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1245834? Elsa is included as a playable character in Disney Infinity and its subsequent 2.0 and 3.0 editions, playable in the Toy Box Mode of all games. She was released both as a singular figure and with her sister Anna in a dual Frozen Toy Box pack with two customization Power Discs. Elsa also has her own exclusive adventure called "Elsa's Slingshot Gallery". The aim is to hit targets with your slingshot to get as many points as you can within a certain time limit. Yellow targets yield 1 point, while red targets yield 3 points. Elsa first appears shortly after the player arrives in Arendelle alongside Olaf. At the time, Arendelle was being plagued by a legion of mischievous ghosts. With Elsa's magic having no effect on the ghosts, she and Anna visit Grand Pabbie for advice. While in the Valley of the Living Rock, the sisters meet the player and are told of their magic powers. Elsa then enlists the player in cleansing Arendelle. Afterward, she is found in the castle and regularly gives the player tasks throughout the game. In Kingdom Hearts Union χ, Elsa appears as a combat Prime power medal used by the game's avatars along with her sister Anna. Her power from the medals was channeled by the Book of Prophecies. In Kingdom Hearts III, Elsa appears in her homeworld, "Arendelle" playing a similar role to the original movie but with her brief interactions with Sora, Donald Duck, and Goofy.[14] Behind the scenes, Elsa becomes the unknowing target of Organization XIII, due to her potentially pure heart. Sora first spots Elsa fleeing across the fjord as it freezes in her wake. When they catch up to her and introduce themselves, an argument between Sora and Donald pushes Elsa to the point where she uses her powers to silence them, shocking and scaring the trio. Heartless then warp in to attack them, but Sora, Donald, and Goofy fight them off. After apologizing to the trio and thanking them, Elsa uses her powers to take out a reindeer-like Heartless that tried to pounce on Sora from behind while he was speaking with her. Sora is amazed about her powers, but Elsa admits that she fears her powers only hurt people, and has chosen to run away to the North Mountain, believing Arendelle is safer without her, before blocking Sora from pursuing with an ice wall and asking him to go away. After that, the game recreates "Let It Go" as Elsa creates her ice palace and dress. When Sora, Donald, and Goofy discover it, they are in awe, before Larxene appears. Larxene confirms she was dispatched to ensure Elsa becomes one of the new Seven Hearts to succeed the previous Princesses of Heart and sends the trio flying with a powerful ice storm to keep them from interfering with Elsa's path towards light or darkness. After learning more about Elsa from her sister, Anna, Sora compares Elsa distancing herself to help Anna with Riku sacrificing his freedom to close Kingdom Hearts. As in the film, Elsa's bittersweet reunion with Anna culminates in Elsa accidentally hitting Anna in her heart with her powers. At that moment, Sora, having arrived at the palace entrance, senses Anna's heart hit and frozen by Elsa's magic. Once they evade Marshmallow, Sora, Donald, and Goofy find Elsa being carried back to Arendelle by Prince Hans, but they notice darkness emanating from him and realize Elsa is in danger, so they give pursuit of him. After coercing Marshmallow to help them save Elsa, the trio track down a grieving Elsa about to be struck down by Hans on the frozen fjord, only for Anna to jump in to take the blow herself just as the curse completely overtakes her and turns her into solid ice. After Sora fends off Sköll, a wolf-like Heartless manifested from Hans' darkness after he was knocked unconscious, Sora returns to see Elsa weeping over Anna's frozen body. However, Anna's sacrifice to save Elsa's constituted an "act of true love", breaking the curse and restoring Anna to flesh and blood. Before Sora, Donald and Goofy can reunite with the royal sisters, they are intercepted by Larxene, who is surprised that Anna's love for Elsa filled both of their hearts with light. She then drops the bombshell on Sora that the Organization has already gathered their thirteen pieces of darkness and departs with a warning that if Sora fails to gather his seven Guardians of Light, the Organization may go after Elsa and Anna instead. Though Sora is concerned by Larxene's fateful warning, Donald and Goofy encourage him to not give up, especially for Anna and Elsa, as they are strong together because of their love for each other. Soon after, Elsa is able to gain control over her powers and ends Arendelle's winter. With Anna, Kristoff, Sven, and Olaf at her side, Elsa celebrates the return of summer with Sora, Donald, and Goofy, before they set off on their next adventure. AWD?!

1245833? In this continuation of the film, Elsa is featured as the warm ruler of Arendelle, struggling to rekindle with her sister and care for her kingdom, which regularly requests her attention. This aspect is largely the focus of All Hail the Queen. In Memory and Magic, Elsa encounters a young troll who claims to have the power to restore the memories of Anna that Pabbie erased years ago. However, a reluctant Elsa goes against the idea and chooses to create new memories instead. Elsa plays a more heroic role in A Warm Welcome, where Olaf informs her of a summer queen with power over fire and heat. But when the snowman also mentions her land is trapped in eternal summer, the Snow Queen and Anna take action and launch a rescue mission. In The Secret Admirer, Elsa receives a message from an anonymous lover, prompting Anna and Olaf to uncover the sender in hopes of pairing Elsa up. The book hints that Elsa may be romantic, showing that while she's flattered that someone has feelings for her and is curious about who they are, she's not as curious as Anna or Olaf, who essentially look through every possible candidate. This suggests she is not necessarily against the idea of being in a relationship, but she puts her kingdom and her sister above all else. Although more social and in complete control of her powers, Elsa still has slight haphephobia (fear of being touched), having slight trouble with a kiss on her hand. In Return to the Ice Palace, Elsa's relationship with the Snowgies is briefly explored; she treats them very much in the vein of her own toddlers, as she warmly allows them to play along with her dress during her visit to their home, in the ice palace. Elsa is mentioned in the seventh book Kingdom Keepers VII: The Insider, where she was asked to slow the storm approaching the park that the Overtakers were going to use to ignite natural gas flooding it. In the Twisted Tale novel Conceal, Don't Feel, Elsa grew up with no memory of Anna because she attempted to interfere in the spell to erase Anna's memories of her magic, which resulted in both sisters losing all recollection of each other and Anna being 'cursed' so that she would turn to ice if she spent too long in proximity to Elsa. However, she also lost all memory of her abilities, living a relatively normal life until the trauma of her parents' deaths caused her to lose her emotional control and trigger her powers. During the next few years, she creates Olaf, who acts as a secret confidant for her, and the Duke of Weselton attempts to arrange a relationship between her and Hans by introducing her to Hans under the guise of them being a similar age in a similar position. However, Elsa genuinely never sees Hans as more than a friend, and shortly before her coronation, she regains her memories of Anna after finding a box that was meant to be used to hold Anna's items as she was growing up. After Hans tries to propose to Elsa, she triggers her powers and ran away as in canon, eventually finding the trolls to confirm what actually happened the night when she struck Anna. Eventually, Anna (who had also found evidence of her relationship with Elsa) manages to find Elsa and fully breaks the spell suppressing their memories, the novel ends with them both reveling in their new relationship. The story, A Sister More Like Me, gives an expanded look at her character. She's revealed to be intelligent, a lover of academics, and has a fondness for tea. A Year with Elsa & Anna (and Olaf, too!) describes Elsa's birth as having occurred at night and during which the aurora borealis phenomenon occurred. Forest of Shadows takes place a few months before the second movie. Elsa needs to go overseas for a few months and leaves Anna to look after Arendelle in her absence. Elsa's departure is halted by an unexpected plague, followed by a Nattmara. In the end, the Nattmara is defeated. This story also foreshadows the events of the second movie, such as a vision of the earth giants destroying a dam. It also depicts Anna's desire to do more for the people of Arendelle and highlights her insecurities about being the "spare". In addition to showing Elsa's stress about being queen due to her introverted personality. This emphasizes how fulfilled Anna and Elsa become in the sequel, with Anna being crowned Queen and Elsa being free of expectation to be who she is. Tales of Courage and Kindness takes place after the sequel, this story shows us Elsa's life in the Enchanted Forest and her new role keeping peace between humans and nature as the fifth spirit. She becomes aware that something is wrong in the forest, something that the other spirits sense as well. The source of the disturbance is discovered when they find a couple collecting a large quantity of acorns so they could grow their own forest. The spirits reach aggressively to this but Elsa uses her powers to calm them down to protect the couple before explaining to them how their actions are hurting the forest. The couple returns the acorns and peace is restored. AWD?!

1245832? Years later, Emma Swan and Captain Hook are transported back in time and after correcting their mistakes they are imprisoned in the vault of the Dark One by Rumple who believes the two of them can not return to the future. Hook attempts to search the vault for a way out and finds the urn that contains Elsa, Emma tells him to put it down which he does. Moments later Emma is able to recover her magic and open a time portal to the future in which Elsa's urn is accidentally sucked into. After Hook and Emma have returned to Storybrooke they leave the area, after they have departed Elsa breaks free from her urn, shatters it with her magic, and proceeds to walk out of the barn hastily creating a trail of frost in her wake. Though initially frightened by her surroundings, causing great chaos as a result, such as creating a giant snowman that turns wild until it is destroyed by Regina. Elsa manages to retreat from the chaos and stumbles upon Anna's necklace in Mr. Gold's (Rumplestiltskin) shop. Elsa after finding Anna's necklace creates an ice wall that surrounds the entire town. Emma meets Elsa who was hiding behind the wall, and Emma nearly dies due to a cave in but Elsa saves her. Later that night Emma and Elsa go to the ice wall so Elsa can take it down but for some reason, her magic is unable to melt it. As time passes, Elsa and Emma form a strong friendship, and the other members of the town no longer see Elsa as a threat. Emma and the others decide to join their new companion in the search for her sister. The group would eventually encounter Ingrid, who uses her magic to keep the ice wall up, though Elsa fails to remember her as her memory was wiped by the Snow Queen to prevent confrontations. Elsa and Captain Hook confront Ingrid after the latter has frozen Maid Marian, but Ingrid tells Elsa everyone fears people with magic and tries to kill Hook to prove to Elsa that the town will turn on her. Emma is able to stop Ingrid, but she gets away. Later Ingrid creates a false Anna to lure Elsa away from Emma, and she traps her niece. Ingrid needs Elsa out of her way so she can obtain Regina's mirror. Elsa is able to break free from her bonds and stops Ingrid, who was using her magic to choke Emma and Regina. Elsa tells Ingrid to fight her, but Ingrid again flees. Like before, Ingrid plots to recreate her family and selects Elsa and Emma (who also has magical powers) as her victims. Convinced that she could only gain their love when she was the only one left, Ingrid obtained a mirror capable of bringing out the worst in people. The mirror was missing one piece, a shard from Regina's mirror, which Ingrid had just stolen. If a piece of the mirror were to get in someone's eye, they would see nothing but hatred in the world. Ingrid had planned to use this on everyone in Storybrooke (dubbed the Spell of Shattered Sight), forcing all of its citizens to turn against one another and battle to death while she, Emma, and Elsa remained immune. Back in Arendelle, Anna tried to track down a device known as a wishing star, which will have the power to bring her and Kristoff to wherever Elsa is. It was apparently the necklace Elsa had given her long ago, Elsa using it to bring Anna and Kristoff to Storybrooke. However, the Spell of Shattered Sight had already begun, and the only ones immune to it were Elsa, Emma, and Anna. Tracking down a note written by Elsa and Anna's mother right before her death, Anna brings it to Ingrid. It reads that Gerda requests that Ingrid is freed from the urn and states she truly loved her sister and regretted trapping her away. Realizing she always had her sisters' love, Ingrid destroys herself to ensure the curse is lifted. With the help of Rumplestiltskin, Elsa, Anna, and Kristoff are able to discover a door that will lead back to Arendelle, though they will not be able to return, as the door will disappear after its use. Anna and Kristoff depart, while Elsa and Emma share a tearful goodbye before returning to Arendelle with her sister. Back in their home kingdom, Anna's wedding is underway, and the two sisters share a brief chat before heading to the chapel, hand-in-hand. Sometime after, Arendelle would be under siege again; this time by the pirate Blackbeard. Having learned and mastered some new magic, Elsa managed to defeat him. As punishment for how he mistreated her sister and her brother-in-law, including his collaboration with Hans, Elsa shrinks the pirate and his crew, and turns their ship, the Jolly Roger, into a ship in a bottle, unaware that she also trapped the mermaid Ariel as well. In the episode "Beauty", a young girl is seen dressed as Elsa for Halloween. Elsa appeared alongside Anna and several other Disney characters in the 2021 Macy's Thanksgiving Day Parade riding on the Disney float based on the newest ship to the Disney Cruise Line fleet, the Disney Wish, dubbed "Magic Meets The Sea", with Jordan Fisher as the special guest star to sing "Together We Set Sail" with them when they got to Herald's Square on 34th Street. Their float, pulled by a Dodge Ram pickup truck, followed behind Ronald McDonald as he was in front of them in his Big Red Shoe Car with Hamburglar and Grimace, with the newest version of his balloon floating behind him. During the procession, Elsa and her sister, wearing their Frozen II outfits as Queen Anna and Fifth Spirit Elsa, along with Aladdin, Jasmine, Cinderella, Moana, Tiana, Rapunzel, Captain Minnie, Captain Mickey, Donald, Goofy, Pluto, Chip 'n' Dale, waved to the guests along the parade route with Jordan and their supporting Cast Member performers following on the ground with their supervisor/adjutant Cast Members representing Disney Cruise Line and The Walt Disney Company following behind, as the song played over the float's loudspeakers, adding that little bit of Disney magic to the parade due to the lingering threat of the SARS-CoV-2 virus and its mutations over NYC. Elsa and Anna sat out the 2022 version of the parade, where the float returned to promote the Disney Wish stage performance "Seas The Adventure", letting some of their fellow Theme Park Characters attend in their place, like Mirabel, Raya, and Mulan. Elsa and Anna returned to the parade in 2023 to ride on "Magic Meets The Sea" again as part of the Disney 100 celebrations. [13] The float is also going to be repainted to represent the sister ship of the Disney Wish, the Disney Treasure, set to join the fleet in 2024. Mickey, Minnie, Elsa, Anna, and the other characters, including Miguel, Mirabel, Moana, Tiana, Naveen, Rapunzel, Peter Pan, Genie, the Peddler, Aladdin, Jasmine, Goofy, Donald, Pluto, Spider-Man, and Black Panther, performed the song "Let's Set Sail" as part of the parade entertainment when the float reached Herald's Square, though waited to perform until NBC returned from commercial break as they reached Herald Square just as the broadcast went to commercials. They proceeded ahead of Ronald McDonald and his balloon, the NYPD Marching Band, and the balloon of Chase the German Shephard Police Dog from PAW Patrol. Just like the previous two years the float was in the parade, characters like Anna, Mirabel, Tiana, and Moana, were wearing their winter versions of their outfits to stay warm in the cold weather over Manhattan on Thanksgiving Day. AWD?!

1245831? When she receives Elsa's message, Anna is bereft, and more so when Olaf disappears due to the loss of Elsa's magic. Nevertheless, she moves forward, knowing that she must right her grandfather's mistakes for the good of everyone and do the next right thing. Anna calls the Earth Giants to aid her to destroy the dam. Lieutenant Mattias tries to stop Anna, but she reveals to him that King Runeard betrayed the Northuldra and was the true culprit behind the war. Anna also tells him that Elsa possibly lost her life to reveal the truth to him and his fellow soldiers. This convinces them to help Anna, as the sole remaining member of the Arendelle Royal Family, to avenge losing another monarch under their protection, drawing the Earth Giants towards the dam by banging their swords against their shields to get their attention. They manage to destroy the dam, setting off a flood that threatens to destroy Arendelle as it cascades down the fjord from the Enchanted Forest to Arendelle. Destroying the dam releases the curse upon the forest and thaws Elsa, who is still weakened from freezing solid. This causes her to fall into the Dark Sea before being rescued by the Nokk when it sees her in trouble. Elsa rides the Nokk (which revives her strength) to the waters of Arendelle and working with the Nokk, she freezes the approaching wave and sends it receding back on itself, stopping it, and protecting the kingdom. These events are all witnessed by the citizens of Arendelle, Grand Pabbie, and his rock trolls, who cheer for Elsa for her heroic act, while Pabbie gives her a respective nod of congrats himself. She then returns to the forest, where she reunites with Anna, Kristoff and Sven, who are relieved to see she's alive. Elsa commends Anna for her heroism and reveals that she and Anna are the Fifth Spirits and the two sides of the bridge. After asking Anna "Do You Want to Build a Snowman?", Elsa uses her magic and Gale's help to restore Olaf, as water has memory. The group embraces and Elsa promises Olaf not to put their lives at risk again. After talking with Yelana and Honeymaren, Elsa declares that she will remain in the Enchanted Forest as its protector, while Anna is dubbed the new Queen of Arendelle. Following her decision, Elsa lives among the Northuldra and her fellow spirits but makes regular return visits to Arendelle to spend time with her family. Elsa only makes a brief appearance in this midquel short film taking place during the events of Frozen. She only appears during the musical number "Let It Go", where it is shown that Elsa brought Olaf to life during the events of the musical number. The events of "Let It Go" resume as Olaf finds himself exploring the world around him. “And any friend of Vanellope's is a friend of ours.” ―Elsa meeting Ralph. In Ralph Breaks the Internet, Elsa appears as a netizen resident of Oh My Disney. She and the other Disney Princesses work as cast members that meet-and-greet net users. When Vanellope von Schweetz is confronted by First Order Stormtroopers, she glitches into the princesses' backstage room to evade them. Upon arriving, Elsa is seen conversing with Moana and Anna. The princesses mistake Vanellope for a threat and charge at her with various weapons; Elsa is about to use her ice powers. Vanellope explains that she's actually a princess as well, prompting Pocahontas to ask what kind of princess she is. Elsa questions if Vanellope has "magic hands" while demonstrating her magic, but Vanellope denies it. When Jasmine asks if Vanellope has "daddy issues", she notes that she doesn't even have a mom, to which Elsa and Anna relate. Shortly after declaring Vanellope a princess, Elsa and the others princesses admire Vanellope's casual modern clothes. While doing so, Elsa says that she thinks Vanellope's outfit is "so cool!" They then change into more comfy modern outfits to match, made by Cinderella's mice. Elsa wears an ice blue sweater with a graphic that reads "JUST LET IT GO" in bold white letters, black, sparkly sweatpants, and ice blue ballet flats. During the rest of Vanellope's visit, Elsa is seen lounging on a cushion on the floor while sipping a milkshake. During the climax of the film, Elsa and the princesses spot Ralph about to plummet to his doom from the air. The princesses rally together to rescue the bad guy, using their individual abilities to do so. Moana summons the ocean, which Ariel dives into to swim upward and create a spiral. Jasmine and Elsa fly towards the top using Carpet, from which they are able to join with Ariel. Elsa then uses her powers to create an ice slide for Ralph. After he is saved, the princesses introduce themselves as friends of Vanellope, with Elsa adding that anyone who is Vanellope's friend is their friend as well. Elsa and Anna make a small cameo appearance in the animated mini-series It's a Small World: The Animated Series, in the episode "Little Birds, Frost and Pine", happily playing in the winter snow together, building Olaf. Elsa also makes a small appearance alongside Anna, Sven, and Olaf in an advertisement promoting Sky Movies. An emoticon version of Elsa appeared in the Frozen, Frozen Fever, and Olaf's Frozen Adventure entries of the As Told by Emoji short series. An otter version of Elsa appeared on the cover of Duke Weaselton's bootleg copy of Floatzen 2 in the film Zootopia. In LEGO Frozen Northern Lights, Elsa and Anna embark on a journey to uncover the mystery behind the northern lights' disappearance. As an exaggerated version of herself, Elsa is portrayed as an overdramatic pessimist, though this stress also cripples her abilities, which adds difficulty to the adventure. A running gag involves Elsa preparing to sing "Let It Go", only to be interrupted before she can. In Once Upon a Studio, Elsa and Anna are seen walking past an angry Stromboli trying to get a candy from the studio's snack machine and Anna asks her if all of the villains will show up in the group photo, to which she freezes Hans from his frame and replies, "Not all". In Wish Elsa was among the Disney animated characters that appeared during the credits. Elsa appears in the season finale of the show's third season and she is portrayed by Australian actress Georgina Haig. The flashbacks of Arendelle are set about two years after events that are equivalent to the events of Frozen, and approximately a year before the first Dark Curse was cast in the general Once timeline. In the midst of preparations surrounding Anna and Kristoff's wedding, Elsa discovers that her parents set off on a mysterious mission in regard to her abilities. Elsa and Anna learn from Grand Pabbie that they were traveling to a land known as Misthaven; better known as the Enchanted Forest. Determined to learn why Anna travels to Misthaven, without Elsa's consent, and much to the latter's dismay. Meanwhile, Elsa and Kristoff defend the kingdom from an invading Hans, who concocted a scheme to trap the Ice Queen within an enchanted urn. Kristoff and Elsa get to the urn first but are cornered by Hans and three of his brothers. Elsa and Kristoff are able to defend themselves until Hans puts a sword to Kristoff's back, and threatens his life. Hans tells Elsa he will spare Kristoff if Elsa gives him the urn, which she does. When Hans opened the urn to capture the queen, however, a mysterious being is released, instead, and freezes Hans as punishment for his cruel ways. The being is soon revealed to be Elsa's maternal aunt, Ingrid. Like Elsa, Ingrid holds power over ice and snow and is universally known as the Snow Queen. Elsa welcomes Ingrid back into Arendelle and is soon greeted by Anna returned from her adventures. However, it is soon discovered that Ingrid has villainous intentions. Years before Anna and Elsa, Ingrid was the elder sister of Gerda (Anna and Elsa's mother) and Helga. One day, Ingrid accidentally killed Helga, resulting in Gerda, in grief, trapping Ingrid in the magical urn to prevent her from causing more harm. From there, Gerda asked Grand Pabbie to erase Helga and Ingrid from the records and minds of Arendelle. When Ingrid returned, she wanted a new family to fill the void her sisters left, but one where they are equally empowered with magic, thus decidedly plotting to eliminate Anna. In hopes of turning Elsa against her sister, as well, Ingrid entrances Anna, forcing the latter to confront a confused and frightful Elsa. Anna threatens to imprison Elsa within the same urn that trapped Ingrid, and although Ingrid intended for Elsa to kill her sister before she had the chance. Elsa refused to hurt Anna and Anna unseals the urn in which Elsa is then imprisoned. Ingrid in a rage takes the urn from Anna and freezes over all of Arendelle, Ingrid then erases Elsa's memories of ever meeting her so the two could have a fresh start after Ingrid released Elsa from the urn. However, before Ingrid could release Elsa, Rumplestiltskin appears and takes the urn from Ingrid and tells Ingrid he will give it back if she gives him the magical hat. Ingrid does not oblige to the Dark One's request and Elsa is stored in Rumple's vault. AWD?!

1245830? Elsa returns in the sequel, this time as the protagonist. Three years have passed since Elsa revealed her powers, and the now 24-year-old[5] queen has settled into her position as Arendelle's reigning monarch. And yet, Elsa is not content with her place, in spite of her companionship with Anna, Kristoff, Olaf, and Sven, and the acceptance from her subjects. With her powers growing exponentially with each passing day, Elsa is stuck with many questions about who and what she really is, and wonders if her purpose is really meant to be ruling Arendelle in her parents' stead after their untimely deaths. Meanwhile, a strange, siren-like voice that only Elsa can hear starts calling to her. Elsa wonders if it is somehow connected to her powers and origins. Despite this, Elsa fears that pursuing the voice may come at the cost of her family, and thus tries to ignore its call. One night, Elsa's frustration with the voice's presence causes her to finally pursue its call. As she follows the voice out of the castle and to the edge of the fjord, Elsa lets her magic run free, unconsciously generating snowy projections of various scenes and objects, including a gust of wind, a flame, humanoid rocks, and a mystic horse. Too enticed to turn away, Elsa embraces the voice's call and awakens the spirits of the Enchanted Forest, who initiate an assault on Arendelle. This causes panic across the kingdom, the inhabitants of which are evacuated to the cliffs by Anna and Elsa. Once everyone is safe, Elsa admits her doings to Anna. Grand Pabbie soon arrives with the rock trolls and tells Elsa that the elements are acting out from anger from a past offense, and the only way to save Arendelle is to quell their rage and restore balance, or he foresees no future for the kingdom. Elsa declares that to save her kingdom, she must find the mysterious voice. Despite her desire to go alone, Anna, Olaf, Kristoff, and Sven insist upon accompanying Elsa on her journey. Pabbie and his rock trolls promise to take care of the people of Arendelle until the Royal Sisters returned. Unknown to Elsa, Pabbie had spoken in private to Anna over his concerns for Elsa, saying how they always feared her powers, but now, they have to pray they are enough to help save Arendelle, and Anna swore to him that she would protect Elsa and not let anything happen to her. In the forest, they discover that a delegation of Arendellian guards under the command of their father's former bodyguard, Lieutenant Mattias, and the people of the Northuldra have been trapped in the forest for over thirty years. Though initially wary of Elsa, the Northuldra come to trust her upon witnessing her connection to the spirits of wind and fire. Gale combines its magic with Elsa's to reveal that the sisters' mother, Queen Iduna, was herself a member of the Northuldra. With this knowledge, the Northuldra members welcome Elsa and Anna into their family. While recouping at the Northuldra campsite, Elsa learns from a Northuldra woman named Honeymaren that there is a fabled "fifth spirit", said to be the bridge between the magic of nature and people. Elsa wonders if the fifth spirit is the one that has been calling to her, but Honeymaren declares, "Only Ahtohallan knows". With Gale and Bruni as their guides, Elsa and Anna continue on their quest to find the voice. They are led to the Dark Sea, where they find the wreckage of the Arendellian ship on which their parents drowned. By uncovering lost relics and channeling the memory of the water, Elsa and Anna discover that their parents were voyaging to Ahtohallan to learn the source of Elsa's powers. Elsa chooses to traverse the Dark Sea to find Ahtohallan, which she believes holds the answers she has been seeking. Anna again insists on coming, reminding Elsa about their mother's warnings that they could "drown" if they go too far. However, Elsa knows that sending Anna and Olaf with her would upset the balance between both worlds and it's too risky for both of them, so she uses her magic to conjure an iceboat, which sends away her sister and the accompanying Olaf as a means of protecting them, though it angers Anna and Olaf in the process. She then tames another of the spirits, the water spirit, known as the Nokk, following a struggle with it where the Nokk tries to drown her as she tried to cross the Dark Sea, and with Nokk's help, travels across the sea. Arriving at Ahtohallan, Elsa ventures into a deep cavern looking for the fifth spirit; the voice grows even louder, and as Elsa follows it, she finds herself in a room with all the elemental symbols engraved on the floor. Once she steps into the center, she sees a vision of her mother singing in unison with her. Elsa then realizes the symbols form a star, and its center represents the fifth spirit. Upon realizing that the fifth spirit is the connection between the elements, Elsa's dress transforms into a beautiful white gown with two waving cape strands as the symbols transform into ice diamonds that become one with the dress. Elsa realizes that she is the fifth spirit-the bridge between nature and people-and ascends to her true identity of the Snow Queen.[4] After the spiritual revelation, Elsa uses her powers to create moving replicas of people in the past and memory. After scouring some of her memories, Elsa soon comes across the statues representing events within the Enchanted Forest-the ones concerning her grandfather King Runeard and the Northuldra. Exploring further, Elsa learns Runeard detested magic in the belief that magic corrupts and makes people defy authority like his status as King of Arendelle, which motivated his actions, which angers Elsa due to what she learned about magic and how fear is what cannot be trusted, which was what her grandfather was letting control his actions as he feared the Northuldra and their bond with magic. After following her grandfather's statue further down into Ahtohallan, Elsa's hands begin to freeze. Elsa soon uncovers her grandfather's dark secret: the dam supposedly built by the people of Arendelle as a gift for the Northuldra was actually a ploy by Runeard to drain their magic and ruin them, with him even going so far as striking down the Northuldra leader when he was unarmed and unaware of Runeard preparing to murder him to instigate war between the Northuldra and Arendelle. Elsa begins to grow colder. Having gone too deep into Ahtohallan's depths and ignored her mother's warnings from the lullaby she sang to her and Anna when they were younger, Elsa rapidly begins to freeze to death, though more slowly and painfully compared to Anna when under the frozen heart curse, but manages to use her final moments to send a message to Anna, revealing this truth, before she freezes solid completely, entombing her in Ahtohallan as her grave. AWD?!

1245829? Sometime later, a shackled Elsa awakens within the castle dungeon, where she is able to witness Arendelle's eternal winter firsthand from the cell's only window. She then receives a visit from Hans, who claims to be protecting her. Hans pleads for Elsa to end the curse, but she lacks the power to do so and instead demands that she be released for Arendelle's safety. Hans claims that he'll "do what he can" and leaves the cell. Afterward, Anna finally returns to Arendelle and warns Hans about the curse placed upon her by Elsa. Wanting to usurp the throne as king, Hans refuses to save Anna so that he can charge Elsa with treason and sentence her to death. Before the guards can carry out the execution, Elsa uses her powers to destroy her chains and her cell, thus allowing her to escape. However, due to the instability of her powers, this also triggers a snowstorm that threatens to destroy Arendelle. Furious, Hans gathers his sword and sets out to kill the Snow Queen himself. On the fjord, Elsa is confronted by Hans, though she pleads for the prince to take care of Anna in her absence. In response, Hans claims that Anna died of a frozen heart despite his efforts to save her and blames Elsa for her death. Horrified, Elsa breaks down in sorrow, which effectively ends the snowstorm. With Elsa distracted, Hans slowly approaches the Snow Queen from behind and draws his sword, ready to decapitate her. His plans are foiled by Anna, who sacrifices herself to save Elsa just as the frozen heart curse consumes her body and kills her while shattering Hans' sword blade on contact. Upon realizing Anna's fate, Elsa breaks down in tears as Arendelle's citizens examine that Elsa is not a monster after all. Fortunately, Anna's body begins to thaw shortly after that, much to Elsa's surprise and relief. Olaf deduces that the "act of true love" was Anna's sacrifice to save Elsa, which helps the latter realize that the curse can be lifted with the power of love. With this revelation, Elsa thaws Arendelle, bringing summer back to the kingdom. With peace restored, Elsa rekindles her bond with Anna and is praised by her people for freeing them from the curse. After returning to her rightful position as queen of Arendelle, Elsa cuts off trade with Weselton, deports Hans (whom she also orders imprisoned), the Duke, and his men for their attempted assassinations, and names Kristoff the "Official Arendelle Ice Master and Deliverer". Additionally, she is shown to have become a generous, loving ruler towards her people; allowing the castle gates to remain open, while also creating an ice skating ring during a celebration for the kingdom's enjoyment. All the while, Anna expresses her happiness over the newfound way of life, much to Elsa's satisfaction, and the two sisters finally embrace their restored relationship. AWD? “Come on, Elsa, this is for Anna. You can do this.” ―Elsa planning Anna's birthday party Frozen Fever centers on the celebration surrounding Anna's 19th birthday. As a means to compensate for the years spent in forced isolation, resulting in lackluster and lonely birthdays, Elsa puts every ounce of her power into organizing a meaningful day to be spent between herself and Anna. After gathering several gifts based on Anna's personal interests, Elsa spreads them across the castle and kingdom and lastly puts her efforts into preparing the castle's courtyard, where the special cake is to be served. Assisting the Snow Queen are Kristoff, Olaf, and Sven, and although things seem to be going well, Elsa's perfectionist nature keeps her anxious. She is nevertheless assured by Kristoff that all will be well on his watch, and with that, Elsa departs to awaken Anna and officially start the day. Following a trail of string throughout the castle and the village, Elsa and Anna begin their day of sisterly bonding while presenting the latter with her gifts, but throughout, Elsa constantly sneezes and sniffles as it becomes clear that a cold has consumed the queen. Whenever she sneezes, miniature snow-babies known as Snowgies are born, and they immediately rush to the castle courtyard and cause a mess as Kristoff, Olaf and Sven struggle to suppress them. Meanwhile, Elsa's fever worsens to the point where she becomes delirious, thus affecting her actions. The hectic day leads to the city's clock tower, and a delirious Elsa nearly falls off the ledge, only to be saved by Anna. Finally, coming down from her high, a comforting Anna manages to have Elsa admit the presence of her fever, and the sisters return to the castle. Guilty over the trouble she's caused, Elsa apologizes to her sister for ruining another birthday, though the latter assures her that nothing was ruined and that Elsa just needs to rest in bed. Anna takes her sister back into the castle gates, only to find Kristoff, Sven, Olaf, and the Snowgies having managed to successfully keep the party intact. A celebration follows, and Elsa, still delirious, insists on blowing the celebratory horn, which shoots out a massive snowball as a result of a sneeze, and flies all the way to the Southern Isles where it smacks into the conniving Prince Hans, causing the prince to be knocked into a wagon of horse manure (much to the horses' amusement). After a successful birthday celebration, Anna helps Elsa into bed and happily remarks that taking care of her beloved big sister is her best birthday present ever. “Let the holidays begin!” ―Elsa[src] In Olaf's Frozen Adventure, Elsa and Anna prepare to celebrate their first Christmas together since the gates have reopened. They do so by planning a party for the kingdom to enjoy at the castle, but their subjects instead choose to celebrate their own family traditions at home. Anna asks Elsa if they have traditions of their own, but because of Elsa's isolation, they couldn't spend the holidays together as a family. Olaf looks to rectify the problem by going out and finding traditions for the sisters to share. Later that night, Elsa finds Anna rummaging through their old belongings in the attic. While doing so, Elsa finds a box filled with snowman memorabilia modeled after Olaf that Anna would send her every Christmas. The two declare Olaf to be their tradition and celebrate the revelation by throwing a Christmas party out in the mountains with Olaf as the guest of honor. AWD? AWD?!

1245828? Princess Elsa was born with power over ice and snow. As a child, she often used her abilities to play with her younger sister and best friend, Anna. One night, eight-year-old Elsa[12] is awakened by five-year-old Anna, who wants to play. Elsa refuses until Anna asks her sister if she wants to build a snowman. Elsa agrees, and the two head into the castle's throne room and create a winter field of snow. At one point, Elsa accidentally strikes her sister in the head, giving her a platinum blonde streak of hair and knocking her out cold. Their parents, King Agnarr and Queen Iduna, sought aid from legendary trolls residing in the Valley of the Living Rock. Their leader, a shaman named Pabbie, is able to stabilize Anna's condition by cleansing her of all magic (including memories). Pabbie warns Elsa of the danger her power poses and that she must learn to control them because fear will be her enemy. Traumatized by the event, Elsa spends her life distanced from other people, including Anna, to avoid harming them. With no memories of Elsa's magic, Anna takes Elsa's distance personally, creating a rift between the two. Throughout her childhood, Elsa is taught to control her abilities by suppressing her emotions. To help even further, Agnarr gives Elsa a pair of gloves, which were temporarily able to suppress her powers (teaching her to "conceal it, don't feel it, don't let it show"). As she gets older, Elsa becomes more scared as her felt powers becoming stronger as she tells her parents not to touch her, as she doesn't want to hurt them. During Anna and Elsa's teenage years, Agnarr and Iduna die at sea. Elsa does not attend the funeral, as her distraught state of mind causes her to lose control of her powers. Three years later, Elsa has come of age[11] and is now ready to be crowned the new queen regnant. To celebrate the momentous occasion, Arendelle invites royalty from far and wide to join in the festivities, such as the dashing Prince Hans and the pompous Duke of Weselton, among others. Though she accepts her responsibility to the throne, Elsa fears that her still-unstable powers will cause harm to her subjects and guests. She copes by keeping her gloves at hand and reminding herself that the gates will only be open for the day. At the coronation ball, Elsa and Anna share their first (albeit stilted) conversation after quite some time, with Elsa leading the way. Their interaction proves that the connection between them is still there, but the reality of their situation starts to overwhelm Elsa, who distances herself once again while a crestfallen Anna excuses herself in response. Later that night, Anna returns with Prince Hans by her side. The two announce their engagement and ask for Elsa's blessing. Cautious of Hans, Elsa outright denies their wishes, saying that Anna can't marry a man she just met, indirectly saying that she knows nothing about true love. This remark causes Anna to hiss back by saying that shutting people out is the only thing Elsa is good at. The two begin to argue over the situation, upsetting Elsa to the point of ending the party and ordering the gates to be closed. A furious Anna confronts her sister, which only increases Elsa's anxiety. Overwhelmed with frustration, Elsa accidentally unleashes her powers upon Anna and the guests, who look upon their queen with fear (the Duke of Weselton even declares Elsa a monster). Horrified by her actions, Elsa sentences herself to exile and retreats into the fjord to protect the kingdom from herself. As she does, Elsa unknowingly plunges Arendelle into an eternal winter. Feeling responsible for the catastrophe, Anna sets out to find her sister, leaving Hans in charge during her absence. Later that night, Elsa arrives at the North Mountain, where she comes to the conclusion that isolation is the only way to protect both herself and her people. Feeling less restrained as a result, Elsa experiments with her powers by building a snowman (whom she unknowingly imbues with life). She then claims the North Mountain as her new home, establishes herself as the Snow Queen,[3] and creates a towering ice palace in which she plans to spend the rest of her days in solitude. Meanwhile, Anna has since partnered up with a mountain man named Kristoff, who agrees to act as the former's escort to the North Mountain. Along the way, they encounter the snowman that Elsa had created, who offers to guide them through the rest of their journey to Elsa's palace. Unfortunately, Anna's prolonged absence causes concern back in Arendelle. Hans comes to worry that Anna is being held prisoner by Elsa, and rallies together a group of volunteers to help him rescue her. The Duke of Weselton volunteers his own bodyguards to join the prince, with orders to kill Elsa in hopes that her death will end the winter. At the palace, Elsa is initially elated to see Anna again but remains firm on her decision to stay at the North Mountain. She encourages Anna to return to Arendelle where she'll be safe, but Anna reveals that Arendelle has been cursed with eternal winter. The news comes as a shock to Elsa, who becomes overwhelmed with guilt over what she's done. Despite Anna's attempt to calm her sister, Elsa falls into a fit of panic and accidentally unleashes her powers once again. This time, however, they inadvertently strike Anna in the heart, which Pabbie has said previously would be fatal. With Elsa's powers becoming increasingly unstable due to stress, the Snow Queen demands that Anna leave the palace for her own safety. When Anna refuses, Elsa creates a gruesome snow-monster to forcibly remove Anna and her friends and ensure that they never return. Following Anna's departure, Elsa fearfully paces back and forth within the confines of her palace as she desperately tries to seize control over the curse. All of her attempts are futile, and her bleak state of mind is reflected in the palace's now-distorted interior. Meanwhile, the effects of Elsa's curse start to take their toll on Anna. She and Kristoff seek assistance from Grand Pabbie, who explains that Anna will turn into solid ice forever and can only be saved by performing an "act of true love". Believing this to be "true love's kiss", Anna and Kristoff begin their journey back to Arendelle to receive a kiss from Hans. That morning, Hans and his guardsmen arrive at the North Mountain, where they are confronted by Marshmallow. Upon hearing the commotion, Elsa flees inside to avoid combat, with the Duke's goons in hot pursuit. They manage to corner the Snow Queen and attempt to carry out their orders, which forces Elsa to retaliate in defense. Eventually, the goons are overwhelmed by Elsa's power, but Hans calls out to the queen before she can murder the two. Upon realizing the monster she's becoming, Elsa pulls herself back. One of the goons seizes the opportunity to aim his crossbow at the Snow Queen in hopes of killing her, but Hans intervenes and alters the bolt's path, causing it to cut through Elsa's chandelier instead. The chandelier plummets toward the ground and the impact of the collision knocks Elsa unconscious as she dives out of the way to escape. She is subsequently apprehended by Hans and his army, and taken back to Arendelle. AWD?!

1245827? Neue Helvetica? One interesting thing to note is that when the animators created her character and came up with ways for her to use her abilities, they came up with a Signature Snowflake for her. This snowflake can be seen multiple times throughout the film in almost everything she creates. Such instances are when she slams her foot into the ground to create the floor of her ice palace in "Let It Go", the pattern on the doors that led to the balcony of her ice palace, and it is the snowflake shown within the "O" in the in-movie logo. When she establishes a connection with the four elemental spirits, their symbols become associated with her, and they appear from her magic and the crystals on her dress. In Frozen Fever, she can use her powers to create precise effects other than manifesting ice and snow, as she made several color changes to her and Anna's dresses, using flowers in the room and integrating them into their gowns using crystalline ice. She was also shown to create ice sculptures out of thin air and reshape them in any way she wanted. She can also create many miniature snowmen whenever she sneezes throughout the short film while she was suffering from the flu as Anna saw her condition and can make a giant snowball when she blows the horn to celebrate Anna's 19th birthday. In Frozen II, as the fifth elemental spirit, Elsa's powers have grown immensely. Even at the beginning of the film, small releases from her hands were able to form thick frost around whatever it touched. Combined with honed concentration, Elsa can conjure her magic in impressive and stronger forms, from controlling all the ice particles to create lifelike ice sculptures of people from memory to trying to cross the dark sea by freezing the deadly waves from the sea. Whereas Frozen showed she could manipulate the flow of snowflakes, her control over heavier forms of ice has been demonstrated, as shown during "Show Yourself" when Elsa lifted the ice pillars through the air with the whisk of her hands as if they weighed nothing. When the fire spirit attacked, Elsa was able to extinguish an entire forest floor covered in fire, however, this temporarily exhausted her due to her using it constantly to burn out other fiery areas, which suggests that if Elsa uses a great deal of her power too much, it could tire her out. Elsa also seems to have limited control over water, perhaps in reference to the element of ice being frozen water. In particular, Elsa willed the seawater in the floorboards of her parents' sunken ship to rise and coalesce into the desired image, which the water did, floating and evaporating from the ground before condensing into the statue depicting her parents' tragic fate. Due to her status as an elemental, Elsa has a magical connection with the four elements and an ability to sense when they are nearby. Consciously and unconsciously, she was able to quiet both the wind spirit and the fire spirit with ice during their stay at the Enchanted Forest, attract the Earth Giants' attention, and tame the water spirit through magic-conjured reins. As the fifth spirit and being able to tame the other four, Elsa is the most powerful magical being, second only to Ahtohallan. Magical powers aside, though coupled with them, Elsa also appears to be considerably fast and agile. During "Show Yourself", she performed incredible parkour attributes, e.g., sliding on ice with great balance and leaping from one ice-made structure to another. Before confronting the Nokk, she outmaneuvers the massive water waves of the Dark Sea, though not without effort. Additionally, she showed above-average physical strength as when wrestling with the Nokk and binding him in magically created reins. Elsa proves that she is notably creative and strong in geometry. This is shown when she uses her knowledge of geometry to create her ice palace and describes her snow designs as 'fractals', an advanced geometry concept for the period. The sequel showed that she has a keen eye for detail and engineering, creating many items with her powers. When asked to create a sextant for a young girl Elsa expressed an unsureness, hinting that she has to be aware of the general structure of the item she tries to create but was able to create one perfectly, just as easily as her other gifts. Elsa demonstrated herself to be an incredibly fast learner; despite facing two armed thugs and having no formal training, Elsa was able to defeat and nearly kill both men with her magic. And despite not using her magic for a long time, Elsa gathered enough confidence after producing a few blasts of snow to build an ice staircase and an entire ice palace. Elsa also was able to magically weave herself a new dress and cape. Even though she has magical powers, Elsa is physically formidable as well, having had enough endurance to run well into the night from Arendelle all the way to the North Mountain. Elsa also possesses a degree of artistic skill, as she was able to base an entire palace design on a snowflake. In fact, Elsa repeatedly showed herself using the same snowflake design; it appeared on the palace floor and doors, the ice chandelier, her clothes and hair accessories, and even on Anna's frozen form. In another showcase of her artistic skill, Elsa froze the water in the courtyard fountains into an intricate design and used ice to decorate the whole castle. When Elsa was frozen solid by Ahtohallan's curse after traveling too deep into its depths to find the truth to pacify the angry spirits, her frozen body sported the same snowflake design from all her previous creations on it alongside the star of the Elemental Spirits to signify both her Snow Queen and Fifth Spirit status, at least until she was restored to flesh and blood by Anna breaking the curse by destroying the dam. In various works of media its shown that despite being the "Fifth Spirit", Elsa is still shown to be affected by other magical creatures. Aside from when she was frozen by Ahtohallan (the source of all magic). In "Polar Nights", her powers were weakened from a spell cast by a Draugar. In "A Midsummer's Song and Dance" from "All Is Found: A Frozen Anthology" she is placed under the same dancing spell as everyone else by a Fossegrim. AWD?!

1245826? Neue Helvetica? “Listen to me, Elsa. Your power will only grow. There is beauty in it... But also great danger! You must learn to control it. Fear will be your enemy.” ―Pabbie Elsa possesses the magical ability to conjure and manipulate ice and snow. Elsa can manifest and shape various structures made of ice and snow or cold phenomena with the abilities she was born with, from snow flurries to blizzards. Most of her powers are unleashed via her hands and controlled by her emotions. If she is happy and at peace, she can control them better, but if she is angry, afraid, or stressed, she will lose control and cause great harm to those around her. Near the end of Frozen, she has complete control over her powers. Elsa was able to turn the entire castle's ballroom into a winter wonderland. She is capable of creating enchanted snowmen (both large and small), ice structures such as her ice palace, deadly blizzards, and more. She can move ice structures at will. It also appears that her control extends to almost all forms of winter weather, as she was able to create a snow cloud for Olaf and manipulate wind streams to some degree. Interestingly, it would seem that nearly her entire body is capable of conjuring ice and snow, as seen when she flees across the fjord - the water immediately starts to freeze the moment her foot touches it. Her powers are most prominently featured during "Let It Go" in which Elsa frees herself from the fear of using her powers and the stress she held and embraces such powers to the fullest of her ability for the first time. In the sequence, she created her ice palace, a stairway for entrance, Olaf, as well as her flowing ice gown. She even points out that her powers provide her immunity from the effects of cold weather. Despite initially not having any formal training, she is capable of using her magical abilities for battle. When the Duke's thugs attacked her, she was able to hold them both off on her own and eventually manage to gain the upper hand. It is also interesting that when Elsa is truly frightened or feels threatened, her powers will act on their own accord in order to protect her. When confronted by the Duke of Weselton on the night that her powers were revealed, Elsa made an attempt to avoid conflict, but her powers were unleashed upon the Duke and his men as the feeling of being threatened grew, nearly killing him. When she was attacked by the Duke's men, a bolt was shot at her from a crossbow. Almost instantly, a wall of ice formed as a shield to intercept the bolt before it would otherwise lodge itself in Elsa's head, mortally wounding her. In Frozen II, this is revealed to be due to her magic coming from the natural elements, her powers being the manifestation of the elemental spirits themselves responding to Elsa's emotions. It also appears that her powers depend on which emotion she feels; if she is in sorrow, all the snow particles in the air stand still as if in a state of suspended animation, while anger creates a similar effect to fear but with an offensive direction instead of chaotic versatility. Elsa's memory is also a factor: her powers are influenced by the memory of the surrounding environment, and whatever memory is present will influence what results. At Ahtohallan, for example, Elsa created accurate sculptures of the people closest to her throughout her life, all acting out significant events and experiences. This was why she was able to create Olaf, Marshmallow, and the Snowgies. As she was experiencing strong emotions and memories with an emotional tone, her ice magic split off into these external shells created by Elsa, each influenced by a memory of Elsa and represents a certain aspect of Elsa's personality. Even when Olaf succumbed to withering away when robbed of Elsa's magic, Elsa was able to bring back Olaf with his memories intact using memories of the snow he was made from. She can also create detailed sculptures representing events that happened in the past, which allowed her to unlock the truth of the Enchanted Forest. The only way thought to conceal her powers is initially by wearing gloves on her hands, which appeared to negate her icy touch on other objects. However, this is nothing but a psychological mindset that helps to keep her anxiety and any icy outbursts under control all her life. Because it is her father, one of the few people she trusted, that claims that wearing them will stop her abilities, Elsa believes it to be true, so by wearing gloves, she thinks truly stop her powers, as a result of said belief, they do. This is supported by the fact she is able to freeze through the hand shackles in Arendelle's prison cell in her desperation to get away, proving that covering her hands does not actually stop her power but rather the sheer force of will and belief. It is shown that if she casts her magic on a living being directly, the victim will not only freeze to death but slowly transform into an ice statue, and the process only hastens if they are in cold conditions. While the curse can be removed if the magic affects the mind, the heart is the most vulnerable, and if this is the case, the victim can only be cured by an "act of true love". While Elsa had thought she cannot undo the frosty effects she creates, it is revealed that she is capable of removing such curses through her love for others, as it is the warmest emotion of all. When the person gets affected by her magic, the said person will also undergo physical changes; first, some of their hair will turn white as snow before it spreads completely; second, the person will start to feel cold, and as it progresses, the person will get colder and soon become weak to walk nevertheless move; and finally, the person will notice ice emerging from their hands, then the person will become enraptured in ice. When the curse is removed, the person's physical attributes will revert to what they were before the curse, as happened with Anna's hair, which returned to its original color (without any white locks), when she accomplished her act of true love towards Elsa, sacrificing her own life for the latter. The sequel reveals that this curse does not exclude even Elsa: after the horrifying revelation of her grandfather's crime against both Arendelle and the Northuldra, Elsa's inconsolable state of sadness and heartbreak left her vulnerable, allowing Ahtohallan's magic to supersede her own powers and cause her to undergo the same transformation into pure ice as Anna did before under the frozen heart curse. Unlike Anna, who turned to solid ice instantaneously, Elsa's transformation was slower and more painful, allowing her time to release one last spell to show Anna the truth before it was lost and she turned into solid ice completely, entombed in Ahtohallan's depths for possibly forever as her grave. In this state, her powers are depleted, and all those connected to it are drained of their magic, as Olaf's life faded due to her magic leaving him, reducing him to just a pile of snow. Only when Anna tricks the Earth Giants into breaking the dam trying to attack her and breaks the curse does Ahtohallan restore Elsa from her solid ice state back to flesh and blood so she can then save Arendelle from the resulting flood waters with aid from the Nokk, and later revive Olaf as well, having remembered what he said about water having memory during their journey. AWD?!

1245825? In the sequel, Elsa seeks the truth about the source of her powers as well as who she really is. She begins to question her place in Arendelle as Ahtohallan calls for her every night until she answers it during "Into the Unknown". Upon entering the Enchanted Forest, Elsa becomes more confident with her abilities and heroic, protecting her family and the Northuldra from the Wind and Fire Spirits. She has since become more heroic, promising the Northuldra that she will do what she can to break the curse and free the forest. This drives her to seek the truth of the past by journeying to Ahtohallan despite the dangers it presented, as well as great strength and determination in fighting and taming the Nokk. After witnessing their parents' deaths through a memory stored in ice, Elsa blames herself and refuses to let Anna follow her into the Dark Sea. She finally finds Ahtohallan and recognizes herself as the Fifth Spirit, recognizing that her powers were indeed a gift and not a curse, no longer feeling restricted in using her powers. Having found her place among the spirits, she passes the position of Queen of Arendelle onto Anna and stays behind to live with the Northuldra as the forest's protector, finally at peace with herself and with both the freedom she's always wanted and her bond with her sister stronger than ever. At 21 years of age in the original film[11] and 24 in the sequel,[5] Elsa is a beautiful young woman, has a tall and slender build, blue eyes, rosy cheeks, thin pink lips, a small nose, long, platinum-blonde hair, and pale skin with a light dusting of freckles (a trait she shares with her sister Anna, though less prominent). During her coronation, she bore a striking resemblance to her mother, only with platinum-blonde hair, unlike her mother who is a brunette. Before her coronation, Elsa's casual outfits consisted of a dress with a long-sleeved vest over a blouse and bodice favoring a blue-black color scheme. Ever since the accident with Anna at the age of eight, Elsa has worn white gloves to contain her powers. As she grows older, she starts wearing darker clothes with purple colors thrown in. For the coronation, Elsa wears a teal dress with a sweetheart bodice with bronze trim and dark teal, maroon and purple rosemaling on the skirt and bodice, a black, long-sleeved turtleneck blouse with red and teal crystal-shaped prints on it, a long, magenta cape, a small, gold tiara, dark brown flats with gold outlines, and teal tights (which disappear after her transformation) underneath, and her hair woven in a French braided crown twist bun held together with a blue ribbon. She wears long, light turquoise gloves with teal prints that go with her outfit. Her eyelids have a dusting of purple eye shadow, and she wears magenta lipstick. Following the song "Let It Go", Elsa begins to wear her hair in a loose French braid that's swept over her left shoulder, tied with a hairband with a crystal-like snowflake on it. It is woven with snowflake incrustations, and wisps of her bangs slicked back on top of her head with a smaller piece resting down on her forehead. Her hair appears to be thick, although this may be so because she has much more hair (roughly 400,000 strands) than the average human (100,000 strands). She wears a crystal-blue off-the-shoulder dress made out of ice with a right knee-high slit, a crystallized bodice, and translucent powder blue sleeves. She also wears ice-made kitten heels and a long transparent floor-sweeping cape of sheer ice decorated with large snowflakes attached to the back of her bodice. Elsa still wears the same makeup as at the coronation, however, due to the change in lighting, the magenta lipstick becomes a dark pink, and her lavender eye shadow becomes a shiny purplish-pink. In Frozen Fever, Elsa wears her hair in her signature French braid (tied with a hairband with a pink flower on it in place of a snowflake) woven with small pink flowers and a larger pink flower on the right side of her head. She wears an emerald green off-the-shoulder dress made out of ice with a right knee-high slit, just like her Snow Queen dress. Unlike her ice dress, her Frozen Fever dress has a sweetheart bodice covered in teal ice crystals that are patterned to resemble leaves and light green translucent short sleeves. Her sleeves and top of her bodice are decorated with pink flowers. She wears dark emerald green ice kitten heels and, attached to the back of her bodice, a long transparent floor-sweeping dark emerald green cape of sheer ice decorated with flower and leaf designs with pink flowers stuck on. Her eye shadow is now light pink, and she wears dark pink lipstick. In Olaf's Frozen Adventure, Elsa wears a midnight blue off-the-shoulder sleeved gown - displaying a return to her use of dark colors - that incorporates her signature Snow Queen style. The dress has a velvet texture, though it has a large fur collar with small stones inside and a small V-shaped cut at the center that exposes a purple undershirt. Fitting her regal status, Elsa's outfit features a transparent blue cape, but this one is slightly less transparent than the previous capes. She wears dark blue ice kitten heels, similar to her first Snow Queen outfit. On the chest, cape, and rims of the outfit are diamond-shaped crystals scattered across, with some forming the lower half of her Snowflake emblem on the neckline and a larger pattern on the back of the cape. She wears a small winter berry wreath pin in her hair. In the sequel, Elsa maintains her hairstyle in her Snow Queen state and wears a magenta-nightgown. She also wears a scarf which was worn by her mother Queen Iduna. During their travel to the Enchanted Forest, she wears a light blue jacket with a pale blue dress adorned with a sky-blue belt as the long sleeves are showing her shoulders, matching pale blue leggings and boots and is set off by a flowing cape split in two in the back. She wears ice blue boots with shimmering snowflake patterns from top to toe. Her dress, which has an illusion neckline is pale blue, has the skirt stopping at the shin. When she travels alone to the sea and tames the Nokk, Elsa removes her jacket, belt, boots and the clip from her French braid to make it loose as she tied her hair into a loose ponytail. When she takes the mantle of the fifth element, Elsa's hair is now loose, and she wears a combination between her second outfit and her dress from her Snow Queen state; she wears a white off-the-shoulder dress with a right knee-high slit, light grayish-blue leggings and white long sleeves which have the symbol of the four elements at the shoulder. Along her chest down to her waist are diamond-shaped ice crystals resembling the elements of fire, water, wind, and earth. Her translucent cape fades to blue at the bottom and is split in two, like fairy wings, draping over her as if to showcase her status as the fifth spirit. The glittery sequins on her sleeves and pantyhose signify that she is the Snow Queen and the forest's protector, and she wears white open-toe ballet flats. AWD?!

1245824? Lee would explain that Elsa is largely driven by fear throughout the film. Producers identified the scene in which Elsa sings "Let It Go" as a pivotal point in the character's development, as the scene depicts her choice to "let go" of her fear of using her powers and be herself. Character design supervisor Bill Schwab said, "Before 'Let It Go', Elsa is really buttoned up, her hair is up - everything is perfect. During the song, she gives herself permission to be who she is and everything changes - her hair is wilder, her gown is magical. She's finally free - even if she is all alone." Lead writer Paul Briggs explained that Anna's support is what Elsa needs most when her secret is exposed. "The strength of the family bond is what makes this story so powerful because it's her sibling who's willing to look beyond her powers and stand between her and the world if that's what it takes." Actress and singer Megan Mullally was originally cast to voice Elsa,[9] but was replaced by Broadway actress Idina Menzel, best known for performing Elphaba from Wicked when the story changed. Menzel had previously auditioned for a lead role in the 2010 Disney animated feature film, Tangled. She was not cast for the part, but the casting director recorded her singing and later showed the recording to Frozen's film executives. Menzel was surprised when she was subsequently asked to audition, and she received the role after reading the script out loud.[10] Director Chris Buck believed that Menzel's vocals would help in the portrayal of the character, saying, "Idina has a sense of vulnerability in her voice. She plays a very strong character, but someone who lives in fear - so we needed someone who could portray both sides of the character, and Idina was just amazing." In an interview with Menzel, she acknowledged the similarities between Elsa and Elphaba. She mentioned they were both very powerful and misunderstood individuals, and she herself could relate to the characters, having hidden her singing talent from her peers at school. "I didn't want to alienate anyone," she explained. "If everyone was singing along in the car to a Madonna song, I didn't join in because when we're younger we're afraid of sticking out or showing off when in fact we should own those things that make us really unique." As the queen regnant of the kingdom of Arendelle, Elsa appears calm, reserved, regal and - unlike her sister - graceful and poised. Beneath this cool and collected appearance, however, Elsa is quite turbulent; in truth, the Snow Queen was, for a majority of her young life, troubled by her abilities, a feeling which stems from a traumatic incident as a child. When she was younger, she had cared strongly for Anna and, despite being the more mature and cautious of the two sisters, Elsa was still quite playful and used her magic to have fun and goof off. However, after witnessing her magic cause her sister harm, Elsa lived in fear and trauma for a great amount of her life as she became too terrified to let her powers overdevelop. She consequently chose isolation from everyone she cared for, including Anna, out of the presumption that her isolation would protect them from her power. This would eventually result in years of loneliness, misery, bitterness, and grief. Regret would gradually take its toll on her when tragedies struck throughout her life, from the accident with her sister to the death of her parents, leaving them both to mourn and grieve alone. Elsa's damaging experience through the crucial stages from childhood to adulthood caused her personality to shift. She became reclusive, insecure, emotionally unstable, anxious, and depressed. For Elsa, her powers and nature grew more restrained as the years passed, slowly molding her into the cold-hearted queen others saw her to be. However, when given a chance to rest and relent, Elsa's true, warm, kind, fun-loving, and innocently mischievous personality came about - but only briefly and with restriction, as seen on the night of her coronation. Elsa also has a generous disposition that contributes to her compassion towards her people. Throughout the film's entirety, the Snow Queen's actions are driven by the desire to protect her kingdom, and more intimately, Anna. Unfortunately, that comes with a price, as Elsa's upbringing would lead her to believe that, for the safety of her loved ones and for the sake of remaining true to who she is as a gifted person, she is a living disaster that must be removed from society. Even with Anna's persistence to help end the curse, Elsa's method of solving the problem - enforced isolation - would remain prevalent. Her determination to solve her problems through singularity is Elsa's greatest flaw, driven by her anxiety and traumatic childhood experiences. Though a benevolent and giving person, Elsa suffers from emotional instability due to years of keeping her emotions bottled up. When her strong emotions are triggered, Elsa often loses control over her emotions which can create dangerous situations for herself and others around her. An example of this is when Anna informed her that she had unknowingly plunged Arendelle into an "eternal winter", she began panicking as she realized she had brought harm upon her kingdom, which made her lose control of both her emotions and powers, resulting in ice bursting from her chest and striking Anna in the heart. But perhaps the prime example of this was when the Duke of Weselton's guards attempted to assassinate her and Elsa realizes she has no choice but to fight back, and, unable to control her fury, goes from self-defense to fighting back more aggressively, nearly pushing a man off the edge of her ice palace and pinning another to the wall with icicles, ready to kill him before Hans intervened and talked her down from committing cold-blooded murder to protect herself. During "Let It Go", however, Elsa reveals a liberated side to her personality. Without stress, responsibilities, or the fear of hurting others, the queen is strong and unafraid, yet with an air of elegance still surrounding her. Based on this fact, she has confidence in her abilities and accepts them as a part of her, no longer worried or daunted by her restraints. In the segment, which was entirely about letting go of her fear of using her powers and embracing herself, Elsa decides to abandon what she was made to be so that she can be free to be herself. While expressing this, Elsa proves that she is notably creative and strong in geometry (her ice palace is made entirely out of geometric figures) and a daring young woman willing to reject her own fate as Arendelle's queen for the choice of her own personal freedom as well as to protect the people in Arendelle from her powers. Following her return to power as Arendelle's reigning monarch, Elsa's original personality, long dormant since her childhood, makes a return. With a warm, welcoming aura, Elsa rules her kingdom with a genuine smile and spends most of her spare time using her abilities for the pleasure of herself, her sister, and the entire kingdom. As seen in Frozen Fever, this aspect of Elsa's personality has not only remained, but strengthened, as the short heavily showcased Elsa's lighter side as fun-loving, and extremely devoted to her sister, yet retained her sense of elegance, vibrancy, and compassion. In spite of this, Elsa continues to feel guilt for the past, which manifests itself into a personal mission to ensure that Anna is content at all times; in Frozen Fever, she goes to great lengths to give Anna a memorable birthday and is dedicated to ensuring that even the slightest detail is perfect. During their first holiday season as a united family, Elsa comes to realize that she and Anna have no family traditions to share with one another, for which she openly blames herself. However, she later realizes that her and Anna's childhood memories of creating Olaf are her family's traditions as Anna keeps giving Elsa Christmas gifts based on Olaf which reminds her and Anna of their happy childhood and how much they still love each other. AWD?!

1245823? This article is about the character from Frozen. For the character from Frankenweenie, see Elsa Van Helsing. “In Arendelle's fair kingdom, a ruler did appear Born with a secret power so great, alone, she stayed in fear Although the force was hidden, one day she let it go And all the land was covered in eternal ice and snow” ―Frozen trailer's narration Elsa the Snow Queen[2][3][4] is the deuteragonist of Disney's 2013 animated feature film Frozen, and the protagonist of its 2019 sequel. Born with the power of ice and snow, Elsa is the firstborn daughter of King Agnarr and Queen Iduna, the older sister of Queen Anna, and the former queen of Arendelle. Throughout most of her young life, Elsa feared that her powers were monstrous. Therefore, she isolated herself from the world as a means of protecting her family and kingdom. Elsa's anxieties would eventually trigger a curse that plunged Arendelle into an eternal winter. Through Anna's love, however, Elsa was able to control her powers and live peacefully amongst her people with a newfound self-confidence. Three years into her reign,[5] Elsa is called forth to Ahtohallan to assume her rightful place as the Fifth Spirit of the Enchanted Forest, whose purpose is to bridge the magic of nature and people. She thereby abdicates the throne, allowing Anna to rise as the new queen of Arendelle. Elsa is loosely based on the titular character of "The Snow Queen", a fairy tale by Hans Christian Andersen. Though pivotal to its events, the character had little presence in the original story. The Disney adaptation expanded the Snow Queen to serve as a villain initially, but the advent of "Let It Go" inspired the filmmakers to rewrite the character as a tragic heroine. From the outside, Elsa looks poised, regal, and reserved, but in reality, she lives in fear as she wrestles with a mighty secret - she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop. She fears she's becoming a monster and that no one, not even her sister, can help her. After the success of Snow White and the Seven Dwarfs in 1938, Walt Disney sought out new fairytales to serve as the basis for future productions. Marc Davis, one of Disney's key animators, traveled to Scandinavia on Walt's orders to research the region's books and stories. Davis was enraptured by the tales of Hans Christian Andersen and proposed they be adapted to animated shorts at the studio. Walt Disney's adaptation of The Snow Queen was given a production number in 1939. There were talks regarding a live-action biography of Hans Christian Andersen, which would have featured animated segments based on his works. It is believed by historians that The Snow Queen was intended to be one of the project's animated sequences, but there is no evidence of creative work for the proposed feature. In Hans Christian Andersen's original story, the Snow Queen abducts a young boy named Kai, who had fallen victim to the machinations of an evil mirror. The Queen promises to break the mirror's spell if Kai can spell "eternity" with pieces of ice in her palace. Kai's disappearance leads his childhood friend, Gerda, to embark on a quest to find him. In the tale, the Snow Queen resides in an ice palace coated in permafrost and guarded by such animals as polar bears and porcupines. Disney's decades-long efforts to adapt The Snow Queen generally shared a common thread of trying to find a way to expand on the role of the title character and make her a more active presence in the story. A common theme in adaptation attempts in the late 1990s and early 2000s was to reconfigure the story into a romantic comedy about the Snow Queen's ice-cold heart-melting as she learns to love. One of these attempts almost went as far as to pair an aged-up Kai with the Snow Queen while vilifying Gerda.[6] A common consensus was that Disney's iteration of the Snow Queen would be portrayed as a villain. Early concept art and visual development depicted the character-eventually named Elsa-as being a ruthless, bitter, cold-hearted tyrant who had an entire army of giant snowmen as henchmen. Designs for this version of Elsa resembled such figures as actress Bette Midler and the late singer Amy Winehouse. These designs depicted Elsa with spiky black or dark blue hair (and even blue-gray skin), a more angular body (as opposed to the final, heroic Elsa's curvaceous body) and a constantly malicious smile. Some concept art depicted her with a group of pet ermines who scurried up and down her body and formed themselves into a cloak for her. Instead of being fearful and insecure about not wanting to reveal her powers, Elsa would have been very hostile and bitter toward others, especially Anna, whom she was incredibly jealous of because of the royal status she held. According to songwriter Kristen Anderson-Lopez, Elsa's original motivation throughout the film was to freeze Anna's heart and take over the kingdom.[7] As stated by producer Peter Del Vecho in a 2017 interview, Elsa was originally unrelated to Anna, and she was originally a scorned woman who was left single by her would-be fiancé at her own wedding day and froze her own heart in order to never love again. She would have been misunderstood as "Arendelle's bane" in the original prophecy and would have redeemed herself at the last minute to save all of Arendelle from an avalanche caused by Prince Hans (the real bane of Arendelle in the prophecy).[8] Despite these developments, there were still concerns that the Elsa character was cliché and unlikeable. According to Del Vecho, there was no emotional connection to Elsa, which ultimately made for a dissatisfying story. Someone on the writing team proposed rewriting Elsa and Anna as siblings. In doing so, the filmmakers found their emotional hook. Del Vecho explained, "Making them related led us to the idea of her living in fear of her powers. What if she's afraid of who she is? And afraid of hurting the ones she loves? Now we had a character in Anna who was all about love and Elsa who was all about fear."[8] Elsa became increasingly sympathetic as development continued. Regardless, she was still largely conceived as a villain, albeit three-dimensional. Songwriters Kristen Anderson-Lopez and Robert Lopez were penned to write the songs for the film. Among the soundtrack was a "villain song" for Elsa, in which she forgoes her personal connections for the sake of embracing her true-self as the Snow Queen. As the songwriters delved into Elsas personal turmoil, they felt an empathy for the character that drove them to compose a song that was tragic, yet empowering. Within a day and a half, the Lopez couple wrote "Let It Go" as Elsa's anthem, and sent the demo to the studio. The song was praised, and inspired co-director and screenwriter Jennifer Lee to rewrite the entire movie with Elsa as a heroine, rather than an antagonist.[7] AWD?!

I do the part 2 later❤ in the other video

Nice part 2

0:52 goes to the to be ready to ride 1:57 tap card tap 2:32 gets in the metro 4:09 east la civic center 5:21 maravilla 8:51 Indiana station 11:46 soto 13:33 mariachi plaza 15:47 pico aliso 16:12 gets out the metro 18:09 goes inside the bus 28:41 arrives at union st 29:50 goes inside union 32:17 metrolink comes 32:57 metro arrives 33:10 goes inside metro 35:11 Chinatown 39:37 lincoin heights 41:11 heritage square/arroyo 43:15 Southwest museum 47:18 highland park 50:46 south Pasadena 53:38 fillmore 55:33 del mar 57:07 memorial Park 59:22 lake 1:01:16 allen 1:04:19 sirrrea villa 1:08:51 Arcadia 1:11:35 Monrovia 1:14:43 duarte city of hope 1:17:51 irwindale 1:20:21 Azusa downtown 1:21:53 arrived to circus college Rided: kinkisharyo p3010 and ansaldobreda p2550 I took me hours to finish this comment 😢 Thanks for zero likes L line and S line Thanks for watching 1:22:17 The favorite part in 0:01 bye in going to sleep nice day

Phineas received a new pet, Goldie. He and Ferb built a backyard aquarium for her, complete with whales, dolphins, and octopi to keep her company. Dr. Doofenshmirtz's creation froze the aquarium, and it was released into the wild after being accidentally (and unknowingly) pushed by Candace. Phineas and Ferb discovered an alien named Meap in their backyard one day. Phineas states that Meap is one of the most adorable things in the world. When Meap ran off, Phineas went out to search for him with a tracker while Ferb repaired his spaceship. He later revealed to Isabella that he thought she was very cute. They discovered that Meap was really an intergalactic security agent, and helped him defeat his nemesis, Mitch. One night, while Phineas and Ferb are sleeping, Perry disappears into his lair and is told by Major Monogram that he will be assigned to a new villain, and also, a new family. Perry then leaves the following morning, leaving Phineas in a state of depression and sadness. Phineas decides to host an awareness campaign (much like he did for the aglets) and sings a song about Perry. Perry then arrives, cheering Phineas up automatically. Phineas, Ferb, Candace, their parents, and Isabella get shipwrecked on a deserted island after a storm. Lawrence asks Phineas and Ferb to help build a shelter where they can stay inside, and Phineas and Ferb do so. However, they overdo it and instead make some sort of vacation home. Despite that they were only doing what their dad said, Candace tries to bust them (the only reason being that she's angry they didn't build something that would reach the mainland). On a visit to the beach, Phineas, Ferb, Isabella, Baljeet, Buford, and their uninvited "friend", Irving goes out to look for the lost city of Atlantis. On Tri-State Area Unification Day, Phineas and his friends decide to hijack the parade to show what Tri-State unification is all about, making giant floats of themselves, and even have Love Handel preform. Buford makes several attempts to interrupt the parade, but Phineas took precautions and managed to escape his traps. After the floats had literally floated away, Phineas and his friends continue the parade by simply pulling wagons. During high school, Phineas developed romantic feelings toward Isabella, but fearing that his feelings for her would be unrequited, he never admitted them to her. Phineas did very well for himself in his older teen years, as evidenced by a shin-deep pile of acceptance letters he received from colleges and universities around the world. After a period of indecisiveness regarding which of these schools he should attend, he eventually found himself torn between two choices: Danville University or Tri-State State College. Near the end of that summer, he learned that Isabella had been harboring a crush on him for many years, and after finding out that she was leaving for college two weeks earlier than most because of the many extracurricular activities she was involved in at the school, he attempted to track her down so he could admit his feelings to her before she left. He eventually found her in front of his house, where she had been waiting to say good-bye to him before leaving. Here, the two finally admitted their feelings for each other. After learning that the school Isabella will be attending will be Tri-State State, Phineas decided that he would go to that school too so he could begin a romantic relationship with her. They happily embraced, with the promise that they would see each other again in two weeks, at the start of the semester. The following events may or may not have been rewritten due to time travel intervention: In the 2020's, twenty years after they built the Coolest Coaster Ever, Phineas had earned an award that was presented to him in Switzerland. Prior to that, either he or Ferb married Isabella, as she was introduced to Candace's future children as "Aunt Isabella". Which of the two married her was not specifically stated, though with the existence of "Act Your Age", it would have most likely been Phineas. Phineas appeared in all 20 episodes of the talk show spin-off of the series, talking with celebrities about various things. In the episode with Regis Philbin, he talked about who he likes best, but when it was revealed that it was his mom, Isabella got mad. He starts his day in his bed and when the clock goes off, he and Ferb dance to "Everything's Better with Perry". They build a platypult to go to Buford, but it hits Perry's car, sending it to Heinz Doofenshmirtz's building and destroying his Other-Dimension-Inator. He then fixes it and all they go to another dimension see the 2nd Dimension Heinz Doofenshmirtz. He later found out about Perry's secret agent life, resulting in Phineas becoming angry. They (except Heinz) go to Phineas-2 and Ferb-2's house, where they wear Dooferalls. Both Phineases sing "Summer (Where Do We Begin?)" in the house as well as both Ferbs. Later, Phineas goes to the Resistance to meet Isabella-2 and her Firestorm Girls troop. Phineas makes what he calls his best hit ever, striking a baseball at the device Doof-2 was using. Before Phineas-1 gets his memory erased, he gets a kiss from Isabella-1. He also sings the song "Kick It Up a Notch" during the end credits of the movie. Phineas makes an appearance alongside Ferb in the episode "The Phineas and Ferb Effect". He is first seen with Ferb in the episode when they use their giant robot to save Candace, Buford, Baljeet, Melissa Chase, and Zack Underwood from the Pistachions and later meets Milo Murphy and his dog, Diogee. Phineas makes a brief cameo in Chip 'n Dale Rescue Rangers, as one of the bootlegged victims. He is seen fleeing from a shipping container with the other toons after being freed by the FBI, having been mixed with Gogo Dodo from Tiny Toon Adventures.

Toy Story has received universal critical acclaim since its release in 1995. It holds a rare 100% Certified Fresh rating on review aggregator Rotten Tomatoes and 92/100 on Metacritic. Time named it the 8th best film of 1995. In 2003 it was ranked 'the greatest animated movie of all time' by the Online Film Critics Society. More recently, famous movie director Terry Gilliam praised the film and said it's "a work of genius. It got people to understand what toys are about. They're true to their own character. And that's just brilliant. It's got a shot that's always stuck with me when Buzz Lightyear discovers he's a toy. He's sitting on this landing at the top of the staircase and the camera pulls back and he's this tiny little figure. He was this guy with a massive ego two seconds before... and it's stunning. I'd put that as one of my top ten films, period." Toy Story was the number one movie of the year in 1995 (beating Batman Forever and Apollo 13), according to Box Office Mojo. It opened the day before Thanksgiving and made almost $10 million on Wednesday and Thursday, plus another $29 million over the weekend. It was the number one film for its first 3 weekends, and then again the last weekend of December. During its theatrical run, it grossed $191.8 million domestically and $362 million worldwide. At the time it was the third highest-grossing animated film, behind The Lion King and Aladdin. Although this movie was rated G in the United States, it was rated PG in the United Kingdom, likely due to Sid's violence and the ordeal with the mutant toys in his bedroom. Initial theatrical screenings of the film included a reissue of a Roger Rabbit short Rollercoaster Rabbit, while select screenings at the time included The Adventures of André and Wally B., a pre-Pixar short film that was produced by Lucasfilm in 1984. Though most home video releases do not include either of these shorts, the 2000 VHS reprint of Toy Story includes Tin Toy, Pixar's short film released in 1988. Four years later, Toy Story was followed by a sequel titled Toy Story 2 which was released in theaters on November 24, 1999. Tom Hanks, Tim Allen, Annie Potts, Wallace Shawn, John Ratzenberger, Jim Varney, Don Rickles, John Morris, Laurie Metcalf, R. Lee Ermey and Jeff Pidgeon all reprised the roles of their respective characters for the sequel. The film focused on Woody being stolen a greedy toy collector named Al McWhiggin (voiced by Wayne Knight) who plans to sell him to a toy museum in Tokyo, Japan and Buzz leading Rex, Hamm, Mr. Potato Head and Slinky Dog on a mission to save him. Eleven more years later, Toy Story was followed by a second sequel titled Toy Story 3 which was released in theaters and 3D on June 18, 2010. Tom Hanks, Tim Allen, Wallace Shawn, John Ratzenberger, Don Rickles, John Morris, Laurie Metcalf, R. Lee Ermey and Jeff Pidgeon again reprised their character roles in this sequel. Jim Varney, who voiced Slinky in Toy Story 1 and 2 died in February 2000, three months after the theatrical released of Toy Story 2. In Toy Story 3, Slinky was Varney's good friend Blake Clark. The only still living Toy Story cast member who didn't return for the sequel was Annie Potts, the voice of Bo Peep, though her character made a brief silent cameo in the movie's opening. The third film focuses on Andy growing up and leaving for college and Woody, Buzz and the rest of his remaining toys accidentally donated to a Day Care Centre where they meet some not so friendly toys. Once there, Woody and his friends must get back to Andy before he leaves. It was announced in November 2014 that Pixar was working on a third sequel, Toy Story 4, which was released in theaters on June 21, 2019. The film focuses on a new "toy" that Bonnie creates named Forky, and Woody helping him realize what being a toy is all about. One year after Toy Story was released, there were ABC shorts called Toy Story Treats. In 2000, Pixar released a Buzz Lightyear spin-off film called Buzz Lightyear of Star Command: The Adventure Begins which later led to a TV series titled Buzz Lightyear of Star Command which aired 2000-2001. In 2011 and 2012, Pixar released three shorts film that follows the events of Toy Story 3 titled Toy Story Toons. The first one titled Hawaiian Vacation was released in theaters and 3D June 24, 2011, with Cars 2. The second one, Small Fry was released in theatres November 23, 2011, with The Muppets. The third one, Partysaurus Rex was released in theaters and 3D September 14, 2012 with the 3D-re-release of Finding Nemo. Plus Woody, Buzz, Rex and Mr. Potato Head has recently appeared in two television specials titled Toy Story of TERROR! and Toy Story That Time Forgot. See Merchandise Toy Story had a large promotion prior to its release, leading to numerous tie-ins with the movie, including images on food packaging. A variety of merchandise was released during the film's theatrical run and its initial VHS release including toys, clothing, and shoes, among other things. When an action figure for Buzz Lightyear and Sheriff Woody was created it was initially ignored by retailers. However, after over 250,000 figures were sold for each character prior to the movie's release, demand continued to expand, eventually reaching over 25 million units sold by 2007. Blu-ray.com: Toy Story 'Toy Story': The Inside Buzz Box Office Mojo: Toy Story (1995) Toy Story English (Audio Description) czcams.com/video/tslD04yOhe0/video.html Jack Angel's Résumé. Arlene Thornton & Associates Inc. Spencer Aste Reel (1:43-2:06) Craig Good Voice Demo Reel (0:12-:17) Jeff Kays' email communication with Debi Derryberry, April 29, 2010. Pixar.com Do I want to?!

The first episode, "Rollercoaster", garnered a total of 10.8 million viewers when aired as a preview on August 17, 2007, holding onto more than half the record-setting audience of its lead-in, High School Musical 2. When Phineas and Ferb officially debuted in February the next year, it proved cable's number one watched animated series premiere by "tweens." Throughout the first quarter that followed, it peaked as the top-rated animated TV series for ages 6-10 and 9-14, also becoming number three animated series for all of cable television for viewers age 6-10. By the time the commissioning of the second season was announced in May 2008, the series had become a top-rated program in the 6-11 and 9-14 age groups. Disney Channel's airing of "Phineas and Ferb Get Busted" was watched by 3.7 million viewers. The episodes "Perry Lays an Egg" and "Gaming the System" on Disney Channel achieved the most views by ages 6-11 and 9-14 of any channel in that night's time slot. This achievement propelled the series to the number one animated telecast that week for the target demographics. On June 7, 2009, Disney announced that the show had become the number one primetime animated television show for the demographics 6-10 and 9-14. The premiere of "Phineas and Ferb's Christmas Vacation" garnered 2.62 million viewers during its debut on Disney XD, the most watched telecast in the channel's history (including Toon Disney) and the number three program of the night in all demographics. It received 5.2 million viewers for its debut on Disney Channel. It was the highest-rated episode of the series to date and 5th highest for the week. The premiere of "Phineas and Ferb Summer Belongs to You!" garnered 3.862 million viewers, was watched by 22% of kids 2-11, 13% of teens, 5% of households, and 3% of adults 18-49, also being the #1 program on that night and it was 25th for the week in viewership. On Disney XD, the episode ranked in the channel's top 3 telecasts of the year in viewers with 1.32 million, and Boys 6-11 with 365,000, with a 2.9 rating. The hour-long telecast on August 2, 2010, is currently the Emmy-winning animated series' No. 2 telecast of all time on Disney XD in Total Viewers, in kids 6-14 with 677,000 and a 1.9 rating, Boys 6-14 with 435,000 and a 2.3 rating, and kids 6-11 with 542,000 and a 2.2 rating, Boys 6-11 and Boys 9-14 235,000 with a 1.9 rating, behind only December 2009's "Phineas and Ferb Christmas Vacation!" On September 9, 2011, the episode "My Fair Goalie" had 4.65 million viewers watch it, the most for a regular episode. Eleven other episodes had also hit the 4-million mark, 5 times in 2011 alone. Disney has licensed a number of products from the show, including plush toys of characters Perry, Ferb, Phineas, and Candace. Disney released several T-shirts for the show and launched a "Make your own T-shirt" program on its Disney website. Authors have novelized several episodes. Two season one DVDs, entitled "The Fast and the Phineas" and "The Daze of Summer", have been released; the discs include episodes never broadcast in America. A third DVD was released on October 5, 2010, called "A Very Perry Christmas". A fourth one, called "The Perry Files", was released on June 5, 2012. Some reviewers were displeased that the discs covered selected episodes rather than providing box sets of the whole series, but noted that Disney does not generally release full-season DVD sets. On February 3, 2009, Disney licensed a Nintendo DS game, titled like the show, Phineas and Ferb. The game's story follows the title characters as they try to build a roller coaster to stop boredom over the summer (in reference to the show's pilot episode). The player controls Phineas, Ferb, and occasionally Agent P (Perry the Platypus). Phineas scavenges for spare parts for the rollercoaster while Ferb fixes various objects around town, gaining access to new areas as a result. Ferb can also construct new parts of the rollercoaster and its vehicle-themed carts. Each activity features a short mini-game. The game was well received and garners a 76.67% on GameRankings. A sequel entitled "Phineas and Ferb Ride Again", was released on September 14, 2010. Dan Povenmire and Jeff "Swampy" Marsh also announced that there is a Phineas and Ferb Wii game in development. It was later confirmed that this game would be a video game adaptation of the TV movie, also available for Nintendo DS and PlayStation 3, which was released August 2, 2011. The United Kingdom Disney Channel has aired a series entitled Oscar and Michael's Phineas and Ferb Fan Club Show in homage to the animated TV series. The show features two boys who attempt to be like Phineas and Ferb by taking part in adventures to alleviate boredom. The series aims at educating kids and promoting activity and creativity. It entered its second season on April 10, 2009. Phineas and Ferb also has been briefly referenced in a few literary works in recent years. Love Through the Eyes of an Idiot: A True Story of Finding the Secret of Love and Romance uses an analysis that states that a woman the author met was the "Phineas to his Ferb." Lost and Found: How Churches Are Connecting to Young Adults uses the titular characters of the show as an example of television characters who have an impact on the lives of children and the family they live with. Almost every episode has had at least one musical performance (except for "Lights, Candace, Action!", "I Was a Middle Aged Robot", and "The Lizard Whisperer"). "Rollercoaster: The Musical!" and Phineas and Ferb the Movie: Across the 2nd Dimension currently tie for the record of most songs at 9 songs each. Povenmire recalls, "When we were writing Rocko, we always had one of two things, sometimes both: usually a song or a musical number, plus a big action/chase scene. Phineas and Ferb gave us a chance to write a song for every single episode, starting with the third episode, "Flop Starz". We played it and Perry's secret agent theme for the Disney executives. We were a little trepidatious because Disney has a big history of music ― what if they hate it? The reaction was, "These are great ― can you write a song for every episode?". Nearly every episode has a song so that they won't use it over and over for a different season. The music on Phineas and Ferb goes from the whimsical to heavy metal. Composer Danny Jacob, along with Povenmire, Marsh, and story editor Martin Olson strive to include all genres of music, because they feel this variety enriches the animation experience and exposes kids to music they wouldn't otherwise have been aware of. Early in the show's production, Disney questioned this policy, but as Povenmire explains, "It's similar to when we realized that Bugs Bunny was using classical music. When I heard 'The Barber of Seville' for the first time after watching Bugs Bunny, I had a way of relating to it that made me think of it differently than if I had just heard it on the radio. You have a familiarity to it. Now, when kids hear a Frank Sinatra like a jazz tune, or a Busby Berkeley kind of tune, they'll have a frame of reference for it." They use good music so it can mix in and flow with the movie. This has been on for a while now, that they have used Phineas and Ferb movie to feature it to show that if you use jazz tunes and other music it will sound good with other things, not only with the same movie.

The show uses four major writers to devise story ideas according to "strict guidelines", such as that the boys' schemes never appear to be "magical." Stories are reviewed at weekly sessions on a Monday, then simultaneously scripted and storyboarded. A very rough design is built before the storyboard, featuring little more than suggested scenes and dialogue, is drafted; the writers then gather for a "play-by-play" walkthrough of the storyboard in front of the whole crew, whose reactions to the jokes are assessed before rewrites are made. The writers as well include running gags in every episode, which are generally lines spoken by characters. Almost every episode is set into two eleven-minute segments. Rough Draft Studios in South Korea, Wang Film Productions in Taiwan, and Synergy Animation and Hong Ying Animation in Shanghai animated the series in 2-D animation using the software packages Toon Boom. Povenmire undertakes the bulk of production direction, along with Marsh, Jay Lender, Sue Perrotto, Zac Moncrief, and Robert Hughes. The series adopts artistic features from animator Tex Avery, such as geometric shapes integrated into characters, objects, and backgrounds. Dan Povenmire said of this inclusion, "There's a little bit of Tex Avery in there-he had that very graphic style (in his later cartoons)." Triangles (shaped like Phineas' head) are featured as an Easter egg in the background of every episode, sometimes in trees or buildings. Other shapes, such as rectangles (Ferb's head shape) and semicircles (Candace's head shape) can show up often. Bright colors are also a prominent element of the animation. Marsh elaborates, "The idea at the end of the day was candy. One of the things that I think works so well is that the characters are so bright and candy-colored and our backgrounds are a much more realistic depiction of the world: the soft green of the grass, the natural woods for the fence. In order for all of the stuff that they do to work, their world needs to be grounded in reality." The designers sought to keep their characters visually simple, so that kids "would easily be able to draw [them] themselves." Characters were also crafted to be recognizable from a distance, a technique the creators say is based on Matt Groening's goal of making characters recognizable by silhouette. The plots grew from Povenmire's childhood in Mobile, Alabama. His mother was always encouraging them to do creative things rather than watch television. One of his activities was making home movies. Povenmire says, "My mom let me drape black material all the way across one end of our living room to use as a space field. I would hang little models of spaceships for these little movies I made with a Super 8 camera." Phineas Flynn (Vincent Martella) and Ferb Fletcher (Thomas Sangster) are stepbrothers who live with their older sister Candace Flynn (Ashley Tisdale) and their parents Linda Flynn-Fletcher (Caroline Rhea) and Lawrence Fletcher (Richard O'Brien) in the town of Danville. The brothers find themselves dissatisfied just spending their summer vacation outside of school, so, they pull off unbelievable and often outlandish stunts (i.e. finding a mummy, getting a band back together, racing cars, constructing a giant roller coaster, just to name some), in order to make summer more exciting. Their sister, Candace, is aware of their unusual activities and tries to play a spoil-sport (busting) by telling their mom so that the adventures of Phineas and Ferb could be put to an end. Candace's actions emerge mostly out of jealousy because she would not be able to get away with the same acts, since she gets "busted" for things she wasn't even intending to do, like throwing a party. ("Candace Gets Busted"). In the end, the boys' inventions disappear right when Candace is about to bust them. Phineas and Ferb's pet, Perry the Platypus (Dee Bradley Baker), is actually a secret agent named, "Agent P Normally, Perry's first appearance in a story is after someone (usually Phineas) notices his absence and asks "Hey, where's Perry?" After the question is asked, the scene usually changes right to Perry entering secret chutes or entrances that bring him to some underground headquarters where he receives instructions, via a monitor, from his boss Major Monogram, head of the O.W.C.A. (Jeff "Swampy" Marsh) (However, in some cases, Perry is simply shown in the base receiving a briefing (e.g. "Undercover Carl"). Major Monogram thеn assigns Perry some mission that generally involves Heinz Doofenshmirtz (Dan Povenmire), and his nefarious plans to wreak havoc on the Tri-State Area (though this is not always the case). A majority of the Perry subplot involves him battling Dr. Doofenshmirtz in knowingly hackneyed fashion (such as Doofenshmirtz's long monologues about his plans to Perry), this sub-plot also includes, sometimes, the sarcasm of Vanessa Doofenshmirtz (Olivia Olson); Doofenshmirtz's beautiful daughter, and Norm (John Viener); Doofenshmirtz's self-aware robot. Inevitably, these battles are brought very near where Phineas and Ferb are doing whatever plan they had for the day, and generally aid in the removal of all evidence related to what they were doing before Candace can show her mother what Phineas and Ferb have/ been up to. Sometimes this works backward, and Phineas and Ferb's invention destroys Doofenshmirtz's invention. ("Hail Doofania", "Thaddeus and Thor" and Phineas and Ferb The Movie: Across the Second Dimension) The creators of Phineas and Ferb chose Perry to be a platypus, because they thought dogs and cats are overused in TV shows. Occasionally, there are sub-plots relating to Candace during the stories. They generally involve either Candace chatting, hanging out with her friend Stacy (Kelly Hu), or attempting to get the attention of her crush, Jeremy (Mitchel Musso). These subplots commonly weave in with Candace's many attempts to bust Phineas and Ferb for their inventions, which ends in failure. The show has received generally very positive reviews. The New York Times commented favorably, describing the show as "Family Guy with an espionage subplot and a big dose of magical realism". It considered the pop-culture references ubiquitous "but [placed] with such skill that it seems smart, not cheap." Whitney Matheson wrote in her USA Today blog "Pop Candy" that the series was an achievement in children's programming. Matheson applauded the writing and called it "an animated version of Parker Lewis Can't Lose." Emily Ashby of Common Sense Media praised the show's humor and plot, giving it three out of five stars. The Seattle Times wrote that the story of the show was "valiant" and that the main characters of Phineas and Ferb were "young heroes". As of 2023, it currently holds the #2 spot on Ranker's "The Best Disney Channel Cartoons Ever Made" list (Right behind Gravity Falls). WatchMojo placed the show at the #2 spot in their "Top 20 Best Disney Animated TV Series", with Gravity Falls also being placed as #1.[4] Variety noted the show's appeal to all ages with its "sense of wit and irreverence." Similar reviews have emphasized the series' popularity with adults; Elastic Pops Rebecca Wright wrote, in a review for the volume one DVD, "As an adult, I really enjoyed watching this Phineas and Ferb DVD, and I think it is one that the whole family can enjoy." Wright also called the series' "irreverent style" reminiscent of The Adventures of Rocky and Bullwinkle. Wired's Matt Blum has stated in reviews on the series that he "can stand to watch just about anything with (his) kids, but he actually looks forward to watching Phineas and Ferb with them." Notable adult celebrities who have openly considered themselves fans of the series include Bob Eubanks, Anthony LaPaglia, Ben Stiller, Chaka Khan, Jeff Sullivan, and Jake Gyllenhaal. Among the negative reviews is one that charges the series with a lack of originality. Maxie Zeus of Toon Zone argued that the show is "derivative, but obviously so, and shorn of even the best features of what has been stolen." Zeus took issue with the writing, feeling that certain jokes and conventions were "ripped-off" from other shows. Kevin McDonough of Sun Coast Today criticized the show for its plot complexity, constant action, and "characters [that] can do just about anything." McDonough stated that "it's never clear whether P&F are intended to entertain children or are merely a reflection of grown-up animators engaged in a juvenile lark." Marylin Moss of The Hollywood Reporter described Phineas and Ferb as "Pretty mindless but kids of all ages might find a humorous moment in it." Moss called the plot lines redundant but did praise the music styles and guest stars. The series won a "Cynopsis Kids Animation" in June 2012 for the movie.

Do this?! Phineas and Ferb is an American animated comedy-musical sitcom that centers around two stepbrothers, Phineas Flynn and Ferb Fletcher, their sister, Candace, their pet platypus, Perry, and their adventures during summer vacation. The series aired on both Disney Channel and Disney XD. The series premiered worldwide on February 1, 2008. It is also the first Disney Channel Original Show to premiere simultaneously in all territories. The show's official US premiere was marketed as Phineas and Ferb-uary, due to new episodes being shown on many of the days during the month of February. Many of the show's voice actors also appear on other Disney Channel TV shows, such as Hannah Montana and The Suite Life of Zack & Cody. On August 25, 2011, the show was picked up for its fourth and final season on Disney Channel, later known to be 37 episodes, a possible spin-off on Isabella and the Fireside Girls and a feature film for the series. The series also had a live show that was shown in over 80 different cities across the United States. On June 9, 2014, Phineas and Ferb broke the all-time record of half-hour episodes, set by Dumbo's Circus with 120. It is Disney Channel's longest-running original animated Series, beating Kim Possible's 5 years and 3 months. On July 25, 2014, Dan and Swampy announced that there are 20 unaired episodes of Season 4 remaining. Afterwards, they will take their first hiatus in 8 years.[1] The series ended after the hiatus in favor for the new spin-off series Milo Murphy's Law, which first aired in 2016 on Disney XD, which oddly enough, takes place in the same universe as Phineas and Ferb. The series' run ended on June 12, 2015 with its series finale special episode, as well as a standalone hour-long episode airing on November 9, 2015, on Disney XD and on January 15, 2016, on Disney Channel. It was the longest show to ever run beside Kim Possible which was second place. On January 13, 2023, the show was revived for a fifth and sixth season with 20 episodes each under Dan Povenmire's new overall deal with Disney Branded Television, along with the second season renewal for Hamster & Gretel.[2] On March 16, 2023, it was further announced that Marsh would also return to the revival as executive producer and voice director.[3] Creators Dan Povenmire and Jeff "Swampy" Marsh met as layout artists on The Simpsons in the mid-1990s, where they sat across from each other. They bonded over a shared sense of humor and were eventually paired as a writing team on Rocko's Modern Life for Nickelodeon where they learned more aspects of the animation production business. It was during the time that the pair started to develop a show that would allow them to continue working together as writers. At the Wild Thyme restaurant in South Pasadena, California, where they have butcher paper over the tables and crayons for you to draw with, Povenmire was sharing a meal with his wife when he drew the first sketch of a triangle-headed kid. Povenmire called Marsh that evening and told him the news: he had Phineas. All the other characters grew from that simple triangle-headed kid. Phineas is a triangle, Ferb is a rectangle, and Candace is a semicircle. The goal was to create simple characters that kids could easily draw on their own. They also created characters that were easily recognizable in silhouette, which is an old animation standard that Matt Groening taught Povenmire while he was working on The Simpsons. After the characters were set, they decided to work geometric shapes into the background to tie the whole thing together. Marsh describes this homage to legendary Looney Tunes animator/director, Tex Avery. "There's a little bit of Tex Avery in there - he had that very graphic style (in his later cartoons). A lot of what I see [in the series] now is borrowed from Tex." The Rocky and Bullwinkle Show provided additional inspiration in its format, where several different stories would be resolved together at the end of the episode. The color palette was originally a matter of discussion. Povenmire and Marsh wanted bright candy-colored characters with natural colors for the backgrounds. Marsh emphasized the need or all of "for all of the stuff that they do to work, their world needs to be grounded in reality." Disney wanted a more stylized palette. Povenmire recalled, "I actually had discussions with Disney about this because they wanted to come up with a cool color scheme. I just wanted it to feel like summer." The creators won out in the end. Povenmire and Marsh were no longer working together. Marsh had moved to London, England to work on an assortment of films and TV series including Postman Pat and Bounty Hamster. Povenmire had started animating and directing Family Guy episodes, but continued to shop the show around to Cartoon Network, Nickelodeon, and Fox Kids. Studios were worried about the complexity of the plots for the time allowed. At Fox, there were a few meetings, but negotiations fizzled out. Nickelodeon kept sending it up higher and higher in the production personnel ranks, but it was eventually deemed too difficult to pull off. Their stubbornness and persistence paid off when Povenmire finally got a meeting with Disney. According to Povenmire, "Disney was the first to say, 'Let's see if you can do it in 11 minutes.' We did it in the pilot, and they said, 'Let's see if you can do it for 26 episodes.'" Disney Channel's Senior VP of Original Series, Adam Bonnet was a fan of Family Guy and wasn't scared off by Povenmire's work on the series. In fact, it was because of his connections to the prime time Fox animated sitcom known for its gross-out gags and raunchy humor that Bonnet wanted to see whatever Povenmire was working on. Povenmire recalls about Bonnet, "He called me for a meeting when I was working on a different pilot for them just to tell me how much he liked Family Guy. When I came back to pitch my own show, I think he was more open to it." Povenmire brought "some of that prime time animation timing without any of the raunch" to Phineas and Ferb. In fact, many of the blank stares and sight gags have a prime time and Tex Avery charm to them. "People think Family Guy is a success because of how raunchy the gags are. I don't think it would have been a success at all if the timing wasn't absolutely crystal pitch perfect ― if there wasn't just the right amount of pause before or after the line. Comedy is all about timing, and I think that's what people are responding to." Unlike live-action TV series, they didn't show them a script. Instead, they pitched a storyboard. A storyboard is a scene-by-scene visual breakdown of how the episode would look. When it came time to present it to the executives overseas, Povenmire edited the storyboards together into a film, adding music, sound effects and providing the voices for all the characters. This animatic can be found on "The Fast and the Phineas (DVD)". The original story pitch eventually became the episode "Rollercoaster".

Lightyear premiered on June 8, 2022 and was theatrically released in the United States on June 17, 2022 by Walt Disney Studios Motion Pictures, in RealD 3D, Dolby Cinema, and IMAX formats. It is the first theatrical release for Pixar in two years, since Soul, Luca, and Turning Red were assigned direct-to-streaming releases on Disney+ in response to the COVID-19 pandemic. The review aggregator website Rotten Tomatoes reported a 75% approval rating with an average rating of 6.70/10, based on 246 reviews. The site's critical consensus reads, "Lightyear settles for being a rather conventional origin story instead of reaching for the stars, but this gorgeously animated adventure ably accomplishes its mission of straightforward fun." Metacritic reports a score of 60 out of 100 based on 57 critic reviews, indicating "mixed or average reviews". The film has been disliked/criticized by audiences for its dark tone, character portrayals, and script, saying that it doesn't fit in with the spirit of the Toy Story franchise. This has made fans prefer Buzz Lightyear of Star Command, believing it to be a much better spin-off that expands on Buzz's lore and backstory, while fitting in with the franchise. The film has received criticism from some who have argued that the film's scene with a same-sex kiss, as well as Alisha Hawthorne's relationship with her partner, is inappropriate for children. This was contested by the scene showing support from both fans and Pixar employees, as well as helping the film reach more notoriety. As of June 19, 2022, Lightyear has grossed $50.6 million in the United States and Canada, and $34.6 million in other countries, for a worldwide total of $85.2 million. Being Pixar's first theatrical premiere in two years, it was expected to gross big numbers in revenue. In the United States and Canada, Lightyear was originally projected to gross $70-85 million from 4,255 theaters in its opening weekend, with some estimates reaching as high as $105 million. However, after making just $20.7 million on its first day (including $5.2 million from Thursday night previews), estimates were lowered to $51-55 million. It went on to debut to $50.6 million, finishing second behind holdover Jurassic World Dominion. Additionally, the film earned $34.6 million from 43 international markets, bringing its worldwide three-day debut to $85.2 million. Both Deadline Hollywood and Variety attributed the under-performance to competition from Minions: The Rise of Gru, Jurassic World and Top Gun: Maverick, though ultimately noted it as a disappointment given the brand strength of both Pixar and the Toy Story series. They also noted how the non-release on important markets like China, as well as movie theaters still recovering the standard numbers from the previous decade contributed to its under-performance. This is the second Toy Story spin-off after Buzz Lightyear of Star Command. This is the first Pixar film of the 2020s to be produced in a 2:39:1 aspect ratio (for non-IMAX theaters), since Soul, unlike Luca and Turning Red, which were produced in the 1.85:1 aspect ratio. In addition, for the IMAX version, there are nearly 30 minutes of scenes that were produced in the nearly IMAX standard ratio, which is the 1.43:1 aspect ratio, making the film the first Pixar film to have selected scenes to be produced in this ratio. This is the first Pixar film to be released theatrically since Onward, as Soul, Luca, and Turning Red were released on Disney+ instead of being released theatrically as planned due to the COVID-19 pandemic. As such, this is also the first Pixar film to be released in 3D since Onward. This is Pixar's first spin-off film. The second Pixar film to be released on June 17, after Finding Dory. This is the second Disney animated spin-off to be produced in a 2:39:1 aspect ratio after Planes: Fire & Rescue, and the first to include a 1.43:1 aspect ratio in IMAX theaters. The film is rated PG by the MPA, unlike the main films of the Toy Story franchise which were rated G. However, due to the brief same-sex kiss, it became the first children's animated feature film to be given an NC16 rating in Singapore, equivalent to an R rating in the US. Contrary to people's expectations, this is not the first time Buzz is played by an actor other than Tim Allen. The list includes: Pat Fraley (Toy Story Treats, video games, attractions) Patrick Warburton (Buzz Lightyear of Star Command) Javier Fernandez-Peña (Spanish mode in Toy Story 3) Mike MacRae (video games) Corey Burton (Disney on Ice) When the movie was announced, many people were thrown into great confusion over it. This can be largely attributed to the human character and the toy sharing the same name, which led many people to believe the human Lightyear's voice actor, Chris Evans, would replace the toy Lightyear's voice actor, Tim Allen, to become the new voice of the character. Disney later clarified on Twitter that this was not the case, with Evans being the voice of the in-universe character that inspired the toy, and Allen being the voice of the toy.[9]

Do this?! “Infinity awaits.” ―Tagline Lightyear is an American computer-animated science-fiction action film co-produced by Pixar Animation Studios and Walt Disney Pictures. It is a spin-off of the Toy Story franchise, serving as an origin story for the fictional test pilot/astronaut whom the Buzz Lightyear toy featured in the main films was based on, presented as a film within a film that the characters in Toy Story would have watched. The film was a box-office bomb, grossing $225 million worldwide against a $200 million production budget. It received generally positive reviews from critics, praising its animation, voice acting, score and entertainment value but criticized its screenplay and tone. It is Pixar's 26th animated feature, and was theatrically released on June 17, 2022, in RealD 3D, Dolby Cinema, and IMAX. It is also the first Pixar film filmed in IMAX. The definitive origin story of Buzz Lightyear, the hero who inspired the toy, Lightyear follows the legendary Space Ranger after he is marooned on a hostile planet 4.2 million light-years from Earth alongside his commander and their crew. As Buzz tries to find a way back home through space and time, he is joined by a group of ambitious recruits and his charming robot companion cat, Sox. Complicating matters and threatening the mission is the arrival of Zurg, an imposing presence with an army of ruthless robots and a mysterious agenda.[1] “In 1995, a boy named Andy got a Buzz Lightyear toy for his birthday. It was from his favorite movie. This is that movie.” ―Opening text In the far future, a massive ship, dubbed the Turnip, carries a colony through hyperspace to an unknown destination. The ship makes a quick pitstop at a planet, named Tikana Prime, and Space Rangers Buzz Lightyear and Alisha Hawthorne traverse their newfound surroundings for any resources. Buzz is a dutiful ranger with a habit of doing things on his own and makes mission logs to help him focus. Alisha, his best friend, mocks him for this and has been with him since the early training days at the academy. She also brings along a recruit named Featheringhamsten, whom Buzz is indifferent to as he feels that he can do things without the aid of anyone. Shortly after meeting the rookie, the trio are attacked by living vines and large flying insects and rush back to the Turnip. Buzz takes control of the ship and hastily tries to maneuver it off the planet, despite Featheringhamsten and Alisha trying to offer their help to him and the low altitude that the ship has. He just barely manages to fly the Turnip off the ground but it hits a cliff, causing them to lose air and crashing back down on the planet. With the last of their crystallic fusion energy wasted, Buzz offers to have himself stripped of his rank, but Alisha perks him up and gives him a new mission to get them off the planet by using the planet's resources to make a new crystallic fuel source. One year later, the colony has developed a civilization with vines and bugs only being a minor problem. A new fuel source is created and set to be tested by Buzz himself. Their plan is for Buzz to use the fuel to fly off the planet, make a swing around the closest sun, and try to reach hyperspace before safely landing back on Tikana Prime. Buzz flies off to the sun and manages to loop around, but nearly damages the ship's engine, forcing him to eject the fuel and sling him back through the safety hoops. He successfully does so, but upon landing notices that Airman Diaz now has a beard, when he did not have one before. Diaz reveals that his trip, caused him to miss over four years on Tikana Prime. Buzz is reunited with Alisha, who is now his superior and brings him up to date on how his trip is affected by time and ask that he abandon the mission. Buzz additionally learns that in the intervening years, Alisha met a scientist named Kiko and is now engaged to her while the colony has chosen to build living quarters. Buzz is given his and is additionally given a small robotic cat named Sox who was designed to be his close companion, while also displaying useful technological devices within him. Buzz has a nightmare about his crash and decides to give Sox a mission to find a suitable formula for a fuel source. He meets up with Alisha and manages to convince her to let him go again until they find the right fuel to get off the planet. In the years that Buzz spends traveling into space and back, he witnesses Alisha's life flash before his eyes. Her pregnancy, her family life with Kiko, her son's graduation and marriage and her autumn years. Buzz eventually returns to find that Alisha had passed away, but left behind a message telling him to continue the fight while also revealing her granddaughter, Izzy, who aspires to be a Space Ranger. Alisha's office is now occupied by Commander Burnside who informs Buzz that the mission to get off the planet has been cancelled and that they will make do by building a laser shield; shocking Buzz. Buzz solemnly returns to his living quarters and learns that Sox managed to successfully find a suitable formula for the crystallic engine. However, soldiers, dubbed Zappers, arrive to decommission Sox and Buzz flees with him. Sox uses his ability to use a tranquilizer dart to get passed one Zapper, making Buzz realize that Sox was initially designed to keep him in line. Using the formula, they manage to create the perfect crystallic fusion, but the computer carrying the information gets destroyed and Buzz and Sox flee once again. They manage to get back onto a space ship and escape the Zappers with Buzz flying around the sun and successfully achieving hyperspace. Buzz returns to the planet, but finds that things have become much more barren. He is rescued by a cadet from a robot who teleports itself and Buzz's ship away. The cadet reveals herself to be a grown up Izzy Hawthorne. Buzz has traveled over twenty-two years into the future. Izzy reveals that the robot came from a giant mother ship floating above the surface of the planet, dubbed the Zurg Ship, after the fact that the robots can only say "Zurg". She further reveals that the robots are surrounding the colony who have placed up their laser shield and are trapped. In order to defeat the robots, they need to blow up the ship, which they can now due to Buzz being a pilot. Buzz, Sox, and Izzy reach the fort where the latter introduces the rest of the team; Darby Steel, Mo Morrison, and ERIC, a robot. With the plan set in motion, the group is suddenly attacked by a robot that blows up their ship and tries to carry Buzz away. At this point, it becomes apparent that each member is ill-equipped to handle any action or danger. Nevertheless, Buzz manages to disarm the robot and Mo, unintentionally puts it out of commission by tossing a harpoon at its head. Buzz learns that the group is actually Junior Patrol and are not even considered "Rookies". Mo came aboard thinking that he was attending a workout bootcamp and has always been a quitter, Darby is trying to shorten her sentence after having stolen a ship, while Izzy, who is well knowledgeable in her grandmother's life, lacks patience.

Do this? “The adventure takes off!” ―Tagline Toy Story is a 1995 American computer-animated adventure comedy film directed by John Lasseter, and features the voices of Tom Hanks and Tim Allen. The film was co-produced by Ralph Guggenheim and Bonnie Arnold and was distributed by Walt Disney Pictures. It was written by Joss Whedon, Andrew Stanton, Joel Cohen, and Alec Sokolow, and featured music by Randy Newman. It was the very first feature film released to use only computer-generated imagery and the first film released by Pixar Animation Studios. Toy Story follows a group of toys who come to life whenever humans are not present, focusing on Sheriff Woody, an old-fashioned pullstring toy cowboy (Hanks), and Buzz Lightyear, an astronaut action figure (Allen). Toy Story went on to earn more than $361 million worldwide. The film received critical acclaim, and holds a rare 100% approval rating on Rotten Tomatoes. It was praised for the technical innovation of the 3D animation, screenplay, musical score, and vocal performances (particularly Hanks and Allen); it is considered by many to be one of the best animated films ever made. The film was followed by four sequels, Toy Story 2 (1999), Toy Story 3 (2010), Toy Story 4 (2019), and Toy Story 5 (TBA). Additionally, numerous animated shorts, theme park attractions, video games, and a television series have been released. It was selected into the National Film Registry as being "culturally, historically, or aesthetically significant" on its first year of eligibility. The film won several awards including 7 Annie Awards and a Special Achievement Academy Award for John Lasseter and received 3 Oscar nominations for Best Original Screenplay, Best Original Score, and Best Original Song for "You've Got a Friend in Me", losing to both Pocahontas and The Usual Suspects. The film begins with a young boy named Andy Davis playing with his toys; a Mr. Potato Head toy, Slinky Dog, a plastic T-Rex dinosaur toy named Rex, a porcelain sheep lady named Bo Peep, Bo Peep's sheep, and his favorite toy, Woody, a cowboy doll. He pretends Mr. Potato Head is a one-eyed villain robbing money whom Woody must try to defeat. He takes Woody into the living room and plays with him some few more, with a short interruption talking to his mother about his birthday party later that day and the upcoming move to a new house. After playing with Woody, Andy starts helping his mother by taking his baby sister, Molly, to her. While he's away, all of the toys come to life. The party makes all the toys extremely nervous, wondering if Andy will get a toy that will replace them. Woody sends the Green Army Men led by Sarge downstairs to spy on the party guest. At the end of the party, his mother pulls out a surprise gift from behind her, which turns out to be a Buzz Lightyear action figure in spaceship packaging. Andy and his friends run upstairs to open him and in his hurry, Andy knocks Woody off the bed. They quickly leave after Andy's mother calls Andy and his friends back downstairs, and the other toys welcome the newcomer. Buzz, however, doesn't seem to be aware that he is a piece of plastic, believing himself to be the actual Buzz Lightyear on a mission to save the universe from Evil Emperor Zurg. The other toys take to him immediately, impressed by his many features. Only Woody is unconvinced, showing jealousy towards Buzz, who might replace him as Andy's favorite toy. As time passes, Andy replaces many of his cowboy-themed room decorations with space ones, causing Woody's resentment to rise while Buzz attempts to fix his "damaged spaceship" (in reality, a piece of the packaging that had been torn). Sometime later, Mrs. Davis takes Andy and Molly on a trip to the space-themed Pizza Planet restaurant. Andy asks if he can bring any toys, and she agrees to let him take only one. Woody, knowing Andy will choose Buzz, plans to trap him in a gap behind Andy's desk by using RC so Andy won't find him and choose him instead. However, the plan goes badly wrong and instead Woody knocks him out the window by accident after RC misses its mark. When the other toys, especially Mr. Potato Head except for Rex, Slinky Dog, and Bo Peep had learned of Woody's actions, most of them think Woody tried to kill Buzz out of jealousy. They then try to attack him, but Woody is rescued when Andy, unable to find Buzz, takes Woody on the trip instead. At a stop at a Dinoco gas station to refuel the car, Woody (after pondering how he's going to convince the toys that the whole thing was an accident) finds that Buzz (who also thinks Woody tried to kill him) grabbed ahold of the family's minivan and is with them. After a conversation, they begin to fight, knocking each other out of the minivan, and are left behind when it drives away which leads to an argument with Woody becoming fed up with Buzz's delusion of being a real space ranger. While they go their separate ways at first Woody spots a Pizza Planet truck stopping for directions and while he almost goes he realizes that Buzz has to come as the other toys still hate him, so he convinces Buzz to hitch a lift on the Pizza Planet truck (saying it's a spaceship that will take him home in order to return to Andy who is at Pizza Planet. Buzz goes to the cockpit (backseat) as it is safer although Woody says they should go to the truck (the cargo). At first Woody thinks that is ridiculous but during the ride there are several sharp turns and a hill causing him to get hit by a toolbox. Woody finds Andy there, but Buzz, still thinking he's a real space ranger, climbs into a toy crane game, thinking that it's a spaceship that will take him to Emperor Zurg's location. Woody goes in after him, but they eventually are found by Sid Phillips, who lives next door to Andy and is known to torture and destroy toys just for fun. Left alone in Sid's room, Woody and Buzz come upon a group of mis-matched toys, the results of Sid's many "experiments". Woody and Buzz react in fear, thinking that the mismatched toys are cannibals. Meanwhile, at Andy's house, the toys continue to look for Buzz in the bushes. But when Andy and his mother come home, Andy notices that Woody's gone. The other toys wonder what has become of the two. Some are worried for both Buzz and Woody, while others express their hope that Woody has met a bad end. The next day, at Sid's house, Woody and Buzz, having been mistreated by Sid (Sid burned Woody's forehead with a magnifying glass), try to escape, only to run into Sid's crazy Bull Terrier, Scud. Eventually getting out of Sid's room, Buzz comes upon a TV where he sees a commercial for the Buzz Lightyear line of toys. Watching it and reading the "MADE IN TAIWAN" on the inside of his wrist communicator, he realizes that Woody was right about him: he was a toy this whole time, not a real space ranger. However, in denial (and one last desperate attempt to prove he's not a toy), he tries to fly out of a window by jumping off the guardrail of the stairs on the second floor, only to fall to the floor, losing his arm in the process. He is found by Sid's little sister, Hannah, who takes him to put him in her tea party. Woody finally finds Buzz in Hannah's room, dressed as "Mrs. Nesbit" and attending a tea party with a few of Hannah's dolls. While Woody formulates a plan of escape, Buzz is too depressed to care. When Woody throws a string of Christmas lights across the way to the toys in Andy's room and Mr. Potato Head refuses to let Woody return to Andy's room as he still believes that Woody got rid of Buzz after telling the other toys have they forgot of what he did to Buzz, Buzz refuses to back him up as he is depressed that he is a toy and only throws his detached arm at Woody instead; Woody tries to use Buzz's detached arm in a desperate attempt to convince Andy's toys that Buzz is with him, but he accidentally reveals Buzz's detached arm, they take it as evidence that Woody truly did murder Buzz and leave him in disgust with Mr. Potato Head telling Woody that he hopes Sid rips his voice box out. The Mutant Toys then return and swarm over Buzz, and, despite his attempts to repel them, Woody finds that they have repaired him and reconnected his arm back in place. However, before Woody can make friends with them, Sid returns with his new acquisition: a firework rocket. He decides to blow up Woody with it, but cannot find him as Woody hides in a milk crate. Sid then decides to blow up Buzz instead, but is stymied by rainfall. He unknowingly traps Woody in the crate by putting a heavy toolbox on, and plans to go ahead in the morning due to rain.

Eddie Valiant's initial 30 second stroll through Maroon Cartoon Studios, was so complex that it involved over 180 individual elements, that when assembled with the film pieces, created stacks 8 feet in height. When the Special Edition DVD was released, Robert Zemeckis stated in an interview for a newspaper that Bill Murray was his and producer Steven Spielberg's original choice for the role of Eddie Valiant but neither could get in contact with him in time. Bill Murray states in interviews that when he read the interview he was in a public place at the time but he still screamed his lungs out, because he would have definitely accepted the role. The proposed route for Judge Doom's freeway is the same one the 10 Freeway follows through Los Angeles. Judge Doom's master plan to dismantle the Red Car trolley is based in fact. Private corporations conspired to eliminate public transit in the late 1940s and 1950s in order to generate demand for automobiles and ancillary industries to keep said automobiles running. Lena Hyena, the hideously ugly Jessica Rabbit impostor that Eddie meets in Toontown, is based on the creation of the same name by artist Basil Wolverton. She was first conceived in 1946 for a contest to depict "the world's ugliest woman". She is also inspired by Red's Grandma character from the 1943 Tex Avery short Red Hot Riding Hood. Joel Silver's cameo as Raoul J. Raoul was a prank on Disney chief Michael Eisner by Robert Zemeckis and Steven Spielberg. Eisner and Silver hated each other from their days at Paramount Pictures in the early '80s, particularly after the difficulties involved in making 48 Hrs. (1982). Silver shaved off his beard, paid his own expenses, and kept his name out of all initial cast sheets. When Eisner was told, after the movie was complete, who was playing the director - Silver was nearly unrecognizable - he reportedly shrugged and said, "He was pretty good." Screenwriters' Jeffry Price' and Peter S. Seaman first adapted the Gary K. Wolf novel, 'Who Censored Roger Rabbit?', in 1981, with a view to making it with up-and-coming director Robert Zemeckis. However, when Disney viewed Zemeckis' two feature films (I Wanna Hold Your Hand and Used Cars), they felt that Zemeckis wasn't talented enough to pull off the movie. After Zemeckis made Romancing the Stone and Back to the Future, Disney reconsidered and the movie was green-lit. At the movie theater where Eddie tells Roger his backstory, the short Goofy Gymnastics (1949) is being played, which didn't come out for another two years from the period the film is set in (1947). Crew members claimed to have chosen this particular short, despite its inaccuracy, because it was the zaniest short they could find in the Disney Vault. Initially, there were to be seven weasels (Greasy, Sleazy, Wheezy, Smartass, Psycho, Stupid, and Slimy) to parody the seven dwarfs. The three ingredients of the dip which 'kills' toons, (turpentine, benzene, and acetate) are all paint thinners which are used to remove animation from cells. This same concept is used in the Epic Mickey series. 326 animators worked full-time on the film. In total, 82,080 frames of animation were drawn. Including storyboards and concept art, animation director Richard Williams estimates that well over one million drawings were done for the movie. To convince the Disney and Amblin executives that they could make the movie, the filmmakers shot a short test involving Roger bumping into some crates in an alley and then getting picked up by an actor (this test can be seen in the Behind the Ears: The True Story of Roger Rabbit (2003) (V) documentary on the Vista Series DVD). After viewing the test, several of the Disney executives were convinced they had seen a traditional 'man-in-a-suit' gag with added animation. They couldn't believe it when they were told that it was 100% animation. Every frame of the movie which featured a mixture of animation and live action had to be printed up as a still photograph. An animator would then draw the particular illustration for that frame on tracing paper set on top of the photo. The outline drawing then had to be hand-colored. Once that was done, the drawing had to be composited back into the original frame using an optical printer. Stupid Weasel, the one in the striped shirt and the beanie hat with propellers, is the only weasel with a bellybutton. Disney's Alice in Wonderland, Peter Pan, Sleeping Beauty, The Adventures of Ichabod and Mr. Toad and Mary Poppins' characters didn't exist yet back in 1947, the year the movie was set in and yet some of those characters were visible in the 1988 movie. However, said movies were in production in the 1940s, which is possibly the reason for their inclusion. Also, Looney Tunes character Marvin the Martian made a cameo in the final scene, but he didn't debut until 1948; a year after this movie takes place. Other characters such as Tom & Jerry, Popeye, Little Lulu, Mighty Mouse and other deleted characters were originally intended to appear in the deleted "Acme's Funeral" scene. Also, Looney Tunes characters Pepé Le Pew and Tasmanian Devil (Taz) were planned to appear as cameos in the film, but they were dropped for reasons yet unknown. Some of the directors/producers were thinking about making a sequel or prequel to the film called Who Discovered Roger Rabbit or Roger Rabbit: World Road Trip. This film is often said to be the inspiration for the 2012 movie Wreck-It Ralph due to both featuring cameos of many famous characters, though Wreck-It Ralph has cameos by video game characters. The Muppet Movie features a similar crossover of characters during its "Rainbow Connection" finale, among which range from the characters of Sesame Street and The Muppet Show, Emmet Otter's Jug-Band Christmas, and The Land of Gorch. When you see Eddie walking into the bar for the first time that's near his office, look at the American Flag behind the bar. It has 50 stars. The movie is based in 1947, but the last two of the 50 states, Alaska and Hawaii, didn't become states until 1959 (12 years later). Wheezy, the Toon Patrol weasel who smokes, is voiced by June Foray, who also voiced some female Looney Tunes characters. This makes Wheezy the only weasel to be voiced by a woman. "2011 Disneyana Fan Club Convention Highlight: Voice Panel" (Video). CZcams. Retrieved on April 16, 2013. uproxx.com/movies/harrison-ford-lost-roles/4/ www.huffingtonpost.com/john-farr/bill-murray-and-the-roles_b_5850434.html Evans, Bradford (7 April 2011). "The Lost Roles of Eddie Murphy". Splitsider. Retrieved on 18 July 2015. mentalfloss.com/article/62910/15-things-you-might-not-know-about-who-framed-roger-rabbit www.buzzfeed.com/briangalindo/20-things-you-didnt-know-about-who-framed-roger-rabbit?.jlW64JPbRV#.yoYxe2OLKV mentalfloss.com/article/62910/15-things-you-might-not-know-about-who-framed-roger-rabbit mentalfloss.com/article/62910/15-things-you-might-not-know-about-who-framed-roger-rabbit www.itv.com/news/update/2012-08-08/bob-hoskins-retires-from-acting/ www.dvdizzy.com/forum/viewtopic.php?f=1&t=30567 [1] WikipediaListLink Who Framed Roger Rabbit at Wikipedia Who Framed Roger Rabbit on Transcripts Wiki Do this?!

In 2016, the film was inducted into the National Film Registry, being deemed as "culturally, historically, or aesthetically significant." A prequel entitled Roger Rabbit II: The Toon Platoon was planned in 1989. Set in 1941, the script had Roger expose the manager of the radio station that Jessica works at as a Nazi spy. However, having made Schindler's List, Spielberg rejected making a film with cartoonish Nazis in it. Who Discovered Roger Rabbit was being written in 1994 by Sherri Stoner and Deanna Oliver, which focused on Roger looking for his mother during the Great Depression. Alan Menken volunteered to serve as executive producer and wrote five songs for what was conceived as a parody of classic Hollywood musicals. (One of the songs, "This Only Happens In The Movies", was recorded in 2008 on the debut album of Broadway actress Kerry Butler). Walt Disney Pictures was planning to create the cartoon characters with computer animation. Michael Eisner pulled the project in 1999 when the budget rose to over $100 million, believing a prequel to a film made twelve years before would not be successful. In December 2007, Frank Marshall told MTV that he was willing to revive development of the film. In 2011, Bob Hoskins said he would not return to play Eddie Valiant (now an old man), but he later changed his mind. However, in 2012, he retired from acting due to his long battle with Parkinson's disease and unfortunately died from those complications in 2014.[9] Frank Marshall, executive producer of the film, has said that the film will be a prequel and the writing was almost complete. During an interview at the premiere of Flight, Zemeckis stated that the sequel is still possible, despite Hoskins' retirement in 2012 and the script for the sequel was sent to Disney for approval from studio executives. In February 2013, Gary K. Wolf, the creator of Roger Rabbit, announced that he as well as Erik Von Wodtke were working on a development proposal for an animated Disney buddy comedy starring Mickey Mouse and Roger Rabbit called "The Stooge", based on the 1952 film of the same name. The proposed film is set to be a prequel taking place 5 years before Who Framed Roger Rabbit and part of the story is about how Roger met Jessica, his future wife. Gary K. Wolf has stated that the film is currently wending its way through Disney. Unfortunately, following Hoskins' passing of pneumonia in April 2014, the sequel was shelved once more.[10] The success of Who Framed Roger Rabbit led to a moderate degree of merchandising for the film. In October 1989, McDonald's made a Halloween themed certificate offer for a free VHS copy of the film as well as a Roger Rabbit doll. Other memorabilia included cookie jars, Christmas ornaments, music boxes, snow globes, pin-back buttons, three video games, and a novelization of the film. While much of the merchandise was produced throughout the 1988-1989 promotion of the film, other items would later be offered as commemorative collectibles in celebration of Disney-related anniversaries. In 1989, Marvel commissioned a special graphic novel as a novelization in comic-book form. The novel featured several ideas for the plot scrapped from the original film, such as Roger and Eddie actually making a getaway in Dooms' squad car (until the engine blows up after Roger constantly hammers the pedals), as well as the deleted Pighead sequence featured on the Laserdisc version of the DVD releases (as well as on its first broadcast on CBS). Today, these graphic novels are collectors' items due to their rarity. A follow-up graphic novel titled Roger Rabbit: The Resurrection of Doom was also published, which was later continued by Disney Comics with their own Roger Rabbit comic-book series, which lasted 18 issues. This is the first Disney's live-action/animated hybrid film to be rated PG by the MPAA. Terry Gilliam was initially offered the job of directing this movie, but turned it down because he considered it "conceptually inauthentic to use the Looney Tunes genre/character stable as a springboard for a variation on the Howard the Duck story". One of the things that makes Who Framed Roger Rabbit special is that it had non-Disney cartoon characters appear in a Disney film. Producer Steven Spielberg had negotiated deals with Warner Bros., Fleischer Studios, King Features Syndicate, Felix the Cat Productions, Turner Entertainment, and Universal Pictures/Walter Lantz Productions. However, not every famous cartoon character made it into the final film. Notably left out were Popeye, Bluto, Olive Oyl, Tom and Jerry, Casper the Friendly Ghost, Scooby-Doo, Pink Panther, Baby Huey, Heckle and Jeckle, Winnie the Pooh, Little Lulu, and the Terrytoons. All of them would have appeared in a sequence set at Marvin Acme's funeral, but the scene was cut out for pacing concerns. These characters would have also been revealed to live in Toontown too. Benny the Cab drives across a bridge while being pursued by the Weasels. The bridge is the "Hyperion Bridge," which crosses a freeway near the old Disney Studio down in Hollywood; the one they had before they built the one in Burbank (around 1939). Russi Taylor recorded dialogue for Minnie Mouse in the film, but her lines were removed from the film. Bob Hoskins watched his young daughter learn how to act with imaginary characters. He later said he had problems with hallucinations after working on the film for so long. Hoskins' son was reportedly furious that his father hadn't brought any of his cartoon co-stars home to meet him, innocently believing they were real like how the movie depicts them as. A few frames of Eddie Valiant in the taxi are actually drawings of Eddie Valiant instead of the real Bob Hoskins. This was done because the spinning and jostling around were deemed too dangerous to put a real actor like Hoskins through. Bob Hoskins and Charles Fleischer later did both voices for Boris Goosninov in Universal Studios' Balto film trilogy; Hoskins did his voice in the first film, while Fleischer did the voice in the two sequels. Another scene that came about by accident was when Roger and Eddie Valiant arrive at Maroon Studios to interrogate Mr. Maroon. As Bob Hoskins delivered his lines, he looked straight ahead, instead of down at a three-foot rabbit. The animators decided to have Roger stand on tiptoe against the wall to cover up the gaffe. During filming, Charles Fleischer delivered Roger Rabbit's lines off camera in full Roger costume including rabbit ears, yellow gloves, and orange coveralls. During breaks when he was in costume, other staff at the studios would see him and make comments about the poor caliber of the effects in the "rabbit movie". Bob Hoskins even thought Charles was out of his mind at first, but went along with it anyway. Exteriors of the Maroon Cartoon studios were shot at Ren-Mar Studios in Hollywood, California. Judge Doom picks up a record and reads its label: "The Merry-Go-Round Broke Down". Then he says, "quite a loony selection for a bunch of drunken reprobates." The song "The Merry-Go-Round Broke Down" is the familiar theme song for the Looney Tunes cartoons. Visual effects supervisor Ken Ralston donned the Judge Doom costume for the scene where Eddie Valiant shoots cartoon bullets at Doom in Toontown, as Doom runs away from Valiant. The song "Smile, Darn Ya, Smile," which the Toons sing when Eddie Valiant first arrives in Toontown and near the end of the movie, is featured in an eponymous 1931 Warner Brothers Merrie Melodie Smile Darn Ya Smile (1931), starring foxes Foxy and Roxy. Some versions of the movie include an extra scene (called the "Pig Head Sequence"): As punishment for intervening with Judge Doom's plan, Eddie Valiant is driven into Toontown, ambushed by the weasels during the night, and has a large pig's head "tooned" onto his. He runs home screaming and washes it off in the shower, presumably with a Dip-like substance. during which Jessica walked into his apartment. Zemeckis stated that despite not wanting to do it since it was the first completed scene for the film, he had to remove it because it slowed the movie down. The scene was cut from the original theatrical release and most home media prints, but did appear in theatrical trailers, LaserDisc releases, and its premiere television broadcast on CBS, as well as being a bonus feature on most DVDs. A scene cut from the theatrical version where Jessica rolls up her dress to reveal her stockings as she sits cross-legged is also included in this sequence.

Who Framed Roger Rabbit is widely considered one of the best movies of 1988. It is also seen as a landmark film that sparked the most recent era in American animation. The field of animation had suffered a recession during the 1970s and 1980s, to the point where even giants in the field such as The Walt Disney Company were considering giving up on major animated productions. This expensive film (production cost of $70 million - a staggering amount for the time) was a major risk for the company, but one that paid off handsomely. It inspired other studios to dive back into the field of animation; it also made animation acceptable with the movie-going public. After Roger Rabbit, interest in the history of animation exploded, and such legends in the field as Tex Avery, Bob Clampett, Friz Freleng, Chuck Jones, Bill Hanna, Joe Barbera, Walter Lantz, Max Fleischer, Stephen Hillenburg, and Ralph Bakshi were seen in a new light and received credit and acclaim from audiences worldwide. It also provided the impetus for Disney and Warner Brothers' later animated television shows. Roger Rabbit also was known for its numerous "spin-off" television series which include: Bonkers (1993-1995), Animaniacs (1993-1998), Freakazoid! (1995-1997) and Tiny Toon Adventures (1990-1995). The Disney Afternoon character Bonkers D. Bobcat from Bonkers and Raw Toonage was created because Amblin Entertainment, co-owner of all of the characters created for "Roger Rabbit" film, refused to allow Disney to produce a TV series incorporating characters from the film. Because of this, the main characters from the film were also not allowed in the television series that even Amblin itself made and distributed. Disney also, later on, produced the MMORPG Toontown Online, which was originally going to include the main characters from the film as well. But due to the suing issue with the author of the original novel, Gary Wolf, that year, the characters were kicked out of the final version. The film featured the last major voice role for two legendary cartoon voice artists: Mel Blanc (voicing Daffy Duck, Bugs Bunny, Tweety Bird, and also Sylvester in a one-line cameo) and Mae Questel (voicing Betty Boop, but not Olive Oyl, who did not appear in the final version of the film). Blanc (who would shortly thereafter pass away at the age of 81) did not do Yosemite Sam in the movie, done instead by Joe Alaskey. (Blanc had admitted that in his later years, he was no longer able to do the "yelling" voices such as which were very rough on his vocal cords in old age. There was a Foghorn Leghorn scene recorded, but cut, which also utilized Alaskey for the same reason.) Blanc also does Porky Pig, who gets the last line of the film, dressed as a police officer. The film was also the next-to-last screen appearance for veteran actors Alan Tilvern, who portrays R.K. Maroon in the film, and Stubby Kaye, who plays Marvin Acme. Tilvern appeared in only one other production before his retirement, the 1993 television version of Porgy and Bess, in which he played the non-singing role of the Detective. Alan Tilvern died in 2003. Stubby Kaye, best known for playing Nicely Nicely Johnson in the original stage and screen versions of Guys and Dolls, died in 1997. Despite being produced by Disney (in association with Steven Spielberg's Amblin Entertainment), Roger Rabbit also marked the first time that characters from several animation studios appeared in one film. Studios that provided characters included: Universal/Walter Lantz Studios Fleischer Studios (characters now largely owned by Republic Pictures) Metro Goldwyn Mayer/United Artists (though the characters have been owned separately by Turner Entertainment since 1986) Hanna-Barbera ( though the characters from said studio were cut. ) Warner Bros. Terrytoons/20th Century Fox (characters now largely owned by CBS since the 1960s, and Paramount Pictures since 1997) This allowed the first-ever meetings between Bugs Bunny and Mickey Mouse. A contract was signed between Disney and Warner stating that their respective icons, Mickey Mouse and Bugs Bunny, would each receive exactly the same amount of screen time (they also had the same number of lines). This is why the script has Bugs, Mickey, and Eddie together in one scene falling from a skyscraper. (However, Bugs Bunny can be seen for a second in the studio lot near the beginning of the film, and Mickey has a second of free time before Bugs arrives.) Also, the speakeasy scene features the first and so far the only meeting of Daffy Duck and Donald Duck performing a unique dueling piano act which ends in a draw. Finally, the unique pairing is given a final send-off at the end of the film when Porky Pig faces the audience and says the traditional Warner Brothers animation closing line, "That's All, Folks!" just before Tinker Bell appears to tap the scene in the traditional Disney ending manner. Eventually, several additional animated shorts featuring Roger Rabbit, Jessica Rabbit, Baby Herman, and Droopy would be released. In 1991, the Disney Imagineers began to develop a new land for the Disneyland theme park in Anaheim, California, completely based on the Toontown of Who Framed Roger Rabbit. Mickey's Toontown opened in 1993 and spawned "Toontown" (without the Mickey's prefix) at Tokyo Disneyland in Japan. The Californian and Japanese Toontowns featured a ride based on Roger Rabbit's adventures, called Roger Rabbit's Car Toon Spin.

However, Richard Corliss, writing for Time magazine, gave a mixed review. "The opening cartoon works just fine but too fine. The opening scene upstages the movie that emerges from it," he said. Corliss was mainly annoyed by the homages towards the Golden Age of American animation, despite the film being set in that era. Today, 43 reviews collected by Rotten Tomatoes indicated 97% of reviewers enjoyed the film, earning an average score of 8.1/10. The consensus reads: "Who Framed Roger Rabbit is an innovative and entertaining film that features a groundbreaking mix of live action and animation, with a touching and original story to boot." Who Framed Roger Rabbit won Academy Awards for Sound Editing, Visual Effects, and Film Editing. Nominations included Art Direction, Cinematography, and Sound. Richard Williams received a Special Achievement Award "for animation direction and creation of the cartoon characters". Roger Rabbit won the Saturn Award for Best Fantasy Film, as well as Best Direction for Zemeckis and Special Visual Effects. Bob Hoskins, Christopher Lloyd, and Joanna Cassidy were nominated for their performances, while Alan Silvestri and the screenwriters received nominations. The film was nominated for four categories at the 42nd British Academy Film Awards and won awards for its visual effects. Roger Rabbit was nominated the Golden Globe for Best Motion Picture (Musical or Comedy), while Hoskins was nominated for his performance. The film also won the Hugo Award for Best Dramatic Presentation. The film first premiered on television on The Disney Channel on June 1, 1990. It made its network television debut on CBS as part of The Wonderful World of Disney on November 12, 1991. The film was rated PG by the Motion Picture Association of America for cartoon violence, adult content, drinking/smoking, and mild language. It would've been rated PG-13 due to the adult content, having been released in the late 80s. The film received a TV-G rating on both Disney Channel and Disney XD, with occasional TV-Y7 ratings, while it received a TV-PG-DLSV rating on Cartoon Network, The Hub, and Discovery Family. It also received a TV-14 rating on ABC Family (now Freeform). Several Easter eggs were hidden in the film by its animators. Tape-based analog video such as VHS did not reveal these, but technologies with better image quality, such as the analog laserdisc, were said to reveal the phone number of then-Disney CEO Michael Eisner. Also, when Benny the Cab wrecks at night and Eddie and Jessica roll out, there are two separate frames (2170-2172 on side 4 of the CAV laserdisc version), within two seconds of each other, showing a blurry shot of what seems to be her with no underwear. Disney recalled the laserdisc and issued another disc, later claiming that it was an incorrectly painted cell. Disney also stated that the cell in question could be seen on the new disc and on the VHS version. Two DVD versions edit the scene where Jessica Rabbit rolls out of the cab after Benny the Cab crashes. The 1999 DVD version, which was based off a later laserdisc release, reanimated the scene so that Jessica is wearing white underwear underneath her dress. When the DVD set was reissued in 2002, the scene was reanimated so that a piece of Jessica's skirt strategically covers Jessica as she rolls down the hill. A brief scene consisting of the toon Baby Herman passing by a female (human) extra on the set of the opening cartoon and sticking his middle finger up her dress, and then coming back from under the dress with a drool of spit on his lip. This was edited out of the DVD editions of the movie, though it can be found on editions of the VHS and laserdisc issues. In the piano duel scene with Donald Duck and Daffy Duck, when Donald Duck wins the duel, Daffy says "I've worked with a lot of wise-quackers, but you are despicable!" and, according to some, Donald replies, in his kazoo-like voice, "g--d--- stupid n-----..." Snopes, a noted debunking website, debunks this with the closed-captioning and Cartoon Network airings which records Donald as saying "Goddurn stubborn nitwit," though Snopes actually believes he's saying something akin to his typical exclamation, "Doggone stubborn little...That did it...waaa-aaaghghgh!" as is heard in many old Disney cartoons. The Vista Series DVD release uses the latter quote in its closed-captioning. However, the 1989 VHS and the 1999 DVD has Donald's insults captioned as "Doggone stubborn nitwit...That did it...Quack!" In the sequence where Bob Hoskins is seen falling an incredibly long distance flanked by Mickey Mouse and Bugs Bunny, shockingly Mickey and Bugs are best friends. Gary Wolf (author of the original novel) corresponded with many fans of the film through written letters and the Internet, compiling an exhaustive listing of the many hidden "Easter eggs" in the film and in the later Roger Rabbit short films. Wolf also sued Disney in 2001 for unpaid earnings related to the film.

Bro thats my Local McDonalds

25:19 I had to go back. The graffiti is 2 stories high. Did the taggers use a scaffolding? Holy fuck, LA is a mess.

Okay from North Hollywood to Universal city walk

It is true!!!

Hi there, GoPro I don't like the afternoon rush hour because it is bad

16:50 😍😍😍😍

Dope video 👍

Why did you ate mcdonald's at the Begening of the video?

What bus model is it?

LA 🚇 METRO 🚌 BUS 16 DOWNTOWN LOS ANGELES 😊😊😊😊

Could you go to Santa Monica on the E line tomorrow

Nice video thanks for sharing

Great video

Great video bud

I love your channel

Nice

🙄🤯

Im surprised the station isn't partially or fully enclosed or have some sort of hearing protection for passengers there. I know that would be expensive but damn losing your hearing is pretty expensive too

This is the cleanest street level entrance... I've seen for public trains in a while 🙂

the sidewalks man!!

the filming is great... are you using a wide angle lens?