Video

Ty for the volume fix!

Is that an alto sax. That’s why Mr Spock gets such a ghostly sound.

Who are these white peoples they don’t know who this is it.

Legendary song

Genus and tyson… that vibe is outer space. It feels effortless no struggle.

Caresses my soul

How can i be the first one to comment on this masterpiece ? In 4 year if being upload? Respect to this beautiful music

Herbie.

Ok, I get why he'd sue but you can't deny Gaucho wraps together the ideas in a tidier package. Co-credit is probably the right way to put it when leaning that heavy on so many themes of the tune. At least now we all know who Keith Jarrett is!

My favourite musician, the awesome L.Shenkar! ❤🤩 Great to see him in his younger days!!! Amazing, as usual.

Unique ❤

❤❤❤❤❤❤

ヴィトウスさんも超大柄な人だから、通常の人みたいな1(人差し指)、2(中指)、4(小指)の運指ではなく、チェロみたいに4指全部使った運指してますね。

Mike Stern 3:12

I saw Freddie Hubbard & his Band, perform around the corner, from where Iived, in Compton, Ca, in the mid '70's.

Still amazing.

Nice flow.

Interesting hearing Stanley interpretation of Ron Carter's baseline.

Hard af!

Sounds just like Gaucho.

One of the prestiest thing I've ever seen

Um guitarrista maravilhoso!

This complete album was recorded in just 2 days !! Steely dan,s gaucho took almost over a year love ,m both anyhow

Why is doing he doing yoga while playing the piano?

Love this Video!!!

The way he played it on in the pocket was way smoother

A masterpiece in memory of a master. You can feel the presence of Pharaoh Sanders all along. A wonderful theme. Fantastic Italian musicians. And the master Ronnie Cuber, who composed the piece. You can hear John Coltrane, and also Gato Barbieri in his playing. A great moment of music.

I think it sounds very similar to Gaucho. And I think it definitely influenced SD, and they should have known better. I also heard that Fagen initially didn't want it to go on the album at all. But Gary Katz et al. spent all night remixing and remastering it and the next day Donald liked it, and it got included after all - becoming the album lead track and title. Gary Katz is another genius. Keith Jarret didn't sing about bodacious cowboys, the custerdome or elevator shoes. Nor did he mention star spangled ponchos.

Que som maravilhoso. Não consigo parar de ouvir.

Intro da paura

GREAT! PAX!

Purple haze!

Most probably our last living link (and still playing!) to the jazz sax Masters. Gratitude from South Africa...

'The thing about Sonny is that when he didn't like what was happening on stage, he would say so but not specifically. Well, not always. Before Sonny, I had played with more free musicians, like Oliver Lake and Michael Gregory Jackson. I listened to Dave Holland, Anthony Braxton, I loved this interaction with the leaders. You could hear it in my playing. Sonny didn't want that. Sometimes, if I was a little too present, he would signal me to return to my place as bassist in the rhythm section. Generally speaking, it wasn't that accurate. It was up to you to figure out what was wrong and find a solution. This is why many musicians called him old school. Sometimes it was very frustrating when me and the other members of the group didn't understand what he wanted. For example, during a tour in Japan. The group consisted of Sammy Figueroa on congas, Mark Soskin on piano, Clifton Anderson on trombone, Al Foster on drums. We were playing “The Cutting Edge.” Sonny does his solo and sometimes he misses an eighth note. Me, I wonder if I go with Sonny or if I stay with Al. Does the rhythm adapt to Sonny or will Sonny adapt to us? The situation became very uncomfortable on several occasions. Once we were on a plane, Sonny came back from business class to see me and handed me a paper. He had written: “Just play the ostinato.” OK! Despite this, the problem was not resolved. I asked Al if it was me. He told me it was Sonny. In fact, when you play, you are listening to both your inner self and the band. Sometimes you may have an absence. I ended up dreading playing this piece. As he left the stage, Sonny was furious. Sammy once tried to very diplomatically say that the problem was with him, but not explicitly. This was the last tour Sammy did with Sonny for many years. He never said why. He later fired Mark and me. We learned that he was playing a concert at the Bottom Line in New York with another bassist and another pianist. We were out of the band for three and a half years, from 1981 to 1983. And then, in the summer of 1984, he called us back and asked us to come back. Did this have to do with what happened with “The Cutting Edge”? I never asked him Jerome HARRIS, jazzmagazine, France, 2015

Sublimo

Mithos

Levi goes to antoher dimension

1:00

I'm here to hear how much like Gaucho it is. I wouldn't know it exists otherwise. I see why Donald settled.😮

Although the camera alights mainly on Freddie and Airto the rest of the band are Lenny White, Stanley Clarke and Chick Corea!

ehhh, George forgot how to play a solo. the ghetto is now far away...

Dear Sir Herbie, playing this terrific in one's eighties is pure crime 😢... all these cats must be some aliens invading our earth with some real hard post boppy Jazz music too sophisticated for mere mortals.

Wow! Next level ❤️🎶

Love Song To A Baby

steely dan steely this song

Moon in June

Amazing

CAN DO NO WRONG, these musical marvels ! "At age 11 Hancock played the first movement of a Mozart concerto with the Chicago Symphony Orchestra. He formed his first band while a high school student. After graduating from Grinnell College in Iowa in 1960, he joined trumpeter Donald Byrd's group and moved (1961) to New York City. Terence Blanchard is an American trumpeter, pianist and composer. He started his career in 1982 as a member of the Lionel Hampton Orchestra, then The Jazz Messengers." A total gas !

Steely Dan's fans will never allow this guy enter in the custerdome

What vibe is this OH MY GOD