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md4man
Registrace 17. 03. 2006
"Consistently Yours, Pluto" by Thought Industry - Drum Cover
Drum cover of "Consistently Yours, Pluto" by Thought Industry from the album Black Umbrella. This series of videos is of me sitting down & playing/recording in 1 take with no practice before. So, the playing is not a faithful recreation of Jared Bryant's parts, it's just a 1 take challenge for me and way of paying homage that was important to me as I was coming up.
Song written by Brent Oberlin
Drums performed by Mike Foreman.
The snare was a 6.5 x 14 Pearl Free Floating Snare with a purpleheart stave shell by CCW Drums.
Song written by Brent Oberlin
Drums performed by Mike Foreman.
The snare was a 6.5 x 14 Pearl Free Floating Snare with a purpleheart stave shell by CCW Drums.
zhlédnutí: 136
Video
"Prayer For The Dying" by Mind Over Four - Drum Cover
zhlédnutí 201Před 7 měsíci
Drum cover of "Prayer For The Dying" by Mind Over Four from the album The Goddess. This series of videos is of me sitting down & playing/recording in 1 take with no practice before. So, the playing is not a faithful recreation of Mark Fullerton's parts, it's just a 1 take challenge for me and way of paying homage that was important to me as I was coming up. Song written by Mind Over Four Drums ...
"The 7th Day Of July, 1777" by King Diamond - Drum Cover
zhlédnutí 357Před 8 měsíci
Drum cover of "The 7th Day Of July, 1777" by King Diamond from the album Abigail. This series of videos is of me sitting down & playing/recording in 1 take with no practice before. So, the playing is not a faithful recreation of Mikkey Dee's parts, it's just a 1 take challenge for me and way of paying homage that was important to me as I was coming up. Song written by King Diamond and Andy LaRo...
"Why Can't I Be Me Without You?" by Hey! Hello! - Drum Cover
zhlédnutí 53Před 8 měsíci
Drum cover of "Why Can't I Be Me Without You" by Hey! Hello! from the 2013 album Hey! Hello! This series of videos is of me sitting down & playing/recording in 1 take with no practice before. So, the playing is not a faithful recreation of the original drum parts, it's just a 1 take challenge for me. Song written by Ginger Wildheart Drums performed by Mike Foreman The snare was a 6.5 x 14 Oriol...
With Gawd As My Wingman
zhlédnutí 101Před rokem
Performed By: Alkis Tsapanidis - Vocals Richie Castillo - Bass Eric Stewart - Lead and Rhythm Guitars Mike Foreman - Rhythm Guitars, Drums, Keyboard, Backing Vocals Music by Eric Stewart and Mike Foreman Lyrics by Mike Foreman Melodic Inspiration by Shawn Knippelberg
the Off Duty Stars - Free & Dreaming (Remix)
zhlédnutí 42Před 3 lety
Free & Dreaming By the Off Duty Stars Chris Adams: Vocals Mike Justice: Guitars & Bass Mike Foreman: Drums Lyrics by Chris Adams Music By Mike Justice & Mike Foreman Remixed By Mike Foreman
Mike Justice, Steve Smith, and Mike Foreman - Get Ready (Remix)
zhlédnutí 85Před 3 lety
Many years ago we recorded an instrumental cover of The Temptations' classic "Get Ready". This was one of the first things we recorded and the quality of the tracks showed that. In between projects I decided to take a new swing at mixing it and here it is, complete with video from years ago. It may not be perfect but the sound quality is better than the original mix. Mike Justice - Guitars Stev...
Plugin Alliance Console Comparison
zhlédnutí 2,1KPřed 5 lety
Quick comparison of 4 Plugin Alliance channel strip plugins on 4 different source recordings (kick drum, snare drum, drum overhead, and acoustic guitar). All raw and processed recordings were level matched based on peak values. There is no other processing aside from the channel strips. I quickly ran through each plugin, finding the sound that seemed best (to me) from it. As such, many settings...
I Won't Look Back - A Tribute To Anthony Bourdain
zhlédnutí 262Před 5 lety
Cover of "I Won't Look Back", originally by Dead Boys. This was recorded as a tribute to Anthony Bourdain as it is by one of his favorite bands. Chris J. Adams: Vocals Steve Smith: Bass Guitar Mike Justice: Guitars Mike Foreman: Drums Mixed by Mike Foreman
TNT
zhlédnutí 98Před 5 lety
A slightly different spin on the AC/DC classic TNT. This was performed by Diamond Mike and the Off Duty Stars, which is really just Mike Foreman.
Preamp Test - Focusrite Clarett vs. Audient ASP880
zhlédnutí 8KPřed 5 lety
Quick comparison of the same 4 drums recorded using a Focusrite Clarett 8PreX (with and without "Air" enabled) and an Audient ASP880 (high, medium, and low impedance settings). There were no post effects added. All recordings were level matched using the peak levels. To hear all the variations, use studio monitors or high quality headphones. The differences are subtle.
Hell Is For Children
zhlédnutí 381Před 6 lety
Cover of Pat Benatar's "Hell Is For Children" Performed by: Terry Howard - Vocals Mike Justice - Guitars & Bass Mike Foreman - Drums
Hateful Love Song
zhlédnutí 199Před 6 lety
Music & lyrics written by Isaac Elliott Performed By: Chris Adams - Vocals Mike Justice - Rhythm Guitars Shemy Burton - Bass Guitar Isaac Elliott - Acoustic Guitar Mike Foreman - Drums, Lead Guitar Produced by Mike Justice & Mike Foreman Mixed by Mike Foreman
The Way It Burns
zhlédnutí 150Před 6 lety
Music & lyrics written by Isaac Elliot. Performed by: Chris Adams - Vocals Isaac Elliott - Acoustic & Rhythm Guitars Shemy Burton - Bass Guitar Mike Justice - Lead Guitar Mike Foreman - Drums Produced and mixed by Mike Foreman.
Channel Strip Plugin Shoot Out - Kick Drum
zhlédnutí 542Před 7 lety
Channel Strip Plugin Shoot Out - Kick Drum
MTHS Cheer 2017 WIAA State Cheerleading Championships
zhlédnutí 2,1KPřed 7 lety
MTHS Cheer 2017 WIAA State Cheerleading Championships
Presonus RM32AI vs. Focusrite Preamp Test - Because... Why Not?
zhlédnutí 2,3KPřed 7 lety
Presonus RM32AI vs. Focusrite Preamp Test - Because... Why Not?
Chuck Oney, Mike Justice, and Mike Foreman - Everything Works If You Let It
zhlédnutí 477Před 8 lety
Chuck Oney, Mike Justice, and Mike Foreman - Everything Works If You Let It
Mike Justice, Steve Smith, and Mike Foreman - Get Ready
zhlédnutí 565Před 8 lety
Mike Justice, Steve Smith, and Mike Foreman - Get Ready
Awesome work man!
Thank you so much, Shawn!
Great foot work Mike. You have an awesome meter there bro. Love it. Slammn.....
Great playing as always. That studio space makes me drool!
Thanks, Aliks! I am very fortunate to have the space I have, but envy those who have a space bigger than 13' x 7.75'. It's so hard to get around this room & I can't have as big of kit as I'd like, for lack of space. But that aside, I very much appreciate what I have here.
Very very cool my friend. You rocked it! Love the T-shirt too!
Wow, the man, himself, checked it out! Sorry I didn't play it exactly as you did but I'm glad you liked it. Thanks so much for the incredible music you created. It's really meant a lot to me over the years.
Nice work, my friend! Excellent set up, too!
Just fricken Awesome!!!! Great Job Mike. You so kick ass....thanks brother...
Thanks, that means a lot coming from someone who wrote the song! You guys were the best!
Awsome Mike
Sorry for being late to respond, I just noticed your comment. Thanks for checking this out & your feedback!
As many have noted, don’t build a room like this. No floating floor (the first step in sound isolation)?? And no drywall on the inside (between external and internal wall) basically means it’s just a very thick, one room wall. Not to mention, no ventilation… 😮
I've gotta ask, why did you choose to leave off the interior sheet rock of the external wall as well as the outer layer on your interior wall???? This is not sarcasm; I am genuinely curious since I'm in the planning and research phase of building mine.
😡 𝐩𝓻Ỗ𝓂Ø𝓈M
Thanks thinking of getting either the clarett or Audient… this has helped
how did you anchor the wall bottom to the concrete? Tapcons? I know you mentioned you used a felt type material under the wall between the concrete, wasnt sure if you drilled through that felt to attach structure to existing concrete floor of garage. Thanks
Hello. The walls are not connected to the floor in any way, they just sit on top of the floor, with the felt in between. They are heavy enough that there is no concern about them sliding around (assuming we never drive a car into them but that would cause issues, even if the wall was connected to the floor. We wanted to eliminate any direct connection between the walls & the concrete floor, so we built them free-standing. Thanks for watching!
@@md4man thank you!!
Haven’t liked the Focusrite in any demonstration until this one.
Great results man! Ultimately, impressing the people here who have no idea what they are talking about wasn't your goal, but the "iPhone" dB meter really doesn't do your project justice. One could falsely believe the peaks were @ 100dB and the resulting level drop was only or 14dB with first door closed and 21 with second door closed (peaks), when in reality the peaks on live acoustic drumming are around 130dB. Thus a true drop of 44 and 51dB respectively, and a drop of 62dB (on peaks) outside of garage door. Wow! It would have been cool, for the naysayers here if your neighbor had walked to the street and shown the readings there. Since the "structure" is your new sound transducer, a reading at 1 meter would allow inverse square calculations at the street and at your neighbor's house. But let's use the closed garage door peak of "68" as your 1 meter reading - if the street is 4 meters away, that calculates to 56 at the street. Very impressive. With the distance to your neighbor's homes and further STC of your neighbor's walls, your kit is clearly inaudible in their homes. However, as some mentioned, it could be quite audible an a neighbor's basement, if those are common in your area, as sound travels quite well through concrete and compacted earth, just like is does through water. The only part of your project that appears unnecessary is the use of hat or resilient channel on an already decoupled wall. It would be effective at aiding decoupling of the inner wall from the inner bottom plate, and therefore, the floor, however the kit is sitting on a non-decoupled floor. Either way though, great results! Thank you for sharing your build process.
Audient is really flexible brighten up the snare with low impedance and fatten up the toms with high! Quite noticeable. I've always loved impedance for a ton control.
This guy sounds a bit like Earl from my name is Earl
Hi guys! Wondering if anyone has any data or real world experience on air gap measurements in relationship to STC and hz? My biggest fear is doing all this work and wishing I had sacrificed the extra inch or 2 in room space. Thanks ahead of time for anything you are able to offer up! Best, Troy
Hello I have a Clarett 4 Pre thunderbolt as well. Do you think switching to ID44 would be a step up in sound quality? I usually record voices, acoustic guitars mostly. Thanks
how much would something like this cost to have done? also what would I have to search for when hiring someone? i'm having trouble finding some one to do this job.
I think they're in the same league....converters and preamps.....Impedance control on audient is very usefull though....
SSL G followed by Focusrite are the best imo. E is too harsh and N is kinda muddy.
Man that looks nice, but how much was the cost of everything? I added an extra layer of drywall to my room
Good video, which interface has the best conversion for you?
Audient ASP880 HiZ for the win!
That’s some nice drumming!
One of the Best Ideas of SoundProofing is "SoundProof Curtains" it actually Block outside Noise coming from Windows. Check Here: livesoundproof.com/best-soundproof-curtains/
One of the Best Ideas of SoundProofing is "SoundProof Curtains" it actually Block outside Noise coming from Windows. Check Here: livesoundproof.com/best-soundproof-curtains/
i am making my 3rd silent room soon.(moving to new house).. i can tell you you did not do all 100% right.. i tested my room at 116db and outside was 40db.. bedroom it is 100% silent. start in a room with a rubber floor, springs on that. and on the springs comes the new floor. and on the new floor you build the room.. 2 doors 1 for the inner room and 1 for the outer room. isolate strips in both doors and for ventilation just make 2 very long silencers you can ventilate and make 0 sound outside. and calculate the rockwool and caculate the spring loads
How much did something like this cost you? Materials wise mainly...
Level matching on peak is bullshit. LUFS is what works.
First
too kuch blah blah bla chit chat useless crap
Nice video vlog
really cool work, thank you so much for sharing.
Hi! Thank you so much for sharing this... I’m planning on gettinng either an ID 44 or a clarett 4 pre usb to start record my drums. Both of them are able to expand via ADAT when I will get more mics. I’ve been checking everything I can in order to make a more conscious choice. From what I’ve heard here there’s not a huge difference in terms of audio quality. I like the air feature on the snare drum, and I’m not sure if the id44 would have such a similar feature...I plan to use my iPad Pro 10,5” running Auria or Cubasis with the apple camera connection kit, which allows me to go more portable... the id44 seems to be more convenient because I seem to be able to control more parameters once I go to stand alone mode, not having to use the software for turning phantom power on/Off, or using the pad, or the high pass filter... in my current situation, if you had to choose which one would you pick? The id44 or the clarett 4Pre? A friend of mine said that he didn’t like the sound of Audient Pres because they sound too WiFi, where as the clarett Pres sound more warm to him... he said that Audient has quality in their products, but it’s not his sound... I like dirty sounding drums, but I also like the detail and separation of different instruments in the mix... any thoughts on this subjects would be really appreciated..., thank you very much...🙏🙏🙏
too much toys ...for what you play !
Thank you for doing this! They both sound "good". Air appears to add clarity. The Audient appears to have more oomph. Is it really just the interface, that's what I'm wondering? There seems to be more low end on the Audient, slightly more beef. On 2nd listen with higher level in headphones, at first the Audient just sounds "louder", but there does appear to be more detail in the Audient than the Clarett (especially notable with the low tom). The Clarett seems more pleasing to my ear, but my guess is this could be easily dialed in with EQ and Compression on the Audient, while also maintaining a bit more detail with the Audient. Thanks again! p.s. - I have read there are some latency issues with Audient, however, which was disappointing. What is your experience with the latency?
Thanks for watching & your comment. On latency, I experienced more with the Clarett than the Audient. For recording, I experience minimal enough latency with the Audient that I can just plug in the tracks into a mixing project & am good to go. With the Clarett tracks, I'd have to nudge them to have them in the correct position. I did not change laptops for recording when changing interfaces, nor did I change any settings in the laptop (with the exception of changing drivers for the different devices) when I made the switch. I used the same Windows 7 laptop for both the Clarett & Audient devices. Just to clarify, the ASP880 is connected via ADAT to an Audient iD44. So, the latency difference I described is really between the 8PreX & the iD44. I have no idea if the Clarett would have had less latency on a Mac, or even a Windows 10 computer. Perhaps the latency difference between the 2 devices would not exist on other than a Windows 7 machine. Since this video, I updated my recording laptop to Windows 10 & still am getting no noticeable latency. By the way, I use the 8PreX & iD44 only for recording. I mix on a different computer & can not compare latency experienced in mixing between the 2 devices. I can not vouch for the performance of either for mixing. I much prefer the Focusrite Control software to Audient's. It was just much more robust, in my opinion. So for me, Focusrite wins the control software battle but Audient won the latency battle.
@@md4man www.gearslutz.com/board/music-computers/618474-audio-interface-low-latency-performance-data-base.html
I was pretty surprised by some of the tests here... wasn't expecting some of them to end up so far down the list...
I'm thinking about the RME for later on, but not sure how it sounds compared to the Audient. I wonder if there is a decent interface (low latency) that has 3 ADAT inputs, so you could do 24 track more easily? Still hesitant to go Thunderbolt on PC, and not really wanting to do the Mac thing (even tho almost all the demos seem to have Mac) <sigh>
What a waste of time and money, I was curious if it could be engineered to eliminate 100% of sound. Maybe its the drywall and sound is being reflected everywhere instead of being absorbed quicker. Great failure video. That helped so much. Thank you
Rad.....Different that;s for sure. Cool though....
pretty good result. i don't see why ppl are being negative. you can't hear the drums at all once the garage door's closed.... if the goal was getting isolation from the neighbors so you can play any time of day then mission accomplished. if the goal was building a perfectly sound-proofed recording studio with top of the line acoustic treatment, then no... but i think the goal was the former not the latter so ppl shouldn't judge based on their own idea of what they want the application to be... good job
One of the Best Ideas of SoundProofing is "SoundProof Curtains" it actually Block outside Noise coming from Windows. Check Here: livesoundproof.com/best-soundproof-curtains/
Very cool. How much did everything cost you in the end?
Audient on High Impedance sounds best for me. It has more definied and tight sound
Use the same sounds for all examples!! WTF!?
I'm not sure I understand your comment. I did use the different interfaces/settings for the test & the sounds do vary, though on some drums the tonal differences are more noticeable than others. The differences are subtle, for sure, and if you are not listening through quality monitors or headphones you might not notice them. Thanks for watching!
NIce test, thanks! It (seems) pretty clear that each option adheres to it's reputation: the Presonus XMAX preamps sound basically clear, and maybe a tad fatter (by comparison) with the Focusrite, which has (a bit) more high end detail, and we definitely hear the AIR setting's upper midrange crispness. Very helpful example!
Carmen, would you be so kind to do a video where you show how you frost and pipe the resulted frosting. May be some decorating tips with it? Thank you.... I want to know every little bit about decorating with this product.
Hello. Carmen has basically retired from making baking-related videos but I asked her about your request. She said you can use Frostin' Pride just as you would buttercream. Thanks for watching & good luck with your decorating!
Thank you....
Don’t say Arsis ripped your video idea when your idea isn’t even original video
alot of work but doesnt seem to be that effective
I don't understand why you compromised the room to have in wall power outlets throught the green glued double gypsum. If you wanted inwall stuff, you'd create another simple wall inside to have installations. If not, you would just do an installations runway along the walls.