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Hola, ¡Muy bueno!. Muchas gracias. Completamente de acuerdo, ademas de las cuestiones tecnicas hay que tener presente que hoy dia los tiempos improductivos son tan valiosos como los productivos y "perder" tiempo haciendo cambios es una incorrecta decision. Pero hay algo mas, usualmente el Y se produce con pigmento PY13 ( muy comun) y este pigmento en base nitrocelulosa (muy comun) produce tintas con baja tension superficial, tal que imprimir altas luces sobre el Yellow termina en una gran perdida de puntos. Por experiencia, si la tinta es PY13...conviene que el Y sea el ultimo color, en directo o en retroverso.

Thanku ... Geat videos .

Io ho risolto con la terza lama...fantastica

Hello friend. Thank you so much from your training video. Would you please introduce me one book in this issue

Can you please suggest how to find the LPI of the printed matter? To reproduce a job, we need to know what LPI plates are used in the original printed material so that the plates can be prepared accordingly to match the output close to the original one?

Very informative, thank you, could you please share the profile applied for the dog picture or at least show how to edit a F39 profile to have this result ? Thank you

good work

Hi, I work at a flexo prepress and diemaking company that targets corrugated. Are there many variants when talking about substrates? I ask because of certain recent details regarding Ink Trapping, Dot Gain, GCMI color corrections, and we're trying to expand towards flexible substrates and have problems dealing with corrugated fingerprints. Thank you for the video, I really appreciate it.

Great, please can you explain in video how to solve all registers problems in printing flexo central drum machines. Thanks mr Stefano 🎉❤

Way back in '87, I wrote a paper on this to get my BS.

So thankful for this video series. Hope to see more in the future

It also applies to the skin and retina of the eye. 1:07 en la piel en un ser humano vivo? 2:10

Good job sir

Your videos are fantastic! Do you have any resources for how to work with screens in Adobe Illustrator for flexo? For example, I have a file with 75% screen and have been asked to cut it back by 10%. I am in the dark on how to do this. Thanks!

Worth to mention that same effect could be obtained with too small volume 😊

Pls send in English

Hello sir im so happy from you im a graphics desiginer i make package desigin i work in a company i want learn artpro but not any video on youtube then i found your chanel so now im very happy 😊 plz make video on artpro and plz make video 😊😊

What shud be color seq. in offset printing (Book Printing)?...pls reply

Very good information .. If we dont change ourselves we actually not contributing towards real sustainable future...

Molto chiaro, grazie

We call it the ghosts in the machine. You just don’t believe in them and they go away 😊

very good information thank you!!

sorry but you are a monster of flexografie... thanks about each video you made

We have a new W&H Novoflex II and when printing with 400-500 m/min (1300-1650 Feet per minute) the plates get dirty fast so i have to clean them every 4-5 rolls. When cleaning plates i loose a lot of time and produce less. I worked on a Soma machine before and had no such issues with the same ink, plates and paper. We use water based ink (flint group) and only print on paper. The viscosity is all right and the machine has a very good drying system. Like i said before on the Some there were no issues and could print 3 shifts without any need to clean plates, drying temperature is set to 60 Celsius on both machines. Any idea how to prevent the plates to get dirty so quick?

complimenti per la scelta del "testimonial" ;-)

Quindi in questo caso bisogna sostituire l'anilox con uno con il volume maggiore o minore?

Hellow sir. Thank you for video. Any question my machine

I have some queries about flexo printing. please reply ASAP

hiii

Very informative webinar. I work in a flexo prepress bureau service and we get really bad files from the customers, and most of the time we manually adjust the colors for better print results.

4:36 proprio ieri ho trovato una riga perfetta dritta orizzontale. Unica ipotesi che mi sono fatto è che in qualche maniera inspiegabile l'anilox abbia battuto sulla stecca del rullo porta clicchè, o meglio.. viceversa perché il rulllo anilox sta fermo sul suo posto mentre la stecca ha sempre un po' di lasco in momento di riposo quando il gruppo è fermo.. esempio stampa a 2 colori su machina da 5 gruppi come le mie. Un peccato perché era nuovo.. 180 linee volume 9

We hope that you will make lessons on printing offset and flexo cartons

Does printing on cardboard require corners?

I want a video to set the image to be printed on corrugated cardboard (flexo printing) on Photoshop

Experience matters here too for spot colour on 1st time printing the job.. right?

Hi, I am operating a press. The press is running and it is printing on the paper aluminium foil lamination. Being a water based ink, on some of the prints, the ink after drying is getting removed and in the same scenario on some of the samples, it is not getting removed. What could be the possible reasons.

Thank you

Respect 👏👏👏👏

What angle 5. Color cmyk+5. Color

Thanks for the information, we have this problem, how are the pressure bars and ley lines? (sorry for the google translate). Thanks

In offset you can reproduce the plate without any adjustment or compensating

hello, how to get rid of ghosting

informative

OTTIMO E CHIARO

Hi, I find your videos very useful! I have gathered knowledge during my short time printing, however bouncing on large print areas does tend to confuse me. What would be the best remedy, speed? Change of blade? Blade pressure?

Absolutely great explanation

Pak tanya..bahan untuk pembersih anilok kotor ..dan bagaimana cara membersihkan nya

Great video. I always try to explain to people about anilox depth to opening ratio's.