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Michele Angelini, Tenor
Registrace 3. 03. 2013
Michele Angelini has an impressive career as one of the world's leading opera singers specializing in the Bel Canto masters. He has performed at The Metropolitan Opera, The Royal Opera House Covent Garden, Théâtre des Champs Elysées, The Edinburgh International Festival, Teatro Real Madrid, The Staatsoper unten den Linden Berlin, the Bolshoi, The Royal Swedish Opera, Teatro dell’Opera di Roma, Teatro Comunale di Bologna, Maggio Musicale Fiorentino, among many other theaters.
Praised for his beautiful tone, masterful technique, and dazzling virtuosity, Angelini is quickly establishing himself as one of the foremost performers of his generation, dedicated to singing with consummate style, elegance, and excitement.
Please visit: www.micheleangelini.com for more information and upcoming performance dates.
linktr.ee/AngeliniTenor
Michele Angelini - Verdi - Falstaff - Fenton’s Aria
Returning to the role that began it all, Fenton in Verdi’s final masterpiece, Falstaff. This was my very first role when I was 19 and has remained a role close to his heart, even if I haven’t been offered many occasions to sing it. I’m thrilled to have had this recent opportunity and am delighted to share this with you.
zhlédnutí: 209
Video
O sole mio - Michele Angelini
zhlédnutí 383Před 8 měsíci
Once in a while we do things out of love, so I agreed to sing Eduardo di Capua’s beloved song, “O sole mio” for my sister’s wedding! I hope you will enjoy it!
Michele Angelini - Handel - The Messiah - Comfort ye...Ev'ry valley
zhlédnutí 366Před 8 měsíci
A live performance of Michele Angelini as soloist in Part 1 of Georg Friedrich Handel's seasonal masterpiece, "The Messiah." “Comfort ye, comfort ye my people, saith your God. Speak ye comfortably to Jerusalem, and cry unto her, that her warfare is accomplished, that her iniquity is pardoned. The voice of him that crieth in the wilderness, Prepare ye the way of the LORD, make straight in the de...
Michele Angelini - Pacini - Gli arabi nelle Gallie - Agobar's Act 1 Aria
zhlédnutí 1KPřed 10 měsíci
A live performance of Michele Angelini singing a treacherously difficult aria for Agobar in the first act of Pacini's "Gli arabi nelle Gallie" in 2023.
Michele Angelini in 2007 with Renata Scotto & La Barcaccia - Aria di Don Ramiro - Rossini
zhlédnutí 385Před rokem
In honor of the passing of the legendary Renata Scotto, I decided to upload this memory. I began studying with Renata in 2004 and my last collaboration with her was my debut as Elvino in her production of "La sonnambula" (Bellini) with Florida Grand Opera in 2013. In autumn of 2007, I made my debut as Ferrando in "Così fan tutte" with the Teatro dell'Opera di Roma and Renata had graciously atte...
Pacini - Love Duet theme from “Gli arabi nelle gallie”
zhlédnutí 828Před rokem
Working on the role of Agobar from Pacini’s 1827 hit, “Gli arabi nelle gallie” - have a listen to this gorgeous melody in the love duet with Ezilda!
Tenor’s candid thoughts about role preparation! How do we learn new music?
zhlédnutí 277Před rokem
Hi guys! It’s just me thinking aloud about some of the challenges we singers have to face when preparing new music and some of the tools I use to help me overcome them. This is completely off-the-cuff and unscripted. I hope that you will find it interesting and helpful, especially if you are a singer or someone who works with singers. Stay tuned for more in the near future!
Wait…he wrote what for tenor??
zhlédnutí 633Před rokem
I was excited when I was asked to take part in the first modern performances of one of the most popular operas of the 1830s, with a star tenor role written for the great Giovanni David, in Pacini’s “Gli arabi nelle gallie” (The Arabs in Gaul). It’s one of the more challenging roles I’ve taken on, not least in part because we must decipher a contemporary hand-written piano-vocal score and an err...
Michele Angelini - Se il mio nome - Rossini - Barbiere di Siviglia - Role Debut & 50th Performance!
zhlédnutí 419Před rokem
This video was created to celebrate Michele Angelini's 50th performance as Conte Almaviva in 2018 by juxtaposing the recording of his professional debut in the role in 2012 and that 50th performance. Please keep in mind that the second recording, part of a series of performances with period instruments, is at a lower diapason (A=430), whilst the first is at the standard (A=440).
Marigona Qerkezi & Michele Angelini - Duet - Anna Bolena - LIVE
zhlédnutí 287Před rokem
The famous duet from Act 1 of Gaetano Donizetti's "Anna Bolena" with soprano Marigona Qerkezi and tenor Michele Angelini.
World Famous Tenor Makes French Omelette - Cooking with The Mikey
zhlédnutí 222Před rokem
World Famous Tenor Makes French Omelette - Cooking with The Mikey
Michele Angelini - Intesi...Tu seconda il mio disegno - Rossini - Il turco in Italia - LIVE
zhlédnutí 365Před rokem
Michele Angelini - Intesi...Tu seconda il mio disegno - Rossini - Il turco in Italia - LIVE
Michele Angelini - Un vago sembiante - Rossini - Turco in italia - LIVE
zhlédnutí 263Před rokem
Michele Angelini - Un vago sembiante - Rossini - Turco in italia - LIVE
Michele Angelini/Viktorija Miškūnaitė - Halévy - La Juive - Duet - LIVE
zhlédnutí 227Před rokem
Michele Angelini/Viktorija Miškūnaitė - Halévy - La Juive - Duet - LIVE
Michele Angelini - Rossini - Otello - Aria - DEBUT
zhlédnutí 932Před rokem
Michele Angelini - Rossini - Otello - Aria - DEBUT
Michele Angelini - La speranza più soave - LIVE - Feb 2020
zhlédnutí 421Před rokem
Michele Angelini - La speranza più soave - LIVE - Feb 2020
Michele Angelini - Ah dov'è, dov'è il cimento - LIVE Feb 2020
zhlédnutí 493Před rokem
Michele Angelini - Ah dov'è, dov'è il cimento - LIVE Feb 2020
Rossini - Armida - Terzetto - Michele Angelini - LIVE - Krakow
zhlédnutí 293Před rokem
Rossini - Armida - Terzetto - Michele Angelini - LIVE - Krakow
Rossini - Armida - Duet - Michele Angelini & Fan Zhou - LIVE - Krakow
zhlédnutí 272Před rokem
Rossini - Armida - Duet - Michele Angelini & Fan Zhou - LIVE - Krakow
Rossini - Armida - Tenor Terzetto - Michele Angelini - LIVE
zhlédnutí 295Před rokem
Rossini - Armida - Tenor Terzetto - Michele Angelini - LIVE
Rossini - Armida Duet - LIVE - Ruth Iniesta & Michele Angelini
zhlédnutí 429Před rokem
Rossini - Armida Duet - LIVE - Ruth Iniesta & Michele Angelini
Michele Angelini - Mayr - Medea in Corinto - Act 2 - Live - 4/12/21
zhlédnutí 179Před rokem
Michele Angelini - Mayr - Medea in Corinto - Act 2 - Live - 4/12/21
Michele Angelini - Mayr - Medea in Corinto - Act 1 - LIVE - 4/12/21
zhlédnutí 110Před rokem
Michele Angelini - Mayr - Medea in Corinto - Act 1 - LIVE - 4/12/21
Michele Angelini - Mayr - Medea in Corinto - Act 2 Aria - LIVE - 27/11/21
zhlédnutí 104Před rokem
Michele Angelini - Mayr - Medea in Corinto - Act 2 Aria - LIVE - 27/11/21
Michele Angelini - Mayr - Medea in Corinto - Act 1 Aria - LIVE - 27/11/21
zhlédnutí 174Před rokem
Michele Angelini - Mayr - Medea in Corinto - Act 1 Aria - LIVE - 27/11/21
Michele Angelini - Dorvil's Aria - La scala di seta - 2021 - LIVE
zhlédnutí 1,1KPřed 2 lety
Michele Angelini - Dorvil's Aria - La scala di seta - 2021 - LIVE
Michele Angelini - MET DEBUT 2016 - Guillaume Tell
zhlédnutí 793Před 2 lety
Michele Angelini - MET DEBUT 2016 - Guillaume Tell
Michele Angelini - Tosti - L'ultimo bacio - 2020 Quarantine Series
zhlédnutí 724Před 2 lety
Michele Angelini - Tosti - L'ultimo bacio - 2020 Quarantine Series
Michele Angelini - Cardillo - Core 'ngrato - 2020 Quarantine Series
zhlédnutí 730Před 2 lety
Michele Angelini - Cardillo - Core 'ngrato - 2020 Quarantine Series
Michele Angelini - Donizetti - Ah, rammenta, o bella Irene - 2020 Quarantine Series
zhlédnutí 568Před 2 lety
Michele Angelini - Donizetti - Ah, rammenta, o bella Irene - 2020 Quarantine Series
NOBODY holds it that long! Bravo. No, you definitely DON'T want to go with a narrow 'E' vowel. You want it open and free. Focused but free. You should be a fine Arturo.
"Swedish"...
You certainly know he's arrived!
Et en plus vous trillez !
bravissimoooooooo
beautiful voice, amazing
Спасибо за уникальную оперу. Исполнение великолепное. Микеле Анжелини, Давид Лучано бесподобны. Людмила из Санкт-Петербурга
beautiful
Wspaniałe głosy. Zwłaszcza hrabia Almaviva i Figaro. Rozyna tez. Słucham po raz pierwszy a już parę wersji widziałam i słyszałam. Naprawdę dobrzy są.
BRAVÍSSIMO!SAUDAÇÕES DO BRASIL!
bravissimo !!!! beautiful voice
Beautiful!
Gorgeous singing! And such a beautiful, legato line.
Absolutely fantastic
Thank you!
AMAZING - TOTALLY AMAZING.......................INCREDIBLE
Michele, you are a genius
Bravo, savage Bel Canto 🙌🏼👌🏼
Bella voce ! Tempi un po lenti per cominciare
bravo
Thank you for this great performance! :)
What a beautiful performance! I heard and saw you singing at the Concertgebouw Amsterdam in Semiramide. You made a very huge impression then. What a voice and stage presence. Bravo!
Grazie mille! A quanto ho capito, si tratta di quella sfortunato spettacolo in cui parte delle esibizioni erano accompagnate dal pianoforte, visto che l'orchestra era in sciopero? È bello che qualcuno lo abbia filmato comunque, perché l'interpretazione è eccellente, il cast è molto omogeneo, non ricordo nemmeno che ci fossero due tenori così buoni, anche Abbado ha avuto problemi con questo. Bravi Enea Scala e Michele Angelini! Anche Donata Annunzio-Lombardi e Mirco Palazzi hanno cantato ad altissimo livello, paragonabile a Caballe e Furlanetto. Mi sono piaciuti anche gli altri solisti. La più difficile è stata da cantare, forse, Ruth Rosique, visto che davanti agli occhi di tutti (o meglio, nelle orecchie) lo standard era l'incomparabile Cecilia Gasdia. Qui era chiaramente necessario inventare qualcosa di completamente diverso, e Rosique ha affrontato questo problema; la sua Corinna è molto diversa da tutte le altre Corinna che abbiamo ascoltato. A livello produttivo, mi è piaciuto che fosse la musica in primo piano, e non le sciocchezze del regista, come ormai sempre e dovunque, ne “Il Viaggio” almeno Micheletto. L'unica cosa era che il palco sembrava angusto, con le pareti a strapiombo da un lato e una piscina dall'altro. Spero che Palazzi e Scala non abbiano preso il raffreddore.)) Allora, cosa abbiamo adesso? Tre Abbado (Pesaro, Vienna e Berlino), Dantone (La Scala), Barbacini (Helsinki), Lopez-Cobos (Barcellona), Gatti (Pesaro), Montanari (Roma), Zedda (La Coruña), e Rustione - Firenze! Non male, visto che “Il Viaggio" si può ascoltare ancora e ancora, è "un’opera delle opere”!
falsetto
Someone unaliveeeee the conductor.
Bravi belli!
Wonderful!
It just shows how low we have sunk as a culture that any tenor that can get all the notes is hailled as the best thing since sliced bread!
Più lo ascolto e più sono convinto che questo à un vero BIJOUX!!!
🔥🔥
Beautiful voice with so much warmth.
It's perfect, may I suggest you think an ee as in smile, the word Nero, or the the English word 'Nay'
Inhalare la voce, your public sits behind you
If I may, that is exactly the vowel I am avoiding to sing. Quite frankly, too many tenors are taught to squeeze down on closed vowels and this is why they struggle to sing high notes. It may have been necessary for a singer like Rubini who sang with a falsettone, which would have allowed the sound to be more pointed and directed, but singing with a fully connected head voice doesn’t need to be squashed down, it needs to be vertical and released. If you watch, my approach is very simple: begin in a tall position so that the lower notes are already accomodating the space needed for the C#, taking care to let them vibrate, which allows for a proper legato for the larger interval. Once there, I keep the note (the breath) moving as much as possible, a small diminuendo before returning to full volume while deeping the note, always thinking of verticality and upwards release. To sing the vowel you suggest would not allow me or anyone to achieve that kind of balance, and it often results in a very forward, nasal, and spread sound, which is, frankly, unattractive, but is sadly the sound we have all grown accustomed to from tenors, particularly in Belcanto works. I hope that helps. :)
I could not agree more , you are absolutely right. Been watching your vid for a few times now and indeed the vertical approach and preparation in the lower notes before works perfectly. I'm a tenor myself and learned something from you. Thnx!
May i ask if you keep your larynx low postioned on E before singing C#? Your vowel sounds do beautifully open up there.
@@RonaldOudmans I find it is unhelpful to think too much about the larynx. It needs to be natural and bouyant, automatically in the appropriate position…you should only be worried if you feel or see it coming up, but “holding or pushing it down” only creates unnecessary and unhelpful tension. The breath is more important to focus on.
È incredibile come la voce di Michele Angelini assomigli a quella di Nicola Monti, hanno entrambi delle voci così belle
beautifully done
Hmmm! Beautiful voice but not in Neapoletan! Italian language never works on this song
Wen, it's in Neapolitan..."na jurnata" and "fenesta" are not Italian words. But you prefer to hear "Soluh" and I prefer to sing "Sole".
BOOO I support no one who sang this like Il VOLO, poor audiences @@MicheleAngeliniTenor
@@MaestroWenarto I did not sing this like them…but the pianist (the groom) wanted it like that for his wedding.
👏👏👏👏👏👏👏👍👍👍👍👍👍⭐️⭐️⭐️⭐️⭐️
I personaggi del don Giovanni che escono dai cessi pubblici, con tanto di water? Chi è il genio che ha avuto questa bella idea? A me pare che l'ìdiozia dei registi teatrali ha raggiunto livelli difficilmente superabili.
👏❤✨Bravo Michele!
beautifully sung, bravooooo bravissimo......especially every valley!!!
I am so glad you like it! 🙏🏼❤️
OMG!❤
don Michele, you NEVER disappoint! LOVE the final cadenza!
Thank you! 🙏🏼
Quien te enseño o de que escuela eres?
Interesting. I have a score of this as published by Ricordi in the 1800s and the tenor role doesn't go there above B, I assume the autograph score does? I have wondered this since I heard Giuseppe Morino sing a high E-flat in the main aria.
Nice!❤️❤️❤️👏👏👏
un dongiovanni a lieto fine. bravi. !!!. grande direttore d orchestra e voci all altezza.
Trasposizione troppo moderna,il Don Giovanni è visibile all' occhio di donna Anna fin da subito come allora non riconoscerlo nell' amico che sempre ha conosciuto?..... Assurdo.
listening again
Браво. Очень красивый голос. Спасибо🎉
,,Анна Болейн ,,самая любимая опера. Вы супер🎉
Это великолепно❤ Когда будете выступать в Москве?
Splendid singing as usual ❤