![Tim de la Torre](/img/default-banner.jpg)
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Tim de la Torre
Registrace 29. 05. 2013
Napa Valley based filmmaker and Instructor of Visual Arts at Pacific Union College
Standard 8mm Home Movie
A broken 1940s era windup camera. Fomapan film developed in our photo dark room at Pacific Union College.
zhlédnutí: 385
Video
Pacific Union College Conservation Easement
zhlédnutí 75Před 6 lety
Pacific Union College Conservation Easement
The Glassmaker - Bob Pappas
zhlédnutí 99Před 7 lety
Profile piece I did on one of our fantastic artists that teaches in the Visual Arts department here at Pacific Union College.
Carbon Arc light demo
zhlédnutí 90KPřed 7 lety
Larry Parker from Mole Richardson demos a Carbon Arc light with a guest appearance by Rodrigo Prieto, ASC :)
Bale Grist Mill Stories: Rob
zhlédnutí 642Před 8 lety
See the Bale Grist Mill through the eyes of Rob Grassi, millwright and historic mill expert. Credits: Executive Producers: Jeanne Marioni and Sandy Jones Produced by de la Torre Productions Featuring: Rob Grassi Produced in 2016. This film is funded by the Napa County Board of Supervisors through the Napa County Arts and Cultural Advisory Committee
Bale Grist Mill Stories: Norma (Spanish)
zhlédnutí 36Před 8 lety
See the Bale Grist Mill through the eyes of a local Hispanic American girl scout troop and their fearless leader, Norma Ferriz. Credits: Executive Producers: Jeanne Marioni and Sandy Jones Produced by de la Torre Productions Featuring: Norma Ferriz and the Up Valley Girlscouts Produced in 2015. This film is funded by the Napa County Board of Supervisors through the Napa County Arts and Cultural...
Bale Grist Mill Stories: Norma
zhlédnutí 86Před 8 lety
See the Bale Grist Mill through the eyes of a local Hispanic American girl scout troop and their fearless leader, Norma Ferriz. Credits: Executive Producers: Jeanne Marioni and Sandy Jones Produced by de la Torre Productions Featuring: Norma Ferriz and the Up Valley Girlscouts Produced in 2015. This film is funded by the Napa County Board of Supervisors through the Napa County Arts and Cultural...
Importing multiple raw Black Magic Pocket Cinema Camera clips into Adobe Premiere Pro CC
zhlédnutí 2,3KPřed 8 lety
In this tutorial, I show how to quickly import multiple raw clips into Adobe Premiere Pro rather than using the cumbersome media browser method.
Adobe Premiere Pro Tutorial - Ripple delete multiple gaps between clips
zhlédnutí 59KPřed 8 lety
This tutorial shows you how to ripple delete gaps between multiple clips in a timeline
Premiere Pro CC timeline trick like Final Cut Pro 7
zhlédnutí 2,9KPřed 8 lety
In this quick tutorial, I'll show you how to make the audio clip drop down to track 2 when a video clip is dragged up to track 2 without having to click twice.
Just smoke from the heat it coming out of the top. That's sh*t is bright asffffffffckkkkk
the electric humming sound intimidates me.that tells me DANGER.......IT IS MY PHOBIA ARC LOVE THE CONCEPT
Props to the guy who keeps them up and running ❤
Cinema projectors were arc lights, in my state projectioners had to have a licence. Even teachers showing movies in class had to have a licence. I think that was to reduce fires, perhaps also from the hot bulbs that were used. I don’t know if a licence is still required today. Apparently the training was not hard.
Great !! ❤ thank you!
Beautyfull lights ❤❤
Is this at panavision? I work there
Do the ww2 search lights work by the same principle?
How does it compare with those 100000 lumens LED chinese flashlights from AliExpress?
Guest appearance by Overhead Door.
Can we come close to replicating the quality of light with modern lights?
"STRIKING!!"
Made a lot of night location shooting possible.
These lamps can take an EMP spike in the grid in case of Carrington event or Miyake event ( solar CME in X10+ class Google it) or Nuke generated EMP ( if grid do not have weak spots like semiconductor bridges, thyristor/ igbt regulators, computers to control it instead of them analog bulb mercury thyrathron regulators....) .... Same to old mercury high pressure or sodium high pressure bulbs in hich dor short time seconds of o minutes support a 200% power spike! LED ( semiconductors ) cannot withstand those surges ( are even ESD sensitive that requires gloves and ESD decoupling)... Also electronics behind is sensitive to overheating ( Ecuator heat, +38°C >> ) or cold ( freezing under -20°C )
Страшные технологии.. но ксенон наверное пострашней тк колбы могли взрываться
Great demo, sir! Thanks for this video. Good question by the guy how long does it take to warm up. Carbons are instant warm, vs. HMI lamps take a little bit to warm up and get to color temperature. Definitely more cool mechanically than a 12K HMI. haha! I wonder if the light quality is better with this brute arc than with a 12 or 18K HMI?
I'd be worried that the fumes are not being vented.
Just found a second carbon rod made by General Electric Company here in the woods, they must date back to WW2 and were used in one of these carbon arc lights I assume; there was a lot going on here during WW2 where we live.Thanks for the video!
when I was a kid my dad ran ww2 searchlights with the generator mounted all on a trailer at car shows and events, , each searchlight is on its own trailer with generator ,that you tow with a truck , the rods came in a square tin cans , I remember listening to the generators for hours , I wonder what happened to them searchlights after the guy that owned them passed , prolly all scrapped out , I have never seen one scene
Go to Edit > Keyboard Shortcuts > Use search to find CLOSE GAP > Set Shift +G and save. After that you just need to select all the clips and press Shift+G. DONE!
That is so cool!!! My grandpa who was an electrician said the brightest thing he ever saw was a high voltage arc
Fantastic video and demonstration.
Rodrigo Prieto ducking for cover is hilarious. That guy always has the best attitude.
I'm coming from Joe Bob Briggs and The Last Drive-in where Michael Berryman is describing the difference in filming with Carbon Arc Lighting on the set of One Flew Over The Cuckoo's Nest to 16mm out in the desert with Wes Craven on the set of The Hills Have Eyes
Wasnt the mole arch a R mouse?
I saw these in big studio set ups on a film in the 1990's. The light is amazing but changing out the rods is risky business. With today's OH&S laws these old lighting beasts would be seen as being too dangerous.
When you hear the term "lights, camera, action", that dates back to the earlier days of filmmaking when these lights were not turned on until just before the camera was ready to roll. As you can hear the guy in the video say the carbon rods only last for a certain limited amount of time so they tried to minimize the amount of time they were burning when the camera wasn't rolling. In those days you had one man per light so that they could quickly turn them on and shoot and then shut them off. These days lighting crews are a lot smaller because modern lights don't need the kind of constant attention, reloading, and adjusting that the arc lights did. A good carbon arc operator could adjust the speed at which the worm drive fed in the carbon rod so that it burned most efficiently and maintained proper spark gap during the burning process. having the carbons contact each other or feed too slowly until the gap was too big would negatively affect the quality of light.
These lights are mostly from before my time. Ive seen the rise of HMIs, and kino flos and now LED. Guys that could operate, change out carbons and properly adjust these beasties are a sying breed. I ran a carbon arc spot once, ONCE. They give out a quality of light that you just dont see today
Just spot Brandon the DP from LTT casually walking by
I was thinking the same!
True Hero. Thanks!
Here because I heard these were used on Licorice Pizza.
Amazing!
video starts at 1:01
this is sexy dude... so coooooooool trick damn!!!!
nice hatz.
Nice 👍
I recently owned a Siemens-Schuckert carbon arc spot from around 1911 It is in a beautiful state of preservation and I'm curious whether it would still work.
Thank you for this! It saves so much time.
Wotex
I think they used these when filming Billy Jack and Easy Rider.
A ingenious mechanic jig permits to mantain an ideal shift of distance on carbon contacts as long as the material is progressivily left by the voltaic arc that is transformed into light...
Where do you get your carbon rods from ??? I know someone who has a old search light in there barn...
I have some for WW2 light.
Pow nice blast of UV light.......they are literally getting blasted with UV wavelength.....good way to get a day out in the sun in just 5 minutes
Makes a great reading light!
one that burns your book
I saw a wild Brandon Lee there.
I didn't hear what he said but what is the spin-a-ma-thing on the back? Is it a brush to strike an arc?
The arc is struck with a lever that just brings the carbon electrodes together them releases them back to the distance they're set at. The wheels are for adjusting the electrodes. You see one spinning because as they burn they get burned away so need to be continuously kept the same distance apart and that's done automatically so they're basically constantly being brought closer together. The positive one burns 3x faster than the negetive as he noted. The wheel you see spinning is probably for the positive one.
Isn't there a way to delete a single gap between a clip? I swore I used to clip the gap and hit delete... as of 2021 it no longer works. Help, anyone?
clever and neat, time saver
The light quality is unreal...
Just like the sun ...back in the '70's-'80's my buddy's parents owned a drive-in movie theater and had carbon arc projectors ... I learned a little bit about them they have better light then the bulbs they use today. The mirror in the back of the projector is very expensive I remember Ted telling me about $1,000. Bak then to reflect the light to the film .. The light is just like the sun burn your eyes that have the dark green glass window to adjust the arc ...
@@peterrivney552 Fantastic --- back then you needed those big arcs to light up those big screens... movies are so clinical now.. too clean.. cold... no emotion..
@@covert0overt_810 if blasting your actors with so much heat they can barely stand to act is emotion, i dont want it. not to mention the UV rays lmao
@@12gauge_shawtyy UV rays can be filtered out without degrading the quality with a piece of the right type of glass, and the actors can also stand further away or a smaller lamp can be used, the reason we don't use this type of lighting anymore is because they're inefficient and operation isn't nearly as trivial or as fire safe as any of the alternatives
@@12gauge_shawtyyYou might be forgetting they are both there voluntarily and compensated quite well for their "experience" with the light. They all would tell you "hot!" but notice you never really heard of anyone actually truly complaining about them. It was part of the game.
YOU ARE A FUCKING GENIUS!
PERFECT!