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Stephen Hung
Registrace 5. 03. 2012
Stephen Hung is a pianist based in Hong Kong with a keen interest in the music of J. S. Bach. He is also adept on the harpsichord and the organ, and spends some of his free time making various transcriptions and arrangements.
香港鋼琴家熊韋皓特別熱衷於巴哈的音樂,閒時會編寫各類型的樂譜。
香港鋼琴家熊韋皓特別熱衷於巴哈的音樂,閒時會編寫各類型的樂譜。
Erlkönig: A transcription without the repeating octaves
Sheet music link: sites.google.com/site/shungbach/teaching-resources/adaptations-and-transcriptions
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Video
改編巴哈(第一冊)| Bach Transcriptions volume 1 (Stephen Hung)
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2017年以長江CGF X-1 鋼琴錄製 Recorded in 2017 on Yangtze River CGF X-1 concert grand piano 樂譜 score: sites.google.com/site/shungbach/transcriptions/bach-transcriptions-vol-1 00:00 Organ Prelude and Fugue (08:06) in B Minor, BWV 544 16:37 Chorale Prelude "Wachet auf, ruft uns die Stimme", BWV 645 21:40 "Weinen, Klagen, Sorgen, Zagen", BWV 12/2 29:39 Organ Prelude and Fugue (38:22) in E minor, 'Wedge', B...
音樂會預告片:賦格曲X有隻雀仔跌落水 (BWV 1005)
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改編巴哈:熊韋皓鋼琴演奏會 首演:新編給鋼琴的巴哈管風琴及小提琴作品 地點:上環文娛中心劇院 時間:2024年7月2日星期二,7:45pm 更多資訊:sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach 購票:www.urbtix.hk/event-detail/11799/
音樂會預告片:音樂X佛學
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改編巴哈:熊韋皓鋼琴演奏會 首演:新編給鋼琴的巴哈管風琴及小提琴作品 地點:上環文娛中心劇院 時間:2024年7月2日星期二,7:45pm 更多資訊:sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach 購票:www.urbtix.hk/event-detail/11799/
音樂會花穗:加料項目 Bonus Transcription
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改編巴哈:熊韋皓鋼琴演奏會 首演:新編給鋼琴的巴哈管風琴及小提琴作品 地點:上環文娛中心劇院 時間:2024年7月2日星期二,7:45pm 更多資訊:sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach 購票:www.urbtix.hk/event-detail/11799/
音樂會預告片:爲何要彈巴哈?
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改編巴哈:熊韋皓鋼琴演奏會 首演:新編給鋼琴的巴哈管風琴及小提琴作品 地點:上環文娛中心劇院 時間:2024年7月2日星期二,7:45pm 更多資訊:sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach 購票:www.urbtix.hk/event-detail/11799/
Concert Trailer: Why Bach
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Transcribing Bach - Piano Recital by Stephen Hung PREMIERE of new piano transcriptions from organ and violin works. Venue: Sheung Wan Civic Centre, Theatre Date and time: Tuesday 2 July 2024, 19:45 More Information: sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach Ticketing: www.urbtix.hk/event-detail/11799/
音樂會預告片:爲何改編巴哈?
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改編巴哈:熊韋皓鋼琴演奏會 首演:新編給鋼琴的巴哈管風琴及小提琴作品 地點:上環文娛中心劇院 時間:2024年7月2日星期二,7:45pm 更多資訊:sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach 購票:www.urbtix.hk/event-detail/11799/
Concert Trailer: Transcribing Bach
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Transcribing Bach - Piano Recital by Stephen Hung PREMIERE of new piano transcriptions from organ and violin works. Venue: Sheung Wan Civic Centre, Theatre Date and time: Tuesday 2 July 2024, 19:45 More Information: sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach Ticketing: www.urbtix.hk/event-detail/11799/
2024.06.06 Transcribing Bach
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TRANSCRIBING BACH - Trial run of concert on 2024.07.02. Details here: sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach 00:00 Prelude | 前奏 | BWV 552/1 (E-flat major) In the beginning, there is the Sun and there is the Moon. They take turns to watch over the Earth - one brings warmth and brightness while the other brings mystery and darkness. 10:04 Have mercy, O Lord the Fath...
2024.05.30 Transcribing Bach
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TRANSCRIBING BACH - Trial run of concert on 2024.07.02. Details here: sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach 00:00 Prelude | 前奏 | BWV 552/1 (E-flat major) In the beginning, there is the Sun and there is the Moon. They take turns to watch over the Earth - one brings warmth and brightness while the other brings mystery and darkness. 10:37 Have mercy, O Lord the Fath...
2024.05.22 Transcribing Bach
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TRANSCRIBING BACH - Preview of concert on 2024.07.02. Details here: sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach First half: The Organ Mass (Clavier-Ubung III) 00:00 Prelude, BWV 552/1 (E-flat major) 10:46 Kyrie, Gott Vater in Ewigkeit, BWV 672 (G-Aeolian) [HOLY TRINITY] 11:58 Christe, aller Welt Trost, BWV 673 (G-Aeolian) [HOLY TRINITY] 13:23 Kyrie, Gott heiliger Geist...
2024.05.15 Transcribing Bach
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TRANSCRIBING BACH - Preview of concert on 2024.07.02. Details here: sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach First half: The Organ Mass (Clavier-Ubung III) 00:00 Prelude, BWV 552/1 (E-flat major) 10:43 Kyrie, Gott Vater in Ewigkeit, BWV 672 (G-Aeolian) [HOLY TRINITY] 11:42 Christe, aller Welt Trost, BWV 673 (G-Aeolian) [HOLY TRINITY] 13:03 Kyrie, Gott heiliger Geist...
2024.05.01 Transcribing Bach
zhlédnutí 58Před 3 měsíci
TRANSCRIBING BACH - Preview of concert on 2024.07.02. Details here: sites.google.com/site/shungbach/concerts/2024-07-02-transcribing-bach First half: The Organ Mass (Clavier-Ubung III) 00:00 Prelude, BWV 552/1 (E-flat major) 10:28 Kyrie, Gott Vater in Ewigkeit, BWV 672 (G-Aeolian) [HOLY TRINITY] 11:36 Christe, aller Welt Trost, BWV 673 (G-Aeolian) [HOLY TRINITY] 12:57 Kyrie, Gott heiliger Geist...
2024.04.24 Transcribing Bach
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TRANSCRIBING BACH First half: The Organ Mass (Clavier-Ubung III) 00:00 Prelude, BWV 552/1 (E-flat major) 10:06 Kyrie, Gott Vater in Ewigkeit, BWV 672 (G-Aeolian) [HOLY TRINITY] 11:06 Christe, aller Welt Trost, BWV 673 (G-Aeolian) [HOLY TRINITY] 12:24 Kyrie, Gott heiliger Geist, BWV 674 (G-Aeolian) [HOLY TRINITY] 13:52 Duet IV, BWV 805 (A minor) 16:28 Allein Gott in der Höh sei Ehr, BWV 676 (G m...
2024.07.02 Concert Preview 音樂會預告: Transcription of Bach Chorale Prelude
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2024.07.02 Concert Preview 音樂會預告: Transcription of Bach Chorale Prelude
2024.01.28 | The Celeste Series: A Gabriel Faure Retrospective
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2024.01.28 | The Celeste Series: A Gabriel Faure Retrospective
2023.11.24 Complete Inventions and Sinfonias on Harpsichord
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2023.11.24 Complete Inventions and Sinfonias on Harpsichord
A guide to finding our own interpretation - Bach's A-flat major prelude BWV 862
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A guide to finding our own interpretation - Bach's A-flat major prelude BWV 862
Trial Run: Goldberg and Transcriptions
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Trial Run: Goldberg and Transcriptions
2023.07.06 Concert Preview: Variation | 音樂會預覽:《變奏》
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2023.07.06 Concert Preview: Variation | 音樂會預覽:《變奏》
2023.06.20 Goldberg Variations on Wooderson French Double
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2023.06.20 Goldberg Variations on Wooderson French Double
Well-Tempered Claiver, Book 2 - guided listening | 平均律(卷二)導聽
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Well-Tempered Claiver, Book 2 - guided listening | 平均律(卷二)導聽
2023.04.03 | The Well-Tempered Clavier, Book 2 | 平均律, 卷二
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2023.04.03 | The Well-Tempered Clavier, Book 2 | 平均律, 卷二
2023.03.27 | The Well-Tempered Clavier, Book 1 | 平均律, 卷一
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2023.03.27 | The Well-Tempered Clavier, Book 1 | 平均律, 卷一
Well-Tempered Claiver, Book 1 - guided listening | 平均律(卷一)導聽
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Well-Tempered Claiver, Book 1 - guided listening | 平均律(卷一)導聽
看著會跳舞的手指,非常吸引和精彩!😊
Do you have the sheet music of the last piece bwv538?
I do, but it's still under editing. Might take a few more months. I plan to upload that to imslp and my website sites.google.com/site/shungbach once its done.
hello, you can find a draft of the BWV538 here: sites.google.com/site/shungbach/transcriptions/bach-transcriptions-vol-2
@@abcderam Thanks :)
I would like to watch!!! 2nd of July! here we come
Damn 2 hours, nice man
Thanks! Hope you found something you liked in those 2 hours.
@@abcderam Liked it all, usually plays this when im gaming haha
@@larssmeets773 That should be convenient then. Glad to be of use.
Moments that stand out to me as being particularly exceptional: 1:04 to 1:22 - the voicing and sensitivity of your playing is exquisite. 6:10 to 6:25 - the way you began that section is very strange - but I like it very much because it creates a distinct character. 15:50 to 16:03 - the crescendo and increase in urgency and tension was great. 26:49 to 27:08 - The voicing of the chorale and your attentiveness to the trills (which you achieve throughout this entire recording) 1:02:57 - 1:03:25 something strange happens here again - the tempo is unstable and unsure of itself. However, it works very well. The music lulls. Rises and falls almost naturally. 1:04:37 - masterful pedal control. I must also point at the perfect tone of your piano. It is perfect for this particular genre - owing to your recording set up and of course, the piano itself. Overall, you have displayed such incredible stamina to perform these works all in one go. Having said that, I am reluctant to say that it was very clear that your energy waned towards the end. This was especially noticeable with the final Organ Toccata which could have been a little faster with more vitality. It was a weighty and began to drag with a loss of musical direction which is contrary to the character of a toccata. I think you have a natural aptitude for taking risks with your interpretations. When you play the piano, you give the impression of someone who is liberated. I think you can push it even further. I look forward to hearing more of your recordings.
Thank you for taking the time to listen through and for your detailed and thoughtful feedback! Indeed my energy waned towards the end of the programme and I’m working to build my stamina.
Long waited 😀
Fine articulation, sensible rhythm, good listening!!! (Please don't make the mordents so fast that they are drowning.)
Wow cool editing
Bravo! Interesting interpretation/articulation in some preludes and fugues, btw...
Such as the prelude in C minor, from BWV 871..
The prelude sounded "detached"/staccato, as opposed to legato...
Nice! Looking forward to the concert in the next week.
Chapeau!!!
thank you very much for the great music! well done 🎵
Well done!!!
Hello!
好欣賞Stephen流暢而敏捿的演奏!也很佩服他不需曲譜!❤
Amazing you can memorise and play the whole six partitas at a stretch… fluid and with inner peace. Thanks for sharing.
👂❤️👂
Bravo!
My ears are more used to the equal temperament...
pure question is it intentional delay when playing code? cuz you would like to feel playing harpsichord?
congrats dear
ghost stephen? or omni stephen? otherwise you already get into quantum world?🌸
過引嗎?
過引嗎?
彈得好輕鬆悅耳!
You have more subscribers now. Keep going !
Continuez! How about also play some more familiar pieces occasionally ?
What a nice piece of music well played. Bravo.
I love the English Suites since I was a child.
This is so peaceful and warm. Thank you Stephen.
So far I know, it is not Bruckner's.
Indeed. This is just an exercise I made up for practising tremolo, but the inspiration behind the musical idea seems to stem from Bruckner, as nothing else from my musical exposure (mostly Bach, some Brahms and Rachmaninoff) sound anything like this.
The motif sounds a bit rushed in the fugue? Maybe anchorage is important here.