![FILM-DIGITAL](/img/default-banner.jpg)
- 79
- 646 853
FILM-DIGITAL
Germany
Registrace 18. 01. 2015
FILM-DIGITAL was founded in 2003. With a lot of passion on the one hand for technology and on the other hand for historical film material, FILM-DIGITAL film transfer equipment has been and will be permanently developed and improved.
The goal is to create high-quality transfer technology for Super 8, Normal 8 and 16 mm, which meets the professional demands of film production companies, digitization studios, universities etc., but which is also affordable and easy to use for ambitious private users. Our customers can integrate their own camera and projectors into the modular film transfer system.
The fact that we are not only involved in development but are also active as a digitization service provider helps us to always recognize new requirements and to implement them technically.
If you have any questions about film transfer, please do not hesitate to contact us.
Onlinestore: www.film-digital.com
The goal is to create high-quality transfer technology for Super 8, Normal 8 and 16 mm, which meets the professional demands of film production companies, digitization studios, universities etc., but which is also affordable and easy to use for ambitious private users. Our customers can integrate their own camera and projectors into the modular film transfer system.
The fact that we are not only involved in development but are also active as a digitization service provider helps us to always recognize new requirements and to implement them technically.
If you have any questions about film transfer, please do not hesitate to contact us.
Onlinestore: www.film-digital.com
Le migliore regole della camera per la digitalizzazione Super 8 con Panasonic Lumix GH5 / GH6 / GH7
Impostazioni consigliate della fotocamera per il trasferimento di pellicole Super 8 e 16 mm con
il sistema di trasferimento di www.film-digital.com e Panasonic Lumix GH5 / GH6 / GH7
il sistema di trasferimento di www.film-digital.com e Panasonic Lumix GH5 / GH6 / GH7
zhlédnutí: 38
Video
Beste Kameraeinstellungen für Super 8 Digitalisierung mit Panasonic Lumix GH5 / GH6 / GH7
zhlédnutí 43Před dnem
Empfohlene Kameraeinstellungen für Filmtransfer Super 8 und 16 mm mit dem Transfersystem von www.film-digital.com und Panasonic Lumix GH5 / GH6 / GH7
Best camera settings for Super 8 digitization with Panasonic Lumix GH 5/ GH6 / GH7
zhlédnutí 91Před dnem
Recommended Camera Settings for Film Transfer Super 8 and 16 mm with the Transfer System of www.film-digital.com and Panasonic Lumix GH5 / GH6 / GH7
Meilleurs réglages de la caméra pour la numérisation Super 8 avec Panasonic Lumix GH5 / GH6 / GH7
zhlédnutí 18Před dnem
Paramètres de caméra recommandés pour le transfert de films Super 8 et 16 mm avec le système de transfert de www.film-digital.com et Panasonic Lumix GH5 / GH6 / GH7
Mejor configuración de cámara para digitalización Super 8 con Panasonic Lumix GH5 / GH6 / GH7
zhlédnutí 34Před dnem
Configuración recomendada de la cámara para la transferencia de películas Super 8 y 16 mm con el sistema de transferencia de www.film-digital.com y Panasonic Lumix GH5 / GH6 / GH7
Reupload: Super 8 Digitalisierung in 18 fps mit BMPCC 4k
zhlédnutí 207Před 2 měsíci
verwendetes Equipment: - Filmtransfer-Bundle 7001 (www.film-digital.com), bestehend aus Filmtransfer-Objektiv, LED-Set und Blackmagic Pocket Cinema Camera / BMPCC4k - Projektor: Bauer T610 bzw Bauer T502, nicht umgerüstet optional: Kontrollmonitor: Feelworld T7 SSD-Festplatte (USB-C): Samsung T5 / T7 Kapitel: 00:00 Unterschied Projektionslook und Digitalisierung 01:39 Das FILM-DIGITAL-System 02...
Reupload: Super 8 digitizing in 18 fps with Blackmagic Pocket Cinema Camera 4k
zhlédnutí 204Před 2 měsíci
Equipment used: - Film transfer bundle 7001 (www.film-digital.com), consisting of film transfer lens, LED set and Blackmagic Pocket Cinema Camera / BMPCC4k - projector: Bauer T610 or Bauer T502, not converted optional: Control monitor: Feelworld T7 SSD hard disk (USB-C): Samsung T5 Chapter: 00:00 Difference projection look and digitizing. 01:39 The FILM DIGITAL system 02:17 The Blackmagic Pocke...
The "Universidad de Alicante" digitizes Super 8 sound film with FILM-DIGITAL equipment.
zhlédnutí 366Před 4 měsíci
The "Universidad de Alicante" digitizes Super 8 sound film with FILM-DIGITAL equipment./ Author: Ivan Montiel Martínez Equipment: Elmo ST-1200D, Blackmagic Studio Camera, Optics: 5007, LED set: 4001 Onlinestore: www.film-digital.de La Universidad de Alicante digitaliza película sonora Super 8 con equipos FILM-DIGITAL./ Autor: Ivan Montiel Martínez Equipo: Elmo ST-1200D, Cámara Blackmagic Studio...
Digitizing Super 8 - Flicker Free
zhlédnutí 541Před 7 měsíci
How can Super 8 projector and camera be synchronized during film transfer? What is the relationship between projector speed, 3 shutter blade and camera shutter speed? www.film-digital.com
Super 8 digitalisieren ohne Flackern
zhlédnutí 906Před 7 měsíci
Wie kann man Super 8-Projektor und Kamera beim Filmtransfer synchronisieren? Wie sind die Zusammenhänge zwischen Projektor-Tempo, Flügeblende und Shutterzeit der Kamera? www.film-digital.com
Super 8 Film Transfer with FILM-DIGITAL equipment and OBS studio
zhlédnutí 747Před rokem
Film transfer equipment for Super 8, Regular 8 mm and 16 mm: en.film-digital.com How to digitize Super 8 and mirror it at the same time? It's easy with the freeware OBS Studio. In this video we go into detail about FILM-DIGITAL's digitizing equipment, recording via OBS on MAC/PC and embedding magnetic sound. Take a look at our film transfer equipment: www.film-digital.com and register for the f...
Digitalizar Super 8 (4k / Blackmagic Pocket Cinema Cameras / Film-Digital-Equipment) Espagnol
zhlédnutí 517Před rokem
más información: es.film-digital.com
Digitalizzazione Super 8 (4k / Blackmagic Pocket Cinema Cameras / Film-Digital-Equipment) Italiano
zhlédnutí 102Před rokem
maggiori informazioni: it.film-digital.com
Super 8 digitalisieren (4k / Blackmagic Pocket Cinema Cameras / Film-Digital-Equipment)
zhlédnutí 321Před rokem
mehr Information: www.film-digital.com
Digitizing Super 8 (4k / Bmpcc / Film-Digital-Equipment)
zhlédnutí 2KPřed rokem
more information: en.film-digital.com
Workers in England, 1900 / Old film, colorized and upscaled, 50 fps, AI restored, with sound
zhlédnutí 1,5KPřed rokem
Workers in England, 1900 / Old film, colorized and upscaled, 50 fps, AI restored, with sound
Super 8 Transfer in High Quality / Traveling through Turkey with VW camper in the 70s
zhlédnutí 364Před rokem
Super 8 Transfer in High Quality / Traveling through Turkey with VW camper in the 70s
Can good Super 8 digitizing be enhanced even better with AI?
zhlédnutí 1,5KPřed rokem
Can good Super 8 digitizing be enhanced even better with AI?
Super 8-Filmdigitalisierung mit FILM-DIGITAL-Equipment und OBS Studio
zhlédnutí 1KPřed rokem
Super 8-Filmdigitalisierung mit FILM-DIGITAL-Equipment und OBS Studio
Street Photography more than 100 years ago - colorized nowadays with AI
zhlédnutí 317Před rokem
Street Photography more than 100 years ago - colorized nowadays with AI
Sample of 16 mm Film Transfer, made with FILM-DIGITAL Set 1016 / Optics 5016
zhlédnutí 258Před rokem
Sample of 16 mm Film Transfer, made with FILM-DIGITAL Set 1016 / Optics 5016
Super 8 Transfer Sample / Story of www.film-digital.com
zhlédnutí 688Před rokem
Super 8 Transfer Sample / Story of www.film-digital.com
Super 8 Transfer Sample von FILM-DIGITAL / Story von www.film-digital.com
zhlédnutí 546Před rokem
Super 8 Transfer Sample von FILM-DIGITAL / Story von www.film-digital.com
Transferencia de película Super 8 con la Panasonic Lumix GH6 / ESPAGNOL
zhlédnutí 575Před 2 lety
Transferencia de película Super 8 con la Panasonic Lumix GH6 / ESPAGNOL
Trasferimento della pellicola Super 8 con Panasonic Lumix GH6 / ITALIANO
zhlédnutí 278Před 2 lety
Trasferimento della pellicola Super 8 con Panasonic Lumix GH6 / ITALIANO
Super 8 Film Transfer with Panasonic Lumix GH6
zhlédnutí 3,5KPřed 2 lety
Super 8 Film Transfer with Panasonic Lumix GH6
Super 8 Filmtransfer mit Panasonic Lumix GH6
zhlédnutí 668Před 2 lety
Super 8 Filmtransfer mit Panasonic Lumix GH6
FILM-DIGITAL Sample: Super 8 Film transfer with Panasonic GH6 / different Photo Style-Presets
zhlédnutí 493Před 2 lety
FILM-DIGITAL Sample: Super 8 Film transfer with Panasonic GH6 / different Photo Style-Presets
Digitalizzazione in Super 8 a 18 fps con BMPCC4k / Italiano con sottotitoli in inglese
zhlédnutí 655Před 2 lety
Digitalizzazione in Super 8 a 18 fps con BMPCC4k / Italiano con sottotitoli in inglese
❤❤❤
May i ask, is there any adapted sankyo zoom lens 9~30mm f1.8 from sankyo cm 300 super 8 film to micro fourth third?
Hi! If you want to work with our optics (SKU 5007) and your own Sankyo projector (and your micro four thirds camera), we can manufacture an adaptor sleeve (SKU 8003) for the optics that will suit your Sankyo. You only need optics 5007, adapter sleeve 8003 and an LED system (4000/4001). Best regards
Der Sprecher hat krasse Gert Günther Hoffmann Vibes!
Incredible glimps of the working poor.
Moin :-) Bei Sec. 42 sieht man kurz das Ruckeln wenn die Kamera nach rechts schwenkt. Wenn man auf die Personen links achtet. Genau das ist etwas, was ich nicht in Griff bekomme. Leider wird im Rest des Films die Kamera nicht mehr geschwenkt um das deutlicher zu sehen. Habt ihr das mittlerweile in Griff? Und wenn auf welcher Art?
Moin! Super 8 hat halt nur 18 fps, das sieht man dann bei schnellen Bewegungen. Das würdest Du auch bei Leinwand-Projektion sehen. Bei diesem Transfer wurde nach der Abtastung die originale Framerate von 18 wieder hergestellt (mit unserem VirtualDub/Avi Synth Script). Man kann auch nachträglich eine gleichmäßige Bewegungsunschärfe hereinbringen, indem man zB in eine 50p-Sequenz importiert (zB PremierePro) und wieder exportiert.
... und genau das kann man ja auch mit Topaz hinbekommen, in dem man Frames interpoliert. Dort, wo die grünen Einblendungen sind, wurde Topaz angewendet. Dort siehst du, dass die Bewegungen flüssig sind (aber: KI, das ist nicht auf dem Film gewesen).
I enjoyed watching all those happy faces on those crazy amusements. Thanks a lot !
من قال إن التعري يضهر الجمال على العكس ارتداء الملابس الحشيمه تضهر الجمال والراحه والطمئنينه
Very true
How was this footage being recorded. Was it a security camera or someone just recording film
3:18 - Quick addendum. Not only can you burn the LUT into your footage for more expedient editing, you can also record with the LUT as invisible sidecar data in the RAW file for more control over your footage in post.
Sehr informativ 👌
Vielen Dank für das Hochladen !! Sehr gut erklärt und vor allem in Deutsch ! Ich besitze einen 16mm Bauer p8 und eine Menge 16mm Filme, welche ich sehr gern Digitalisieren möchte. Leider bin ich Rentner und habe einen ziemlich schmalen Geldbeutel. Gibt es alte ausgediente Teile wie Beleuchtungskörper und Objektiv, oder ähnliche weitaus billigere Teile oder defekte zum selbstreparieren ?? Vieleicht könnt Ihr mir Helfen. Viele Liebe Grüsse Joachim Schnabel
Hallo Herr Schnabel, wir haben diese Woche noch eine Rabattaktion. Mit dem Gutscheincode NEWYEAR24 gibt es beim Checkout 24% auf alle Preise, die Sie in unserem Onlineshop sehen. Auch haben wir immer mal wieder bei Objektiven Demoware mit leichten Schönheitsfehlern, da können Sie gern anfragen (info@film-digital.de). Wenn Sie eine Kamera haben, die 1/48 Shutter macht, wäre es am günstigsten für Sie, sich selbst einen gebrauchten Bauer P7 / P8 universal zu besorgen, und dann nur die Optik 5016 und ein LED-Set (4000 oder 4001) bei uns zu kaufen ... Viele Grüße, Ulrike Schmidt
Wow. wie habt ihr das upscaling gemacht? Die gesichter sind endlich normal, was früher nicht ging. Welche software ? das ist unglaublich!
@@film-digital2129topaz ist super schlimm, habe es und arbeite damit seit langer zeit. Die interpolation würde niemals saubere zwischenbilder machen können wie in eurem video hier, mit topaz. welchen script habt ihr benutzt , wenn ich fragen darf?
Great video!I will buy it when I save enough money!
Das waren noch Zeiten in Deutschland. Da gab es nicht diese Probleme wie heute. Und noch vernünftige Politiker wie Helmut Schmidt die Deutschland vertreten haben.Dazu sicherere Jobs im öffentlichen Dienst BVG Post Berliner Verwaltung. Bezahlbare Wohnungen schicke Autos und gute Renten nach 43 Arbeitsjahren. Und keinen Euro sondern die gute alte D-Mark wo man sich einen gewissen Wohlstand erwarten konnte.Bin heute 62 und Rentnerin und möchte nicht mehr tauschen. Grüße aus Berlin Zehlendorf
Can you do more AI enhanced Super 8 videos, preferably 18 to 24 fps for a cinematic look? I wonder how an enhanced Super 8 footage that has been digitized and converted to 24 fps would look, especially the shutter angle. Also maybe try to use your own Super 8 footage if older footage is hard to find, that would be a more realistic use case for us indie filmmakers. Amazing results btw, I love the progress 🎉.
Wozu 4k Auflösung? Das gibt der Super8 doch gar nicht her. Kodachrome löst 100 Linien/mm auf. Aber die bekam man in den 70er 80ern bestenfalls mit sehr teuren Festbrennweiten aufgelöst. Wer hatte schon eine Leitz Optik an der Super8. Zoomoptiken konnten zu der Zeit niemals 100Linien auflösen und am Bildrand schon garnicht. Und bei offener Blende lässt die Schärfe nochmal nach. HD ist eigentlich vollkommen ausreichend.
Is the sound original from the tape or added later?
Sorry, but how can you synchronize the shutter of camera with the shutter of the projector?
There is no need to synchronize. If you set the shutter to 1/54 eg, and the speed of the projector is 18 (18x3=54), then there will be no flicker. If you want to, ask for a sample with BMPCC4k: info@film-digital.de Please watch this video also: czcams.com/video/RbIpI2mD00M/video.html
@@film-digital2129 Nes!! or maybe not exactly, be careful. I understand you want to scan at a multiple of the film frame rate. But remember that if the projector isn't exactly in sync with the camera's frame rate, sooner or later you'll end up with the shutter crossing the field. I understand you use a slow shutter speed, but this only makes the shutter pass smoother. So the projector must have a DC motor controlled with a ring encoder or using a stepper motor, and the clock of the projector electronics must be exactly the camera's clock. also you need a signal to start the camera from the projector at the moment when the frame is not covered by the shutter. Then you are right. But this is exactly a frame by frame scan, only faster at 18 fps, and the end result is no different from a scan done at 1 fps or 5 fps or whatever. Finally, it is not true that a cinematic projection is more fluid than a video one. In cinema you have the shutter that blacks out 18 times a second, or 24 times in the case of 35mm. An 18Hz lamp is very annoying. My telecine, under development, works at 2.5 fps, but in order to not stress the old film, but it could very well work at 18 fps, the result would be the same. It works with two steppers, one for frame change and one for reel recovery, a control electronics by ESP32 and a synchronism with the BMPCC 4k via bluethoot. Also my camera take it at multiple, 32 in my case for 16 fps film. If you are interested, I will soon publish it on the net. Greetings.
RIP
They come from church?
They come from work in a factory ...
@@film-digital2129 ah👍but what have the women a Duvet over the head?
Крутая у вас техника
Wow beatuful im quite jealous i wish i could live in that time
Hermosa época cargada de romanticismo urbano, que hasta "se puede apreciar a la primera Marilyn Monroe" .. ❤❤❤
imagine being a women or male with serious dresscode without demonstrate theier half naked tight bodysuits
Now that's some style there. And nowadays, only price makes the fashion,but nobody realizes, that they're al wearing the same outfit, made for the worth of a few pennies. I mean, companys pay millions for a few to advertise, and randoms pay thousands for a pair of sneakers to even advertise more. Sad how it went down with fashion.
All people are decently dressed. European faces. Nice pictures.
Beautiful 🎉
They look dorty and poor
You´d correct also the flickering so it doesn´t pump the light up and down. It is very easy to correct with the editing software. 😎
Couldn’t it be restored at normal speed?
The video is smoother an more natural looking that way, 16fps vs 50fps.
Great!
Is there one of these units available for 16 mm?
Yes, we can also prepare it for 16mm. But we need to know the type of your projector. The 16mm solution would be 180 Euro more ... just mail to info@film-digital.de if you are interested ...
What camera was this shot on?
The digitizing camera was a Blackmagic Pocket Cinema Camera 4k (with optics and LED system of www.film-digital.com). The original Super 8 camera - I don´t know.
molto preciso e chiaro - very good
Fascinating. Did you change the original frame rate to eliminate the stuttering of 8mm film, or was that done through stabilization?
First, we digitized the Super 8 film with our system that we develop and sell (www.film-digital.com). Then we removed ghost images with our VirtualDub / AviSynth PlugIn and set the framerate of the file to 18 fps again (as the original film). Then we used Topaz Video AI to increase the framerate to 60 fps by interpolating frames. This is why the motion looks so fluent. Topaz did some stabilization as well. You see the difference between the sequences with the green "Topaz Video AI" mark and the sequences without that mark, that have not been edited with Topaz.
@@film-digital2129 Thanks for the reply. So the reason why it looked stuttering is because it was originally shot at 18fps? I'm looking at buying my first film camera. Leaning towards 16mm, but the 8mm camera prices are attractive.
@@MotionPictureTrips Yes, the 18 fps are the reason why Super 8 looks stuttering ...
@@film-digital2129 That makes sense. I've always wondered why a lot of 8mm films looked that way. Not sure why film-makers would use 18fps when you could film at 24 or more
@@MotionPictureTrips Maybe because the film material has been very expensive ...?
I've used Topaz Video Enhance AI product but haven't achieved results like this.
Hallo Film-Digital Team! Wieder ein tolles Video von Euch. Eure Videos sind mit Liebe gemacht, sehr informativ und aufschlussreich. Alexander
Passt die Optik mit dem C Mount Adapter auch auf eine Z6II von Nikon?
Wir würden dann eine "fliegende Leitung" für das LED-Set mitliefern, so dass Sie die LED und Objektiv einfach von Projektor zu Projektor wechseln können ...
Und Boeldicke jab et oooch noch
War im Januar 2023 seit langer Zeit mal wieder in Berlin Steglitz. Ich er entsetzt was aus der Schloßstraße geworden ist. Kein vergleich zu der 60er - 80er Jahren
One of my most favorite cameras in the digital realm, aside from C500 M2, but that one is too expensive. Only one thing, the double images or motion blur samples, actually give it a dreamy motion blur look, in my view and overly sharpening and "correcting" some animation effects makes it more of a digital movie and away from the film look and im not talking about dust and hair, im only talking about the intended frame rate and shutter to give the right kind of flicker and motion blur and to have the grain as much as it was originally, unless the filmmaker intended a softer, so it all comes to what the filmmaker wanted But definitely, Panasonic Lumix's full frame version is what I want in the digital collection for sure, for also the aspect ratio and crop options, especially if i want to use anamorphic
Is there available a finished sample movie, and can I watch such a transfered movie on a PC or TV ?
Yes, there is a finished sample movie. Please send an Email to: info@film-digital.de and we will send per WeTransfer
ab 0:33 ist es der Ku-Damm , denn "Electrola"-Schallplatten gab es nur am Kurfürstendamm !
cosa ordinare? per smartphone
Wow! This looks amazing. Really excited about this!
Klasse gemacht. Hervorragneder Sprecher. Eine technische Erklärung so unterhaltsam umgesetzt - RESPEKT!
I just bought the Decimator 12G-CROSS, and it is not working with my Sony Alpha 7S III. On the Atomos Ninja V connected to the 12G-CROSS' HDMI output, I'm getting that pink and green image that usually means there is an issue with the HDMI signal (YUV/RGB). Are there any specific settings you recomend for the a7S III HDMI output?
Ein interessantes Produkt mit einer sehr schönen Präsentation, die überzeugt!
der gute alte Karstadt an der Schloßstraße, 50 Jahre heftig