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ahh so this is where tool and radiohead get their inspiration

Polymorphia's working title: "Something is Very VERY Wrong Here but A Part of Me Suspects That Finding Out Could Make Things Even Worse"

Это гениально!!!

Спасибо "Тихое место" за то, что рассказал про столь потрясающую музыку

That one guy as soon as he got new kboard:

Its beutifull but it makes me think about spiders... i dont like spiders

9:23 Ко мне упыри, ко мне вурдалаки!

Здесь разбор сложности этого произведения czcams.com/video/A-lRdPKYeSU/video.html

This is...magnificent

Zappa thought he was neato keen ❤

Absolute Penderecki 8, with the summerhits you remember.

Why are there so few films and recordings of Penderecki. Wilkomirska in the vi olie concerto is a testament!

Imagine a good top cook gets frustrated with never being able to make something new so he constructs in a special kitchen at far below zero temperature, mysterious castles out of thin frozen layers of fruit and vegetable juices. Those "dishes" are edible and look very tasty but as soon as one touches a wall of a castle, the juice melts before one can eat. Sometimes doing very artistic and "new" things is not what many hungry persons will require or like. Some will focus on the "new" aspect since they are not good eaters and call this progress. Next anyone who doesn't like this, is backward and stupid. That's where it all goes wrong....

Rosen, hehe based

Currently falling asleep with music 🤌🏻

the shining

Mostly this is a very boring piece of music to listen to except the chaotic part. with all the pizzicato's and such. If a violinist made a mistake no one would know or notice. I wonder if many did make mistakes.

This is what living with c-ptsd feels like

The name is Charlie ROSE not Rosen. Boulez is a musical giant but I miss Charlie too...

Говорят он в Польше кумир миллионов

Uma peça muito rica em seu entrelaçamento polifônico contemporâneo e sente-se a genialidade do autor em cada compasso.

I came over here because of your comment that Tyson Gholston Davis's piece sounded old-fashioned because it sounded like Carter. Your piece sounds even more old-fashioned than that. I think you owe Tyson Gholston Davis an apology.

6:06 he’s like I don’t know where I’m at

This is what you listen to when you wanna feel that nasty feeling in your gut. ( so never) its low frequency promises negative feelings. Listen to adiago for strings. Its heavenly…… and truly is a timeless-masterpiece ❤

Pitch perfect and flawless.

Boulez has many times voiced his puzzlement why contemporary visual arts are more readily broadcast, published, exhibited, presented than contemporary music, and never finds the answer (only vague accusations of the rigidity of the musical institutions, which only pushes back the question: why specifically the musical institutions?). The answer is that in front of a painting or sculpture you spend the time you want, a few seconds to an hour, which makes the experience much easier to adapt to one's interests and tastes. With music, you are trapped. And when you are trapped for an hour with Répons, Notations or Le Marteau Sans maître, you can be in hell. Whereas you can leisurely stroll past equally opaque works of contemporary art.

so good!

なんて美しい！ そして、演奏が素晴らしい！

The guy did his homewor

wow. how the hell do you read that score, and follow the conductor? amazing.

It’s creepy and astonishing at the same time! Amazing recording!

I think this is a good interview showing Boulez’ personality well.

This is downright ridiculous.

I thought I could read music...

As tensions rise in the Middle East and in Eastern Europe, this song hits harder most especially the fact we are fearing nuclear war again...

I think if he would have used his orchestration abilities in service of pieces with motivic development (you can get subtlest taste of this in about the first third of Repons), I would consider him perhaps the best orchestrator of all time. He still makes my top ten though for the dazzling effects he gets.

I miss Boulez. A great man and great artist!

Charlie Rosen → Charlie Rose

Atonal heaven - thx for sharing

sodelicious................

3:47 Rose (the interviewer) is obnoxious, right when Boulez says "why should institutions like the [New York] Philharmonic stay behind the times", Rose interrupts. I'd really like to know Boulez's opinion of how the NYPhil of the late 1990s "stayed behind the times", not be interrupted by Rose's observation, which could be made by anyone NOT living under a rock

See New World Symphony, now under Stephane Deneve, formerly under MTT.

No violins were harmed in the making of this video.

An extraordinary masterpiece from the avant-garde polish music from 1960 and probably one of the greatest piece and most moving music by Krzysztof Penderecki !

Wow to see the great Krzysztof Penderecki in person directing this monumental early work (written in 1961), it's very moving. Penderecki was probably the greatest musician of the Polish avant-garde school in the Karol Szymanowski movement, unfortunately he passed away in 2020 but I miss him very much. I spent a good part of my youth studying the paper scores of his music, including the famous Threnody for the victims of Hiroshima, his absolute masterpiece. Horror cinema has taken over this style of music for years but originally, Penderecki absolutely did not write this music for this purpose (horror cinema being moreover at the time very in its infancy, it will be necessary wait until the 70s/80s for that...).

That's Charlie Rose, the interviewer. Charles Rosen was a pianist, writer, and French scholar. The confusion is understandable and shows an awareness of the wider musical world.

Boulez was an establishment fascist who closed the doors on musicians and composers who did not conform to his tastes. He blocked Dutilleux's music from being mainstream just because the latter was not a serial composer.

8:18 this part is the most terror inducing tbh, imagining that playing in a movie or even IRL while being hunted by some eildritch horror