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1:25 started off like Erik Satie! Definitely subscribed

Can you do a lesson on the Hexatonic Scale at some point? Or is there a Video on this channel? Thank you so much your friend Bill

Can this lesson be applied to just normal blues? So when I do a blues song I can mix between the two scales?

❤️❤️❤️

I can listen to this forever.

3.56 - 4.03 killing stuff

Superb!

A ✨complete✨ guide? Double harmonic minor? Harmonic lydian? Neapolitan minor? Neapolitan major?

How do use them in a song

Thank you so very very much

Always so beautiful thank so much. love turkıye

@NewJazz thanks this made clear things that I struggled with

Thank so much the best teacher love turkiya

Thanks so much

this is the first time I have ever seen modal jazz explained in a way that makes sense. Thank you so much for this!

Mr. Prehn has just a right mix of theory, practice, and performance. Thanks a lot.

I discover my 4th finger dying and weak..... so easy so important exercise. THANKS!!!!

Really love your content, man, keep up the great work!

Amazing how much work Oliver puts into his videos, especially organising every scale so perfectly. Thank you so much! You should teach at a university!

I believe there's a mistake in the formula of family 6. It shouldn't say W-H-W-H-W-H-W-H (as in whole-half-whole-half-etc.), but instead W-W-W-W-W-W-W (only wholes), otherwise it is identical to the diminished or family 5 on the chart, which alternates between whole and half steps.

A warm cheers! from New Zealand.

i love your explanation... easy to practice

How come I feel like watching The Bridgerton and Lady Whistledown :). Excellent explanation, so grateful I found your channel.

Oliver !! Yo so cool 😎

Can anyone find a better method of teaching out there? And as smooth and easy? Very gifted and talented teacher.

Joe Henderson In and Out

Fantastic teacher. Wonderful style - system of thinking -approach.

Thank you so much

Thanks so much!!!

I don't think my life is going to be long enough to learn all of that 😢

¡Gracias!

Amazing sir 😊

50 years ago when I was a twenty year old budding jazz pianist, I ran into one of the top players in Buffalo. He said he was so used to playing complex clusters of dissonant chords and odd scales, that they no longer sound dissonant after a while and just more interesting and cool. At 69 years old now, I understand what he meant.

Amazing

On the right hand what scales are you playing? Seems like right hand is playing scale based notes

Even atonal, free jazz is ordered and structured. And most jazz has a tonal center. People always structure their stuff, even if it's to improvise within that structure.

Fantastic applause o

Yeah Come Back 👏

You are a great musician thanks for sharing this information in such a simple way awesome

So unfair! I have heard these sounds in Classical music - why not JAZZ????? 😅

At 2:25 timestamp there is C Ma7 9 notation. Why not just writing C Ma9? Cause 9th chord already includes the 7th note, no?

I couldn't avoid watching AVOID AVOIDING THE AVOID NOTES

It might be the most misinterpreted concept in music that finally, a teacher talks about. That's not all because we are talking about the Best music teacher out there. Thanks 🙏 Oliver.

Although i am not a player, i compose and your channel always gives very good insights, thank you. I always like to be mindful where the tritones are in any mode or chord that i am writing, not to avoid them, but to know when to use them or not, in the proper moments when i want the contrast, not acidentally in random fashion. I believe this is the real intention behind such "rules", except people distort it eventually and turn a "use it conscientiously" into a "dont use, its bad". Maybe because it is easier to understand and removes need to think and distinguish when it is desirable or undesirable. Same as patallel 5ths, it thins up the voicing, do not use it. Yes it does, but if i want to make the texture thinner in a moment, also for contrast and impact when it widens again, then it is desirable at that specific moment. Good to see teachers like you helping people out of the musical matrix.

Thank you, Very calming video! Aren't all 13th chords inversions of each other since you play all 7 notes? And in the natural major scale you can order all the notes in fifths. What makes the Dorian one stable compared to the other modes? Just the order of notes?

this is asmr

Bravo Monsieur, votre pédagogie est toujours aussi fascinante et ô combien enrichissante ! Bonne continuation à vous Bravo Sir, your teaching is always as fascinating and oh so enriching! All the best

This is incredibly enlightening. I adore your approach to music, andbfind your insights invaluable, and make me really think about things. 🙏

you hit multiple times notes you're supposed to avoid wtf ?????

When I impovise and happen to play a note that sounds dissonant, I often stay at it and try to find follow-up notes that make that dissonant note fit into the musical flow. This often helps me break out of boring patterns to find new, fresh components in my music.