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Indian Classical Music Archive
India
Registrace 13. 10. 2022
in service of Indian Classical Music!
Raag Rageshree - Veena Sahasrabuddhe
Raag Rageshree Veena Sahasrabuddhe
Rageshree is a raga in Indian classical music, popular in both Carnatic music and Hindustani music. It is from the Khamaj thaat. It is pentatonic in aaroha, hexatonic in avaroha.
Veena Sahasrabuddhe (14 September 1948 - 29 June 2016) was an Indian vocalist and composer of Hindustani classical music from Kanpur. Her singing style had its roots in Gwalior gharana, but it also borrowed from Jaipur and Kirana gharanas. Sahasrabuddhe was known as a singer of khyal and bhajan.
Veena Sahasrabuddhe was born in a musical family. Her father Shankar Shripad Bodas was a disciple of vocalist Vishnu Digambar Paluskar. She began her early musical education under her father, and then under her brother Kashinath Shankar Bodas.[citation needed] She also learned Kathak dancing in her childhood. Sahasrabuddhe's musical mentors included Balwantrai Bhatt, Vasant Thakar, and Gajananrao Joshi. Later she also trained briefly under Gaansaraswati Kishori Amonkar.
She had a bachelor's degree in vocal performance, Sanskrit literature, and English literature from Kanpur University (1968), a master's degree (Sangeet Alankar) in vocal performance from A.B.G.M.V. Mandal (1969), and also master's degree in Sanskrit from Kanpur University (1979). A.B.G.M.V. Mandal conferred on her a doctorate in vocal music (Sangeet Praveen) in 1988. For some years she was the head of the department of music at SNDT Pune campus. She performed all over India and in several countries around the world.
Her father Shankar Shripad Bodas was a contemporary of Omkarnath Thakur and Vinayakrao Patwardhan, and one of the earliest students of Vishnu Digambar Paluskar who founded the famous Gandharva Mahavidyalaya. Bodas was specially invited by Paluskar to move to Kanpur from Mumbai and spread music. Bodas and Shanta migrated to Kanpur in 1926, founded a Sangit Samaj and began teaching students, inviting other performers and propagating music. The Paluskar tradition was essentially in the Gwalior Gharana style and temperament of singing. Kanpur was an industrial town without any notable cultural life, particularly classical music. Until then, Uttar Pradesh had other places such as Banaras and Allahabad where music thrived. Veena's mother Shanta was also a singer and taught music in local schools in Kanpur. Veena grew up in this musical atmosphere at home. In addition to training from her father, she also trained with her brother Kashinath.
Veena Sahasrabuddhe gave her last concert on 2 December 2012. She was diagnosed with progressive supranuclear palsy. She died on 29 June 2016.
Awards
A prize in Vocal Classical category in a national competition for artists under age 25, conducted by All India Radio (1972)[citation needed]
Uttar Pradesh Sangeet Natak Akademi Award (1993)[citation needed]
Sangeet Natak Akademi Award (2013)[citation needed]
Akhil Bharatiya Gandharva Mahavidyalaya Mandal (ABGMV) confers posthumously the Honorary Degree " संगीत महामहोपाध्याय " (2019) [2]
Rageshree is a raga in Indian classical music, popular in both Carnatic music and Hindustani music. It is from the Khamaj thaat. It is pentatonic in aaroha, hexatonic in avaroha.
Veena Sahasrabuddhe (14 September 1948 - 29 June 2016) was an Indian vocalist and composer of Hindustani classical music from Kanpur. Her singing style had its roots in Gwalior gharana, but it also borrowed from Jaipur and Kirana gharanas. Sahasrabuddhe was known as a singer of khyal and bhajan.
Veena Sahasrabuddhe was born in a musical family. Her father Shankar Shripad Bodas was a disciple of vocalist Vishnu Digambar Paluskar. She began her early musical education under her father, and then under her brother Kashinath Shankar Bodas.[citation needed] She also learned Kathak dancing in her childhood. Sahasrabuddhe's musical mentors included Balwantrai Bhatt, Vasant Thakar, and Gajananrao Joshi. Later she also trained briefly under Gaansaraswati Kishori Amonkar.
She had a bachelor's degree in vocal performance, Sanskrit literature, and English literature from Kanpur University (1968), a master's degree (Sangeet Alankar) in vocal performance from A.B.G.M.V. Mandal (1969), and also master's degree in Sanskrit from Kanpur University (1979). A.B.G.M.V. Mandal conferred on her a doctorate in vocal music (Sangeet Praveen) in 1988. For some years she was the head of the department of music at SNDT Pune campus. She performed all over India and in several countries around the world.
Her father Shankar Shripad Bodas was a contemporary of Omkarnath Thakur and Vinayakrao Patwardhan, and one of the earliest students of Vishnu Digambar Paluskar who founded the famous Gandharva Mahavidyalaya. Bodas was specially invited by Paluskar to move to Kanpur from Mumbai and spread music. Bodas and Shanta migrated to Kanpur in 1926, founded a Sangit Samaj and began teaching students, inviting other performers and propagating music. The Paluskar tradition was essentially in the Gwalior Gharana style and temperament of singing. Kanpur was an industrial town without any notable cultural life, particularly classical music. Until then, Uttar Pradesh had other places such as Banaras and Allahabad where music thrived. Veena's mother Shanta was also a singer and taught music in local schools in Kanpur. Veena grew up in this musical atmosphere at home. In addition to training from her father, she also trained with her brother Kashinath.
Veena Sahasrabuddhe gave her last concert on 2 December 2012. She was diagnosed with progressive supranuclear palsy. She died on 29 June 2016.
Awards
A prize in Vocal Classical category in a national competition for artists under age 25, conducted by All India Radio (1972)[citation needed]
Uttar Pradesh Sangeet Natak Akademi Award (1993)[citation needed]
Sangeet Natak Akademi Award (2013)[citation needed]
Akhil Bharatiya Gandharva Mahavidyalaya Mandal (ABGMV) confers posthumously the Honorary Degree " संगीत महामहोपाध्याय " (2019) [2]
zhlédnutí: 179
Video
Raag Shree | Veena Sahasrabuddhe
zhlédnutí 247Před 4 měsíci
Raag Shree | Veena Sahasrabuddhe Shree is a very old North Indian raga of the Purvi thaat, and has traditionally been associated with Laxmi. It also appears in the Sikh tradition from northern India, and is a part of the Guru Granth Sahib, the holy text of the Sikhs.[1] The Guru Granth Sahib composition comprises 31 ragas where Shree is the first raga to appear. The raga appears first on 14th p...
Raag Hansdhwani - Veena Sahasrabuddhe
zhlédnutí 434Před 4 měsíci
Raag Hansdhwani - Veena Sahasrabuddhe Hamsadhvani (meaning "the cry of the swan"[1]), is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an audava rāgam (or owdava rāga, meaning pentatonic scale).[2] It is a janya rāga of the Melakartha raga, Sankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the j...
Gagan Ki Ot | Veena Sahasrabuddhe | Kabir Bhajan
zhlédnutí 64Před 4 měsíci
Gagan Ki Ot | Veena Sahasrabuddhe | Kabir Bhajan Gagan Ki Ot Nisana Hai Bhai Dahine Sur Chandrama Banye, Tin Ke Beech Chipana Hai Bhai Tan Ki Kaman Surat Ka Raunda, Shabad Baan Le Taana Hai Bhai Maarat Baan Bidha Tan Hi Tan, Satguru Ka Parwana Hai Bhai Maaryo Baan Ghav Nahin Tan Me, Jin Laaga Tin Jaana Hai Bhai Kahe Kabir Suno Bhai Sadho, Jin Jaana Tin Maana Hai Bhai Veena Sahasrabuddhe (14 Sep...
Pratham Sur Sadhe | Raag Rageshree | Veena Sahasrabuddhe
zhlédnutí 280Před 10 měsíci
Pratham Sur Sadhe | Raag Rageshree | Veena Sahasrabuddhe Rageshree is a raga in Indian classical music, popular in both Carnatic music and Hindustani music. It is from the Khamaj thaat. It is pentatonic in aaroha, hexatonic in avaroha. Veena Sahasrabuddhe (14 September 1948 - 29 June 2016) was an Indian vocalist and composer of Hindustani classical music from Kanpur. Her singing style had its r...
Raag Hemant | Veena Sahasrabuddhe
zhlédnutí 64Před 10 měsíci
Raag Hemant | Veena Sahasrabuddhe Raag Hemant is a very melodious Raag. In Raag Kaushik-Dhwani when Pancham and Rishabh are used in Avroh, Raag Hemant is conceived. In this Raag, Rishabh is used as a straight note like G R S whereas use of Pancham is somewhat Alp and is used either in Meend or as a Kan-Swar like D (P)m or m (P)m. This Raag creates a deep and soothing atmosphere which may be eas...
Raag Bhupal Todi | Bada Khayal | Veena Sahasrabuddhe
zhlédnutí 105Před 10 měsíci
Raag Bhupal Todi | Bada Khayal | Veena Sahasrabuddhe Bhupal Todi or Bhoopal Todi is a Hindustani classical raga. This raga is quite different from Bhopali (or Bhoop). The Carnatic music equivalent of Bhupal Todi musical scale is Bhupalam. Veena Sahasrabuddhe (14 September 1948 - 29 June 2016) was an Indian vocalist and composer of Hindustani classical music from Kanpur. Her singing style had it...
Raag Des | Veena Sahasrabuddhe
zhlédnutí 126Před 10 měsíci
Raag Des | Veena Sahasrabuddhe Desh or Des is a Hindustani classical music raga which belongs to the Khamaj thaat. This raga is very similar to raga Khamaj. The raga is of audava-sampurna nature, i.e., in its arohana (ascent) only five notes are used, whereas the avarohana (descent) uses all the seven notes. Shuddha Ni is used in the arohana, while Komal Ni (represented as ni below) is used in ...
Raag Deshkar | Veena Sahasrabuddhe
zhlédnutí 138Před 10 měsíci
Raag Deshkar | Veena Sahasrabuddhe Raag Deshkar is similar to Raag Bhoopali but it is different in the way it is sung. The important note here is Shuddha Dhaivat, which is very strong in Deshkar. Pancham is prominent in Aalap and Aalap ends with Pancham. In Raag Deshkar, Dhaivat-Gandhar Sangati is important and Rishabh is Alp in Avroh. The Nyas Swar is Pancham. S' D ; D P ; P D G P - This is Ra...
Raag Deshkar | Veena Sahasrabuddhe
zhlédnutí 44Před 10 měsíci
Raag Deshkar | Veena Sahasrabuddhe Raag Deshkar is similar to Raag Bhoopali but it is different in the way it is sung. The important note here is Shuddha Dhaivat, which is very strong in Deshkar. Pancham is prominent in Aalap and Aalap ends with Pancham. In Raag Deshkar, Dhaivat-Gandhar Sangati is important and Rishabh is Alp in Avroh. The Nyas Swar is Pancham. S' D ; D P ; P D G P - This is Ra...
Raag Hansadhwani | Veena Sahasrabuddhe
zhlédnutí 134Před 10 měsíci
Raag Hansadhwani | Veena Sahasrabuddhe This is a Raag taken from Carnatic Music, but is well accepted in Hindustani Music as well. This Raag is similar to Raag Shankara, but is distinguished by absence of Dhaivat (D). In Raag Hansdhwani N P S' N ; PN P G ; G P G R S is used while in Raag Shankara N D S' N - PD P G - G P RG RS is used. The Raag mood is very quickly established with the following...
Raag Ahir Bhairav | Veena Sahasrabuddhe
zhlédnutí 372Před 10 měsíci
Ahir Bhairav is a Hindustani classical raga. It is a mixture of Bhairav and the ancient, rare raga Ahiri or Abhiri,[1] or perhaps a mixture of Bhairav and Kafi. Important traditional Compositions Some of the most important traditional compositions in Raag Ahir Bhairav are: Man Rangeele (Teental 32BPM Vilambit) Shankara Mhaarare (180BPM Drut); popularised by Nagaraja Rao Havaldar Mohe Chedo Na G...
Raag Hameer | Veena Sahasrabuddhe
zhlédnutí 573Před 10 měsíci
Raag Hameer | Veena Sahasrabuddhe Hameer is a nocturnal Hindustani classical raga nominally placed in Kalyan thaat. All the (shuddha swaras (natural notes) along with (teevra madhyam are used in it. Generally, its vaadi swar (the most used, principal note of a raga on which a pause may be taken) is dhaivat and the samavaadi swar (the second-most used important note assisting the vaadi swar) is ...
Raag Jog | Veena Sahasrabuddhe
zhlédnutí 110Před 10 měsíci
Raag Jog | Veena Sahasrabuddhe Jog is a Raga in Hindustani classical music. It is one of the more popular ragas appearing often in films. Sometimes, experts assign this raga to be a member of Kafi thaat. Raga Jog omits the second and the sixth intervals, Ri and Dha, making it pentatonic, or Audav in nature. In ascending, it uses Shuddha Ga, and in descending, it uses Komal Ga. It takes Raga Til...
Raag Lalit | Veena Sahasrabuddhe
zhlédnutí 358Před 10 měsíci
Raag Lalit | Veena Sahasrabuddhe Lalit is a prominent raga in Hindustani classical music. It is commonly described as serene and devotional and is performed at dawn time of the day.[1] The swara (notes of the Indian musical scale) of Lalit put emphasis on the minor second (Re) and minor sixth (Dha), and include natural and sharp fourth (Ma), but omit the commonly used perfect fifth (Pa).[2] Aut...
Raag Shyam Kalyan | Veena Sahasrabuddhe
zhlédnutí 67Před 10 měsíci
Raag Shyam Kalyan | Veena Sahasrabuddhe
Raag Shyam Kalyan | Veena Sahasrabuddhe
zhlédnutí 271Před 10 měsíci
Raag Shyam Kalyan | Veena Sahasrabuddhe
Gagan Ki Ote Nishana Hai | Kabir Bhajan | Veena Sahasrabuddhe
zhlédnutí 22Před 10 měsíci
Gagan Ki Ote Nishana Hai | Kabir Bhajan | Veena Sahasrabuddhe
Raag Ahir Bhairav | Veena Sahasrabuddhe
zhlédnutí 337Před 10 měsíci
Raag Ahir Bhairav | Veena Sahasrabuddhe
Raag Maru Bihag | Veena Sahasrabuddhe
zhlédnutí 146Před 10 měsíci
Raag Maru Bihag | Veena Sahasrabuddhe
Raag Shudh Sarang | Veena Sahasrabuddhe
zhlédnutí 194Před 10 měsíci
Raag Shudh Sarang | Veena Sahasrabuddhe
Raag Chhayanat | Bada Khyal | Veena Sahasrabuddhe
zhlédnutí 132Před 10 měsíci
Raag Chhayanat | Bada Khyal | Veena Sahasrabuddhe
Heart gladdening performance
Absolute genius ❤❤❤❤❤
Pronam guruji,raga jonpuri gicen,taat aysabori,ga da na komal, baki sar sudha,ayrohite ga barjitho,ayborohite 7ti sar ayche, da badi ga samobadi, jathi karab sampurno, time second prohar dine ,ayrohi sa ra ma pa da na sa,ayborohi sa na da pa ma ga ra sa, pakor mean pakraw, sei sar guli besi lagaw, rager prokas barbe, bilombit bistar korcen, aktal bajce,48 matra 4tali 2 Kali, sarer modhe ayro akta sar ayche ,sei sare rager sarup prokas korcen today diea, sargam korcen akgun,taan korcen, digun sargam korcen, srutinandan legacy Kore sea korlen, excellent performance, munition Dada der namosker,
Very Nice 💐🙏
Very nice but many Pronunciation mistakes are there🙏
Waah! Raga appears to be Hindolita.
Koti koti pranam
ईश्वरीय है गायकी ईश्वर रूप हैं गायक प्रणाम प्रभु😢😢😢
یا اللہ پاک ان کی مغفرت فرمائیں آمین ثمہ آمین یا رب العالمین
My guruji is amazing..thousands humble Pranam to him.
Ahaa❤❤
Unbelievrable sweetest classical 😊Ra😊g steal/ the the hearts of lidteners! ❤❤
Why is there no mention of Munawar Ali Khan and Ustad Bade Ghulam Ali in his Bio description above? Munawar Ali was his primary Guru (Ustad). Ajoy da I believe is formally a Patiyala Gharana master and trained by Munawar Ali in that gharana. Besides, Gyan Prakash Ghosh was his main Guru.
অসাধারণ 🙏🙏🙏🙏
Kamalnayan wale Ram siyaram ho siyaram ho Kamalnayan wale Ram siyaram ho siyaram ho Kamalnayan wale Ram Kasht haran teri naam raam hoo Kasht haran teri naam raam hoo Kamalnayan wale Ram siyaram ho siyaram ho siyaram ho siyaram ho. Raam ho Kamalnayan wale Ram siyaram ho siyaram ho Kamalnayan wale Ram nav durvadal shaam tan man haari ho aha dekhat vanvasi umang bhari nav durvadal shaam tan man haari hooooo.. haaa.. nav durvadal shaam tan man haari ho aha dekhat vanvasi umang bhari aiso manharahi thaam kamalnayan wale ram ..raam hoo ..raam ho siyaram ho siyaram ho Kamalnayan wale Ram jaya jaya deendayaal ho jaya jaya raaghav kripaal jaya jaya deendayaal ho jaya jaya raaghav kripaal jaya jaya deendayaal ho jaya jaya raaghav kripaal mukut sheesh chandramaal kamalnayan wale ram mukut sheesh chandramaal kamalnayan wale ram ..raam ho Kamalnayan wale Ram Kasht haran teri naam raam hoo Kasht haran teri naam raam hoo Kasht haran teri naam raam hoo Kamalnayan wale Ram siyaram ho siyaram ho Kamalnayan wale… Kamalnayan… Kamalnayan… wale Ram
Rashid Khan bahot great.unaki ek kedar rag ki ek bandish daliye y t pardarshan de Aaj pl unake Jane ke din to nahi the but uparvale ka to alaghi nyay hai
Composed by Jagannatha Dasaru.
This one was originally seems to have been sung by Pt. Madhav Gudi. Pt. Bhimanna's humility in being taught by his disciples is touching.
❤
অসাধারণ!
God of Indian Classical Music ❤❤❤ 🙏🙏🙏 It all ended too early 😢
❤ very devine
0:53
Very good singer with melodies voice. ❤❤❤❤❤❤❤❤❤❤
This is not raag Kalyan. This is Yaman Kalyan.
Not a Marathi abhang, but a Kannada keerthan.
Dying to know why and what particular ragas Bhimanna chose for his favorite Kannada padaglu. Will be grateful for any help with this quest. Thank you.
Prabhu❤
Sadhuuuu Sadhuuuu Sadhuuu 🙏
Legendary classical singer new era 🙏👌
What a gem! ❤
Sooo soothing. Very nice.
very divine!!🙏
Baba Vishwanath loves the rendition
❤️🙏🕉️
Divine Rendition by Maestro. 🙏🙏
😊😢😊
Most Respectable Ajoy Dada , song " Om joy Jagadish hare __" Aapaner galate suner aasha karlam___Dada!
Amazing thank you so much for sharing
Absolute top stuff. Real music. Like in the old days✨
Excellent! !
Ustad Rashid Khan had a rare gift for producing magic. RIP
❤❤ 🙏
Rashid Khan Had Imbibed Some of the most precious 💕 traits of different traditional gharanas.Just Love His Music❤
It's Bhatiyar and not Bibhas.
Thanks a lot for sharing all of these precious treasure with us. I have liked, subscribed and shared your channel with many of my musical friends.
Thanks a lot for these precious recordings of veena ji. Please upload more of her. Highly requested
Excellent 🙏🙏🙏
Pandit ji Naman 🙏🏼🙏🏼🌹
Thanks a lot