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DaddarioOrchestral
Registrace 6. 02. 2009
Makers of the finest strings for violin, viola, cello, and bass. Used by icons like Julia Fischer and Gary Karr. Check back for artist interviews, technique advice, and exclusive performances.
View our complete product lines at: www.daddario.com
View our complete product lines at: www.daddario.com
Strings 101 With Christian Howes | D'Addario Orchestral
Educator Christian Howes demonstrates why D'Addario Orchestral strings are the ideal option for guiding students on their road to musical mastery. Learn more: ddar.io/howes.yt
zhlédnutí: 8 715
Video
Three Factors that Affect Tone While Bowing
zhlédnutí 2,9KPřed 4 lety
Orchestra Directors Johanna Kitchell and Lani Gil discuss how three variables - placement, weight, and speed of the bow - impact tone production. Placement: Where the bow is placed between the fingerboard and bridge, plus where along the bow the hair is touching the strings. Weight: The weight pressed into the bow with the right hand. Speed: How quickly the bow is moving across the string. See ...
The Bad Boyz of Double Bass: West Side Story
zhlédnutí 7KPřed 4 lety
Double bass gurus Anthony Stoops, Paul Sharpe, Volkan Orhon, and David Murray perform their rendition of West Side Story at the 2019 International Society of Bassists conference. Prologue: 0:00 - 2:59 Maria: 2:59 - 3:45 I Feel Pretty: 3:45 - 4:49 Tonight: 4:49 - 6:01 America: 6:04 - 7:10 Learn more at: www.daddario.com
The Bad Boyz of Double Bass: Take On Me
zhlédnutí 6KPřed 4 lety
The infamous bass supergroup's take on Take On Me, recorded at the 2019 International Society of Bassists conference at Indiana University. Collegiate professors Anthony Stoops of the University of Oklahoma, Paul Sharpe of the University of North Carolina School of the Arts, Volkan Orhon of the University of Iowa, and David Murrary of Butler University play together as The Bad Boyz of Double Ba...
Andrés Martín: Sonata for Solo Double Bass
zhlédnutí 33KPřed 4 lety
Composed by Andrés Martín in 2016, this sonata is an attempt to put to music some of the feelings he was navigating in his life. "I believe there are not good and bad feelings, we just feel. And sometimes is good to know that some others can feel too. There is beauty even on the darkest places of our self and I feel blessed to be able to share it with you through this music." Emptiness: 0:00 - ...
Andrés Martín: Temperamental
zhlédnutí 15KPřed 4 lety
"Temperamental" is a new composition by Andrés Martín, a "virtuosic tour de force for the double bass." If you've ever met someone with a high temper, this piece may resonate with you. Recorded at the 2019 International Society of Bassists conference at Indiana University. Andrés plays on Kaplan Solo strings. Learn more at: orchestral.daddario.com
Gabriele Ragghianti: Bass Bow Control
zhlédnutí 2,2KPřed 5 lety
Five tips for bow control that delivers great tone with D'Addario artist, bassist Gabriele Ragghianti. Gabriele teaches at the Royal College of Music and the Luigi Boccherini Institute of Music, and served as Artistic Director of this year's BASS2018 Lucca conference Gabriele plays Kaplan strings. Shop Kaplan bass strings here: www.ddar.io/GR_Kaplan2 For more from Gabriele, including upcoming p...
Masumi Per Rostad: Reger Viola Suite No. 1 in G minor
zhlédnutí 4,2KPřed 6 lety
"Max Reger would often compress long harmonic progressions and jam them into just one or two beats. Therefore, I found it fitting to discover that his full name was Johann Baptist Joseph Maximilian Reger! This suite is based on the cello suites of Bach and this movement shares the improvisatory fantasy of a prelude. This is incredibly beautiful and fascinating music - Reger deserves to be heard...
Gabriele Ragghianti: Italian Double Bass Bow Hold
zhlédnutí 11KPřed 6 lety
D'Addario artist Gabriele Ragghianti explains the mechanics of the Italian Bass Bow Hold. Gabriele teaches at the Royal College of Music and the Luigi Boccherini Institute of Music, and served as Artistic Director of this year's BASS2018 Lucca conference Gabriele plays Kaplan strings. Shop Kaplan bass strings here: www.ddar.io/GR_Kaplan1 For more from Gabriele, including upcoming projects, visi...
Masumi Per Rostad: Clarke Viola Sonata
zhlédnutí 4,5KPřed 6 lety
"I love that critics argued that Rebecca Clarke couldn’t have written this sonata because she was female! They accidentally ended up proving both that they were wrong about women, and that this is a great piece! Oops!" Accompanied by Alan Chow. This performance was played using D’Addario Kaplan Forza strings on an Amati viola circa 1619 Cremona, Italy. The bow is by Stephane Thomachot. Shop Kap...
ASTA 2018: Jeremy Cohen on Articulation and Groove
zhlédnutí 712Před 6 lety
ASTA 2018: Jeremy Cohen on Articulation and Groove
ASTA 2018: Scott Laird on Rhythmic Patterns & Speech Patterns
zhlédnutí 151Před 6 lety
ASTA 2018: Scott Laird on Rhythmic Patterns & Speech Patterns
ASTA 2018: Scott Laird on Identifying Rhythmic Function
zhlédnutí 148Před 6 lety
ASTA 2018: Scott Laird on Identifying Rhythmic Function
ASTA 2018: Darol Anger on Bluegrass Bow Shuffles
zhlédnutí 1,6KPřed 6 lety
ASTA 2018: Darol Anger on Bluegrass Bow Shuffles
ASTA 2018: Jeremy Cohen, "Tango Eight"
zhlédnutí 1,3KPřed 6 lety
Jazz violinist and educator Jeremy Cohen performs a solo rendition of "Tango Eight." Recorded in the D'Addario Artist Lounge on the convention floor of the American String Teachers Association 2018 Conference. Jeremy plays Zyex strings. Shop Zyex strings here: www.ddar.io/ASTA_Zyex For more from Jeremy, including upcoming projects and tour dates, visit: www.violinjazz.com/ Learn more at: orches...
ASTA 2018: Darol Anger on Long Bowing Meditations
zhlédnutí 195Před 6 lety
Iconic bluegrass fiddler Darol Anger discusses the challenge of monotonous long bowings and explores "meditating" on them as a possible solution. Recorded in the D'Addario Artist Lounge on the convention floor of the American String Teachers Association 2018 Conference. Darol plays Zyex strings. Shop Zyex strings here: www.ddar.io/ASTA_Zyex For more from Darol, including upcoming projects and t...
ASTA 2018: Christian Howes improvises on a Kreutzer Etude
zhlédnutí 295Před 6 lety
Jazz violinist, founder of the Creative Strings Academy, and composer Christian Howes explains how he takes inspiration from a traditional Kreutzer Etude for this improvisation. Recorded in the D'Addario Artist Lounge on the convention floor of the American String Teachers Association 2018 Conference. Christian plays Zyex strings. Shop Zyex strings here: www.ddar.io/ASTA_Zyex For more from Chri...
ASTA 2018: Jeremy Cohen on Right Hand Technique
zhlédnutí 298Před 6 lety
ASTA 2018: Jeremy Cohen on Right Hand Technique
ASTA 2018: Scott Laird on Limiting Variables
zhlédnutí 47Před 6 lety
ASTA 2018: Scott Laird on Limiting Variables
ASTA 2018: Scott Laird says "Put Down the Stick and Play with Your Ensemble!"
zhlédnutí 82Před 6 lety
ASTA 2018: Scott Laird says "Put Down the Stick and Play with Your Ensemble!"
ASTA 2018: Scott Laird on Exponential Crescendos
zhlédnutí 81Před 6 lety
ASTA 2018: Scott Laird on Exponential Crescendos
ASTA 2018: Christian Howes plays Two Free Improvisations
zhlédnutí 106Před 6 lety
ASTA 2018: Christian Howes plays Two Free Improvisations
ASTA 2018: Scott Laird Thinks of Scores as Graphs
zhlédnutí 61Před 6 lety
ASTA 2018: Scott Laird Thinks of Scores as Graphs
ASTA 2018: Scott Laird on Potential & Kinetic Energy in an Orchestra
zhlédnutí 117Před 6 lety
ASTA 2018: Scott Laird on Potential & Kinetic Energy in an Orchestra
ASTA 2018: Scott Laird on Tuning Pegs, Simple Machines, and Wedges
zhlédnutí 57Před 6 lety
ASTA 2018: Scott Laird on Tuning Pegs, Simple Machines, and Wedges
ASTA 2018: Darol Anger and the Amazing Fiddle Scale
zhlédnutí 712Před 6 lety
ASTA 2018: Darol Anger and the Amazing Fiddle Scale
ASTA 2018: Christian Howes's Mezzi Schizzi Project
zhlédnutí 68Před 6 lety
ASTA 2018: Christian Howes's Mezzi Schizzi Project
ASTA 2018: Scott Laird Applies STEM Concepts in Orchestra
zhlédnutí 466Před 6 lety
ASTA 2018: Scott Laird Applies STEM Concepts in Orchestra
ASTA 2018: Scott Laird, "Who Is the Student, and Who Is the Teacher?"
zhlédnutí 87Před 6 lety
ASTA 2018: Scott Laird, "Who Is the Student, and Who Is the Teacher?"
Chris Wyse, lead singer and bassist of the band Owl, discusses the completion of their second album, set to release at the end of 2024. He highlights his experience with different types of strings, specifically praising the versatility of the helicore hybrids for upright bass. Wyse prefers the helicore strings, noting their balance between bowing and finger playing, making them ideal for various styles. The video showcases different bass techniques, including tapping and melodic playing, demonstrating the range of styles in Owl's music. A snippet of a track from the new album, "Perfect," is included, giving viewers a taste of the band's sound.
These sets also come in sizes from 3/4 down to 1/4
These strings can also be used on Electric Violins.
I hope we can extend the line with an octave Violin C String, Octave Viola Strings (including a High E String), and many other Helicore Strings which are Helicore versions of extended range instrument strings that super sensitive used to make
I bet he’s friends with Yngwie
Great playing! Love it! Wonderful sound too, from the fiddle itself... using D'Addario strings? I'm a violinist and guitar player, and rate D'Addario guitar strings as absolutely the best I've ever used, over the last 50+ years. Seriously. But never tried D'Addario strings for my violin. If they make such strings I'll purchase some ASAP!
Excellent portrayal of the violin sic fiddle capabilities. Had that been presented at age 9 when Mother sent me off to school toting the " family" 3/4 violin, it mave have pict my interest enough to pursue a serious pursuit of fiddle mastery.
Very warm orchestral sound. I do like!!! Lot of bang for buck with these. Better, in my opinion, than Pro Arte (which are still good and a good value).
Yes Suzuki Violin Book 3 Humersque by Dvorak
There are also Helicore Solo Bass Strings so a Low D extended F# String should be added (and for 5 String Double Basses a Low C# String).
Holy mouth sounds, brotha needs to drink more water bc he's DEHYDRATED
D'Addario J610-3/4M ... made where,,,, are these ball end for double bass,,,, what u gots for 5 string double bass 3/4 ,, 4/4
her eyes are mesmerizing.
West Side Story Double Bass Cover Olivia Rodrigo Guts World Tour Golf 0:23
West Side Story Double Bass Cover Olivia Rodrigo Vampire Premiere
can you put them on a viola?
If my violin is sounding fine, is it necessary for a luthier to check and adjust the sound post once a year?
Thank you!
Excelente vídeo!
Why does this feel like the intro to a porno?
I'm glad I found this video. I was originally under the impression that the Helicore Fourths Tuning set was E1/A1/D2/G2, but it is actually not bass tuning, it's guitar tuning, E2/A2/D3/G3, one octave higher. The reason this is important to me is that I actually use D'Addario Prelude 4/4 cello strings on my Warwick short scale fretless bass guitar, tuned to cello tuning, and I am considering moving (back) to fourths tuning, but I do not want guitar tuning, I want something lower, although probably not bass & bass guitar E Standard. I will probably go for A1/D2/G2/C3 tuning, like the top 4 strings of a six-string bass guitar, or C2/F2/Bb2/Eb3.
I've tried it out and it's fantastic for not whistling on tricky double-stopping passages. I can highly recommend it.
I’d love to hear more of that !
Fantastic
Make sure it doesn't scratch the top... *Scratches the top*
Больно смотреть) Есть ведь специальные Helicore Octave от дадарио, на октаву ниже. Это и цивильней, и скрипка останется жива😅
Ahhhh.....thank you and Daddario so much for sharing this famous and unique bass with the world. even a few notes are valuable
Thanks👌🏽
Awesome!
Thank you for your video(s) - I listen to both demonstrations of the Helicore and the Kaplan double bass orchestral strings. I have always heard good things about the Kaplan strings. As I listened to both videos, I realized how much better the Kaplans sound, especially the E and A strings!
Thank you for your video(s) - I listen to both demonstrations of the Helicore and the Kaplan double bass orchestral strings. I have always heard good things about the Kaplan strings. As I listened to both videos, I realized how much better the Kaplans sound, especially the E and A strings!
THANK YOU Ive had the same strings for six years because I was terrified of changing them. This helped me take the plunge and my instumentsounds so much better now
MS LINDSEY,I SAW U A WHILE BACK WHEN A CO WORKER SHOWED ME THE VIDEO. I WAS IN AW WITH YOURE GOD GIVEN TALENT! TRULY AMAZING😮
Ohmygosh thanks so much I'm in 6th grade and my parents just bought me a new cello. I was tuning it and the a string just came off! I had a panic attack what a relief.
0:51 they DO choke up a bit no matter how good/great one's technique is. They should be played and treated (in my opinion) like gut strings - for the best tone anyway. It's not really like anyone is going to play a whole concerto or sonata (with piano) or showpiece by Paganini, decently, using these strings because they just can't take the pressure. They aren't loud enough to project in a hall but are fine when recording in a studio. No nasty overtones, very pleasant. I actually like to play Baroque pieces on these strings and I tune all four strings down a semitone for a bit more resonance ... and also it gets rid of squeaking and/or any "choke-y" squeaks.
So beautiful I like it❤❤❤😢
I loved every bit of it
That's a really smart invention, in my day we used thin pieces of colored tape to indicate each note; not sure if this is serrendipitous artificial intelligence evolving for students or someone's ingenius invention~
Whoa. I did not expect Liz to have an OnlyFans... That girl can take the whole bow. 😮
I think it is time you corrected this video Whilst a lot of double bassists do use ‘sticky’ resin others, like myself (I play both as an amateur and professionally), use ‘powder’ resin in fact Artcraft No7. One of your products. I am a luthier and the fourth generation in my family as a dealer, restorer etc. The resin does not or more correctly SHOULD not work in the way described. Hair is not “smooth” although the grades of hair are described as smooth to coarse and in Germany by ‘Mustang’ and ‘stallion’. Hair has hexagonal platelets which stick up from , and along the hair stem. When hair has not been resined; these platelets are pushed almost flush with the hair stem and it is difficult to make the instrument sound. I have one customer, an international bass player who can play with no resin at all! When resin is applied in the correct quantity, it ‘sticks’ underneath these platelets preventing them from being pushed flush to the hair stem. The result is a little like a saw blade and that is what makes the sound. If too much resin is applied then it does cover the surface of the hair and you will get a white noise type of sound overlaying the fundamental note and overtones. This has other detrimental effects like resin accumulating on the strings and the front of the instrument as can be seen on the violin in the video. The gentleman is correct in saying you should clean the strings after playing but you should also clean the area around the bridge. Assuming you are playing for three hours a day my recommendation is to put two strokes on once a week or even two weeks. You should not resin every time you play. The initial resining should apply more and I suggest resining quite quickly to break t through the gloss of a new resin and new hair and only for three inches near the frog. Once the resin starts to take you will feel the resistance change and then you should work the resin higher up until you get to the head or tip of the bow. When the new hair on the bow is first resined, you will have too much on but within half an hour the excess should be ‘bowed’ off and then the two strokes a week regime can be implemented. One other point. Please do not try and clean the hair of the bow. Generally, hair will only need cleaning when an excess of resin has been applied over a period of time. Some methods I have seen implemented have been relatively benign but others have damaged the bow, occasionally splitting the head by water getting into the head wedge.
Alexander Markov, U r my First Violinist!
! D
As a violist, I had no idea that the process would be so different for the double bass and viola
You helped me out thank you
I love them. Thanks.
The notebook has changed. The area taken up by your logo in the bottom right corner is where lyrics could have been written. This is unnecessary waste of space. For some of the orchestral scoring - with many staves - the lines are too close together, in my opinion, to be usable.