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Legendary chat!

Thank you!!!! So helpful

Thanks. Wasted the first 12 minutes with crap nothing to do with the topic

The Genius himself, Dan Korneff. Thanks for this interview guys!

Some good points. I’m in my 40s and have made a lot of music on both computers and standalones. There’s always going to be a divide on this subject as the older folks will gravitate more to the tactile feel of buttons and sliders. Can’t beat the computers power and flexibility. Can’t beat the feel of old solid well built gear. Also, I’m on the computer all day at work. When I get time to sit and make music I don’t want to do it on the same machine I hated a few hours ago while I was staring at spreadsheets.

She wrote a letter 😂😂😂😂😂😂

Always good to hear what Dan has to say.. newly subscribed!

For the curious, I'm eating a croissant...

😮😮😮

great video this helped me a lot. Ironicall I have a Focusrite 18i20.

I would like to make better sounding CZcams videos; the simplest being one-take guitar and vocal recordings, but I'd also like to try incorporating double-tracked vocals and guitar, recorded separately. I'm leaning towards the Focusrite Scarlett 2i2, however, I prefer to record in a different room from my computer. I may be able to simply use long cables from there to the interface, but alternatively, how about a stand-alone multitrack recorder that I can take anywhere? Would a Zoom R4, for instance, allow me to record several tracks like this? And once recorded, could I import them into a DAW to edit them? What other multitrack recorders might be suitable? Any advice will be appreciated!

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Sold my Boss 16 track and regret it 😢

What is the name of this conference? Any idea if there is a recording of the masterclass you talked about at the end of this vid?

That was one heck of a fast costume change!!! ;-) It's good to consider why a particular process is being used, like compression or equalization. That will take some of the subjective question out of the equation. Think about it... Compressors were used a lot in their infancy to control the amplitude being broadcast, and the intent was to do so without creating an audible reduction in the dynamic. In the 60s, the effect of compressors on instruments like drums and/or bass became part of the creative process, witnessed particularly in the sound of Ringo's drums and Paul's bass through the span of the Beatles recordings. Arguably, you will equalize before the compressor so that it is activated for your purpose, i.e. don't waste it's action in trying to fix a problem that's really created by a poor recording with too much bass or transients.

It was great chatting with you there, Benedikt!

Cool podcast! Do you have examples of risers and bass drops used on rock mixers. Would love to listen for inspiration. Thx

One of the best (ice) hockey players in the world right now is German: Leon Draisatl! Okay, into the episode…stoked for these deep dives!

Very Helpful Episode , Grateful to Jaycen Joshua for all the knowledge 🙌🙌🙌🙌 , and Thank You Self Recording Band for those Amazing Questions especially all the Mastering questions 🙌🙌🙌🙌.

Great show guys ❤

Thank you so much for having me guys, if anyone has any questions please leave them below and I'll get back to you! :) Keep on Rocking!

Thank you so much guys!

Great One! Thx & Long live the Kult!🔥🤘🏻

5 minutes in and I couldn’t help but laugh at what Malcolm said at the 4:25 mark 😂😂😂. It’s funny but also sooo true for many people. There’s wisdom right there!

Great Interview! Kohle rocks!

Blackout Problems ist eine 2012 gegründete Alternative-Rock-Band aus München. Blackout Problems. Blackout Problems live bei Rock am Ring 2019. Ableton AG is a German music software company that produces and distributes the production and performance program Ableton Live and a collection of related instruments and sample libraries, as well as their own hardware controller Ableton Push.

Loved this episode, even as someone with absolutely zero clue about actually making/producing music 😅 It's still super interesting to hear about the technical side that goes into producing the new Blackout Problems record and learn a thing or two about their working process in general, I could definitely listen to this for 3 more hours 🫶🏼

Thanks for having me!

Man Kristian Kohle sounds like such a fun guy! I really wish I was in Germany so I could go to the meetup! He’s really funny and I think this is one of my favorite episodes of all time!

Thanks for coming on Kohle!

Kohle's a sexy beast

This was great! Please Kohle. We need those 150 great sounding kemper profiles. Willing to send lots of € 😊

Claysome, Zawjnul and Petronacci?! I don't know. What's the weather?! If you'd not be good at mono, you won't look better in stereo. Famous Australians went to Lake Victoria? I guess it would freeze like the Baltic Sea. A thousand followers at the Arabic-Chinese course, not that many at Spanish class mates?! All that remains, it is not redux, uh, maybe fixed redundancy?! I don't know. I've seen a Temple, too. Namastè.

Really good!

Such a cool guy! Check out his audio kult!! Well worth the investment, i have learned so much 🤘🏻

Such a fun interview, love Kohle!

My favourite Episode. Would love to hear a part 2 - midi drum recording and editing

Absolutely inspiring! Thanks for sharing guys!!🙏🏼

Awesome episode and what a cool dude!

Wish I could have been at this event!! Thank you for making vlog! Loved the pod episode with Jill, she is top notch talent

🎤🎧🎸🎬👍

Less than 4 minutes in and I already learned something new. I've been dabbling, very passively, with recording music for over a decade now and the concept of scratch tracks is something I've never heard or though of. I've been playing guitar for over 30 years. And toying with piano/keys for about a decade. I picked up a bass and a digital drum kit a few years back. I don't touch the drums much but I have friends that come over once a week and it's convenient to have them here as opposed to moving a kit around. Guitar is where I stared but I've become quite the dilettante regarding the rest of music in general. Music is my home so it's only natural that I know the rooms that make up that home. I just have to accept that there is no "the take" the first time around and most songs go through multiple passes to evolve into the final product. I've always been so focused on trying to get that one good take to make post production easier, that it never dawned on me to just get an outline to build with. The first pass doesn't have to be perfect. It just needs to get the point across and then slowly tighten the instruments up. Okay. 9 minutes in and so many of my obstacles have been cleared. This is all some real bare bones stuff I wish I would have known so long ago. I agree with getting the drums down as the first "real" track as it is the heart of the song in a sense. I've already been able to build a plan to actually maybe getting some worthwhile recording from. Now that I think about it, I actually have some scratch tracks. Now that I understand that that's what they are. Thanks for this video. Game changer for me.

So fun and inspiring to wacht😌 Thanks for the amazing work Bene & Crew!

Great times! Thanks ever so much for having me on!

Thanks ever so much for sharing!!

👊 Promo-SM

Love your content guys...maybe you can make a episode about multibus setups ( brauerizing )... What it does to do mix and how modern routing techniques can be used to achieve a stable mix that holds itself.. LG aus Neustadt an der Weinstraße

Oh no, you guys talk too much :))))

I love your podcast, but one thing I strongly disagree with you guys on is your fixation on perfection. It's okay for things to be slightly out of time and out of tune. That was true of every song before the year 2000. I think a lot of modern mixers are way too obsessed with making things sound flawless. It no longer sounds like it was played by humans. One thing I appreciate about Warren is that he allows imperfection. In fact, he advocates for it. He did so several times in this episode, and I could kind of sense you in the background silently disagreeing with him. I don't feel like I'm portraying your position falsely here. I've listened to dozens of episodes. And of course in the "Mixing Myths" episode, you argued that quantizing, drum samples, and tuning didn't "suck the life out of music." But I honestly don't understand how anyone can listen to a modern pop song and say that with a straight face. I feel like modern mixers have forgotten what actual musicians playing in a room sounds like. Music listeners have been browbeaten with flawless music for two decades and it's warping our sense of "good enough." How can someone possibly connect to a vocal that's had every note snapped to the grid when you're aware that no human is capable of that? It immediately creates a sense of un-reality. I'm not saying you should leave distracting mistakes, but if your definition of "distracting" is too rigid I'd argue that you've lost your way. Put on a Beatles song and enjoy the great mistakes.

Love it. Warren is a awesome person