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kuda.org
Serbia
Registrace 17. 11. 2015
kuda.org je umetnička organizacija koja od 2001. godine okuplja umetnike, teoretičare, medijske aktiviste, naučnike u polju istraživanja savremene umetničke teorije i prakse, aktivizma i politike. Kroz aktivnosti kolektiv mapira i osnažuje polja kritike i otpora komodifikaciji rezultata umetničke produkcije, kao i transformacije i kritike produkcionih odnosa koji se u polju umetničkih i društvenih procesa reprodukuju smenom ideoloških i “političkih” matrica.
kuda.org is an independent art organization since 2001 which brings together artists, theoreticians, media activists, scientists in research of contemporary art theory and practice, activism and politics. Collective attempts to map and encourage acts of critique and resistance to commodification of results of art production including attempts of transformation and critique of relations of production in the field of art and social processes being reproduced through shifts of ideological and „political“ matrixes.
kuda.org/s
kuda.org is an independent art organization since 2001 which brings together artists, theoreticians, media activists, scientists in research of contemporary art theory and practice, activism and politics. Collective attempts to map and encourage acts of critique and resistance to commodification of results of art production including attempts of transformation and critique of relations of production in the field of art and social processes being reproduced through shifts of ideological and „political“ matrixes.
kuda.org/s
UO Dejan Sretenović Grupa Autopsia, Beograd
Istraživački projekat kuda.org: Umetnička organizacija (pregled istorijskih praksi kroz XX vek do danas)
Umetnička organizacija je dugoročan međunarodni istraživački projekat koji analizira fenomen umetničkog (samo)organizovanja i relacije untar samostalnih umetničkih grupa i kolektiva u postjugoslovenskoj regiji u poslednjih pedesetih godina. Istraživanje je usmereno ka grupnim i kolektivnim procesima stvaralaštva i unutrašnje dinamike između umetnika i drugih učesnika u njima. Kroz fenomene samoorganizovanja projektom se propituje uloga organizacija civilnog društva kao potencijalnih progresivnih mesta u društvu kroz bavljenje umetnošću. Projekat pokriva široko istorijsko polje preko diskusije sa protagonistima ovih praksi od 1990ih do danas, sa osvrtom na iskustva i nasleđe organizovanja i kolektivnog stvaranja u nedavnoj prošlosti lokalne i nacionalne kulture, preko neoavangardi 60ih i 70ih i Beogradskog nadrealizma 30ih godina prošlog veka.
kuda.org/sr/umetnicka-organizacija-kroz-vreme
kuda.org/en/art-organisation-through-time
Razgovor o umetničkim organizacijama sa Dejanom Sretenovićem (Grupa Autopsia), Beograd 2017
Dejan Sretenović, istoričar i teoretičar umetnosti i kustos Centra za vizuelnu kulturu u Muzeju savremene umetnosti u Beogradu, prethodno direktor i urednik programa Centra za savremenu umetnost Beograd (1994-2000)
Autopsia je depersonalizovana umetnička projekcija koja se bavi muzičkom, likovnom i filmskom produkcijom. Autopsia okuplja autore različitih profesija u realizaciji svojih projekata. Umetnička praksa je započeta u Londonu krajem sedamdesetih godina 20. veka, da bi u osamdesetim bila nastavljena u umetničkim centrima bivše Jugoslavije. Od 1990. godine Autopsia deluje iz Praga. Na početku delovanja Autopsia je objavila desetak MC-a, a u razdoblju nakon 1989., dvadesetak CD-a. Kompozicije Autopsije nalaze se i na brojnim kompilacijama objavljenim kod različitih izdavača širom sveta. Muzičku produkciju prati opsežna vizuelna produkcija koja sadrži originalne grafičke objekte, dizajn flajera, bukleta, CD-a, zatim knjige i filmove, te web-stranicu autopsia.net i njene ogranke „Autopsia TV“ i „Illuminating Technologies“.
www.autopsia.net
www.illuminating-technologies.com
Umetnička organizacija je dugoročan međunarodni istraživački projekat koji analizira fenomen umetničkog (samo)organizovanja i relacije untar samostalnih umetničkih grupa i kolektiva u postjugoslovenskoj regiji u poslednjih pedesetih godina. Istraživanje je usmereno ka grupnim i kolektivnim procesima stvaralaštva i unutrašnje dinamike između umetnika i drugih učesnika u njima. Kroz fenomene samoorganizovanja projektom se propituje uloga organizacija civilnog društva kao potencijalnih progresivnih mesta u društvu kroz bavljenje umetnošću. Projekat pokriva široko istorijsko polje preko diskusije sa protagonistima ovih praksi od 1990ih do danas, sa osvrtom na iskustva i nasleđe organizovanja i kolektivnog stvaranja u nedavnoj prošlosti lokalne i nacionalne kulture, preko neoavangardi 60ih i 70ih i Beogradskog nadrealizma 30ih godina prošlog veka.
kuda.org/sr/umetnicka-organizacija-kroz-vreme
kuda.org/en/art-organisation-through-time
Razgovor o umetničkim organizacijama sa Dejanom Sretenovićem (Grupa Autopsia), Beograd 2017
Dejan Sretenović, istoričar i teoretičar umetnosti i kustos Centra za vizuelnu kulturu u Muzeju savremene umetnosti u Beogradu, prethodno direktor i urednik programa Centra za savremenu umetnost Beograd (1994-2000)
Autopsia je depersonalizovana umetnička projekcija koja se bavi muzičkom, likovnom i filmskom produkcijom. Autopsia okuplja autore različitih profesija u realizaciji svojih projekata. Umetnička praksa je započeta u Londonu krajem sedamdesetih godina 20. veka, da bi u osamdesetim bila nastavljena u umetničkim centrima bivše Jugoslavije. Od 1990. godine Autopsia deluje iz Praga. Na početku delovanja Autopsia je objavila desetak MC-a, a u razdoblju nakon 1989., dvadesetak CD-a. Kompozicije Autopsije nalaze se i na brojnim kompilacijama objavljenim kod različitih izdavača širom sveta. Muzičku produkciju prati opsežna vizuelna produkcija koja sadrži originalne grafičke objekte, dizajn flajera, bukleta, CD-a, zatim knjige i filmove, te web-stranicu autopsia.net i njene ogranke „Autopsia TV“ i „Illuminating Technologies“.
www.autopsia.net
www.illuminating-technologies.com
zhlédnutí: 14
Video
Novo lice naše ulice
zhlédnutí 181Před 14 dny
Novo lice naše ulice je projekat neformalne grupe Dobro drvo iz Novog Sada u saradnji sa kuda.org, pokrenut sa ciljem da se samoangažovanim radom pokrenu procesi promena i većeg učešća stanara lokalne zajednice na Detelinari (Novi Sad) u održavanju javnog prostora u svom neposrednom okruženju, a kroz umetničke akcije na ekološke teme. Projekat je realizovan kroz program “Aktivne zajednice” Trag...
NOISM 2024 Concert series #2 Ilia Belorukov, Jason Kahn, Alex Riva
zhlédnutí 78Před měsícem
NOISM 2024 Concert series #2 Ilia Belorukov - alto saxophone, fx pedals Jason Kahn - modular synthesizer, radio Alex Riva - recorders, cymbal, fx pedals RKC Matka Novi Sad, Serbia 25 February 2024 Produced by kuda.org
The Liberated Form - On the History of Yugoslav Cinema
zhlédnutí 21Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
Meta Žilnik - On Cinema, Books & Cinematic Books
zhlédnutí 13Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
Demystification in Favor of Creation
zhlédnutí 6Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
Archaeology of PostYugoslav Visual Culture
zhlédnutí 15Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
Želimir Žilnik vs. the Can(n)ons: Avantgarde On a Timeline
zhlédnutí 17Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
Some Tasks of the Translators of the Past
zhlédnutí 38Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
Archiving Partisan Surplus: Partisan struggle manifesting as a discursive figure of resistance
zhlédnutí 27Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
Social and Political Contexts of Cultural Production in Socialist Yugoslavia
zhlédnutí 15Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
Modalities and Practices of Cultural Censorship in Film Production
zhlédnutí 9Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
The Case Study of NEOPLANTA FILM Production Company, Novi Sad
zhlédnutí 49Před 2 měsíci
Podcast Series Past • An Introduction to the Problem This series brings together conversations addressing questions that are central to Peripheral Visions and Past • An Introduction to the Problem. Held over a period that now exceeds a decade, the conversations have gathered insights from a variety of hopeful contributors to a trans(l)national publishing culture. Bringing together artists, scho...
NOISM 2023 #2 - Outer State
zhlédnutí 212Před 8 měsíci
NOISM 2023 #2 - Outer State "outer state": it clearly intertwines the ethereal resonance of acoustic sound and the primal beats of drums. Like connective tissue, these elements weave through the social sphere, creating a shared experience that transcends individuality. The interplay of textures, both tangible and intangible, transforms the dance into a journey through the complex landscapes of ...
FiO - 2023 - kuda.org - Eternal return with Artan Sadiku
zhlédnutí 204Před 9 měsíci
The Festival-in-Opposition dedicated to sound, improvisation and networking of actors of the independent art scene was held from June 8 to 11, 2023 at KC Lab in Novi Sad, organized and produced by kuda.org. Also, on these links we present interviews with some of the participants of the program. The interviews were led by Nikola Marković (KomunikArt). kuda.org/en/kuda.org-announce-interviews-fio...
LOST & FoUND ep6 kontekst 80 ih oblikovan kroz strast
zhlédnutí 206Před 10 měsíci
LOST & FoUND ep6 kontekst 80 ih oblikovan kroz strast
LOST & FoUND ep5 sinteza kompozicije i improvizacije Stevan Kovacs Tickmayer
zhlédnutí 128Před 10 měsíci
LOST & FoUND ep5 sinteza kompozicije i improvizacije Stevan Kovacs Tickmayer
Crveni horizont - Avangarda i revolucija u Jugoslaviji 1919 -1932 Promocija u Zagrebu april 2023.
zhlédnutí 191Před rokem
Crveni horizont - Avangarda i revolucija u Jugoslaviji 1919 -1932 Promocija u Zagrebu april 2023.
Tehnologje umetničkog stvaralaštva radionica oblikovanja divlje gline / Putujuća izložba i radionica
zhlédnutí 45Před rokem
Tehnologje umetničkog stvaralaštva radionica oblikovanja divlje gline / Putujuća izložba i radionica
Tehnologije savremenog stvaralaštva - Svet plastičnog otpada
zhlédnutí 103Před rokem
Tehnologije savremenog stvaralaštva - Svet plastičnog otpada
NOISM 2022 , Billy Roisz + László Lenkes
zhlédnutí 93Před rokem
NOISM 2022 , Billy Roisz László Lenkes
NOISM 2022 - Sound Object Constructions
zhlédnutí 47Před rokem
NOISM 2022 - Sound Object Constructions
LOST & FoUND ep1 atmosfera & prilike 80ih
zhlédnutí 170Před 2 lety
LOST & FoUND ep1 atmosfera & prilike 80ih
LOST & FoUND ep2 studija slučaja ispod radara 90ih
zhlédnutí 250Před 2 lety
LOST & FoUND ep2 studija slučaja ispod radara 90ih
LOST & FoUND ep3 dva slučaja iz paradigme novog milenijuma
zhlédnutí 275Před 2 lety
LOST & FoUND ep3 dva slučaja iz paradigme novog milenijuma
*promosm* 💘
Ovo je divno! Kako kupiti CD ili vinyl? Zelim ovo u kuci.
Great russian famine, Holodomor, Famine in Khazakhstan, Lazar Kaganovich, Genrikh Yagoda, Aron Solts, Filipp Goloshchyokin, Yakov Rappoport, Lazar Kogan, Matvei Berman, Naftaly Frenkel. Ereget Raschi Erod.22 30 Baba Mezia 114b Libbre David 37 Sabba Mecia 114,6. Simeon Haddarsen, fol. 56-D. Tosefta. Aboda 8, 5, Schulchan Aruch, Jore Dia African slave owners Arab slave owners Jewish slave owners Berber slave owners Ottoman slave owners Tartar slave owners Moor slave owners Minimum replacement birth rate: 2.1 EU birth rate: 1.53 Canada birth rate: 1.47 USA birth rate: 1.70 Russia birth rate: 1.50 Australia birth rate: 1.66 Israel birth rate: 3.00
Critique of intersectionality by Julia Roth Roth, J. 2013. “Entangled inequalities as intersectionalities: Towards an epistemic sensibilization.” Accessed on April 2, 2021. www.desigualdades.net/Resources/Working_Paper/43_WP_Roth_Online.pdf
Also for more on associated labor, “boalization” and its organization in Socialist Federal Republic of Yugoslavia, aside from Edvard Kardelj’s Udruženi rad i samoupravno planiranje (Sarajevo: Svjetlost, 1979), consult Dejan Jović’s A State that Withered Away (West Lafayette, IN: Purdue University Press, 2009) and Branislav Jakovljević’s Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-91 (Ann Arbor, MI: University of Michigan Press, 2016).
This the paper where Danijela Majstorović talk more about associated labor and Kardelj www.on-culture.org/journal/issue-9/practice-of-solidarity/
Muzika,haos
ПОЗДРАВ ЗА БИСТРИ ПОТОК.
Boža je kralj, razvalio odavno... Odlična muzika, baš me zanima ko je izvodi?
Miša Savić, "ABC Music" za grupu, 1980. Ansambl za drugu novu muziku
Foe those who are interested, conversations that were led in this project on self organization with art collectives in Yugoslavia are gathered in a timeline on kuda.org/en/art-organisation-through-time kuda.org/sr/umetnicka-organizacija-kroz-vreme
We would recommend looking at discursive program of April encounters organized in SKC from 1972 till 1977 . Some transcripts could be find in newsletter of the April encounters which is available in SKC archive unfortunately they are not digitized yet www.arhivaskc.org.rs/
wageforwork.com/home
A book by Stewart Home on various proposals for international art strikes (from the 1960s to the 1980s): monoskop.org/images/c/c1/The_Art_Strike_Papers.pdf
www.prelomkolektiv.org/pdf/prelom08.pdf
“Radnici, kultura, revolucija : Razgovori s radnicima” by Ivan Jakopović memoryoftheworld.org/#/book/71b4cb32-53e9-46b9-aa0f-e5b6bd708e70
Sezgin mentioned Baraba bookshop in Belgrade www.baraba.rs/izdanja/ www.casopiskultura.rs/Magazine/Archive Another important magazine in Yugoslavia polja.rs/?lang=lat
The History of Artists is not the same as the 'history of art'. As with Group Život much is lost or disregarded in favor of the academic and elitist narratives of art and culture by historians and the institutions they work for. It's time to change this narrative focused on art objects, and for artists and the context surrounding their lives to be at the forefront of art history and cultural archives, not buried beneath footnotes.
totally totally great! THANKS chris, THANKS kuda.org