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BYU-Idaho Department of Music
United States
Registrace 3. 02. 2014
The Department of Music at Brigham Young University - Idaho is housed in the Eliza R. Snow Center for the Performing Arts, a beautiful and well-equipped facility. The facility and faculty provide a superior environment for the serious student of music. In addition, the Department offers diverse opportunities for students not majoring in music to develop musical skills.
The Department is an accredited institutional member of the National Association of Schools of Music (NASM) and the National Association for Music Eduction (NAfME).
The Department is an accredited institutional member of the National Association of Schools of Music (NASM) and the National Association for Music Eduction (NAfME).
Fantasie and Fugue on Themes from the Sacred Harp by Lisa DeSpain
Fantasie and Fugue on Themes from the Sacred Harp (Antioch, Cusseta, Wayfaring Stranger) Written by Lisa DeSpain and was commissioned for the BYU-Idaho Sacred Music Series in 2021
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Performed by Rix Stix Percussion Group | Sophia Pack ~ Marimba, Archie Gillespie ~ Marimba, Jack Ensign ~ Marimba\Celeste, Cameron Beck ~ Vibraphone
Sound Engineer - Tyler McNiven
Video Editor - Kevin Meyer
Program Notes:
Shape Notes was a music notation system developed in the late 1700s as a way of teaching lay congregations hymn singing and music reading skills. Instead of teaching the classical notation system with 5 lines, 4 spaces, treble clef, bass clef, etc., singers learned to recognize pitch by reading differing shape of the note head, squares, diamonds, triangles, etc.
The origins of Shape Note singing began in the Northeast and was the prevailing practice of upstate New York during the Second Great Awakening, time of the restoration. The Smith family and early church converts would have known and participated in this style of singing.
Some of our most beloved hymns were printed in these shape note tune books. I KNOW THAT MY REDEEMER LIVES was sung to a haunting tune titled ANTIOCH. ALL IS WELL later became COME, COME YE SAINTS, and A POOR WAYFARING MAN OF GRIEF was performed in a simple 4/4 meter.
The most famous shape note tune book, The Sacred Harp was published in 1844.
Sacred Harp singings continue to this day. A typical “convention” will take place over several days and include fellowship and pot-luck dinners. The participants sit in a square facing each other. Each hymn contains the standard 4 parts, Soprano, Alto, Tenor, and Baritone; but are mixed male and female. The leader stands in the center of the square. And the music is sung forte with a shout-style as if shouting up to God. The emphasis is on the sing-ability of the lines often ignoring the rules of counterpoint.
Shape-note singing includes hymns and fuguing tunes.
In FANTASIE ON THE SACRED HARP, Ms. DeSpain utilized the performance practices of shape note singing and three melodic fragments of her most-loved shape note hymns, ANTIOCH/I KNOW THAT MY REDEEMER LIVES, CUSETTA, and WAYFARING STRANGER to create a new work for percussion quartet.
.
Performed by Rix Stix Percussion Group | Sophia Pack ~ Marimba, Archie Gillespie ~ Marimba, Jack Ensign ~ Marimba\Celeste, Cameron Beck ~ Vibraphone
Sound Engineer - Tyler McNiven
Video Editor - Kevin Meyer
Program Notes:
Shape Notes was a music notation system developed in the late 1700s as a way of teaching lay congregations hymn singing and music reading skills. Instead of teaching the classical notation system with 5 lines, 4 spaces, treble clef, bass clef, etc., singers learned to recognize pitch by reading differing shape of the note head, squares, diamonds, triangles, etc.
The origins of Shape Note singing began in the Northeast and was the prevailing practice of upstate New York during the Second Great Awakening, time of the restoration. The Smith family and early church converts would have known and participated in this style of singing.
Some of our most beloved hymns were printed in these shape note tune books. I KNOW THAT MY REDEEMER LIVES was sung to a haunting tune titled ANTIOCH. ALL IS WELL later became COME, COME YE SAINTS, and A POOR WAYFARING MAN OF GRIEF was performed in a simple 4/4 meter.
The most famous shape note tune book, The Sacred Harp was published in 1844.
Sacred Harp singings continue to this day. A typical “convention” will take place over several days and include fellowship and pot-luck dinners. The participants sit in a square facing each other. Each hymn contains the standard 4 parts, Soprano, Alto, Tenor, and Baritone; but are mixed male and female. The leader stands in the center of the square. And the music is sung forte with a shout-style as if shouting up to God. The emphasis is on the sing-ability of the lines often ignoring the rules of counterpoint.
Shape-note singing includes hymns and fuguing tunes.
In FANTASIE ON THE SACRED HARP, Ms. DeSpain utilized the performance practices of shape note singing and three melodic fragments of her most-loved shape note hymns, ANTIOCH/I KNOW THAT MY REDEEMER LIVES, CUSETTA, and WAYFARING STRANGER to create a new work for percussion quartet.
zhlédnutí: 149
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Apologies to our friend Dan Forrest (2 r's) for the graphic mis-spelling of his last name! We love your music Dan!
Terrific performance by a university ensemble!
"Bold, I approach th'eternal throne and claim the crown through Christ my own. Amazing love! How can it be that Thou, my God, shouldst die for me?" Singing this piece was one of the most spiritual experiences I have ever had.
Did I just hear a few bars from Heaven?
Very beautiful. Jesus did it all for us. Thank you my Lord.
Great song, huge scale ! I think it would scale down nicely for a small choir too ?
Vraiment magnifique à écouter cette chorale <3
Hallelujah
Eternel grandiose la musique baroque { 1580-1750 } Campra Delalande Charpentier Lully Couperin Bach Vivaldi Haendel Telemann Purcell Monteverdi Pergolesi Rameau Scarlatti Albinoni Allegri Schutz Caldara Mouret Marais Corelli Praetorius Leclair Du Mont Pachelbel Geminiani Frescobaldi Biber Buxtehude Carissimi Zelenka Patino Carerols Torelli Tartini Mondoville Muffat Rebel Soler Sainte-Colombe Fiocco Cesti Marazzoli Legrenzi Ribayaz Sanz Hasse et tant d'autres merci CZcams pour ses moments de musique baroque qui reste ÉTERNEL.
Beautiful!