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3:20 Scatter Chasse, The shoulder weight is connected to the hip and the standing foot.

13：00 Both legs should follow the body/spine moving.

6:00 The connection and freedom should be equally important, Lady should remain in balance without man whenever stoped.

4:00 Keep the position and space, don’t lower arms if it’s absolutely necessary, it’s for the better for the look…

15:00 It’s about DIALOGUE between man and lady….

5:00 Connect to yourself, the music, the emotion, the floor, the partner, the audiences…..

11:30 I move my self with internal weight(the weight pull) for her to follow.

10:30 Man lead the lady by creating a room(a bubble said by Luca) with steady and calm R hand for following the room to move.

14:30 the head weight movement must come back to the vertical center when moving one end to the other. The leg speed may get too fast for throwing the head around without get back to the head vertical.

13:00, When Mirko use a lot of head weight to provide information, his knees still flexed forward, and use head weight to recover to vertical. Use the back of the Skull as the leading info.

16:20 We are using the rhythm of the Tango with the feet and body, not using the melody.

30:00, Feel her, lead her for her to dance better.

26:50 Always use more feet and legs and energy to allow lady to be more responsive, not the hands.

21:30 We always use the weight to create time for movement, Not all together.

19:00, The R palm should be diagonally along with the lady’s back for her free range of motion.

17:00, We have more connections including the legs when we stay lower.

10:30 Always put more weight down for the legs to work properly.

8:00, always use the foot rolling, use the hip swing...

Please name the music of Waltz @ 6:20. Thank you for your help!

29:30, If you like use your head weight to lead, find the center balance before using the head weight. and the body action never stopped....like washing hands, even in static position.

2:28 Dmitry use the high toes to move around as the Floorcraft.

6:00 Try to let your partner feel more comfortable with you.

Anna Kovalova the best Latin Dance teacher on u tube, amazing technique.

25:00, Floorcraft in Quickstep, use the same small action and energy to maneuver around.

19:00 Keep the hold, keep the space around you(1 meter), don't drop unnecessarily, stationary and calm is better than doing lots of panic actions.

25:00 From static balance(the vertical) to the dynamic balance(movement with body or head lead).

20:00, In the line figures, head weight is used for counter balance, not for leading.

18:00, The lady's head roll action is led by man's knee action, man's head is the last part, is the reaction as well. The head weight in the Line Figures is used for counterbalance, not for leading.

17:30, Use Head weight for movement, or invitation/leading.

Japanese everywhere!

Daaaaaammmm Edita Mirko the besssst champions ever !!

Own bubble.

6:00, Martina, Bring back the character of the dance.

5:00 Tom, The ease of dance. Michele, The harmony is more important

3:00, William Pino, a matter of good and bad. Anastasia, It's a dance.

2:00, Francello, musicality, not running around. Fabio, the principle, musicality.

24:00, Never stop, keep the energy, speed..... Stop then go will diminish the energy and stop the brain....

19:00, Keep and maintain the 1 meter space around you whenever possible.

17:00, Don't do(too much) head rolling without leading by the man, it's unnatural.

6:00 CP to PP, PP to CP are the most easy Floorcraft.

27:00, You can use head weight, rolling...after the all the basic technics are right from the bottom and up....

Could you please fix the sound track for this video?

20:00, Lady can do lots of things, speed, shape...., but don't disturb your man.

13:30, 2 body, 4 hands, 4 legs, but only 1 head. Lady, don't think, you react to man's instructions.

4:00, "William, when it is too complex, something is wrong". by William Pino from Benny Tolmeyer.

10:00 Fashion changed, Style and Quality forever.

2:30 The easiest Floorcraft is Close to Promenade.😄

silly no sound!

The Tango posture is Left shoulder back, or right shoulder in front, Hip, Knees, ankles relaxed. Tango Walk is right side leading, the Left foot work as "smaller Contra Check" in CBMP, feet are in 1 track, the Right foot walk, is right side leading in 2 tracks.