Video

0:00 Oversway 1:51 Oversway from PP 3:34 Throwaway Oversway 5:33 Hinge 7:04 Tilt Oversway 8:31 Inverted Throwaway Oversway 10:28 Right Lunge 12:24 Same Foot Lunge 14:25 Right Hinge 16:13 Opposition Point to Left from PP 18:13 Opposition Point to Right from PP 20:00 Eros line 21:42 Left Lunge 23:15 Chair from PP 24:50 Whiplash from PP 26:15 Developé to Leg Hook from Oversway Shape 28:28 X line

phenomenal couple! Thank you for allowing this Beauty to be seeing! As they say: it is better late, than never!

Excellent ! thank you

Outstanding 💙💙💙

Is there a version with only the original voice of Luca?

❤

8:44

33:30 back corte

This is fuckin' crazy. Excuse my language. But there is just no different way to say it

35:00 優良之舞，全然自由。 The feel of great dancing is total freedom.

32:00 Center of Balance(the upper center) and Center of Weight(the lower center) are counter rotating and counter balancing each other, only aligning vertically in the middle of the step (half weight).

Thanks

Thank you for sharing.

1:15 quarter turn to right 4:00 natural turn 7:07 natural turn w/hesitation 8:43 natural pivot turn 11:55 natural spin turn 13:08 progressive chase to L 16:08 Chasse reverse turn SQQ 18:23 Forward Lock 23:53 Closed Impetus SSSS 25:24 Back Lock 29:20 Reverse Pivot Q 31:02 Prog Chasse to R 32:29 Tipple Chasse to R 38:34 Running finish QQSS 42:18 Natural Turn & back lock 45:55 double reverse spin SSQQ 47:24 quick open reverse SQQS 49:57 fishtail SQQQQSS 54:35 Running right turn SQQSSSSQQSS 1:00:55 four quick run SQQQQS 1:04:44 V6 SQQSQQS 1:08:07 Closed Telemark SQQS 1:09:25 Cross Swivel SSS 1:13:39 six quick run QQQQQS 1:17:08 Rumba Cross QQS 1:20:14 Tipse to R L Q&QQ&Q 1:26:29 Hover Corte SSSS

6:20 It’s important to know who goes first in the Tango for not getting stress in the body.

3:30 We use swing to change position in swing dances, we use rotation to change position in Tango.

Hinge 5:58

9:15 If the choreography is syncopated too much, then I will have no time to interpret the music.

5:40 Coordinating all the joints, not the weight change as one unit.

33:30 Forms follow function.

13:20 If one joint blocked, every other joint will be affected as well.

24:00 Really allow the body contact to change as required, so there’s no unnecessary stress in the hold.

1:20 Waltz Natural Turn, the sway starts from the lowest point (1+) to control the speed of the swing. 1:40 Foxtrot Feather Step, the sway starts while I am rising for balance and timing control. 2:20 Broken Sway, an extra added sway of the upper body used in Charge of Direction. 2:50 Sway to my moving direction, Hover Feather. 4:00 Lunge, SFL, starts from broken sway to normal sway from the lower body.

6:15 Slightly turn to right for lady to have space to PP out.

thank you! very helpful!

2ㆍ0 1보 왼발 Pp 오쪽 보면서 왼스웨이 2보 오발 클로즈드? 오쪽 보면서 오스웨이 3보 왼쪽 보연서 왼스웨이

🥰

This is Glenn with Kayleigh x

Kayleighさんの方じゃないですか？ caloryの出してほしい(´；ω；｀)

Hi, I seeing step hop with "slow&" and QQ timing. What the difference between these 2 kinds of step hop?

Thanks a lot for providing time stamps in the video description!

You guys are truly Beautifuly Amazing.. I absolutely love this dancing 💃💃🕺💃 video 📸 Thanks for sharing this with us ❤️ Giving a SUPER big Big like thumbs up 👍👍👍.. Today here me too wanna share my New Cover song 🎶🎵🎸czcams.com/video/lFCQXLFGYNc/video.html🎸🎹🎵🎶.. See you again on next video, take care everyone in there and have a wonderful day ahead 💐.. Keep intouch 👍 Luiz here 🤗🎸🎸🎸🎹💃💃🕺💃❤️

Danke Marc.

35:00 Anytime something stocked is no good, great dancing is total freedom, this allow you to do anything within the allowed time.

34:30 Feeling with senses, not analyzing.

32:00 the core and the arms are relatively still, The finger tips are breathing with small pressure for the fully movable body.

31:00 Tango two walk link, preparation with PP feeling, Counter, More Counter, PP

30:00 The counter rotation is to keep the verticality of core and not tipping over.

29:00 Three step, the CPP for lady not fall over to her right side, and have the core/contact to dance to,

28:00 The shoulders are parallel, but the core (the rib cage) is counter rotated to have the lady follow (to dance to) and rotate around, and not letting the lady to fall out.

26:15 Preparation side step in PP, wind up in CPP, Feather Step 1 in PP….., Reverse turn 3 in CPP.

23:00 VW Reverse turn 123, start with semi-PP, end with semi-CPP. 456 PP~CPP….. allow the hold to be flexible…. Close the lady for the energy to come back, not letting the energy to spin out.

20:00 VW Reverse turn: Counter promenade, promenade…. take out the stress of man’s R arm and lady’s neck. VW Natural turn PP, CPP…. Fleckerl is the same…. to keep the core relatively still by sliding the body contact(body rolling).

18:30 I want her to continue for the previous information until I change….. Lady cannot think at all….lady respond, awareness of her leader. In Japan, man is the leader, lady is the partner.

16:15 Loraine: I just feel everything is constantly moving in my body, never a moment of stalled in order to be in balance….. I just hanging with the core, great relaxation in my body, don’t know what’s going on, I just respond, no thoughts….. I just keep going and going until he change it…. I just trust the body and let it to come out, I don’t think about it at all.

7:45 Weight connection allows the man to lead the lady.

6:30 Core is not a fixed point, it’s an ideal point between the couple depends on the height, size, dance styles…. for ballroom dancing it’s under the rib cage to allow the freeness of the legs.

1:30, Lady shape to R without cross over, keep her weight on her L foot.

3:00, Core is very quiet, core is the weight connection.

Thanks for sharing this Wonderful lecture. 🙏🙏🙏🙏🙏