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Thank you, I’m happy I’ve been able to help!

Thanks Dex!

Thank you!

Thanks Craig!

Thanks Yuka!

Thanks and you’re welcome!

Thanks!

Hey Judith! I hope you’re well. Thanks so much!!!

@@JHBBM All is well, Jeff. I’m back after taking a little break from music production. It was nice of you to ask, thank you! 🙏

Thanks!

Thanks Phil! I’m not sure about the track count but will let you know. Btw.. I really enjoyed your gladiator cue but your comments were off. Have a great weekend!

@@JHBBM thanks Jeff not sure what's happened there on comments have a great weekend mate 👍

Thanks and you’re welcome!

Thank you and thanks for the sub! I hope you find the content helpful, let’s go get it!!!

Did you just pull a loop from cubase, and did you alter it so it wouldn't be an exact copy? Are there licensing issues/conflicts with using loops from cubase?😊 Thanks again, lovin all your vids. 🎉

Hey Angelina, thanks so much! The library the library that I write my sports cues for is RRHOT but unfortunately they don't accept unsolicited submissions. Check out the channel @clintmusic1as He has a lot of great info on specific libraries you can contact. Hope this helps!

Oftentimes I use percussion loops from Splice and either use them with another loop, chop them or change the tempo etc. I typically use these to enhance my drum groove. You'll probably run into issues if you grab a loop and it's the star of your cue or you're using it by itself, etc.

Hey Angelina, check at around 11:09 in the video and I talk about what I do with my loops.

@JHBBM 👍 great ... thanks for the tip...love Clint's videos too.

Thanks Angelina. For this particular library they require cues at -12 LUFS integrated.

Thanks bro, appreciate it!!!

Thanks!

@@JHBBMhow can I get connected with you to get feedback or advice on my projects? Really could use a listening ear to know if I’m in the right direction

Hey Frank! Sound kits in terms of what? For drums I like the stuff from iamamusicmogul.com, otherwise it's mostly sample libraries and one shots from Splice. Let me know if I didn't answer your specific question. Thanks!

Yeah I typically don't bounce to audio beacause of time. I know that could come back to bite me in the future if for some reason I need to recall the cue and all the sounds are no longer available. I recently built a new computer so thankfully I don't have to to worry about saving CPU. I'll have to check the CLA 2A midi/vs audio as I never knew that.

Thanks Bro, means a lot coming from you!

My pleasure!

Thanks bro!!! Appreciate the kind words!

Hey Phil! Thanks my friend!!! You have a great weekend as well!

Hi Ian, this particular cue was originally written for a Taxi listing and is currently signed by a library. I wrote some of the cues for briefs and some for my portfolio. In terms of arrangement it depends upon what I’m writing for. Sports cues have a slightly different arrangement than cues written for unscripted & scripted shows. I pretty much write to form based upon what it’s for. As it relates to melody, I just write what I hear. Honestly sometimes I feel my cues are too melodic and I’m constantly working to simplify. Hope that helps.

Hey Kenneth: I’m on PC, I can get you more detailed specs but I have the latest intel processor with 64 gigs of RAM expandable to 128. I pretty much load all of my samples to external drives. I currently have 3 sample drives. Omnisphere, Keyscape, etc are also loaded on my external drives. I load program files etc on my C drive and it’s pretty large. I also have some internal drives that I haven’t used yet. Basically, I prefer to keep all my samples on the external as I plan to have a mobile set up at some point and want to be able to grab whatever samples I need. I have a redundant drive for all of my projects and I back up my system via Backblaze and AOMEI backupper. Hope that helps. I’m not sitting at my computer and can’t remember all of the specs.

You’re very welcome!

You’re welcome!

So what do you feel is the alternative?

@@JHBBM If there are alternatives… One: Sound design. At the moment AI doesn’t seem to be able to abstract sound - wether music or contemporary sound manipulation - to film/visual sequences. Sound design as apart from Foley is extremely out of the remit of AI algorithms so far. Two: Totally non generic original and innovative music that juxtaposes different genres. If you think of how Beck creates his music traversing a whole bunch of disparate styles to make something unique then that’s how we can - for a short while - reclaim a certain equilibrium despite the algorithm.

@@kelvynification Good stuff, thanks!

You’re very welcome!

Thanks!

What’s up Jacob, long time indeed! You still in the Atlanta area?

Thanks!

Thank you, glad it was helpful!

it would be nice to see what's going on inside Ozone!

You’re welcome! I’ll get inside Ozone on a future video.

You’re very welcome!

I’m happy to answer any questions you have. I don’t quite recall what I was talking about as to routing but let me know what you didn’t understand.

Thank you!

Thanks!

Thanks, yes here’s an interview I did that kinda shares my journey. It starts at around 9:50 czcams.com/video/35vAVbOW188/video.htmlsi=nSKJADBTfIlJLx3H

Thanks! I’ll probably start seeing payouts in the 3rd quarter. I still haven’t seen the cue sheets show up in my PRO & ASCAP doesn’t pay without them. I’ll try to remember to revisit that topic for you.

For the most part, when you're working with libraries all money is made on the back end unless there's an upfront Sync. In that case, you'll split 50/50 with the library. That said there are some libraries that pay per track but sometimes that comes with giving up all sync income so you would have weigh whether or not it's worth it. Hope this helps and thanks for the sub.

Thanks! This particular library requires the unmastered full and alt mixes only at -6. This is the only library I work with that does their own mastering. My library that works with CBS Sports requires mastered Full & Alt mixes along with a :30 sec cut down at -12 Lufs integrated. Any others I have worked with have only required mastered full & alt mixes. Most want .wav files at 24/48 but I've worked with a few that want .aiff at 24/48. Also each one has their own loudness requirements. Hope this helps!

@@JHBBM Good to know. I typically mix to -6DB (For headroom) and master at -12 LUFS for streaming. That's interesting they master their own tracks too. Excellent!

Thanks! Yes this cue has a lot of tracks but I also did a video showing how you can accomplish the same thing without using a lot of tracks. You can cjeck it out here: czcams.com/video/3PjRbUD7crc/video.html Stay inspired!!!

This cue in its simplest form yes but not all cues for sports are the same. Also another key component is understanding and executing the form.

You’re very welcome!

Thank you!