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Excellent work, what size is it? The oil painting.

OMG Thank you for making this video. I took a materials class when I was working on my BFA. Gosh I loved that class. You prepaired your panel much the same way we did in that class 30 years ago. You have gotten me excited all over again to make gessos from scratch and prepare some panels. I really like the bounce of working on canvas. But I woul dlike to try a panel again. Tell me can I use the same recipe for canvas? Thank you for taking the time to share this with us. I look forward to more of your instruction.

How do you avoid the panels from wrapping?

Great video james most instructive

Greetings from Ireland. This is called gesso. I used this method when making icons.☘️

How many parts Calcium Carbonate to the Rabbit Glue?? You skipped from the heating the pot to applying the glue to the panel.

Hello James. Thanks for another great video. I've always used untempered masonite coated with several coats of Liquitex acrylic gesso. I'm going to try this. Do you have any concerns about the chemicals in the wood your using? I was reading about avoiding some of the chemicals used in manufacturing panels. The paintings you showed looked amazing! Take care.

James, ever gone through the egg tempra process? Up there with kramer; old holland; Varasi; is Rublev, Natural Pigments. (Foreign Correlations not listed,Like Petersburg Master Class). Guys, sorry, I spelled proper names to my best ability.

Thanks for sharing this. I'd really like to get down and see a show of your work in person. Take care.

Beautiful! I want to learn.

Where should I place Burnt Sienna and Burnt Umber in the video palette?

Very well presented Video . THANK YOU ...James.

Sir, what are your opinions about Titian? Everyone talks about Raphael and da Vinci, but as Velazquez said, Titian carries the flag. I think that Cristo della Moneta's painting went far beyond its time in terms of style and tone. It's as if he went further than the 16th century and painted like Bouguereau. Titian is magnificent

Great, I want to paint biblical scenes like Bloch and Titian. I hope I can find the faith and composition to do it

What you say is very true. Ingres, Repin, Sargent or Hayez. None of them copied the other person completely like a photograph. They transferred their own touches and feelings to the painting. Even realists like Repin did not copy it completely. When you look closely, paint stains appear on Repin's portraits, but as you move further away, they become more like photographs. We are deprived of these today 😓

This is a revelation to a beginner like myself - Now I am going to have a look at my book on Velasquez an at some John Singer Sargent paintings too. Thanks will come back to this.

Thank you very much for this insightful and really helpful lesson!

Why you didn't choose Turkish language for translation?

i am so glad this was recommended to me! immediately subscribed ❤

That was cool. I especially like the nude figure. I was looking online at a Rubens painting of mars I think, anyway, the gray halftone on the muscles stand out a mile.

Thank you for this discussion . 🎉

😀😀👍👍👍

Thankyou!

Thanks for your videos. Can you share what framing company you use? Take care.

Very good workshop and online classes!

Beautiful ❤

Could you make a video explaining what do earth colors (ochres , siennas , umbers) do to a color? And where are each used for in general ?

Omg thank you so muchhhh for this informative video

❤️👍🎉🙏🏻

beautiful 😍

Very interesting! Thanks

Thanks Jim!

Hello James. Thanks for your continued video posts. I'm inspired by both you and your brothers work. Is there any chance we can see you two together in a video? Maybe even you talking about the training you two received? (I think Joseph studied with Mason if memory serves) Thanks again. Take care.

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Thanks!

Love this!

Tha looks really nice :)))

The Utrecht Art Supplies team loves this video! We hope people new to painting are paying attention to the pro tips about brush selection. Also, thanks for the warning that most artists should not attempt to make heat-modified oils. Stand Oil (shown in the classic Utrecht package!) is a polymerized linseed oil heated to high temperatures in an oxygen-starved atmosphere, so that a viscous, honey-like consistency is achieved without inducing any oxidation. Stand oil imparts an enamel-like surface and keeps pigment in suspension; it's too thick to use straight from the bottle, but it's perfect for painting mediums like this artist advises, either with turpentine and damar, or substituting turpentine alternatives that don't have the same health and safety considerations.

Thanks James. What mediums did you use when you paint white and black with oil?

Ｐ𝐫Ｏ𝕞Ｏ𝓢ｍ

You are a dope painter. I have made some copies of Rembrandt myself, and what an education that was.

Thanks James!

Thanks!

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Without blue how you can get those greyish blues

hi! This is Patrick smiths daughter! He’s a student of urs!

Nice artist

Hi I'm your relative from Poland. I cordially greet You.