saw was very good.
Oren please, colorist working with ProResRAW ? in what software, most do it via transcoding to prores444 and then going to davinci. And sadly this transcoding is available only at 10 bit.
"Using 12800 ISO meant we could use lower wattage and battery powered leds..." oh, i guess they used some 20w pocket lights "... like this aputure 600c" EXCUSE ME? My 100w cob led just crawled under the table in fetal position to cry itself to sleep.
The Creator looks beautiful. But this tutorial/masterclass looks very lit and artificial. I get what they are going for, it's just not a great example. Also, the grading is a big part of the Creators look.
Oren is the best.
Awesome thank you 🙏
Could watch this type of video for hours. Great work! Thanks for sharing! 🙏🙏
Was all of the creator shot at 12800 iso?
Pls Sony drop the next FX6 with internal 12bit codec! It's time to do it!
It doesn't look real. Just looks good.
I'm a subscriber now, thank you Oren for that straight forward, user friendly breakdown. I love lighting, whenever I ask for a piece of equipment my producers always say, "we know, it's got something to do with lights doesn't it!"
Wow, so much talent and charisma in one person! I'd like to see more of him, please!
Super helpfull, please make more videos like this
FX3 will definitely be my next camera. The only thing I wish it had was 3:2 recording, especially for anamorphic purposes. Losing so much realestate on the sides of the image is so sad.
such a great way of lighting. love how the Helios' were used
This is so cool. I love that Oren uses gear that we all have access to as opposed to "standard" hollywood kit like Signature Primes. Just shows how damn good he is!
man signature primes are like super accessible. Or you would say their anamorphic on creator were that accessible?
@@antonstafeyev3606 I think he meant accessibility in terms of budget.
@@guptageneralstores5243 it costs me 200$ to rent a full kit per day. and you wont even need that many. my personal kit is 35, 70 and 150mm, or use cookes for fullframe which is like 300$ for a shift.
Dude that lens cost around 8k
I love the final result, the scenes look beautiful!
Brilliant tutorial! Really well laid out! Don’t forget the Heavy Duty Gimbal L Bracket ‘inspired by the Creator’ to build your creator rig too ;)
I wish we talked a little bit about the key you can see in the talents eyes at @3:29 besides the tubes. looks almost like a light shot through a curtain that's fairly wide?
I mean you can see it at least. Its something high wattage bouncing off cards outside the windows. Take a peak at 1:50
@@iceman10129 Totally! But I'd love to know :D
As kylo ren said… MOOORREEE GIVE US MOORREEEEE
just post more of these!!
"Simple" "Efficient !
Thanks great insights. !!
Brilliant - thanks Oren
3:01 ouch
WB for both shots?
Yall, this is so valuable. Thank you for putting this together.
Great!!!!!
Make more of these with other cinematographers
Thanks for shooting in our space! Y’all smashed it!!! 🎥🔥
Thank you @sonycine for making this happen… I definitely been wanting to know more about this lightning set for this movie
how to set sony gx30 with 7 artisans 50mm T1.05 APS-C MF Cinema Lens ,Sony E Mount
Great content thank you
hope to see more of this videos
Does the FX3 have shutter angle or OpenGate ?
Currently no it doesn’t have shutter angle, but that feature will be coming via firmware update later this year. I don’t think it has open gate. That feature is mainly on Fujifilm, Lumix, and Blackmagic.
More of these types of videos, please! This was brilliant!
Thank you Oren for the insights I will definitely be using these tips on my upcoming short film! PS. You work on the creator was fantastic and a huge inspiration, I will be following what ever you do next!
Would love to learn more about LUTs used how they used it with the FX3.
We want more of these kinds of videos.... More! More!! Mooooooooooooooooooore!!! ❤❤❤❤❤
Amazing tutorial! I'm curious what the PR RAW pipeline is. I've tried different software for transcode (Resolve doesn't support PR RAW) but nothing seems to work quite right, though it could also be user error. Can anyone point me to a solid workflow for PR RAW?
Did you try Assimilate by Atomos ? I think it's the most handy way to transcode PR Raw to CNDG which Resolve supports
Hey Oren, can you tell me which tuner you were using on this setup? Thanks!
That's the L2 K35 tuner. They way you can tell is with the color of some of the markings. L1 is orange, L2 is white and L3 is Yellow.
Enjoyed these insights! Thanks for sharing the knowledge, Oren and Sony!