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GaryOnBass
Registrace 12. 04. 2010
Me… talking about bass and all things live sound!
10 PA Options for Bands on Any Budget | 2024
Are you a band looking for the perfect PA system without breaking the bank? Or do you want the best money you can buy? In this video, I dive into 10 fantastic PA options that cater to every budget. Whether you're just starting out or looking to upgrade your current setup, I've got you covered with detailed reviews and insights on each system. From affordable yet powerful setups to high-end professional gear, you'll find the perfect match for your band's needs.
Don't forget to like, comment, and subscribe for more music gear reviews and tips! Hit the notification bell so you never miss an update. Let's make some noise!
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00:00 Intro and Rules
01:04 Super Budget - The Box and Behringer
02:34 Budget - Mackie Thump
03:22 Entry Level - Yamaha DBR
04:22 Prosumer - RCF 912A
05:54 Semi-Pro HK Audio PR:O
07:34 Wildcard - DB Technologies ES503 and RCF J8
10:12 Pro - EV EKX and RCF NX
12:18 High End HK Audio Linear 5 MKII
14:38 Battery Speaker - Bose S1 and Mackie Showbox
17:30 Pro Level PA Hire
19:11 But What about... QSC
20:14 Alto
20:56 Yamaha DZR
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Don't forget to like, comment, and subscribe for more music gear reviews and tips! Hit the notification bell so you never miss an update. Let's make some noise!
-----------------------------------------------------------------------------------------------------------------------------------------------------
00:00 Intro and Rules
01:04 Super Budget - The Box and Behringer
02:34 Budget - Mackie Thump
03:22 Entry Level - Yamaha DBR
04:22 Prosumer - RCF 912A
05:54 Semi-Pro HK Audio PR:O
07:34 Wildcard - DB Technologies ES503 and RCF J8
10:12 Pro - EV EKX and RCF NX
12:18 High End HK Audio Linear 5 MKII
14:38 Battery Speaker - Bose S1 and Mackie Showbox
17:30 Pro Level PA Hire
19:11 But What about... QSC
20:14 Alto
20:56 Yamaha DZR
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zhlédnutí: 7 354
Video
RCF 705 AS-II in 2024: What You Need to Know
zhlédnutí 1,5KPřed měsícem
Are you considering the RCF 705 AS-II subwoofer in 2024? Watch this video to learn everything you need to know before deciding. From its features to how it compares to the RCF 705 AS-III speaker, we've got you covered! Learn why this is the perfect companion to the Yamaha DZR10 and why I chose them. 00:00 Intro 00:32 Reason for choosing RCF 01:14 Build 02:10 My requirements 02:48 Bass Rejection...
Budget IEM Setup for Musicians: Best In-Ear Monitors Under £50!
zhlédnutí 572Před 3 měsíci
Learn how to set up and use In-Ear Monitors (IEMs) for live performances without breaking the bank! In this video, we will guide you through the steps to achieve a budget-friendly IEM setup that will enhance your live sound experience. Whether you're a musician, public speaker, or performer, this tutorial will help you make the most of your IEMs without compromising on quality. This setup is pe...
YAMAHA DZR10 LONG TERM REVIEW (Honest Review)
zhlédnutí 4,3KPřed 3 měsíci
Welcome to our detailed review of the Yamaha DZR10 speakers! In this video, we dive into the powerhouse performance of these professional-grade speakers and provide you with an in-depth analysis based on real-world usage. The Yamaha DZR10 speakers are renowned for their exceptional sound quality and robust build. Whether you're a DJ, musician, band or sound engineer, these speakers promise to e...
Headphones vs IEMs (Earbuds): Which is Better for YOU? Vic Firth SiH2
zhlédnutí 190Před 4 měsíci
Check out our review of the Vic Firth SiH2 headphones, specially designed for drummers but amazing for bass guitarists as IEMs! Whether you're jamming in the studio or rocking out live, these headphones deliver crystal-clear sound and exceptional comfort with very little bleed from external sources. Perfect for bassists of all levels, these headphones are a must-have addition to your gear arsen...
My Experience: How I Beat Hearing Loss as a Musician
zhlédnutí 39Před 5 měsíci
Are you a musician struggling with hearing loss or damage in the lower register? BackBeat may be the answer - a revolutionary solution designed to enhance the listening experience for musicians like you. In this video, we explore how the BackBeat can help bolster bass frequencies and provide a clear, balanced sound, allowing you to perform to your full potential. Having recently suffered from a...
Why You Should Play BASS Instead Of GUITAR
zhlédnutí 90Před 9 měsíci
Discover the allure of playing bass guitar in this insightful video for beginner musicians. Explore the compelling reasons why picking up the bass might be your next musical adventure. From anchoring the rhythm to crafting bass lines, learn why the bass guitar is key to unlocking musical magic. Dive into our expert insights and find your groove today! 00:00 - Intro 00:17 - Why choose bass? 00:5...
BackBeat G2 Review: More Than It Seems! Real-World Use (Pros and Cons)
zhlédnutí 1,6KPřed 11 měsíci
In this comprehensive BackBeat V2 review, we dive deep into the performance and gig to gig live use of the BackBeat G2 (Version 2). Discover what sets this apart from the competition, from build quality to ease of use and battery life. Whether you're a pro musician or just looking to improve the bass in your IEMs, this review has got you covered. Watch now to make an informed decision before yo...
Why Play Bass Guitar? - Free Beginner Bass Guitar Lesson
zhlédnutí 12KPřed 13 lety
Hello, Gary The Bass Man here to introduce you to the first of many bass lessons for beginners which I will be putting up here!! This lesson will be discussing why you would want to play bass and your role as a bass player within a band. If you are thinking about playing an instrument or more specifically bass, this should tell you all you want to know about being a bass player! This is my firs...
I suggest u briefly ,concisely n directly just enumerate all d brand names of PA u would recommend instead of talking a lot which s a wastage of your effort n times ,as well 2 your viewers.
Yes, I did think that after! I know that sometimes its nice to have the reasoning for each choice rather than a random list! I hope it helped!
rcf nx smokes everything in this vid lol
Yeah but they aren't in everyones budget! I really do rate them though!
Hi, any thoughts of HK Linear 3 vs. Linear 5? I can’t find much info online. It is for a covers band with vox, drums and acoustic guitar.
For a pubs and clubs band you should be pretty safe with the linear 3, unless your doing really big venues or crowds then I would definitely lean towards the Linear 5!
Been using Alto my entire 20 year career. Clean, clear, loud and inexpensive but would not recommend for weekly mobile gigs. They won't hold up under frequent use.
Yeah, I totally agree on all points!
Try db technology es1203 ... 33. Kg for a nice versatile loud speaker
That is something I am VERY interested in! I have found the ES503 really capable for full band so I can only imagine how great the ES1203 would be! I’m also really interested in the FBT CS1000 but haven’t been able to try one yet!
Considering the macki thump 215xt for the fact its powered, light and has bluetooth. Now need to know abt how loud it plays and how is the bass as i dont have sub
A 15” will definitely get you more bass but no match to having a sub if you need lots of low end or anything super low! As for volume that entirely depends on room size and number of people listening!
@@GaryOnBass am a part time dj who plays mainly for small parties like 100 pax max
They should be passable then! Most DJs like subs for that chest thump in dance music! But these would probably be okay… I wouldn’t use the inbuilt Bluetooth though as that probably won’t be as loud as gain staging through a small desk!
@@GaryOnBass the BT will be mainly when need background music during BBQ, family/friend gathering and where dont want to install laptops etc
Yeah, it’s absolutely perfect for that!
I wonder why you mention in the pro level the EV EKX but in the High End only HK. EV as well as JBL have premium series above the EKX. It is called the EV ETX. And they are definitely high end from my perspective.
Good question! I tried to narrow it down to one choice, although there are two choices here and there, to prevent option paralysis, which can be a real issue for me! As for the lack of JBL, I have friends with major reliability problems! Mainly with their power amps. The ETX speakers sound amazing. However, their weight pushed them off this particular list when I prioritised portability.
I can understand your point. Was just wondering cause with regards to EV I moved from my former high end system from a German manufacturer (KS Audio) to EV ETX and got extremely surprised about the high level of performance and quality of sound. My learning is that today most of the big brands like RCF, EV and JBL have their high end line of products and they are very capable. The digital DSPs and the latest speaker development do a great job here. The EV‘s are a bit heavy (depending on the speaker type, I mean I can still lift the 12“ tops on a stand without any help) cause they are powered. But this is meanwhile also a feature I would not want to miss anymore. I was not aware of the issues of the JBL series. Interesting facts thanks for sharing
Yes, this list is very much from my own experience! As I said, when I got to the high-end speakers, there's no real right or wrong once you get to the more expensive lines; it comes down more to personal preference. Having owned and used a few different EV speakers, I find they colour the sound more than the HK, and I like to have the most control possible. But you're completely correct that many brands offer more DSP, or at least more easily accessed DSP. If that's a priority for you, then I would definitely grab the EV or Yamaha options! But really, there are not many bad choices once you start getting into the higher end of PA!
Speakers smaller than 18" cone and 4" voice coils don't do 40hz(bass guitar). Bigger than 10" cones are too directional and too muddy above 1khz and too powerful for compression drivers, so the compression drivers distort and makes peoples ears ring at around crossover. Compression drivers with voice coils bigger than 1.5" don't do above 10khz and distort at crossover. So 2.1 systems are best. Choose bigger for the sub, smaller and multiple for mids and highs. Also subs are often crossed to high and go muddy. So with a normal system, not low enough bass and muddy bass, then directional muddy mids and overpowered highs than don't go high. Dare Audio seems to configure big line arrays properly, check them out. 18" sub with two 8" mids and 2 1" highs. Then 1 21" sub with 2 10" mids and 2 1.8" highs. Then one 24" sub with 2 12" mids and 2...2-3" highs. That is how it should be done, otherwise just get a 15" two way.
There is some really useful information here. However, I was looking for portable tops in this video and avoiding subs. 12” tops are best for this, in my opinion, unless you want to lump around 15” tops, which would give you more low-end! I personally use a few systems and 10” tops over 15” subs most often! As a bass player, I'm not too fond of the idea that bass guitar exists at 40hz. That's a really undefined area that can really blow out the instrument if overexaggerated, which is all too common among engineers. The mids are where bass really comes along and gets heard, and they are all too often given the chop! But this in itself is a generalisation because it massively depends on the music genre and the band size! As with all things music, there is no one-size-fits-all method!
Interesting list. I don't get the chance to see much HK stuff here in the USA, unfortunately, so I can't comment there. Absolutely agree about Yamaha DBR. Decent for the price, best bang for the buck, IMO. However, RCF ART912 and EV EKX12p should be switched on your list....they are the same price here....I had 4 EKX-12p and sold them as soon as I heard RCF ART932...simply far, far better sounding at a much higher volume. EKX also only has 1 handle, which is a pain to carry and lift...always hated that about mine.
That's really interesting! I would have thought that the prices would be similar or further apart being that EV is made over there! RCF make great speakers all round! The EKX are far too heavy for me!
You're a dj ?
I’m a musician and this list is aimed at people playing live music!
Does anyone know why the 12 and 15 inch versions have significantly lower RMS ratings?
I'm not entirely sure, but the wattage and DB rating mean fairly little, and I would focus more on the frequency graph. I can only imagine that the 12” and 15” versions are louder than the 10”. This can be seen in the amount of each frequency they can effectively produce.
Dear Gary. My apologies if this question is out of the context of the above video subject. I am also a QSC Touchmix 30 Pro user since it came out a few years ago. About a year plus, ago, i bought the Presonus Faderport 8 fader controller , to have actual physical faders & more knobs & buttons, to mix the Touchmix 30 with. Do u have any experiences with this Presonus Faderport 8 with regards to controlling the Touchmix 30? Till today, i just can't get the Faderport 8 to work at all with the Touchmix 30. In the QSC website, it says that the Faderport 8 is compatible with the Touchmix. I have contacted Presonus & they replied that they do not know whether the Faderport 8 is compatible with the Touchmix 30. I also have contacted QSC about this but unfortunately they never responded to my queries till today. 🙏🙏🙏
Hi there. Thoughts on: EV ZLX12BT JBL IRX112 RCF Art 312 Wharfedale Typhon AX12BT Lower end Wharfedale Titan 12?
Do you need something with Bluetooth? I noticed that most of your choices have that! I have had friends who have had issues with the lower end JBL poweramps and the EV ZLX are not the strongest speaker in their range! The RCF 312s are great, possibly a little under powered depending on your audience size! I also believe they have been discontinued! Wharfedale are just generic Chinese speakers now a days! The brand name was bought quite a few years ago. There's nothing wrong with this but QC can be an issue so get one from someone with a good warranty. I would probably go for a The Box speaker over these as Thomann are great with their warranty on their own products! (in my experience)
Qsc are overrated! They have Cheap celestion driver. Rcf, FBT, kv2 audio, EAW, meyer sound, etc are high quality
I totally agree! Although, I have had quite a lot of experience with Celestion drivers and they aren’t all bad! Just a lot of variance throughout the range!
@GaryOnBass rcf, b&c or 18sound drivers are excellent!!
For sure! Faital speakers are great if you like RCF too!
@@GaryOnBass yes
This doesnt strike me as much of a review.... its more like a running commentary. But it does give me some brands i haven't heard of before..
This isn't a review, more of a rundown of PA speakers I would pick from various budgets! Hope it helped! 🙏
Turbosound also have good powered speakers with a great Klark Teknik built-in DSP which can be controlled via ultranet. You can also choose from different sound models, either the Turbosound voicing or a DSP model of a speaker from an another manufacturer, to maybe match with other speakers.
I've not had a chance to try turbosound but they have interested me! Which model have you tried? I almost bought a Milan system at one point and have looked at the IP series!
@@GaryOnBass I have tried Siena, IQ and NuQ. My favorite is the NuQ, the sound is less agressive compared to the IQ series. Just a perfect place between the Sienna and the IQ series.
Interesting, I haven't seen any of those speakers for sale over here. I wonder if its different branding in different regions? The Siena series looks good!
The mackie show box I tried a great concept but a horrible speaker not clear has it distorted at very low db the worst speaker ever it's horrible even on the face book demos you can pick it out ,even at 80 db it's not clear.
I'm still yet to try that out, but the concept seems like a winner! You can never really compare battery speakers to mains-powered boxes, but that does seem low! It could be bad factory QC (which wouldn't surprise me with Mackie!), so it sounds like it's definitely worth trying before you buy!
@@GaryOnBass I bought it from Sweetwater when it came out and promptly returned it. I didn’t like the operating system or the sound and there was a lot of hiss noise too. Terrible.
Yamaha dsr 12s ....made by nexo n still amazing even today...get a pair amazing speakers...much better than dzr and cheaper far more road worthy...best speakers ever made i think
Yeah, the DSRs are solid units and very affordable! The DZRs are great for what they do, though. The SPL and sound quality are on another level, but I feel that may be the cause of their reliability issues!
I own the dsr112 for 8 years! no issues. and they get abused with 2 yorkville 801p. they were over engineered at the price point compared to everything.
@djizzynyc quality engineering!
THE BOX Pro DSX 112 is i identical to another speaker i own called POWERWORKS artemis 12PD, they are probably made by the same manufacturing company. they are too good for the price.
Yeah I can believe that! I think THE BOX is a generic factory brand Thomann put their name on! The spec looks great don’t wouldn’t surprise me if they are good!
What are you using or looking at buying? Is there anything I missed? Let me know below!
Not good imo. Bassboss bb15s would smoke em
That definitely looks like it would pack a punch! No retailers on this side of the pond though… I would love to give one of those a try otherwise!
also smoked the wallet
@maizesoft are they expensive? The RCFs are relatively cheap!
I have 2 DZR10 and 2 DXS 15,sound very good, loud and clear, super compact,,, love it... Regards from Indonesia
That does seem like a killer combo!
They have SUB AX15 now
I hadn't seen that! It looks like a great option! Very close to the Yamahas weight though and quite a bit more money!
I have the 12s, had no issues with them, absolute work horses!
I feel like I should have gone with the 12s!
Have you used the RCF 705 AS-II or any of its competitors? What are your thoughts?
I heard that the plastic pin that hold the earcup is easily breakable after a minor use.
I have been carrying them around in a bag and used them quite a bit and no issue yet! Its fairly flexible plastic so I could see that happening! I wonder if its easily replaced? Looks identical to the attachments that ear defenders use!
So I assume I just plug my wireless unit into the output of the backbeat. Correct???
Yes that's right! Shouldn't be an issue as its true bypass so shouldn’t effect your sound at all!
Thanks for the demonstration. Do you have any experience of running both bass and kick drum mixed into it? I’m thinking about sending kick drum and bass from the mixer on a monitor channel, directly to the backbeat. Do you think it would work?
Yes, that's exactly what I have! The bass is run directly from the bass and the kick comes in through the AUX channel. It allows me to be able to mix the on the back beat. You really feel when your locked in with the kick! Its great feedback live!
@@GaryOnBass I guess the second question for you! Thank you in advance for your time answering these! With regard to the Aux coming from the board with just kick into the Aux input jack- I’m assuming basically you control that on the PA mixing board and just send kick to that aux channel? Also I guess you have an adapter that turns an Aux XLR cable into 1/8 so it can plug into the unit?
Yeah, I send the kick within my IEM send, which all runs through the backbeat! I run PA for my band, so this isn't a big deal! My desk has a 1/4” TRS output, which I just adapt down using an extension cable! If you check out my video on IEMs, I talk about how I build my guitar/IEM cables, and you can see it there! It's pretty simple to do, though!
Fantastic review thank you so much for exploring all the details so well. And then the last question I had was about the bassboard and then you talked about that too! I’m going to IEM’s for the first time in 30 years of playing and looking for that extra bass feel.
I'm glad I was able to help! This or the bassboard are great options if you want more of that live feel without the volume! You'll get more power out of the bassboard, but it cuts down your movement, so it's your preference!
@@GaryOnBassI just got a bassboard and it’s badass. The backbeat works surprisingly well and honestly eliminates the need for the bassboard. Though I’ll prob bring both 😂
@@GaryOnBass one more question for you man. Those clips that clip it onto the strap dig into my back. How do mitigate the uncomfortable nature of those metal clips sticking out?
Haha, that's great! A baseboard still tempts me, but the backbeat does more than the job! As for the clip, it is only uncomfortable on specific straps, usually the thicker ones. I would either try moving it to a thinner part of the strap or swapping it to a different strap! I ended up trying lots of straps and doing the latter! I currently use a relatively cheap lekato 3.5” padded strap from Amazon that works well!
My band has been using the Xvive U4 wireless systems (we use two of the double packs, me[bass] + vocalist, both guitarists on one pair) and our drummer goes wired because he's right next to the rack. We are having good connections everywhere we've played so far. We usually all stay pretty close to the transmitters though, just because our stages are small. I find after about 15-30ft depending on the space and how many people are there, they start to drop out, but come right back when you move back closer to the rack. Next year we are thinking about upgrading our system to the Sennheiser XS IEM system, the four guys out front (me[bass], vox, guitar x 2) would all use those, as our drummer is content being wired in using XLR + a Behringer belt pack/w/ the volume adjustment. We are also considering wireless guitars as well but I think IEMs are much more important. Plus most guitar wireless systems can't handle my bass frequencies... I use a Dingwall tuned to E0 (full octave below a standard 4 string) so the transmitters won't really transmit that signal. (I don't mind being wired to my board in anyways). Side note: we all use Shure 215s for the IEMs.
That's great to know about the Xvive! Really good to hear first hand experience! The Shure 215s are a great choice too! Have you thought about just going wired? Seems to make sense if you aren't going wireless for your bass!
@@GaryOnBass I havent thought about going wired because im not a fan of having more wires than need to be there. Plus we are going to be going full wireless except my bass soon anyways with the senhiseier*
@Wyatt.D.Loiselle that makes sense! I get it if you're going full Sennheiser! But if you're still running a cable, it is only slightly heavier having both your guitar cable and headphone cable combined in the mini snake, and it saves you a good £800!
@@GaryOnBass That is very true. For me though, its more for streamlining and not exactly texture, but they way that cable feels pulling down constently on you when you go wired, feels really gross to me persoanlly.
Really helpful video, just ordered a Beringher P2. Thank you Gary.
They are really solid boxes and sit great on a pedal board! I've always got one in the bag just in case!
I just wondered what your views are on the best ear tips to maximise isolation and bass response. I got std ear tips on some KZ IEM's but wondered if foam would be better. I realise custom moulds would probably be superior, but not quite ready to commit to that yet.
The KZ are great starter IEMs. You can get more isolation and bass response with customs, but that doesn't mean the KZs can't be improved! You want a tight fit with a dense foam tip to optimise low end and isolation. I recommend the Comply 500 series. They make for a great fit, and you'll get far more rejection, BUT the extra density in the foam does mean that they tear more easily, so they don't last quite as long as cheap foam tips!
Are you going to go wired or ignore me and go wireless? I'd love to know!
You think DZR12 (no sub) can replace/pass for a Hi-Fi 12” system for home-use? Clarity and detail wise. Wondering if they could be a nice, cheaper alternative to expensive HiFi speakers like JBL L100, Klipsch Forte/Cornwall, etc. Any hiss, noise, hum while turned On at idle w/ no music playing? Edit: Ah, I see you have studio monitors in the back! I use HS8 for music-listening (but wanna upgrade to 12” speakers)… wondering if the DZR are as clear, clean, flat, accurate, neutral sounding as your studio monitors.
There is a massive amount of clarity in these speakers and I haven't noticed any hiss or hum, even at very high volumes. If I were to use a PA speaker for hi-fi I think this would be my pick, they are probably the most neutral spunding PA speaker out there! But they are really difficult to compare to my Adam audio monitors in the back, which actually make great hi-fi speakers! The reason for this is that they are built to be VERY loud! Your talking about 10x the output of some of those hi-fi speakers you mentioned! I'm not sure how they would sound at lower volumes as you will never be pushing the speakers to the point where they are designed to be used. So overall, I'm not sure! They would probably be my pick if I were to do that, but I'm not sure how comparable they would be to a speaker which is specifically made for that purpose! I'm sure they would sound great though and you would never have issues about not having enough volume! Haha
@@GaryOnBass Thanks for the detailed reply! Nice to hear they don't have any hiss/hum/noise! I may have to give them a try, hehe (I could never afford super expensive HiFi speakers nor amps anyways) And volume/power never hurts... esp when it's needed for parties, haha. Just as long as the sound quality is clear, neutral and nice. :D
@LessTalkMoreDelicious they would definitely be great for parties! I think they could definitely work! They also do a passive version, the CZR12 but I would most likely get the active ones! Keep me updated on how they do! I would be really interested to hear your experience!
I have 2 DZR12s, there is a soft background hiss when in a quiet room. These things are designed to be high DB output boxes so I imagine the output stage is pretty hot. But I have no complaints using them in a quiet dinner setting for background music and lounge music.
I have a pair of Adam T8V lus the Adam 10 inch sub (T10) in the livingroom and I am very happy with them. At the basement I have a LD Systems Curv 500 with two more satelites (2 + 2 satelites and the sub) for movies and music. Superb sound. Upstairs I have two EV ZLX 12P BT plus an Alto TS 12S sub for movies and music and I take them to parties from time to time. They sit in a large livingroom, arround 60 m². Very, very happy with the sound but they have a buzzing sound when not in use. I'm looking to upgrade the EV ZLX to probably these or EV ETX 10P
I picked up a wireless unit from a brand called Anleon from Amazon. It was only around $150, and it's worked nearly perfectly for over a year now (around 70 gigs). It's certainly not the greatest, and is a bit noisy, but for playing bar shows it totally does the job. It can also be run in stereo, which is a nice treat. I have a little passive bodypack like yours, as a backup too, but I've only had to use it once.
Yeah, I don't think that tech is too complicated to get right in all reality! But as a bass player/vocalist, I find the frequency range a little limiting! If you can live with it, though, UHF is a great and solid option compared to the wifi units!
Hello, how do you use Yamaha Dzr 10 with a subs or just one sub. Do you use hpf filter on Dzr 10 and how much hpf frequency do you use... Thanks and Best Regards
It depends on the room, I would say about 80% of the time it's just the one sub (most venues are quite small here) and then with two subs at marquees and larger venues. Again the hpf depends on how much I need to put through the sub, it is generally either 80hz or 120hz.
Hello, so you set this settings on Dzr 10. You engage for instance hpf at 80hz on Dzr 10 if it's one or two subs. Thanks for your kindness and Best Regards
It really depends on the room! I would always stay above 80hz, though, and that is generally my go-to crossover point for these. If they need a bit more help, I would lift the crossover to take some weight off the tops! I find they can handle 80hz with no sweat!
I get... So you engage the hpf on Dzr not on subs. Thanks
What about the 12” DZRs? What about these bad boys in comparison to the new RCF ART 932s? That’s something I’d be interested to see😎
If the 12” DZR are anything like these then I can fully support them! The NX932s look and I imagine sound great too! Its always just the lack our input/outputs and DSP which lets RCF down a bit!
how would you rate the DZR10 vs. Seeburg Acoustic or KS Audio 10" active speakers, if you've had the pleasure of using/hearing any of their comparable offerings? in other words, is their sound quality worth the extra cost?
Unfortunately, I haven't heard about the Seeburg or KS 10" boxes or anything they do as an active unit, so I can't add anything here! The Yamaha speakers are great, though. They were designed by Nexo (a comparable pro company) and come with an outstanding Yamaha warranty-that's what tipped me into buying them!
I have 2 Yamaha DZR10-D and I’m looking for a good sub to use with them. Any sugestion?
I'm using RCF 705-II with mine, which is excellent and has more than enough bass for our usage. They are super lightweight and compact, but they project backwards quite a bit and have no Dante; if you're using that, then I guess the logical choice is the 12” or 15” Yamaha subs. These are great and super loud for their size, but they are pretty heavy; I think the 12” sub is 6kg heavier than the 15” RCF sub I use! If that isn't an issue, I would lean towards the Yamaha! I kind of wish I had got them now, in retrospect, but my back is thanking me!
Why did you start learning bass guitar? Let me know below! ⬇
Do you struggle to hear your bass? I know this was a huge help while my ear drum was ruptured!
Do you think headphones have a place out of the studio and on the stage? Let me know below!
Would you think about swapping your 12" or 15" tops for 10" tops? Let me know below!
I would, those Yamaha dzr10’s have more power than my 15” Mackie thumps, so I’m going to change them. I also thought of the 12” dzr, but thought of the Mackie V-Class 12” as well. But I need a compact system the has power.
Dzr 12 the best in class with jbl 812p & etx 12
@@DJBennyswift take dzr 12 with two subs 15 - nuq 15 turbo sound & rcf 905 mk3 - this setup can take 150 pepole very easy .
@@DJBennyswift Try the Mackie DLM12 i have them for 8 years already and no complain what so ever and they are small, crazy powerful and light weight they are a little bit more expansive then the srm212 V class (about $999) but it's worth those extra $$$.
@@giancarlohernandez1967I never knew they existed, I was looking at it but still in decision mode, really nice though thanks!
10 inch box for foh?! what are you mixing? a micky mouse band?!
Haha, I worried about the same thing! We are a three to six-piece wedding band that runs everything directly through the PA, and we do 90 weddings a year, ranging from 100 to 300 people. These really have been great! I have only seen the limiter twice, and we play with one of the loudest drummers I know! You're not running festivals with these playing to thousands, but I would be hiring a crew and a PA I wouldn't want to carry myself for that! If you're a gigging musician, they will do the job and surprise you! I ran EV 15" tops and 18" subs before these, which can't touch this rig in terms of volume or sound quality!
@@GaryOnBass sounds nice, have you looked into the seeburg k20 dp? double 10 inch in a small form factor. they sound superb. i use the passive version.
Yeah, the Seaburg stuff has always been great! One of my friends had a big passive set, which I loved, but I couldn't handle the weight now! I like the look of their array systems, but they are rare to hear in the UK! These Yamahas are designed by NEXO, and you can see the pro audio background coming into play!
You might be surprised at just how loud and also how clear these things are when HPF over a sub. I also use Yamaha DSR115, RCF 932 and RCF NX945 and my DZR 10's can keep up with any of them if they are used over a decent sub!
@pooleywooley I couldn't agree more!
bummer that midrange dip and that they don’t extend to 40 hz even.
I have never struggled to get enough mids from these boxes! The clarity is something else that may explain why this isn't an issue. As for the low end, we have to be realistic in that they are 10" boxes. They are made to be coupled with a sub, which means they are going to be high-passed at the least 80hz. I think the 12" and 15" would deliver more than enough if you are happy to carry them and don't want to run a sub.
I’m a DJ and a friend of mine bought these 10” ones and tells me that I need to get these due to the power and how clear they sound. I have the Mackie Thumps 215xt with the 15” subwoofer and they have a nice sound, but I have to upgrade due to needing something compact and also powerful. I wanted to get the Rcf, qsc, or the Mackie srm V-Class. But my friend that I need these Yamaha dzr 10’s. So now I’m searching for more info about them and reviews. Thank you for this video.
Yeah, I run the DJ through these between sets, and I can totally see why DJs would love them! They're super compact and loud, and like your friend said, the clarity at high volumes is just mad, too! I would definitely grab these over the Mackies or QSC (although I love their desks, I find the speakers hard on the ears). The RCF NX speakers look great, but I haven't managed to hear any yet!
I’m really looking forward to upgrade to these! The price point is pretty up there, but I need to make the move. Also, the reason I’m looking into the 10” is due to my vehicle size, I have a 2020 Kia Soul which is limited in space so these will fit perfectly in my car, and I was thinking on getting two QSC 12” subwoofers. I know it’s two different brands but I’m not familiar with the Yamaha subwoofers, plus I like how the design of the QSC 12” sub is narrow. Do you have a suggestion that I may not know of?
@DJBennyswift you wont be disappointed! These are great! The Yamaha subs are awesome but they are quite heavy! I use the RCF 705 which are super light and quite compact! I've fit 2 subs and 2 tops in a Nissan Juke! Was a bit of a squeeze but they went in!
@@GaryOnBass that sounds great, I also have my other gear and facade which playing Tetris as a kid helped me fit my 15” mains, 15” sub, stands, controller, cable bags in the car with a tight squeeze. I’m going to look into that Rcf subwoofer to get dimensions, watts, SPL, and price point.
Haha I know the feeling, although my van now feels empty with these sitting in the back! I can fully recommend the RCF subs too! Thanks for watching!
At £55 these seem great for studio use on a budget. Or would you recommend an alternative around that price point?
Yeah, I think these are a great choice, but they may not be as flat as I would like for studio headphones. The Beyer Dynamic DT770 is better for this, but for the price, they are excellent! The Vik Firths do have far less bleed than the Beyers, though!
Your spine'll be fine
Let's hope so! It’s basically a free back massage all gig! Haha
Thank you for this review! Just ordered one. Even with all the cons, it still almost sounds too good to be true!
Thanks! I hope you enjoy the Backbeat as much as I do! If I am honest, the cons are more annoyances than anything! As long as you keep it charged and you find a good strap for it then it makes a big difference to your IEM mix!
Thank you for the review, and pointing out the pros/cons. I have the 1st version of the BackBeat.. The reason I would update to the G2 is because of the weight... but after the cons you mention, I'll stay with what I have. I only used my BackBeat for the drum kick... then I use a bassboard to feel my bass instead of the BackBeat. It's difficult to explain how I set things up to hear my bass and personal mix... and at the same time... feel the kick, and feel my bass. Basically I split signals (bass on ch1 split to FOH, and FOH personal mix on ch2 split to BackBeat wirelessly). To hear both bass and FOH personal mix... My personal mixer output both channels to my senn ew g4 IEM wireless system. Someone let me try a branded bassboard... like the ones you mentioned. They are expensive like you said, but I liked it so much... I made my own. I've experimented with different transducers at different prices, and it's evolved over the past 5-6 years... but I finally nailed the perfect combo. Instead of paying $1k for a branded bassboard, you can DIY it for around $350 including the subamp. I love my bassboard more than my BackBeat... so most of the time, I leave the BackBeat at home. One less thing to set up at a gig. Anyway... thanks for the helpful vid. Saved me $400... for now.
Thanks for the comment; I'm glad it saved you some money until after Christmas, at least! You don't notice the weight of the G2 at all! I haven't used the G1, but I have heard that was a point of contention! It's interesting to hear someone using both a backbeat and a bassboard! I don't know if I like the idea of being stuck in one place! But your DIY bassboard is something which I have definitely thought about a few times! Thanks for watching!
@@GaryOnBass Since going ampless with IEM's nearly a decade ago... I've been on a quest... evolving my silent stage rig to feel like playing with a backline. It's evolved into a killer setup... easy setup/teardown, and transport. The kick of the drums on my back BackBeat, sync'd with the bassboard is emersion bliss. The bands personal mix is controlled in a mobile app individually. I use an iPad on my silent stage rig to control my mix. I mute the bass with the sliders on the app so I can only feel the kick... but I can easily slide my bass into the mix, and feel it on my BackBeat if I move off the Bassboard. Not only do I have the ew g4 iem, I also use an ew-d cl1 for my bass... so I'm fully wireless on iem's and bass. So I'm not really stuck in one place. My silent rig is a game changer... I would show you, but no DM's on CZcams.
Sounds absolutely amazing! I have been running IEMs for about 15 years but with a large amp for 7 of those years! The Backbeat makes a huge difference to my mix that's for sure! Maybe the Bassboard will be next on the list, I have more than enough sub-mixes on my desk! Haha
Wow what an epic rig!!! What size baseboard did you go with and are you happy with the size? Did you order direct from the company in Germany?
@@TheZenithphoenix I made a simple DIY version with 2 Dayton Audio BST-1 Bass Shakers mounted on 24”x24” ply. Funny that you just seen this post. I’m in the process of building my next board with same parts and design of the EICH Bassboard’s from Germany. Next one will be 35”x24”, and will look exactly like the EICH, and function the same where the top half will be isolated internally from the bottom board.
I also have a G2 and it helps to know that you have the same battery issues, but I don't think it's caused by the switch being knocked on. I haven't gigged mine yet but left it on my strap in my practise room. I unplugged everything from it and definitely switched it off but the battery went flat in about a day and a half. I think that something is drawing current and flattening the battery even when it's off. Whatever is causing the flat battery, still means you have to charge it every time you use it. Mine isn't as critical. I use a Helix Stomp that I use the pitch shifter on to go to Eb standard and D standard, so the only signal I'm sending to the BackBeat is my bass post-Helix, and I'm using my in-ears straight from my IEM pack as I've always done, so if the battery goes flat mid-gig I just get the usual IEM mix.
Yes, I'm sure my problem is due to the ease of pushing the button to turn it on! I have accidentally knocked it on from time to time. Mine isn't too critical. I remember my settings quite well now, but it is still annoying! I used my IEM pack for a while, but I have found that the mix straight through the BackBeat is excellent and produces a clean mix.