Video

RamRam. Amazing Khamboji composition wonderfully rendered.🙏

Adum Sethambaramoendrapadal.vanum.please

அருமைக பாடியுள்ளீர் கேட்க கேட்க அமிர்தமாக உள்ளது. முருகன் அருள் காட்டாயம் உண்டு கேட்பவர்கள் அனைவருக்கும்🎉🎉🎉🎉

Muruga charanam

Super it is God's gift to him

இவர் கந்தர் அலங்காரம் பாடியுள்ளாரா

pallavi mInalOcanA brOva yOcanA dInajanAvanA amba anupallavi gAna vinOdinI nI samAnamu jagAna gAnanammA dEvI caraNam 1 kannatalli gAdA nA vinnapamu vinavammA pannaga bhUSaNuniki rANI ninnuvinA ilalO dAta vErevarunnArammA bangAru bommA caraNam 2 indumukhI nIvu varamulosagi nA mundu vacci dayasEyavammA kunda mukundaradanA himagiri kumArI kaumArI paramEshvarI caraNam 3 sAmaja gamanA nIvu tAmasamu sEyaka shyAmakrSNa sOdarI rAvE kAmapAlini bhavAnI candrakaLAdhAriNI nIradavENI

❤ Excellent percussion Excellent vocal ❤

Truly amazing speech…very sincere appreciation of the Great Carnatic music Master Sri MMI… Very interesting, mesmerising and informative speech. Thank you Mr Shiva!!🙏🏽

I used to think when iam listening to MMI that the width depth life in his thala bhavam there is no need for a laya vidwan as an accompaniment.

Radhe Krishna 🙏 Very nice rendition 🎉Radhe Krishna 🙏

Beautiful rendition!!!! Love this

அருமை... சொல்ல வார்த்தைகளே இல்லை. மேன்மேலும் தாங்கள் பணி சிறக்க இறைவன் அருள் என்றும் கிட்டும்🙏

Not rupakam, aadi vilambkala 2 kala

Ellor manadhilum reengaramidum miga arpudha oru miga azhaganakuralin nadhamivarum Sri G. N B um de iveega arul petra kural miga ranjagamana elloraum irkum kural ada da. Ini eppovaruvaro?

Made us to think of that the great singer's singing ,thank u ofcourse he is in all

Superb It is marvellous. He had a great future.our best wishes

Fantastic

Super presentation. Touching.His movie songs on philosophical mood were great. Soppana vazhvil maranthu etc. Thought you may agree.

Super siva sir . Never guessed you are so fluent in lectures. Great respects to MMI

You are a genius ! My pranams!

What a sweet voice? You have? How much you have enjoyed music? Namaskaras. Saipremi

7:55 start

Good program

Excellent.. all 3 of you.

super rendition

Sir 🙏🙏🙏🙏🙏🙏🙏 I have been listening to your Kandhar Anubhudhi daily ever since I came across the divine song and truly looks like Thiru Arunagirinadhar himself sang it through you. 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

Deekshithar mahan ..no can't replace his place

pallavi AryAM abhayAmbAM bhajarE rE citta santataM avidyA kArya kalanAM tyajarE (madhyama kAla sAhityam) Adi madhyAnta rahitAM Siva sahitAm anupallavi sUryAgni candra maNDala madhya vAsinIM sukha-tara pravartinIM svEtara nivAsinIm AcArya SishyAnugraha karaNa Sakti pradApAra karuNAM (madhyama kAla sAhityam) caryAdi catushTaya vitaraNa samartha-tara caraNAM aruNAm

Thank You Aiya 🙏💖🕉 Please kindly avoid adverts in between this Divine 🎶

❤️❤️❤️❤️

🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

pallavi brOva bhAramA raghurAmA bhuvanamella nIvai nannokani anupallavi shrI vAsudEva anDakOTula gukSiNi yuncakOlEdA nannu (brOva) caraNam kalashAmbudhilO dayatO namarulakai adigAka gOpi kalakai koNDa letta lEdA karuNAkara tyAgarAjuni (brOva)

Like shemmangudi mama, nasal supports voice to complement shruthi.

Gurubhyo Namaha 🙏🙏🙏

Saastaanga pranams Guruji 🙏🙏🙏🙏🙏

Such a unique exploration of Sahana ❤ namaskarams to you sir.

ஃ ஓம் முருகா ஓம் ஃ நன்றி நன்றி நன்றி ஃ

🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

Sir, this is so divine, 🙏🙏🙏🙏🙏🙏🙏 , listening to your Kandhar Anubudhi composition, Will you also be able to compose Thirupugazh. 🙏🙏🙏🙏🙏🙏🙏

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🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏

*Abhayamba Vibhakti Kritis- 2nd Vibhakti* raagam: bhairavi Aa:S R2 G2 M1 P D2 N2 S Av: S N2 D1 P M1 G2 R2 S taaLam: aTa/Triputa Composer: Muttuswaamee Dikshitar Language: Sanskrit *pallavi* AryAM abhayAmbAM bhajarE rE citta santatam avidyAkAryAkalanAM tyaja rE AdimadhyAntarahitAM shivasahitAM (Oh mind! always worship the supreme one, Goddess abhayAmba; (Oh mind!) forgo everything associated with ignorance! Worship Her - who is without beginning, middle, and end, and who is always in the company of Lord shiva) *anupallavi* A: sUryAgni candra maNDala madhya vAsinIm sukhatara pravarttinIm svEtara nivAsinIm AcArya shiSyAnugrahakaraNa shaktipradA apArakaruNAm caryAdi catuSTaya vitaraNa samarthatara caraNAm aruNAm caraNam (who gives eternal bliss; who resides in herself and everything else (pervades the entire universe); who has unlimited mercy in giving strength to bring about the grace of the preceptor and disciples; who possesses holy feet that are adept in bestowing the four fold perseverance in religious austerities beginning with "carya" and who is the one of reddish hue.) *CaraNam:* nandana vanOtpAdanAm puSpa mAlikAm vandanAlayAdi prasthApana divya candana karSaNa sthala shuddhikaraNa vandana sthOtrAdi paThana bhakta sEvAnAm manda dhI haraNa caryAyuta mAnavAnAm dharma maya svacchanda shiva sAlOkya dAyaka caturatara hara naTa bhairavIm mandasmita vilasita mukhAravindAm guruguhAmbikAm mukunda sOdarIm mahAtripura sundarIm Ananda laharIm (who wears the garland of flowers selected from the heavenly forest nandana; who is served by the devotees who are always engaged in grinding the sandal paste, purifying the place of worship, prostrating, singing devotional songs and chanting hymns; who protects the people engaged in virtuous acts for removal of ignorance; who is dancing bhairavi; the consort of shiva, skilful in bestowing a place in the abode of shiva, which is full of virtues, where one can move about freely; who has a lotus like face beaming with sweet smile; who is the mother of guruguha, who is the sister of Lord viShNu; who is the great tripurasundari, and who is the flood of infinite bliss!) variations - tyajarE - tyajarE rE vanOtpAdana - vanOtpAdanAM mAlikAM - mAlikA candana gharshaNa - candana karshaNa - candanAkarshaNa sAlOkya - sAlOka catura-tara - catura vara *Pallavi* rE citta - O mind! santataM -Always bhajarE - worship AryAM abhayAmbAM - the highly venerable Abhayamba! Adi madhya-anta rahitAM - the one devoid of beginning, middle and end, Siva sahitAm - the one in the company of Shiva. tyaja rE - Give up avidyA kArya kalanAM - the impelling caused by ignorance. *anupallavi* sUrya-agni candra maNDala madhya vAsinIM - (Worship) the one residing in the orbs of the sun, fire and moon, sukha-tara pravartinIM - the one who causes supreme bliss, svEtara nivAsinIm - the one who resides in everything apart from herself (i.e. one who has nothing apart from herself), AcArya Sishya-anugraha karaNa Sakti prada-apAra karuNAM - the one with limitless mercy, who gives the power to a preceptor to confer his grace to the disciple, carya-Adi catushTaya vitaraNa samartha-tara caraNAM - the one whose feet are adroit at conferring the four (means or phases of liberation) beginning with 'carya' aruNAm - the red-hued one, *caraNam* nandana vana-utpAdana pushpa mAlikAM - the one who wears the garland of flowers from the celestial garden (Nandana) or temple garden, vandana-Alaya-Adi prasthApana divya-candana gharshaNa sthala Suddhi karaNa- vandana stOtra-Adi paThana bhakta sEvAnAM - the one accepting the services (sEvana) of the devotees (bhakta), such as prostrations(vandana), visiting temples (Alaya-Adi prasthApana), grinding divine sandal paste (divya-candana gharshaNa) and cleaning the ground (sthala Suddhi karaNa) (of the temples etc.), adoration (vandana), reading of works of praise (stOtra-Adi paThana )etc. manda-dhI haraNa caryA yuta mAnavAnAM-dharma-maya svacchanda Siva sAlOkya - dAyaka catura-tara hara naTa bhairavIM - Goddess Bhairavi dancing(naTa) with Shiva(hara), very adept(catura tara) at giving(dAyaka) residence in the same world (sAlokya) of Shiva, which is righteous in nature (dharma-maya), spontaneously (svacchanda), to those people (mAnavAnAm) who are engaged (yuta) in practices (caryA) which can remove(harana) dullness(manda) of the mind(dhI). manda smita vilasita mukha-aravindAM - the one whose lotus-face is radiant with a gentle smile, guru guha-ambikAM - the mother of guruguha, mukunda sOdarIM - the sister of Vishnu, mahA tripura sundarIM - the great goddess Tripurasundari, Ananda laharIm - the flood of bliss. *Comments:* *This is the second of Abhayamba Vibhakti Kriti, in the dvitIyA vibhakthi (second/accusative case in Sanskrit grammar). The basic construct of every sentence is of the form "She, Who..". The sAhityam of this krithi is the antyAkshara prAsam throughout the pallavi, anupallavi and charaNam with every word ending in either "IM" or "AM". Also observable in this krithi, are the long-winding word constructs of the charaNam. *According to philosophies such as Saiva Siddhanta, the four steps or stages of Sadhana (endeavour for liberation) are Caryaa (virtue and self-less service), Kriyaa ( worship), Yoga (meditation) and Jnana (enlightenment).

All tall claims you never had the guts to take on the big Sabhas. Lalgudi once lamented that initially was vehemently against recording and how wrong he was and said that GNB was and a few concerts available were recorded without his knowledge. That's how we get to hear the greats ,I agree with you to the extent that these recordings should not be shared for commercial considerations. Any way it is your right to do so and any one recording without the consent of the artist should never share such content.

Wonderful tribute sir...please make a video for MLV amma and BMK sir too

🙏🙏🙏

Enna oru vilakkam....... namaskarams❤❤❤🙏🙏🙏🙏

Sivagama.sundaree..vijay.sivpadeyathu.

It's like everyone in the comments has missed it. It's Pandit Ravi Shankar, Bharat Ratna recipient in the first row listening.