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National Gallery Singapore
Singapore
Registrace 25. 03. 2014
National Gallery Singapore is a visual arts institution which oversees the largest public collection of modern art in Singapore and Southeast Asia. Situated in the heart of the Civic District, the Gallery is housed in two national monuments-City Hall and former Supreme Court-that have been beautifully restored and transformed into this exciting venue.
Creatures of the Mind, Creatures of the Land: Artist Workshop by Sharon Chin
Creatures of the Mind, Creatures of the Land : Artist Workshop by Sharon Chin
For Malaysian artist Sharon Chin, nature isn’t exclusively reserved for leisurely pursuits. As humans, we are entangled in an intricate ecosystem, and non-human entities are ever-present in our surroundings.
This workshop was held on 8 June 2024, in conjunction with the exhibition “Figuring a Scene”. Led by Chin, this two-and-a-half-hour session invited participants to imagine an alternative way of inhabiting the world through collective drawing and storytelling. Together, they pictured the world becoming a realm where magic holds sway, and imaginary creatures emerge from the shadows.
About the artist
Sharon Chin (b. 1980, Petaling Jaya) is an artist living in Port Dickson, Malaysia. Her work includes printmaking, illustration, installation and collaborative performance projects, and has been shown in Malaysia and around the world. She has participated in the Singapore Biennale (2013, 2019) and the Asia Pacific Triennial of Contemporary Art (Brisbane, 2015), and is a current recipient of the Prince Claus Mentorship Award for Cultural and Artistic Responses to the Environmental Crisis (CAREC). Recently, she has been concerned with healing the relationship between humans, land and place, focusing on the intersection of art, ecology and community organising in Port Dickson.
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About “Figuring a Scene”
Discover a new perspective on exhibitions with “Figuring a Scene”, where we break free from traditional art history norms. Here, we believe exhibitions hold intrinsic significance beyond historical or societal contexts. Emotions, imagination, and sensory experiences take centre stage in our understanding of art, defining how we make sense of the world around us.
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Go to www.nationalgallery.sg for more content and to plan your visit today!
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Disclaimer
This video has been edited for clarity and concision. The opinions expressed in this video may not represent the views of National Gallery Singapore. Every effort has been made to obtain permission for the material in this video. Copyright within this video belongs to its respective owners and shall not be reproduced without permission.
#NationalGallerySingapore #FiguringAScene #SharonChin
For Malaysian artist Sharon Chin, nature isn’t exclusively reserved for leisurely pursuits. As humans, we are entangled in an intricate ecosystem, and non-human entities are ever-present in our surroundings.
This workshop was held on 8 June 2024, in conjunction with the exhibition “Figuring a Scene”. Led by Chin, this two-and-a-half-hour session invited participants to imagine an alternative way of inhabiting the world through collective drawing and storytelling. Together, they pictured the world becoming a realm where magic holds sway, and imaginary creatures emerge from the shadows.
About the artist
Sharon Chin (b. 1980, Petaling Jaya) is an artist living in Port Dickson, Malaysia. Her work includes printmaking, illustration, installation and collaborative performance projects, and has been shown in Malaysia and around the world. She has participated in the Singapore Biennale (2013, 2019) and the Asia Pacific Triennial of Contemporary Art (Brisbane, 2015), and is a current recipient of the Prince Claus Mentorship Award for Cultural and Artistic Responses to the Environmental Crisis (CAREC). Recently, she has been concerned with healing the relationship between humans, land and place, focusing on the intersection of art, ecology and community organising in Port Dickson.
--
About “Figuring a Scene”
Discover a new perspective on exhibitions with “Figuring a Scene”, where we break free from traditional art history norms. Here, we believe exhibitions hold intrinsic significance beyond historical or societal contexts. Emotions, imagination, and sensory experiences take centre stage in our understanding of art, defining how we make sense of the world around us.
-
Go to www.nationalgallery.sg for more content and to plan your visit today!
-
Disclaimer
This video has been edited for clarity and concision. The opinions expressed in this video may not represent the views of National Gallery Singapore. Every effort has been made to obtain permission for the material in this video. Copyright within this video belongs to its respective owners and shall not be reproduced without permission.
#NationalGallerySingapore #FiguringAScene #SharonChin
zhlédnutí: 56
Video
Memory, Heritage and the Bukit Ho Swee Fire: Lecture by Dr Loh Kah Seng
zhlédnutí 46Před 19 hodinami
Memory, Heritage and the Bukit Ho Swee Fire: Lecture by Dr Loh Kah Seng For a country that usually looks forward, the 1961 Bukit Ho Swee fire is a historical event that is remarkably well-known. It was the biggest fire in Singapore history, rendering nearly 16,000 people homeless on the hot, windy afternoon of 25 May 1961. It is also remembered because the emergency flats built on the site of t...
GLISTEN: Artist Talk by Lisa Reihana
zhlédnutí 88Před 21 dnem
GLISTEN: Artist Talk by Lisa Reihana Held in conjunction with the opening of “GLISTEN”, the 7th Ng Teng Fong Roof Garden Commission, this talk featured Aotearoa New Zealander artist Lisa Reihana sharing about her practice and the manifestation of the artwork, followed by a conversation with curator Qinyi Lim, delving further into the reverberations of Western cultural hegemony-including languag...
“Make our own models” | Santiago Bose
zhlédnutí 52Před 21 dnem
“Make our own models” | Santiago Bose “Drown My Soul at Chico River (Bury My Soul in Chico River)” by Filipino artist Santiago Bose responds to the successful protest by the indigenous Kalinga community against the proposed Chico River dam project during the Marcos regime in the 1970s. In this video, we explore the artwork, delving into the artist’s profound concerns and unravelling the cultura...
Art and the Environment in Southeast Asia | Santiago Bose
zhlédnutí 25Před 21 dnem
Art and the Environment in Southeast Asia | Santiago Bose How does art speak to the environment around us? In our latest online course “Art and the Environment in Southeast Asia: Environment as Contested Space ", embark on an insightful journey with artists, curators, and researchers into Southeast Asia in the 1970s. Learn how Filipino artist Santiago Bose responds to the successful protest by ...
“Make questions, not art” | Tang Da Wu
zhlédnutí 274Před 21 dnem
“Make questions, not art” | Tang Da Wu This video* explores the artistic and philosophical journey of Singaporean artist Tang Da Wu, whose perspective on art and life evolved over decades of sustained practice. Since the 1970s, Tang’s utilisation of organic materials and performance has served as a direct response to the ecological consequences of human development and greed. *Parts of the inte...
Art and the Environment in Southeast Asia | Tang Da Wu
zhlédnutí 40Před 21 dnem
Art and the Environment in Southeast Asia | Tang Da Wu How does art speak to the environment around us? In our latest online course “Art and the Environment in Southeast Asia: Environment as Contested Space ", embark on an insightful journey with artists, curators, and researchers into Southeast Asia in the 1970s. Explore the artistic and philosophical journey of Singaporean artist Tang Da Wu a...
“Fine art needs emancipation” | Siti Adiyati
zhlédnutí 270Před 21 dnem
“Fine art needs emancipation” | Siti Adiyati “Eceng Gondok Berbunga Emas” (Water Hyacinth with Golden Roses) is an installation artwork by Indonesian artist Siti Adiyati, first presented in 1979. It serves as a response to the social inequalities that arose from government policies enacted during the New Order regime in Indonesia. Dive into this interview* with the artist to gain deeper insight...
Art and the Environment in Southeast Asia | Siti Adiyati
zhlédnutí 22Před 21 dnem
Art and the Environment in Southeast Asia | Siti Adiyati How does art speak to the environment around us? In our latest online course “Art and the Environment in Southeast Asia: Environment as Contested Space ", embark on an insightful journey with artists, curators, and researchers into Southeast Asia in the 1970s. Gain deeper insights into Indonesian artist Siti Adiyati’s work and how it serv...
“Speak our conscience” | Nirmala Dutt
zhlédnutí 43Před 21 dnem
“Speak our conscience” | Nirmala Dutt In this video, we take a closer look at how Malaysian artist Nirmala Dutt shed light on the critical issues of environmental pollution and urban poverty through her “Statement” series from the 1970s. This video is part of Gallery’s online course “Art and the Environment in Southeast Asia: Environment as Contested Space”. - About “Art and the Environment in ...
Art and the Environment in Southeast Asia | Nirmala Dutt
zhlédnutí 30Před 21 dnem
Art and the Environment in Southeast Asia | Nirmala Dutt How does art speak to the environment around us? In our latest online course “Art and the Environment in Southeast Asia: Environment as Contested Space ", embark on an insightful journey with artists, curators, and researchers into Southeast Asia in the 1970s. Learn how Malaysian artist Nirmala Dutt shed light on the critical issues of en...
New Online Course | Art and the Environment in Southeast Asia: Environment as Contested Space
zhlédnutí 72Před 21 dnem
How does art speak to the environment around us? In our latest online course, embark on an insightful journey with artists, curators, and researchers into Southeast Asia in the 1970s. Learn how artists created works in response to rapidly changing landscapes and radical social transformations! We invite you to ponder upon these connections with us and our community of curious learners. Click li...
In-Gallery Sessions | Ezzam Rahman #Divulge
zhlédnutí 70Před 21 dnem
“We are like impermanent buildings with a façade of which the inside is changeable”. - Mella Jaarsma The artist Mella Jaarsma is known for her use of materials and intricate costume installations, crafted from dried banana tree trunks, fiberglass, goat leather, thread, photographs, and squirrel skins. Designed to be donned as a 'second skin’, these installations invite viewers to confront the s...
Figuring a Scene | In Conversation with Sharon Chin
zhlédnutí 40Před 21 dnem
Figuring a Scene | In Conversation with Sharon Chin “Without darkness, how can we dream of the day?” Malaysian artist Sharon Chin lives and works in Port Dickson in Malaysia. Located 200 meters away from her house is an oil refinery. Even in the dark of night, its gas flare lights appear as “a never-ending sunset”. For the exhibition “Figuring a Scene”, Chin was commissioned to develop a new in...
Resonates With Residency | Introducing: Amin Alifin, Cheryl Ho & Redwan Hamzah
zhlédnutí 146Před měsícem
The Resonates With Residency is back with a fresh new look! Returning with a refreshed format, this cycle of the Resonates With Residency features a cohort of three artists, each commissioned to create a series of multi-disciplinary performances in response to the Gallery's permanent exhibition, "Between Declarations and Dreams: Art of Southeast Asia since the 19th Century". Over several months...
Celebrating Our Life Stories - a givingBAC project with St Luke’s ElderCare (Marine Parade)
zhlédnutí 180Před měsícem
Celebrating Our Life Stories - a givingBAC project with St Luke’s ElderCare (Marine Parade)
Figuring a Scene | In Dialogue with Patrick Flores and Siddharta Perez
zhlédnutí 102Před měsícem
Figuring a Scene | In Dialogue with Patrick Flores and Siddharta Perez
Finding Working Women in the Singapore Art Collection
zhlédnutí 176Před měsícem
Finding Working Women in the Singapore Art Collection
The Original, the Copy, and the Remade: Artworks and Their Doubles
zhlédnutí 193Před měsícem
The Original, the Copy, and the Remade: Artworks and Their Doubles
Material as Method: Kwok Kian Chow in Dialogue with Teo Hui Min
zhlédnutí 420Před 2 měsíci
Material as Method: Kwok Kian Chow in Dialogue with Teo Hui Min
Worlds Apart, Strangers Together | In Dialogue with Yuki Kihara and Patrick Flores
zhlédnutí 108Před 2 měsíci
Worlds Apart, Strangers Together | In Dialogue with Yuki Kihara and Patrick Flores
“Magic Maids”, a work-in-progress sharing by Eisa Jocson and Venuri Perera
zhlédnutí 284Před 3 měsíci
“Magic Maids”, a work-in-progress sharing by Eisa Jocson and Venuri Perera
Worlds Apart, Strangers Together | Atreyee Gupta on The Non-Aligned Movement
zhlédnutí 116Před 3 měsíci
Worlds Apart, Strangers Together | Atreyee Gupta on The Non-Aligned Movement
Worlds Apart, Strangers Together | Solange Farkas on Transcultural Curation
zhlédnutí 78Před 3 měsíci
Worlds Apart, Strangers Together | Solange Farkas on Transcultural Curation
Partha Mitter on Reimagining Modernism: Picasso Manqué Syndrome and the Virtual Cosmopolitan
zhlédnutí 122Před 3 měsíci
Partha Mitter on Reimagining Modernism: Picasso Manqué Syndrome and the Virtual Cosmopolitan
Siapa Nama Kamu?: Reflections on DBS Singapore Gallery 1
zhlédnutí 229Před 3 měsíci
Siapa Nama Kamu?: Reflections on DBS Singapore Gallery 1
At the Conservator’s Bench | When is a Painting Complete?
zhlédnutí 485Před 3 měsíci
At the Conservator’s Bench | When is a Painting Complete?
At the Conservator’s Bench | What makes a Painting?
zhlédnutí 539Před 3 měsíci
At the Conservator’s Bench | What makes a Painting?
At the Conservator’s Bench | What is a Painting?
zhlédnutí 411Před 3 měsíci
At the Conservator’s Bench | What is a Painting?
Resonates With Residency | Residency Recap: Alina Ramirez
zhlédnutí 78Před 3 měsíci
Resonates With Residency | Residency Recap: Alina Ramirez
Awesome Ezzam!
Поздрав Миленку из Фердина од Миленка из Фердина!🤗
Love this music. Thank you for explaining. Greetings from Suriname.
Appreciating art through mindfulness is an awesome experience. Therapeutic too.
1:07 I like how there are a hundred traditional instruments in this shot, and then there's just a random bass drum as well
Bass drum and cymbal have been used in wayang accompaniment for many years...
好！
I dont think Luna is a hero, but he definitely is a brilliant painter. I just see him as privilege. He was able to live and work overseas and have networks. We have many painters who are very good but probably dont have the same opportunities Luna had. It is hard to see a person a hero the way he maltreats his wife. I mean in today's standards, you cant see a hero in someone who beats and kills his wife and worse claim in court that he is a sauvage, a wild man who cannot be held accountable for murder.
😊
unbelievably cool
什么是中國水墨画什么是中國水墨图两者是否一样？？？？？？？
This is so inspiring. It is already giving me immense choreographic ideas.....and visions . I was in NYC training and dancing with Merce Cunningham and John Cage in the 70s This is such an amazing sensitive, serene and very special compilation of arts.
Greetings from Ricky, to Jimmy my old friend since 1992
What country did this originate from
Japan
@@loansicre4291 from Vietnam. Hey Japanese, stop cultural theft
noice
Super interesting! :)
吴冠中在文革下放劳动改造，吃了很多的苦，所以他没有活到他应该达到的高寿，起码早走了二十年。如果刘国松生活在大陆，，以他的性格，他躲过反右，也躲不过文革，不是早走，就在监狱里
艺术也需要科学，基础和专业都相继形成，不可对立，有人弯道超车，有的厚积薄发都有成功，都可以创造，学画也不能一上来就创新，有发明创造，基础肯定都要的，
刘国松的画自成体系，独树一帜，别开生面。虽然大陆官方高度评价有统战意味。刘延东也仅仅是大陆一个被冷藏的退休官僚，因为她巨大的贪污和强大的背景被放过一马。但是大师的绘画水平是名副其实的，因为他的画大气磅礴，山水的雄浑气象，如梦似幻，气象万千，吞古纳今，中西融合
This concise online course on Art Education is significant to global knowledge and appreciation of the Art, especially focusing on SEAn art and its leading artists. I'll be profoundly grateful if this series will lead to other vital and crucial aspects of SEAn art including knowhow in distinguishing Genuine from Fake . It's a way of educating art aficionados while forgery / theft not yet widespread in the region! God bless
"Orang irian dengan burung cenderawasih" ❤
great team effort
要是演讲时的PPT也能拍出来就好了 老师讲到画时画面没有切大景有些对应不上
this is so amazing and heart warming
Thanks a lot for uploading!
This is why cleoptra is white macedonian greek queen not a native of egypt 😂proven she was pure white ,his grand grand father is king ptolemy soter 1 the general of alexander the great who conquered egypt and entire middle east and europe ,,general ptolemy soter a macedonian greek took over the throne of egypt as egeypt antive black royals are over this time,
Campbell once noted that myth can open the world to the dimension of mystery and metaphysics - ie to the realization of the transcendent mystery that underlies all forms, including aesthetic ones. Mr Tan engages with this mystery by personally reflecting on the creative principles of art-making (such as imagery, representation & symbolic expression) and the conditions of their constructed truth based on exaggerated primordial and biomorphic elements/forms drawn from idealised prehistoric Chinese culture.
太美妙了！被琴声打动，非常感谢！
吴冠中的笔墨等于零出品是图而非画吗?请詳述
苏州园林，四季风光不同，能让人安心
respect， 自然自得，坚定，从容
Thank you for joining us today! If you enjoyed today’s programme, please give us your feedback by clicking here: forms.office.com/r/ixyu706EwD For more information on “See Me, See You: Early Video Installation in Southeast Asia”, visit: www.nationalgallery.sg/see-me-see-you
Thank you for joining “I See You | Artists & Curators in Conversation”! Today we have an online conversation with artists Dr Baharudin Arus and Jean Marie Syjuco, as well as curators Clarissa Chikiamco and Cheng Jia Yun. This event is part of the programming for Part 1 of “See Me, See You: Early Video Installation in Southeast Asia”, which closes tomorrow. Look forward to Part 2 of the exhibition which opens this October! There will be no live Q&A. If you have any questions, leave them in the comments and we will get back to you.
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Thanks for sharing ! Get to know this pioneer artist & excellent works through this video. 🙏
Wow very nice history 10/10😊
This legit interesting
Yes
Love how Teacher Ly lives her message 🥰
thank you, Ms. Mantiquilla, for telling this story.
💙
I missed the palm trees facade...can we plant some by the sides,? Not blocking ndp of course
❤
Just sensational ❤❤❤
Batik culture from Indonesia Very beautiful ❤❤
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Hard candy is not good cause it’s hard😢
LOL
LMAO
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hello, where is the downloadable track of ladrang ayun ayun?
Thank you so much for sharing this wonderful lecture. Wishing much success to the work of Karrabing Film Collective!
Great quality video and so appreciative and impressed by the excellence of the curatorial work. I would love to visit the museum someday.
C'est le port de Poulgoazec face à Audierne qui est représenté par Georgette Chen , a-t-elle peint d'autres tableaux en Bretagne ?
super art