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Jelle Proost
Belgium
Registrace 27. 09. 2011
Welcome to my CZcams Channel and thanks for stopping by!
I am a classically trained composer, conductor and percussionist, living in Ghent, Belgium.
Amidst the world wide pandemic I found the spark with which I reignited my love for making music!
Feel free to join me in my adventure as I explore Logic Pro and compose with orchestral sample libraries!
🎧 Have a nice listen! 🎧
I am a classically trained composer, conductor and percussionist, living in Ghent, Belgium.
Amidst the world wide pandemic I found the spark with which I reignited my love for making music!
Feel free to join me in my adventure as I explore Logic Pro and compose with orchestral sample libraries!
🎧 Have a nice listen! 🎧
Mendelssohn: Die Hebriden • Belgrade Camerata • Jelle Proost
Felix Mendelssohn Bartholdy:
Die Hebriden
• Belgrade Camerata
• Jelle Proost, Dirigent
• Belgrade Philharmonic Hall, 06 July 2024
Belgrade Philharmonic Orchestra: www.bgf.rs/en/
#4K
© 2024
Die Hebriden
• Belgrade Camerata
• Jelle Proost, Dirigent
• Belgrade Philharmonic Hall, 06 July 2024
Belgrade Philharmonic Orchestra: www.bgf.rs/en/
#4K
© 2024
zhlĂ©dnutĂ: 158
Video
#ScoreRelief2022 | The Cue Tube | Sprite Fright - Jelle Proost
zhlédnutà 225Před 2 lety
I present to you my entry for the rescoring competition "Sprite Fright" by The Cue Tube, in collaboration with Blender Studio. Watch Sprite Fright: www.youtube.com/watch?v=_cMxr... Blender Studio: studio.blender.org/ All MIDI-Programming and mixing is done in Logic Pro X. Libraries used are: Spitfire's BBC SO Orchestral Tools Berlin Brass, Woodwinds & Percussion CSS Strings www.jelleproost.com
DC's Stargirl | Spitfire Audio Scoring Competition | Jelle Proost | #MyStargirlScore
zhlédnutà 107Před 3 lety
Here's my entry for Spitfire's DC Stargirl Scoring Competition. Enjoy! Libraries used in this score: Spitfire BBC SO Pro Spitfire Albion One Spitfire Albion V Tundra Umlaut Pads All MIDI-programming is done in Logic Pro X #MyStargirlScore www.jelleproost.com
![[4K] Cinematic Composing : Fantasy Score](http://i.ytimg.com/vi/UCUmymlqGxM/mqdefault.jpg)
[4K] Cinematic Composing : Fantasy Score
zhlédnutà 41Před 3 lety
Part of the series "Cinematic Composing", this is a demo suited for a magical/fantasy cue. All programming is done in Logic Pro X. All engraving is done in Sibelius 7. All video editing is done in Final Cut Pro. Find out more on www.jelleproost.com
Cinematic Composing : Fantasy Cue
zhlédnutà 75Před 3 lety
Part of the series "Cinematic Composing", this is a demo suited for a magical/fantasy cue. The track is written on a deleted scene from the fantasy series "Once Upon a Time". All programming is done in Logic Pro X. All engraving is done in Sibelius 7. All video editing is done in Final Cut Pro. Find out more on www.jelleproost.com I do not own the video fragment. The video fragment is owned by ...
Demo Reel 2021
zhlédnutà 119Před 3 lety
00:00 - Grand Music 00:40 - Love Music 01:04 - Action, High Intensity Music 01:37 - Horror, Suspense Music 02:06 - Fantasy, Magical Music 02:34 - Orchestral Adventure Music www.jelleproost.com
![[4K] AMBIENT : LoFi Loop](http://i.ytimg.com/vi/muGFVb9G78k/mqdefault.jpg)
[4K] AMBIENT : LoFi Loop
zhlédnutà 78Před 3 lety
This is a fun little loop I came up with last week. I experimented with synths, 16-bit synths and bitcrushers. Samples used in this track are: Plogue - ChipSynth SFC (16-bit "SNES" Synthesizer) Orchestral Tools - Arbos LPX Alchemy & Drum kit Find out more on www.jelleproost.com
![[4K] Albion V Tundra : Horror Sequence](http://i.ytimg.com/vi/TWcxYS-KPnE/mqdefault.jpg)
[4K] Albion V Tundra : Horror Sequence
zhlédnutà 204Před 3 lety
This track is a short horror demo. I used a lot of Spitfire's Albion V Tundra and Albion One Easter Island Percussion. I layered some Dystopian Drones from Project Sam's "The Free Orchestra". Yes, 100% FREE. Just for fun I added some glitches to the video. All MIDI Programming and Audio Editing is done in Logic Pro X. All Notation is done in Sibelius 7. All Video Editing is done in Final Cut Pr...
Using Orchestral Tools' Berlin Brass for Latin music: Açao!
zhlédnutà 271Před 3 lety
This is a fun little idea I came up with for the Berklee Music Composition course. Being a composer with a classical background, I experimented with other genres of music, this being the result. Samples used in this little track are: Orchestral Tools: Berlin Brass (trumpets and trombones) Berlin Percussion (vibraphone, bongo's and timbales) CineSamples: CineWinds (flute solo) Logix Pro Stock in...
Epic Trailer Music: Troy
zhlédnutà 21KPřed 3 lety
The music written for this trailer is part of the training program at Berklee. Samples used in this library are: Orchestral Tools: Berlin Brass Berlin Percussion Dagu Spitfire: BBCSO (pro) Albion One Zero-G: Ethera Gold 2.5 Modartt Pianoteq 7 Embertone: Joshua Bell Violin A full detailed patch list can be found here: tinyurl.com/6nz572wc MIDI-programming and mixing is done in Logic Pro X Find o...
Composing with: Contemporary Drama Toolkit
zhlédnutà 192Před 3 lety
This video is a short experiment with free stock video material on a track I wrote a while ago for a friend's documentary. Samples used are: â—Ź Spitfire Audio: Contemporary Drama Toolkit Albion One Albion V Tundra â—Ź Orchestral Tools: Creative Soundpacks - Ore â—Ź Piano Book Libraries: Singing Bowls â—Ź Visual Tone: Essential Soundpack â—Ź Epic Trailer Sounds: Free Soundpack A full detailed patch list ...
[4K] Composing with: Pianoteq 7 - Tintinnabulum
zhlédnutà 175Před 3 lety
Seven years ago, I decided to share my music through CZcams. Tintinnabulum is one of the earliest pieces I wrote. Obviously this is heavily based on Arvo Pärt. Tintinnabulum (Latin: Bell) is a compositional style, developed by Arvo Pärt. The “rules” of this style are: - The left hand is called the tintinnabular voice: it arpeggiates exclusively on the triad of the tonic, as if it were little be...
[4K] Composing with Orchestral Tools Berlin Brass: A Hero's Journey
zhlédnutà 856Před 3 lety
Finally I can present to you my latest composition: A Hero's Journey In this piece, I experimented mostly with Orchestral Tools Berlin Brass. This piece consists of a joyful theme with lush strings and what better way to demonstrate the potential of the brass section with a fanfare and a grand finale. The mixing stage took more time than anticipated but I am glad with the end result. • The main...
ANNOUNCEMENT: New Composition Coming Up!
zhlédnutà 29Před 3 lety
Finally I can present you my latest composition. It took me a week longer than first anticipated, but this Thursday, this piece will be released! Be there, Thursday 08:00pm (gmt 1)! Find out more on www.jelleproost.com
Composing with Spitfire, Orchestral Tools, CineSamples: RISE - cinematic uplifting music
zhlédnutà 301Před 3 lety
R I S E is a cinematic piece with an uplifting feel, hence the name. The piece is based on a three note motif: C D Eb, in a simple A B A' structure. • The main sample libraries used in this piece are: - Spitfire: BBC SO (Pro) - Orchestral Tools: Berlin Percussion & Berlin Brass - CineSamples: CineWinds (Core) - Modartt: PianoTeq 7 (Standard). • A full, detailed patch list is accessible here: ti...
Composing with : BBCSO - Orchestration Etude
zhlédnutà 374Před 3 lety
Composing with : BBCSO - Orchestration Etude
Spitfire BBC Symphony Orchestra demo - Forest Mischief #oneorchestra
zhlédnutà 3,4KPřed 3 lety
Spitfire BBC Symphony Orchestra demo - Forest Mischief #oneorchestra
Famitracker - Fami One - Jelle Proost
zhlédnutà 88Před 11 lety
Famitracker - Fami One - Jelle Proost
Famitracker - Dark Intro - Jelle Proost
zhlédnutà 99Před 11 lety
Famitracker - Dark Intro - Jelle Proost
Famitracker - Adventure Song - Jelle Proost
zhlédnutà 215Před 11 lety
Famitracker - Adventure Song - Jelle Proost
REWORKED: Tintinnabuli for Piano - Jelle Proost
zhlédnutà 5KPřed 11 lety
REWORKED: Tintinnabuli for Piano - Jelle Proost
The Legend of Lawu - for Percussion Ensemble - Jelle Proost
zhlédnutà 264Před 11 lety
The Legend of Lawu - for Percussion Ensemble - Jelle Proost
Quarter-tone Organ - Qt in D minor - Jelle Proost
zhlédnutà 2,4KPřed 11 lety
Quarter-tone Organ - Qt in D minor - Jelle Proost
Wow, this is remarkable and convincing stuff! with respect to your work !
Great opening!!! A strong theme develops, nice quieter change then it steps up again to a resolute theme, then quiet and we delve into the very well done sounds reminiscent of the movement of creatures of the forest and then into a whimsical feel that leads back to a resolute theme, not convinced by the end of this part though. Again exits to quieter water sounds like rain in the forest! Beautiful. I wrote this live as I Listened first time to bypass conscious thought in framing responses. So it’s just my genuine initial impression. Thanks for the beautiful music. Definitely sounds like a forest!
Muito bom
Good job, nice work, well done. Good luck in the competition.
Thank you! Good luck with your submission too!
Wonderful Orchestration Jelle! Good luck to you :)
Thank you! Good luck to you as well!
Schitterend gedaan Jelle.
This is your FIRST attempt?? Ok, I think I need to stick to guitar. Bravo, amazing job!
Awesome tones, gorgeous track... excellent work on this Jelle !
Hey Jelle, Spitfire Audio's "The Page" led me to you. This is a wonderful piece of music, bravo! I'll be back again. Thanks so much for sharing! :-)
Passionate, do or die attitude of Achilles Naam yaad rahega
Story of lust , love , war and death
Very nice work Jelle! Asking for more.
Harmonies are a bit too predictable. I love the feeling I get when I listen to this though.
This is beautiful! More!
Excellent score and mock-up!
Thank you!
This is fantastic, especially given the fact this is your first mock-up! I would suggest further experimenting with different convolution reverb settings and panning to further enhance the perception of depth. I don't have this library, but from what I saw it has heaps of mic positions, the combination of these could be used instead of convolution reverb as it gives a 100% real sense of the room and depth.
Woh, great work!
Thank you!
Lovely
It's so wonderful
Could be used the Berlin brass to enhance the finale instruments sound or...just is for work in an audio editor (cubase...reaper etc...)
Hey! I don't think Orchestral Tools aim for implementation in Notation Software. I know that Spitfire has some articles on how to use their Libraries in Sibelius, but they do not recommend it. Neither do I. You have more creative control working in a DAW. I only use Sibelius as a Notation program, and never as a playback device. Good luck!
Hi, I'm just starting out and I'm really disoriented. I've a lot of free libraries but I can hear the difference in quality of the commercial ones. I'm still esperimenting with genres so, I don't have a style or a voice. there are many all in one offers in this price range, even only from spitfire itself. do you think ARO is a good choice? considering the lack of legatos and the numerous add one that will come out in the future it could be one of their more expensive. Usually when a company sticks the "abbey road" name on a product it will become more expensive eve if the quality is the same of some products of their "normal"line do you think this is the case? between spitfire products I'm constantly switching interest between Abbey road One, BBCSO and Albion One. if you should choose one of these what would it be?
Hi! 1 - Spitfire's BBCSO was the first library I ever bought. If you want to have the maximum control of instrumentation, I would suggest going for an orchestral library. If you want to have a very basic idea of BBC SO before spending anything, you should check out BBC SO Discovery. I think you can get it for free if you fill in a survey. If you want to tweak and adjust every single instrument of the orchestra, BBC is the way to go. 2 - Albion One for me is a good sketching tool to get fast results, but with less details in instrumentation, since it only consists of ensemble patches. You can't tweak individual instruments... But you can get a big orchestral sound. 3 - I haven't worked with ARO so I can't say much about this library. I've browsed through the patch list and it seems to me that this something between Albion One and BBCSO: It's still is an ensemble library but with more control. So it basically comes down to how much control you want to have (and which sound you like most too!) Most control: BBC SO Fast sketches: Albion One You can also check out the walkthroughs and demos of these libraries. It gives a good impression of what you can do with them. In the end, the choice is up to you. Hope this helps.
Zalige compositie. Expressief, gebalanceerd en dramatisch. Goed gedaan Jelle!
Bedankt, Milo!
Amazing work! Really impressive programming too well done!
Thank you!
Nice transparant work Jelle! I enoyed listening. @bbcso pro strings legato; do you mean controlling the speed, protamento and intensity within the legato? More satisfied with the 1.2 legato update?
REWORKED VERSION HERE: czcams.com/video/YDK4sRBPVYs/video.html
Super, nu nog een passende film erbij, succes Jelle đź‘Ś
Fantastic, amazing stuff! Love the vibe, orchestration and themes. I will be back...
Thanks! I expect to make a new release within 2 weeks!
Love the (B) part from 1:16 to 1:40! It stands out and draws me in. I feel like the part from 1:22 to 1:33 would be a perfect setup for further development in part C.
Very nice! Is there any particular reason why you opted out of using BBCSO exclusively and included additional libraries?
Hey! Good question... 1. I wanted to get to know my other libraries better and 2. CineSamples provide legato control, BBCSO doesn’t, which is okay if you write big orchestral passages. For a more delicate piece like this, I prefer to be able to control the legato. On the other hand, articulation programming is more intuitive in BBC (Spitfire in general). As for the Berlin Brass: the library provides a dedicated sample patch for each individual part (horns 1-4, trumpets 1-3, etc.) whereas BBC only has 1 solo and an a2/a4 patches; so this was for the purpose of color. Hope that helps!
@@JelleProost Thank you very much for such a detailed explanation. I was afraid you might bring up the legato for BBCSO and I fully agree with you, there's only one type of legato in BBCSO which is inadequate for a piece such as this. As for the Berlin Brass from what I've seen it looks like the most detailed library on the market given all the expansions. I guess there is no other way but to have more than one library in order to cover all the options. Looking forward to you new material.
Really amazing !!! Subscribed for sure !!! Excellent work! Keep it up!!
Thanks!
Which DAW?
I do all of my work in LPX, and notation in Sibelius.
This is a beautiful piece! Did you write this in Sibelius or Logic Pro?
Hi Henry! I started out on the piano, with pencil and paper. I then made some rough sketches in logic. For more detailed decisions on harmony etc, I used pen and paper (or Sibelius).
Very good work! You really know how to MIDI program. May I ask what notation software you were using here to create the score?
Hi Jeremy! Thanks for your comment. For the score I used Sibelius 7, since I've been using that for a decade.
@@JelleProost You didn't have Sibelius running the spitfire library?? Or did you?
Hi Matteo. No, although it is possible to run the library in Sibelius. (And I think it’s not recommended either). I can’t see how you could have as much control in Sibelius as in Logic (or any DAW), especially dynamic-wise.
Jelle Proost makes perfect sense. And for the articulation changes, although it would be amazing if one day notation could actually function as a key switch to cycle through the articulations
@@matteogalesi7761 Maybe its possible to have articulations, such as staccato to be played when there is a staccato note in Sibelius. I’ve seen people do it, but what’s interesting is that they actually have a hidden track that has all the key switches. It is a bit tedious though to program.
Cool!
Delightful!
Great work! It's amazing!
Thank you!
Mooi stuk , aangenaam om te luisteren en herbeluisteren.
this is your first time?! that's kind of insane, jelle. bravo! wonderful use of percussion in particular. appreciated the score, too!
Thanks! I'm a classically trained orchestral percussionist, that sure helps a lot!
@@JelleProost very good. <3
That's a really great one part of a solid work here
Thank you!
I like this compositional approach very much! It’s distinctively different from the Ives and Haba style, let alone the more laissez-faire attempts.
...interessante, muito interessante esta apropriação do tintinnabuli divulgado por Arvo Part!
Thank you for this beautiful and calming music :) The world needs more tintinnabuli
Now you just need to start a haunted carnival.
There is a section that sounds like a 12-bar blues
Unfortunately outside my pitch comfort zone.
oo shit
Hello isanjos I don't think there are many other rules. The most important one is that the left-hand accompaniment consists of the tonic-triad notes; the right hand should move in small steps (diatonic melody). Have you listened to Pärt's 'Für Alina'? here the composer tries to explain his tintinnabuli-style. /watch?v=c08i_9gumJs Thanks for your comment. J.