Video

Rhoda Scott is still unique!

That little call and response lick at 1:34 is soooo pretty

I have to see her before she stops playing - come to UK! I have listened to no one else for the last 5 months, she inspired me to buy a hammond, and further bankrupt myself by searching for a leslie, i have her to blame/thank

18 Pedalboard or the 25?

I love pipe organ sound ( this is electronic I know) lol. She plays unbelievable good

Not like the vox sorry

Jimmy Smith get out of that body ......or stay just a little more .....

Evidentemente no es un ser de este planeta ... Al igual que bach

It's like a curse when the audience can't tell,...but you yourself hate not hearing the missing tones.

Superbe ❤❤❤❤

any chance to get the full a38 Rhoda scott concert from 2006?

Great, iam looking forward to mod my tr200

The trained ear will pick it up every time.

Are they both going through the same Leslie?

Nice sound

Viscount sounds plastic

Thanks for the demo!

A100 and 351 here, also. But my 'playing' sucks by any measure. Especially in comparison!

👏👏👏

Thanks for posting this. I attended her live show about 1968, San Diego, a small standing-room place. Other act was Steppenwolf, but I don't remember who played first.

Effortless mastery. That is one of the best B3 clones I've heard. The only limitation to Pat here, is that it is a single manual, and don't know whether there are pedals... probably not. I've watched him at shows on a dual manual, and he does terrifying bass lines with both hands on a much wider range than he could on this split keyboard. Again, effortless mastery. Thanks for posting this video!

1:50 reminiscent of Joey's "Sunny" solo from 2022, and in that solo, Joey was "aping" Pat Martino's ostinato style. Pat needs no suggestions, and is also super gifted and probably the new Hammond heir apparente.

C3? You mean B3 right - otherewise we couldn’t see her feet form the front? Or am I missing something? Also she's playing the bassline with her left hand with the feet kicking in occasionally like we all do by the way.

Thx for the video. Very helpful!

Dam 🔥🔥🔥🔥🔥🚒

Pity you don't have records of wind's speed, overall speed achieved in Nautical Miles, good camera work, provides proof of the sturdiness of the boat

Mesteri!

Very good im thinking Donovan would like what was done here,

Never knew this tune, thank you for introducing me! Nice playing

Good job. I think the Deep Purple album with this track on it is quite underrated, but it was my 'go to' purple album for a while back in my teens.

Top octave...!

very similar sound

Scorchin' hot!

Wow!!!❤❤❤

Sublime talent, wow

La panthère ❤❤❤

19:21- től fantasztikus dallamok, nem is beszélve a 20:16-tól induló műről.

The first comment I often get on the subject of "original vs clone" is that in the audience nobody will hear the difference nowadays and therefore it doesn't matter which one you use. It's very understandable too, for obvious reasons: (1) There's simply a lack of comparison. How would the people in the audience know what a real Hammond could do on that same stage where the clone is set up?! (2) The sound quality of clones has reached a point where it becomes more and more difficult to distinguish them from original organs, which is also highlighted by this video. (3) Most bands don't feature a Hammond in a way where one would hear it in all its detail. #1 could be addressed by the fact that the musician should know what sounds best and therefore, it can only be the performer's choice what to use. Plus, instruments inspire musicians to perform on different levels. Of course, we completely ignore all issues related to moving an old Hammond for that matter. For #2, I've to admit that the generic/average Hammond console of the 1960ies is what most clones achieve to copy to a degree of approximately 90-95 %. That's especially the case for sound settings where only the first 3 or 4 drawbars are used and without the chorus effect. However, an outstanding old B3/C3 in great condition will still blow any clone out of the water (especially with the right Leslie speaker). Unfortunately, they're difficult to find and in most cases, old Hammonds aren't what they used to be. IMHO, #3 really decides whether to go on stage with an original Hammond or not. Anyway, all of this doesn't matter if you can play like this: czcams.com/video/W_X4jkF938Q/video.html.

very, very good, you are one of the best !

👍

Nemcsak a külalakja szép, de szép a hangja és netovább, a hangszer kezelése, azaz a játéka is. A riporternek pedig külön gratuláció!! Emberileg szólva: Valóban csodálatos az egész.

io preferisco il burn.

Man her jammin on Autumn leaves... So groove E

It makes me bananas with happiness when jazzers do pop hits ❤️

Awesome!

Two Excellent Organs, Cool Comparison, Much Appreciated. 😎

Too fast, sister....Ways too fast !

Nice vidéo !👍

Autumn Leaves as a Bach fugue - that's a first!

A művésznő "szép" és nagyon tehetséges.Rendkivül tetszik a "láb munkája".Minden mozdulata :csupa ritmus.A mai fiatalok között van hozzá hasonló tehetség?Fáradhatatlan!!!!