Video

thank youuuuuuuu ive been looking for someone to upload this album in full for a while!

Piotr Ilyich Tchaikovsky: Swan Lake (Complete Ballet) Introduction (Moderato assai) (0:00) Act I, No. 1: Scene (Allegro giusto) (3:20) Act I, No. 2: Waltz (6:08) Act I, No. 3: Scene (Allegro moderato) (13:26) Act I, No. 4: Pas de Trois 1. Intrada (Allegro) (17:36) 2. Andante sostenuto (20:00) 3. Allegro semplice. Presto (23:20) 4. Moderato (24:37) 5. Allegro (25:56) 6. Coda. Allegro Vivace (27:02) Act I, No. 5: Pas de Deux 1. Tempo di Valse ma non troppo vivo, quasi moderato (28:40) 2. Andante - Allegro (31:05) 3. Tempo di Valse (35:53) 4. Coda. Allegro molto vivace (37:29) Act I, No. 6: Pas d'Action (Andantino quasi moderato - Allegro) (39:15) Act I, No. 7: Sujet (41:17) Act I, No. 8: Dance with Goblets (Tempo di Polacca) (41:57) Act I, No. 9: Finale (Andante) (48:23) Act II, No. 10: Scene (Moderato) (51:20) Act II, No. 11: Scene (Allegro Moderato) (54:24) Act II, No. 12: Scene (Allegro) (59:42) Act II, No. 13: Dances of the Swans 1. Tempo di Valse (1:03:16) 2. Moderato assai (1:05:46) 3. Dance of the Swans. Tempo di Valse (1:07:29) 4. Allegro Moderato (Dance of the Cygnets) (1:09:16) 5. Pas d'Action (1:10:44) 6. General Dance. Tempo di Valse (1:17:04) 7. Coda. Allegro Vivo (1:18:31) Act II, No. 14: Scene (Moderato) (1:20:01) Act III, No. 15: Allegro Giusto (1:22:49) Act III, No. 16: Dances of the Corps de Ballet and the Dwarfs (Moderato assai - Allegro vivo) (1:25:17) Act III, No. 17: Scene (Entry of the Guests and Waltz) (1:27:59) Act III, No. 18: Scene (Allegro). Allegro vivo (1:35:58) Act III, No. 19: Pas de Six 1. Intrada (Moderato assai) (1:37:32) 2. Variation 1 (Allegro) (1:39:58) 3. Variation 2 (Andante con moto) (1:41:25) 4. Variation 3 (Moderato) (1:44:41) 5. Variation 4 (Allegro) (1:45:38) 6. Variation 5 (Moderato - Allegro semplice) (1:46:29) 7. Coda (Allegro molto) (1:47:46) Act III (Additional Number): Pas de Deux 1. (Introduction) Moderato (1:49:27) 2. Variation 1 (Allegro moderato) (1:53:34) 3. Variation 2 (Allegro) (1:54:20) 4. Coda (Allegro molto vivace) (1:55:03) Act III, No. 20: Hungarian Dance "Czardas" (Moderato assai - Allegro moderato) (1:57:21) Act III (Additional Number): Russian Dance (Interlude) (Moderato - Cadenza - Andante semplice - Allegro vivo) (1:59:50) Act III, No. 21: Spanish Dance (Allegro non troppo. Tempo di Bolero) (2:04:08) Act III, No. 22: Neapolitan Dance (Allegro moderato - Andantino quasi moderato) (2:06:19) Act III, No. 23: Mazurka (Moderato assai - Allegro) (2:08:21) Act III, No. 24: Scene (Allegro). Valse. Allegro vivo (2:12:05) Act IV, No. 25: Entr'acte (Moderato) (2:15:24) Act IV, No. 26: Scene (Allegro non troppo) (2:17:30) Act IV, No. 27: Dances of the Cygnets (2:20:02) Act IV, No. 28: Scene (Allegro agitato - Allegro vivace) (2:24:53) Act IV, No. 29: Final Scene (Andante - Allegro agitato - Alla breve - Moderato e maestoso) (2:27:53) Conductor: Yuri Fayer Bolshoi Theatre Orchestra Soloists: Violin- Simon Kalinovsky Cello- Isaac Buravsky Harp- Vera Dulova Trumpet- Timofej Dokschizer Recorded 1957, Moscow

Maravilloso. Dirección muy en la línea de Toscanini. Milanov y Castagna, grandes cantantes verdianas. Una gran velada del Met.

Magnífico

La Carteri at the age of 19!

Was für großartige Sänger...an der Spitze und in absoluter Hochform Franco Corelli...das ist nicht zu toppen..auch der Rest der Besetzung..Tebaldi..Colzani..usw...grandiose Stimmen!!! Besonders stolz bin ich,dass ich Franco Corelli in Salzburg 62 als Manrico live erleben durfte...und später auch des öfteren Wien und Verona !!! Ein himmlisches Erlebnis !!!

Cet enregistrement fait référence. Je n'ai jamais entendu mieux jusqu'à aujourd'hui.

Féraldy has no equal, unbelievable …

Mario eri anche troppo bello ❤❤❤❤

One of my favorite peace

Mio padre, nominava spesso questo soprano, come una delle voci liriche più rimarchevoli. Ora la ascolto in questo che è uno dei brani operistici per soprano più ardui e devo dirmi d’accordo con mio padre, appassionato melomane.

Desde lo musical y vocal la mejor version

Música celestial:viva Mascagni

В этой записи Петреле 55 лет,а как звучит.Кампора тоже очень хорош.Сама опер скучновата,но есть очень красивые фрагменты.Много купюр.Однако стоит послушать.

genial!

Aunque sea antigua, es una buena producción, con un reparto tal vez insuperado en su conjunto, y un sonido muy aceptable. Muchas gracias.

Columbia LP's: Original issue #104 Butterfly ( Steber / Tucker/ Valdengo ) The recording date was May,.1949. Cond. Max Rudolf

This is the version recorded I like most of Faust. Thank you very much for making it available on CZcams. Grateful👍

This is entirely different compared to the modern singing.

Tebaldi's voice is like a torrent of molten gold!

The correct date is 10/08/1961, Fermo

I think Reali’s vibrato is a tad wide, but what incredible richness overall and unbelievable heft at the top.

Are there any recordings of Ethel singing Everything’s Coming… in the original key, before she had it transposed down?

Thank you for this artistic dissemination work. This helps many people to study and appreciate life itself. Not if you intend to disclose, but thank you.

Love these old Cetra recordings with Mancini! That big dark voice of hers, so dramatic.

Une interprétation exceptionnelle.

Steber is a heartbreaking and fabulously sung Cio Cio San opposite Tucker's wonderful , youthful Pinkerton. A great cast .

meravigliosa🤩

TRAUMHAFT ❤

Che coppia impareggiabile! Divini

Io c'ero, me la ricordo bene. Oggi un livello simile è impensabile.

UNGLAUBLICH FANTASTISCH ❤

Jesus, this is practically a worship just for Merman! How loud can that audience be for you to barely hear Merman! *Ethel Merman* of all people!

Тенор изумительный,остальные тоже хороши.Опера на любителя,мне не очень но ради пения стоит послушать..

Meraviglioso!!!!!

Thank you for posting this, especially enjoyed hearing Bovy, so different than on the recording of the first act aria in French, which is also on CZcams. A wonderful singer.

Chapeau-bas......BRAVI PARIS......from Acapulco!

Хорошие певцы,но опера сплошной крик.

1:03:40

WUNDERBAR!!😄

Thanks Just great!!

Rémus Tzincoca has an interesting musical biography. Originally from Romania, he was incarcerated for a time during World War II. Arriving in France after the war (where he had once studied at the Paris Conservatoire), he became active in the Parisian musical scene, conducting orchestras and befriending various composers -- chief among them Florent Schmitt. He served as an assistant to Georges Enescu for some years. Later he emigrated to North America, working in New York City where he formed and led the Orchestra da Camara and also conducted the New York Philharmonic Orchestra in Florent Schmitt's "La Tragedie de Salome." His career ultimately took him to Canada, where he lived the final decades of his life in Montreal, teaching at the Conservatoire de Montreal and performing. He died in 2012 at the age of 97. This 1962 broadcast recording of Schmitt's technically challenging second suite from "Antoine et Cléopâtre" finds Maestro Tzincoca true to form, delivering equal parts orchestral color and drama.

Wonderful to hear Basiola. My singing teacher studied vocal pedagogy with him. Richard Miller called him the finest vocal technician he ever knew.

Stirring excitement perfection.....BRAVA from Acapulco!

thanks

I love how Milton Cross describes the costumes " her golden curls tumbling down her back. "

1:04:10 !

Cast stratosferico❤❤❤❤❤❤❤❤

Very likely, the 86-year-old composer was present in the RTF studios when this broadcast recording was made ...

Caniglia & Pasero in a superb convent scene. One of the best, IMO.