![Musikalisches Opfer](/img/default-banner.jpg)
- 18
- 341 308
Musikalisches Opfer
Italy
Registrace 3. 05. 2021
Hi! I’m Alessandro, welcome 🍀
Sir András Schiff @ Wigmore Hall, Bach-Beethoven recital
András Schiff recital at Wigmore Hall, 28th May 2021
(J.S. Bach)
8:49 - Prelude A flat WTK I
10:03 - Fugue A flat WTK I
12:20 - Prelude A flat WTK II
15:35 - Fugue A flat WTK II
(L.v. Beethoven)
Sonata No. 12, Op. 26 in A flat major:
18:07 - I. Andante con 5 variazioni
25:38 - II. Scherzo, Allegro molto
28:28 - III. Marcia funebre
33:36 - IV. Allegro
_______________
(J.S. Bach)
39:03 - Prelude d minor WTK I
41:04 - Fugue d minor WTK I
43:23 - Prelude d minor WTK II
44:54 - Fugue d minor WTK II
(L.v. Beethoven)
Sonata No. 17, Op. 31 in d minor:
47:00 - I. Largo - Allegro
55:38 - II. Adagio
1:03:11 - III. Allegretto
_______________
(J.S. Bach)
1:13:12 - Prelude F sharp major WTK I
1:14:41 - Fugue F sharp major WTK I
1:16:35 - Prelude F sharp major WTK II
1:19:22 - Fugue F sharp major WTK II
(L.v. Beethoven)
Sonata No. 24, Op. 78 in F sharp major:
1:21:36 - Adagio cantabile, Allegro non troppo
1:29:13 - Allegro vivace
_______________
(J.S Bach)
Encore:
1:33:38 - Two-part invention No. 8 in F major
(J.S. Bach)
8:49 - Prelude A flat WTK I
10:03 - Fugue A flat WTK I
12:20 - Prelude A flat WTK II
15:35 - Fugue A flat WTK II
(L.v. Beethoven)
Sonata No. 12, Op. 26 in A flat major:
18:07 - I. Andante con 5 variazioni
25:38 - II. Scherzo, Allegro molto
28:28 - III. Marcia funebre
33:36 - IV. Allegro
_______________
(J.S. Bach)
39:03 - Prelude d minor WTK I
41:04 - Fugue d minor WTK I
43:23 - Prelude d minor WTK II
44:54 - Fugue d minor WTK II
(L.v. Beethoven)
Sonata No. 17, Op. 31 in d minor:
47:00 - I. Largo - Allegro
55:38 - II. Adagio
1:03:11 - III. Allegretto
_______________
(J.S. Bach)
1:13:12 - Prelude F sharp major WTK I
1:14:41 - Fugue F sharp major WTK I
1:16:35 - Prelude F sharp major WTK II
1:19:22 - Fugue F sharp major WTK II
(L.v. Beethoven)
Sonata No. 24, Op. 78 in F sharp major:
1:21:36 - Adagio cantabile, Allegro non troppo
1:29:13 - Allegro vivace
_______________
(J.S Bach)
Encore:
1:33:38 - Two-part invention No. 8 in F major
zhlédnutí: 36 687
Video
András Schiff - Schubert, Sonata No. 14, D.784 (live)
zhlédnutí 5KPřed rokem
Sir András Schiff plays Schubert’s enigmatic Sonata in a minor D.784. Live, 2nd June 2001, Kartause Ittigen (Switzerland). 00:00 - I. Allegro giusto 11:47 - II. Andante 15:46 - III. Allegro vivace
Kirill Gerstein - Bach/Busoni, Nun freut euch, lieben Christen g’mein, BWV 734
zhlédnutí 1,1KPřed rokem
Kirill Gerstein plays Busoni piano reduction of Bach’s joyful Organ Prelude, BWV 734. Wigmore Hall, 23rd november 2022.
András Schiff - Mendelssohn, “Spinning Song”, Op. 67 No. 4
zhlédnutí 8KPřed rokem
Sir András Schiff in concert at Salle des Combins (Verbier), recorded on July 27, 2018.
Sir András Schiff …Con Fuoco! Mendelssohn, “Variations sérieuses”, Op. 54
zhlédnutí 6KPřed 2 lety
This funny clip was taken from a series of Masterclasses Maestro Schiff gave in 2017, at the Gstaad Piano Accademy. The piece they worked on are the famous Variations séirieuses, Op 54, by Felix Mendelssohn.
Vladimir Horowitz - Chopin, Ballade No. 1 Op. 23 (unreleased, 1965) w/ score
zhlédnutí 7KPřed 2 lety
This record was taken from the rehearsal prior Horowitz great comeback in 1965, at Carnegie Hall, New York. Originally there were 3 consequential takes which I carefully joined. The terrific sound quality and the hunting Coda really made me want to edit and share this fine gem; I hope you’ll enjoy it as much as I did.🎶 07:08 - Ferocious Coda 08:23 - M. Horowitz comment :) Note: the score you se...
András Schiff - Brahms, Intermezzi Op. 117
zhlédnutí 42KPřed 2 lety
András Schiff plays Brahms’ 3 Intermezzi Op. 117. This is one of the late charakterstücken for piano, written in 1892. Each piece, like a Ballade, is inspired by a poetry verse or a natural scene; these are some of the most introspective works for piano solo, composed in the late stages of his life. 00:05 - 1. Andante moderato (E♭ major) 04:06 - 2. Andante non troppo e con molta espressione (b♭...
Arturo Benedetti Michelangeli plays Scarlatti (doc. 1949) HQ
zhlédnutí 14KPřed 2 lety
ABM plays three sonatas by Domenico Scarlatti in this rare documentary from Istituto Luce, 1949. Note; an upload of this witnessing already exists, but the poor quality of the previous footage doesn’t do justice to this rare gem! 2:31 - Sonata in D major, K29 6:02 - Sonata in c minor, K11 8:32 - Sonata in b minor, K27
Sir András Schiff castaway on a “Desert Island” (radio interview, 1999)
zhlédnutí 11KPřed 2 lety
Sir András Schiff interviewed by BBC journalist Sue Lawley, 1999. Due to copyright restrictions all the tracks proposed by Maestro have been edited out, here you can find them: - Franz Schubert, String Quintet in C major D 956 - Adagio (Pablo Casals and the Vegh Quartet) m.czcams.com/video/AM0-oH66jvk/video.html - W. A. Mozart, 4 hands Piano Sonata in C major K. 521 (George Malcom, András Schif...
András Schiff - Beethoven, Sonata No. 29, Op. 106 “Hammerklavier Sonate”
zhlédnutí 35KPřed 2 lety
Sir András Schiff plays the “Grosse Sonate” Op. 106, live at Wigmore Hall. 00:01 - I. Allegro 11:35 - II. Scherzo: Assai vivace 14:25 - III. Adagio sostenuto, Appassionato e con molto sentimento 30:52 - IV. Largo, Allegro risoluto, Fuga a tre voci 43:50 - Applause with Standing Ovation! 👏🏻 This recital was dedicated to the memory of Bernard Haitink. 12 November 2021 Here you can find the full r...
András Schiff on his journey with the Goldberg Variations
zhlédnutí 29KPřed 2 lety
Sir András Schiff and BBC journalist Kirsteen Wark chat about Maestro’s relationship with the Goldberg Variations. This little interview was held prior his 2015 Proms recital where he was going to play the Bach variations’.
András Schiff on Béla Bartók - Intermezzo with Arie Vardi
zhlédnutí 3,8KPřed 2 lety
András Schiff on Béla Bartók - Intermezzo with Arie Vardi
András Schiff - Beethoven, Sonata No. 26, Op. 81a “Les Adieux”
zhlédnutí 27KPřed 2 lety
András Schiff plays beautifully Beethoven’s Sonata in E flat major known as “Les Adieux” or, as Maestro prefers, “Das Lebewohl”. This is the last Sonata of the so-called “middle period”. Published in 1811 by Breitkopf & Härtel Verlag, is dedicated to his friend and patron, the Archduke Rudolph von Österreich. Japan, March 2020. 00:00 - I. Adagio/Allegro, “Das Lebewohl” (The Farewell) 07:08 - II...
Sir András Schiff @ Wigmore Hall, pandemic-recital (all Bach program)
zhlédnutí 41KPřed 2 lety
Maestro Schiff plays an all Bach-recital to an empty hall, due to pandemic restrictions. Wigmore Hall, 7th January 2021 4:45 - Capriccio BWV 992 15:23 - Sinfonia No. 5, Es dur 17:28 - Sinfonia No. 9, f moll 22:09 - Chromatic Fantasy and Fugue (27:56) Italian Concerto BWV 971 - I. 37:18 - II. Andante 40:58 - III. Presto 45:00 French Overture BWV 831 - Ouverture 52:59 - Courante 1:04:45 - Gavotte...
András Schiff, Nikolaj Szeps-Znaider - Brahms, Piano Concerto No. 1, Op. 15
zhlédnutí 17KPřed 2 lety
András Schiff plays Brahms first Piano Concerto with the Orchestre National de Lyon, conducted by Nikolaj Szeps-Znaider. This concert was recorded at Auditorium de Lyon, France. 1st February 2021 00:11 - I. Maestoso 22:43 - II. Adagio 34:43 - III. Rondo, Allegro ma non troppo
“Poroppopompeipopappapaaa” Glenn Gould & Bruno Monsaingeon
zhlédnutí 3,9KPřed 2 lety
“Poroppopompeipopappapaaa” Glenn Gould & Bruno Monsaingeon
András Schiff - Bach, Capriccio BWV 992 (live rec. 2022)
zhlédnutí 1,4KPřed 2 lety
András Schiff - Bach, Capriccio BWV 992 (live rec. 2022)
This guy is my ELVIS!!!
I played that piece years ago and then neglected it. I have to get it back. Thanks, Andras.
This is the best rendition I have heard.
It's the first time I’ve listened to a pianist play this sonata using the Barry Cooper edition (just check out the third movement). However, I don’t understand why he skipped the full chords in the right hand in bars 32, 33, 124, and 125 of the first movement.
Oggi risento queste interpretazioni di ABM. Che tecnica miracolosa, che geniali sonorità. Chi ha suonato Scarlatti come Lui ? Nessuno. ABM genio insuperato ed insuperabile. Mi coglie tanta malinconia nel figgere la mente alla Sua mancanza.
18:30
grotesque interpretation, but tremendous No one can play like this including chopin
I just listened yo Ashkenazy recording live 1980. Much better. Ashkenazy underrated, Schiff overrated. Sorry, many good things but I dislike.
Thanks. Appreciate this. I have just memorized the whole piece and am working on fluidity. Still a little slow on the melodic minor scales at the end. I also call them jazz minor scales😂😂Such a wonderful cool piece that could be many songs within one. What a great composer! Do you know any other really powerful Chopin like this, or even another composer? I prefer Cminor n g minor generally but did play Pathetique as well . Thanks👍✨🙏🏽🩵❤️💙
starts at 4:45
what a strange performance! - so much slower than most, where's the ebullient excitement at the return of a dear friend? the tempo marking is Vivacissimo .., this is like allegretto - - very eccentric, and it doesn't work
0:54 😂❤
autore ed interprete di lusso - complimenti
Team Beethoven, here. Great composer. He is part of the group of composers with "something to say", not a bunch of formulas and mathematical harmonies. And Schiff is sensible as a kid, but eyes and fingers of a tiger.
I could listen all day ❤
<3 eternal love
What a wonderful exploration of distinguishing between long, over-arching lines from secondary voices. His incisiveness cuts through the slobbery emotional excessiveness of so many pianists today, and simply presents these works as the composer intended,
🥇🎹
Madonna che schifezza.
The pitch is a semitone high and the tempos accordingly are faster than he played.
It also could be that the Grand was tuned up per the request of Michelangelli (the type of demands he was known for) for this session. Another version that would make a valid comparison against the 1949 one was his 1969 Scarlatti recording but that alone isn't sufficient to judge.
@@gaiusflaminius4861 Many CZcams videos of classical music, including piano recordings, are a semitone high. It's a common problem that seems to be caused by some technical bug in CZcams's compression and upload process. It's not plausible, musicologically or otherwise, that Michelangeli would have retuned a fine piano to A455, A460, or higher. Furthermore, pitch was lower in previous centuries: in 1815 A was generally tuned to 415. I don't know what it would have been in Scarlatti's time.
@@pianoredux7516 My statement didn't imply the tuning conventions, supposedly accepted as a standard, nor had it to do with "musicology". The pitch and speed of recording aren't interdependent either. It's a technical peculiarity which may or may not emerge, but lower pitch doesn't entail slower _actual_ speed. As to the tempo Michelangeli played, it is a debatable subject.
Fantastic concert with Sir Andras in Paris yesterday night. Lack of words to describe his mastery.
Beethoven und Schiff.... Schwerstgewichte!
Hi, I'm interested in using this beautiful interpretation as background introduction in a short story audiobook; "The Bet" - By Chekhov. I need around one minute of music. How do I contact the owner to obtain the rights?
Check out this new recording by the immensely talented young pianist Johannes Schneider: czcams.com/video/mSUqD0z2NIs/video.html
Mad dogs having fun
21:20 Brahms IV
I want to play this sonata too. 🙂
Straordinario.
baren boim still i the lead
Sehr herzlichen Dank für diese Veröffentlichung und Maestro Schiff für seinen warmen und humorvollen Vortrag 💖
Thank you Sabine for your kind comment!🎶 Vielen dank🙏🏻
Beautifully
As a music student and pianiist raised in Baja California, Mexico, I was fortunate to have studied with Hungarian pianist Istvan Nadas at San Francisco State University in the late sixties. He was friends with the chair of International Programs for the CA state college system that coordinated student travel studies abroad, US Rep. from Hayward, CA, Tom Lantos. He was also Hungarian and I am certain they helped me assure my accepptance into the study-abroad program in Spain, where I studied for two years in Madrid. I am certain they saw this young mexican kid in the midst of the cultural desert of California/Mexico, and decided to offer me the opportunity to broaden my horizon by accepting me for study in Spain. For that I am truly grateful. This interview with András reminds me of the humanitarian and intelligent manner of the few people I have had contact with from Hungary. I have been studying his videos of Beethoven Sonatas and am impressed of the breath of his knowledge and insights into Beethoven''s thinking, humor and skillful composing. To sum this up... I say "GRACIAS A LA VIDA" and that I love Hungary and Hungarians.
In his introductory comments before this performance, Maestro Schiff said that when he was a young man, he could play most of the notes in the sonata, but he had no idea what was going on. Today, he said, is just the opposite! I'll take him at his word - his playing always sounds wonderful to me.
Indeed - an extraordinary, wonderful interpretation !!
I have more respect for him than any other living musician and his documentary on schubert is my favourite music documentary and a master piece in itself. Andras is very very special. He's an absolute gentleman and his insights are second to none. Every single word he said in the schubert documentary I was in full agreement with. He's a modest man. No ego at all. He's the humblest musician, almost awkward when he speaks to the audience. He's a gift to the world of music and will live forever.
He truly is an outstanding human being!🎶
Andras, alles Gute zum 70. Geburtstag ‼️😘🥰
Merci Maestro, vous êtes un homme exceptionnel, par vos interprétations, la façon que vous dirigé un orchestre, vos mots, par votre humanite, Merci infiniment
I am sick of the interviewer constantly interrupting Schiff. Good interviewers do not need to do this. I have quit at 04.25 and will not return. Although I am interested in what Schiff said. But that kind of controlling the interviewed is not decent.
33:28 this is ridiculous. Is he playing a Chopin waltz ? What is this for a non-funny joke ? Schiff, if you are not able to, play everything else, but do not shit on this holy score.
Not as good as Hamelin. Enjoy a real pianist playing this. czcams.com/video/4UD60MTbwCY/video.html
In his lecture on the op.106,(available on CZcams-recorded in 2006) A. Schiff was of the opinion that, in the first movement, the pianists should follow Beethoven's metronome mark of minim= 138, especially since it is the only metronome mark that is due to Beethoven himself, and that , contrary to common belief, Beethoven's metronome was not "wrong", that he had examined it himself etc. So what happened since? With minim=138, the first movement's duration should be less than 8 minutes! This is of course impossible, as the fastest 1st movement so far is 8 mn 50 by Schnabel (minim=120)and we feel it's not right. I believe a reasonable tempo should be close to 10mn or thereabout(See, e.g. Levit, P. Serkin, M. Perahia ...)
How do you calculate "less than 8 minutes"? Counting the bars, simple multiplication and division? That is not how it works. A pianist is not a mechanical device, he or she is a musician.
czcams.com/video/XDlaSF2Wwgg/video.html
Beautiful 3rd movement, 4th movement sounded like he was straining himself -- perhaps time to retire this one from his repertoire
Incredibly done we listen all the voices in detail...
Marvellous.
2:30
Pure genious❤️❤️❤️
Lol andras schiff givinf advice in this piece is like biden leading a prep rally at an nfl game
Hahaha, so true!!!
34:50 E stato scritto in merito alla sonata 106. Quanto di più grande sia stato concepito da mente umana. Beethoven tu sia giunca il mio abbraccio da cuore a cuore, con un immenso grazie, tu sai il perché.