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Aaron Andrew Hunt
Germany
Registrace 8. 09. 2007
Composer and teacher of counterpoint
Inventor of the Tonal Plexus microtonal keyboard
Developer of software for music and publishing
Inventor of the Tonal Plexus microtonal keyboard
Developer of software for music and publishing
Mirror Fugue, Contrapunctus XIIa/b (The Apprentice of Fugue)
Composed and performed by yours truly, first "right-side-up" and then "upside down" (forma recta / inversa). In each case, the mirrored form (the one not sounding) is shown below in grey notes. The subject is of course by J.S. Bach, though I have changed the rhythm. The mirror technique can be learned by studying Bach's Art of Fugue.
Full Album: aaronandrewhunt.bandcamp.com/album/der-lehrling-der-fuga
Keyboard score: zwillinge.zentral.zone/katalog#ZV986414
Open score: zwillinge.zentral.zone/katalog#ZV986415
Full Album: aaronandrewhunt.bandcamp.com/album/der-lehrling-der-fuga
Keyboard score: zwillinge.zentral.zone/katalog#ZV986414
Open score: zwillinge.zentral.zone/katalog#ZV986415
zhlédnutí: 270
Video
Contrapunctus IV (The Apprentice of Fugue)
zhlédnutí 769Před 9 měsíci
Composed and performed by yours truly. The subject is of course by J.S. Bach, though I have changed the rhythm. The techniques used in this work can be learned by studying Bach's Art of Fugue. Full Album: aaronandrewhunt.bandcamp.com/album/der-lehrling-der-fuga Keyboard score: zwillinge.zentral.zone/katalog#ZV986414 Open score: zwillinge.zentral.zone/katalog#ZV986415
Contrapunctus X (The Apprentice of Fugue)
zhlédnutí 595Před 9 měsíci
Composed and performed by yours truly, featuring double counterpoint at the 10th. The main subject is of course by J.S. Bach, though I have changed the rhythm. The techniques used in this work can be learned by studying Bach's Art of Fugue. Full Album: aaronandrewhunt.bandcamp.com/album/der-lehrling-der-fuga Score (keyboard): zwillinge.zentral.zone/katalog#ZV986414 Score (parts): zwillinge.zent...
MIDI Keyboard mod: Nektar SE61 to wood harpsichord
zhlédnutí 10KPřed rokem
Almost all MIDI keyboards start and end on C. If you play harpsichord or other historical keyboards, you might rather have a keyboard starting and ending on F. Although you could get a 76-key keyboard starting on E, 76 keys are too many for historical instruments. 61 keys from F to F is an excellent range for a harpsichord (Bach's keyboard partitas call for such a keyboard, for example). Unfort...
Easter Hymn 207 (2001)
zhlédnutí 158Před rokem
Sung by the choir and congregation of St. Paul's Episcopal Church, Indianapolis, Indiana. Frank W. Boles, Director of music (Easter 2001). Arrangement for organ, brass and timpani with choir and descant by Aaron Andrew Hunt, from a set of 10 festival Easter hymn settings commissioned by St. Paul's Episcopal Church, 2001. Text: Latin 14th Century, translation Lyra Davidica, 1708, alt. stanza 4 C...
Domine Deus (1993)
zhlédnutí 119Před rokem
Mezzo-soprano Marylin Joy Coles, volunteer student ensemble, Eastern Illinois University, 1993 (premiere performance, live recording). From "Latin Mass" a.k.a. "Missa brevis" (1993-94) by Aaron Andrew Hunt About the work: The following movements were written and performed in 1993: - Kyrie - et in terra pax - Domine Deus The rest was drafted, but never performed.
et in terra pax (1993)
zhlédnutí 107Před rokem
Volunteer student choir and ensemble, Eastern Illinois University, 1993 (premiere performance, live recording). From "Latin Mass" a.k.a. "Missa brevis" (1993-94) by Aaron Andrew Hunt This choir and ensemble included many of my friends at the time. Today the singers would be using less vibrato. About the work: The following movements were written and performed in 1993: - Kyrie - et in terra pax ...
Kyrie (1993)
zhlédnutí 195Před rokem
Volunteer student choir and ensemble, Eastern Illinois University, 1993 (premiere performance, live recording). From "Latin Mass" a.k.a. "Missa brevis" (1993-94) by Aaron Andrew Hunt This choir and ensemble included many of my friends at the time. Today the singers would be using less vibrato. About the work: The following movements were written and performed in 1993: - Kyrie - et in terra pax ...
Mirror Canon in g for solo Violin (1997)
zhlédnutí 182Před rokem
A single line is formed out of an interlocking mirror canon at the fifth.
BWV 202.3 “Phöbus eilt mit schnellen Pferden”, Bearbeitung mit Violin obligato
zhlédnutí 164Před rokem
I wrote only the violin part (12. February 2023), J.S. Bach wrote everything else. Performed by Amsterdam Baroque Orchestra with Ton Koopman, sung by Dorothee Mields (obligato track added by me). Compare with the original performance here: czcams.com/video/H8WT59y1j74/video.html By the way, Bach wrote some very dissonant counterpoint here (for example, 99978 in 16ths), as well as an instance of...
BWV 169.2 “Gott soll allein mein Herze haben”, mit Violin obligato
zhlédnutí 153Před rokem
I wrote only the violin part (4. February 2023 - and in this score I forgot to put the asterisk by the indication * Violin on the top staff), J.S. Bach wrote everything else. Original recording by John Eliot Gardiner (obligato track added by me). This is part of an ongoing project to add obligato instrumental parts to all of Bach's continuo arias (those arias from his Cantatas which were writte...
BWV 185.5 Version 3: “Das ist der Christen Kunst”, mit zwei Violinen obligato
zhlédnutí 80Před rokem
I wrote only the two violins obligato (22. January 2023), J.S. Bach wrote everything else. This is the third of three versions, each of which explores a slightly different approach to the obligato part(s). Original recording by the Netherlands Bach Society, sung by Dominik Wörner (obligato track added by me). Version 3: Two violins in tight imitative counterpoint throughout. (Compare with Versi...
BWV 185.5 Version 2: “Das ist der Christen Kunst”, mit Violin obligato
zhlédnutí 89Před rokem
I wrote only the violin/organ part (15. January 2023), J.S. Bach wrote everything else. This is the second of three versions, each of which explores a slightly different approach to the obligato part(s). Original recording by the Netherlands Bach Society, sung by Dominik Wörner (obligato track added by me). Version 2: Uses arpeggiation, imitation only at key moments ("Das ist"), treats the circ...
BWV 185.5 Version 1: “Das ist der Christen Kunst”, mit Violin obligato
zhlédnutí 103Před rokem
I wrote only the violin/organ part (8. January 2023), J.S. Bach wrote everything else. This is the first of three versions, each of which explores a slightly different approach to the obligato part(s). Original recording by the Netherlands Bach Society, sung by Dominik Wörner (obligato track added by me). Version 1: Starts with the inversion of Bach's theme, incorporates some other points of im...
BWV 211.6 "Mädchen, die von harten Sinnen", Bearbeitung mit Orgel obligato
zhlédnutí 197Před rokem
I wrote only the organ part (29.January 2023), J.S. Bach wrote everything else. Original recording by Masaaki Suzuki (obligato track added by me). This is part of an ongoing project to add obligato instrumental parts to all of Bach's continuo arias (those arias from his Cantatas which were written for continuo and voice alone without any additional obligato instruments). My reason for doing thi...
S. Delplace - Prélude (& Fugue) en mi majeur
zhlédnutí 264Před rokem
S. Delplace - Prélude (& Fugue) en mi majeur
Mirror Canons: Prelude & Invention III
zhlédnutí 287Před 2 lety
Mirror Canons: Prelude & Invention III
Invention VI: mirror canon at the upper 3rd
zhlédnutí 401Před 2 lety
Invention VI: mirror canon at the upper 3rd
BWV 162.3 “Jesu, Brunnquell aller Gnaden”, Bearbeitung mit Violin obligato
zhlédnutí 358Před 2 lety
BWV 162.3 “Jesu, Brunnquell aller Gnaden”, Bearbeitung mit Violin obligato
BWV 28.5 “Gott hat uns im heurigen Jahre gesegnet”, Bearbeitung mit Violin obligato
zhlédnutí 202Před 2 lety
BWV 28.5 “Gott hat uns im heurigen Jahre gesegnet”, Bearbeitung mit Violin obligato
BWV 39.4 “Wohl zu thun und mitzutheilen”, Bearbeitung mit Violin obligato
zhlédnutí 63Před 2 lety
BWV 39.4 “Wohl zu thun und mitzutheilen”, Bearbeitung mit Violin obligato
BWV 165.3 “Jesu, der aus grosser Liebe”, Bearbeitung mit Oboe d’amore obligato
zhlédnutí 151Před 2 lety
BWV 165.3 “Jesu, der aus grosser Liebe”, Bearbeitung mit Oboe d’amore obligato
BWV 162.5 “In meinem Gott bin ich erfreut”, Bearbeitung mit Violin obligato
zhlédnutí 142Před 2 lety
BWV 162.5 “In meinem Gott bin ich erfreut”, Bearbeitung mit Violin obligato
BWV 61.5 “Öffne dich, mein ganzes Herze”, Bearbeitung mit Violin obligato
zhlédnutí 883Před 2 lety
BWV 61.5 “Öffne dich, mein ganzes Herze”, Bearbeitung mit Violin obligato
BWV 177.2 “Ich bitt' noch mehr, o Herre Gott”, Bearbeitung mit Violin obligato
zhlédnutí 66Před 2 lety
BWV 177.2 “Ich bitt' noch mehr, o Herre Gott”, Bearbeitung mit Violin obligato
BWV 168.5 “Herz zerreiß des Mammons Kette”, Bearbeitung mit Violin obligato
zhlédnutí 164Před 2 lety
BWV 168.5 “Herz zerreiß des Mammons Kette”, Bearbeitung mit Violin obligato
Hello, I'm working on a project very similar to yours. I'm thinking of using a Nektar SE61 or GX61 keyboard. But unlike yours, I already have the wooden case built, I'm going to use an instapiano GEM electric piano from the 70s. Can you tell me the measure between the first and last keys? I have a space of 33 1/2 inches to use on my piano.
The keys of the SE61 from edge to edge are about 84 cm across, but the structure supporting the keys requires more horizontal room than that, which I can't measure because it's built into the wooden sides. You should probably allow for around 88 cm width. (Note that key widths are not consistent between different keyboard brands and models!)
The key !?!? no FATAR product
nice job but the sound of the keys at the end is very loud, I thought you would put rubber or silicone on the stops of the keys so that they would not have any knocking sound but no, the keys have a dry wooden knocking sound, wow
It must be really satisfying when the end product looks and works so well. Thank you also for sharing this video for what must have taken hours to make the instrument and ultimately the editing of the footage which is a task in itself.
Thank you. There are so many people making such high-quality videos on CZcams, my efforts in that regard are very amateur, but the editing was a learning experience and I hope my future videos might be better.
Fantastic!!!! Kudos!!!! Incredible!!!!!!
Thank you :)
Question. I buy the kit and the contacts go to the contact strip under the pedals. What does the other end go into? Do I need a power supply?
When you buy the kit everything is more or less self-explanatory, but midi-boutique.com can answer whatever questions you have about it.
@@AaronAndrewHunt Thank You
Do you do some for sale?
I would like to do that, but no, unless you're in Germany, it's not practical; sorry.
@@AaronAndrewHunt I would have paid for shipping though. I wanted wooden keys for a Hauptwerk project. But That’s okay. Thank you so much for the reply though. You are doing an amazing work!!
@@josephlittle-organist Thank you.
welche software wird genutzt? What Sample you use? or is it Pianoteq Physical Modelling?
Die Software ist Hauptwerk und das Instrument ist "Cembalo Mietke" von Sonus Paradisi.
@@AaronAndrewHuntvielen Dank. Hab ich mir fast gedacht. Fand das Video u.a. deshalb interessant, weil ich auf ähliche weise mit einem günstigen Midi-Keyboard mein Elka-Midi-Basspedal retten möchte. Hab zum Glück das gleiche nochmal gebraucht kaufen können, aber das defekte will ich nicht wegschmeißen sondern umbauen. Liebe Grüße
@@Keyboardhugo das Projekt klingt ja spannend. Viel Glück bei dem Umbau!
@@AaronAndrewHunt Danke. wird aber noch eine Weile dauern. Nach einer Schulter-OP bin ich erstmal eine Weile als einarmiger Bandit unterwegs… Wenn ich das Projekt angehe werde ich das wohl auch auf meinem Videokanal veröffentlichen, wie ich das auch mit dem 3. Manual an der Kirchenorgel meiner Gemeinde gemacht habe. lg
Meine Ohren in Equal sind 60Jahre durch gerade Musik versaut.Das Tuning darf befreit werden!😂🎉🎉🎉
Geiles Microtonales Teil😂❤❤❤
Gut gemacht😂❤
Vielen Dank.
How did you cut the circuit board of the keybed? Been looking to do the same think. But wondered how destructive chopping an octave off would be to the keybed matrix.
Circuit boards are not cut. All the electronics stay as they are. Only the plastic is cut and the plastic keys are moved.
@@AaronAndrewHunt Alright. Seemed like chopped off some keys too. But I was wrong apparently.
so sick it looks beautiful
I'd like to know who the tenor is. Great voice😍
Man..can you sell me one....? Im trying so hard to find a keyboard f to f...
Roland used to sell a sampled harpsichord F to F (very expensive). I'm not selling these, but if you don't need the "wood conversion", moving the key-tops is not too difficult, so maybe you can manage it yourself using the video as a guide. I would recommend starting with a better keyboard than this one.
@@AaronAndrewHunt thanks for the reply! Would the interiors be similar on other keyboards in your opinion?
@@seok84 The trick is to find one that doesn't use springs. That's not easy to know in advance, but if you have a keyboard in mind, search CZcams for "teardown" or "repair" on that keyboard and you may be able to see inside. Many if not most Yamaha keyboards will work.
@@AaronAndrewHunt thanks for your kind replies!
@@seok84 You're welcome, and good luck!
kinda thinking to conver this midi controller into my favorit korg m1 synth looks, thankyou for the idea!
Absolutely beautiful.
Das ist wirklich sehr beeindruckend !!! Ich hatte mal für mich überlegt, ob es sich vielleicht lohnt meinen alten Eierschneider von Neupert (Cembalo von 1927) zu midifizieren, da ich das Spielgefühl mit dem präzisen Druckpunkt auch von sehr hochwertigen Klaviaturen bei DigitalOrgeln bisher unerreicht finde - leider bin ich handwerklich nicht so versiert und technisch auch bei weitem nicht so gut ausgestattet - tatsächlich versuche ich gerade die kleine Walcker Orgel in Dortmund Oespel (1902 pneumatisch II / 8) durch ein zusätzliches MidiKeyboard "aufzupimpen" und die Pedaltasten zu midifizieren - natürlich ohne in die Substanz der Orgel einzugreifen herzlichen Dank für das tolle Video
Vielen Dank, Oliver :-) Falls du die Orgel dort mal richtig midifizieren möchtest, könnte ich da wahrscheinlich helfen (wohne in Bochum, also nicht so weit weg von dir). Schick mir doch einfach eine E-Mail, dann können wir darüber reden. Schöne Grüße, AAH
Beautiful job! The end screw hole on the right could have been filled and then re-drilled.
This is absolutely amazing!b
Are you selling these?
No. I've tried to show how it's done so you can make your own. If you have questions you can contact me through the contact page of my website (search my full name). Best wishes
WHEWW, that's some hard sticking.......
I have actual wood keybeds to build my own wooden custom synths and controllers.. This conversion looks to be much cheaper than what I have but since I do not have the right tools to make custom keytops, I have to settle for using pre manufactured wood keys instead. Not complaining.. AT ALL!! Wooo!
Sounds nice! Actual wood keys are a lot better, of course. The plastic keys are still far too light. I added weights, which helps, and the feel is definitely superior to plastic alone, but it's not like solid wood. If you share your work online, please send me a link.
Amazing! I'll have to return to study this one day...
I was looking for the quality of this controller. But Damn!!! I cannot believe in see your hablity to ransform a common instrument into a strange and mystic master piece!!!
You're very kind! In terms of the quality of the keybard, it's very cheap, but works okay for my purposes. It's velocity response is quite poor, so if you want to use it for piano sounds, I don't recommend it.
Amazing! Truly brilliant work.
Thanks for your kind words.
Love it, thx a lot, please more
That is a real delight to hear your fugue, so well written, thank you for posting this piece Mr. Hunt
Spectacularly wonderful music. It will be the best to see your music from your 24 P&F Book 1. There are not so many known recording for it unfortunately.
Thank you! There are a few performances on CZcams of pieces from the first book. I've also started a third book this year. So, we'll see!
I like this. More please. I would have gone for a C# at 1:41 but I have no idea what I'm talking about. 🙂
Someone has clearly been studying the Great Bach! Amazing composition!
Amazing, more pls !
This is a nice song. Super catchy
I like this! Nice job. It's also a great piece from Bach
Thanks for posting. I played this piece my junior year of high school and Stamina my senior year. I also played with "real" dynamics.
great video, great builder! thanks for sharing
super nice. Where can you buy one ?
Hi,what is the level of velocity (sensitivity) ?
It is not velocity sensing. A velocity sensing version was also developed, called the Megaplex, but only a few of those were made.
@@AaronAndrewHunt shit ! ;D
Love the sound!!!!
very nice Aaron.. excellent playing also !
Amazing!
What did you use for the dampening material at 38:50?
Standard 15x2mm self-adhesive foam rubber. Not shown in the video: On both ends I added 0.5mm double-sided adhesive foam to hold the top piece firmly in place, because it was still making a little noise. BTW, I also ended up putting weights in the keys to improved the action.
I have seen people put wood under the keys to increase the mass too.
Looks cool! and seems like a fun project for the weekend. I'm tempted to do this to my old Microkorg.
woah... i have that exact same midi keyboard i am tempted
Fresh!
were harpsichords first key an F?
There was / is still a lot of variety, but larger instruments went / go down to low F or G.
Looks gorgeous!
Very cool! Laminated and waxed pitch bend wheel, when? 😁
Thanks! I made wood pitch bend and mod wheels on the Korg mikrokey 61 which you can see at 15:57
Fair enough 😂
Pretty cool! Wish I had the tools to do this.