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Glad you enjoy it! Thanks for the kind words

And we love to create for the 1/10

@@wearemxr good one actually

Where does it say its a cheap filter?

@@wearemxr Ok , new edition ( You are taped so expensive filter direct on front of lens ? It's so creativity ! ) Good ?

Yes, good point. LPL is a bit more difficult.

Hm tough question honestly. In the end it always comes down to what you want to shoot. If it was a documentary or a documentary-style commercial, I think I would go for the lighter and more affordable setup which would be the Sony. But if I want to go for the pinnacle of image quality and I have a good team around me supporting me, I definitely would go with the ARRI setup

Thanks, will do!

Sorry if I we were stating the obvious for you. We thought some people might find this info useful 🤷‍♂️

Thats not true. Highlight-rolloff is definitely also a glass thing. And there are many sources about micro-contrast on the web: yannickkhong.com/blog/2016/2/8/micro-contrast-the-biggest-optical-luxury-of-the-world alikgriffin.com/micro-contrast-is-it-real/ ChatGPT says this: Micro-contrast refers to the ability of a lens to distinguish and render fine details and subtle variations in tone, color, and texture within an image. In the context of high-end cinema lens glass, it is a crucial factor that impacts the overall quality and aesthetic of the footage. Here are some key points about micro-contrast in high-end cinema lenses: 1. Fine Detail Resolution: • Micro-contrast allows lenses to resolve very fine details in an image, such as the texture of fabric, the grain of wood, or subtle skin details. This contributes to a sharper, more realistic depiction. 2. Subtle Tonal Variations: • Lenses with high micro-contrast can capture and reproduce subtle variations in light and shadow, which are essential for creating a sense of depth and dimension in the image. 3. Color Accuracy: • High micro-contrast enhances color differentiation, ensuring that slight differences in hue and saturation are accurately rendered. This is particularly important in cinematography, where color grading and the overall color palette play a significant role in storytelling. 4. Clarity and Realism: • By accurately capturing fine details and tonal variations, lenses with good micro-contrast contribute to a more lifelike and immersive viewing experience. 5. Contrast Handling: • Micro-contrast is different from overall contrast, which refers to the difference between the darkest and lightest parts of an image. While overall contrast affects the general “punchiness” of an image, micro-contrast deals with the fine-scale transitions and details. 6. Lens Design and Materials: • Achieving high micro-contrast requires precise lens design and high-quality glass materials. Elements such as aspherical lenses, low-dispersion glass, and advanced coatings are used to minimize optical aberrations and maximize detail resolution. 7. Practical Implications: • In practical terms, lenses with high micro-contrast are highly valued in high-end cinema production because they provide greater flexibility in post-production, allowing for more effective color grading and detail enhancement. 8. Visual Aesthetic: • The visual aesthetic created by high micro-contrast lenses is often described as having a “crisp” or “rich” quality. This is because the images produced have a high level of perceived detail and texture. In summary, micro-contrast is a critical attribute of high-end cinema lenses, influencing the clarity, realism, and overall aesthetic of the captured footage. High micro-contrast lenses are essential for filmmakers who require the utmost detail and subtlety in their visuals.

Ja, ganz weit vorne in Sachen Bildqualität. Aber leider auch in Sachen Preis 🤣

Actually didnt know about that one. Very interesting, will look it up now! Thanks for pointing it out.

@@wearemxr did you check out the Chronos 4K 12?

Danke danke! Wir veröffentlichen einfach weiter Videos, vielleicht bekommen wir irgendwann mehr Views 🙏

Yes, holding the remote in one hand is definitely something I needed to get used to, but its actually easier than you might imagine. The key is some sort of camera support like an Easy rig.

Yes, I think a skateboard gives more stability and you can shoot any way. With a onewheel you are basically forced to shoot in riding direction and you cant shoot behind.

🙏

Yes! Perfect exposure is key!

Very good points! Yes, the color of the Ember is quite unusual. We experimented a bit and found a good recipe for our in-house powergrade in Resolve. We might do a quick video about how we grade Ember in an upcoming project. Regarding the Phantom: one of the main reasons we purchased it a while ago was that most rental houses only rent it out with an expensive operator. That’s a major drawback, and honestly, the camera isn’t hard to operate or understand at all!

@@wearemxr thanks for the reply, looking forward to your future videos!

I would love to see a video on how you deal with the colors of the ember! We are a small production company based in Germany and we are currently considering to buy the ember. Since we do mostly product stuff in studio environments we should be able to deal with the highlights, but it is still sad to hear that the colors aren’t that good. Unfortunately, our budget doesn’t allow to purchase something like a phantom so I don’t really see an alternative to the amber. I mean we actually considered if we could make the freefly wave work just to give you an idea of where we are coming from 😁 Compared to that we thought the ember looked stellar 😅

But yeah the phantom looked much better than the ember, especially outdoors I think you really have to be careful to protect your highlights. Some of the ember shots you showed in the forrest wouldn’t be deliverable imo

Dan Needham ok!

Jesse Nash about 45 minutes

if your still wondering he used a v mount battery that connects to a v mount battery plate that has 12v output and then connects that to a 12v to 110v inverter www.amazon.com/gp/product/B07KQ4Q2L5/ref=ppx_od_dt_b_asin_title_s01?ie=UTF8&psc=1 tested it myself

there in downloads then software

if your still wondering he used a v mount battery that connects to a v mount battery plate that has 12v output and then connects that to a 12v to 110v inverter www.amazon.com/gp/product/B07KQ4Q2L5/ref=ppx_od_dt_b_asin_title_s01?ie=UTF8&psc=1 Tested it myself

@@GTXRefael How did you connect the battery plate to the inverter?

@@Udrys999 buy a 12v to110v car inverter

@@GTXRefael I mean which cable to use to connect it to the plate? Surely not alligator clips.

@@Udrys999 😅😅exactly that

Aaron Croes no reply yet.😞

yep it still is :-)

The power of +1 closeups!!!

the best resolution!

of course i want to shoot close ups lol