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FUJINON Lenses
Registrace 3. 12. 2010
Welcome to the official CZcams Channel for FUJINON Lenses. FUJINON TV and Cinema lenses are highly acclaimed in the world of television, movie, sports, entertainment and news gathering production.
Fujifilm Optical Devices Division is a leading manufacturer of optical lenses and other high quality products for the broadcast television, cinematography, security, videography, documentary, commercial and industrial production markets.
Fujifilm Optical Devices Division is a leading manufacturer of optical lenses and other high quality products for the broadcast television, cinematography, security, videography, documentary, commercial and industrial production markets.
FUJINON Duvo 24-300mm Handheld Zoom Lens: Wider. Lighter Longer.
FUJINON Duvo 24-300mm Portable PL Mount Zoom is ideal for bringing the desired cine look to sporting events, live concerts, houses of worship, reality, documentary, corporate television, award shows, live multi-cam productions, and more.
But don't take our word for it...see for yourself what the pros are saying.
Highlights:
Christopher Bell, Camera Operator, NASCAR Daytona 500
[00:06] “The 24-300 Duvo in an ideal handheld lens.”
[2:57] “From the storytelling aspect…this lens is exactly what the sport needs.”
Domenick Satterberg, Sports Cinematographer
[00:29] “It’s a perfect run-and-gun lens.”
[2:24] To have that falloff at 24mm…this is a game changer…it’s like two Cabrios in one. I can shoot this whole game as if I was shooting on a prime lens.”
Elijah Klein, Camera Operator, Church of the Highlands
[00:54] “I think this lens can help any church establish that more cinematic look to capture the emotion of what’s going on in the song. We bring them closer to the service.”
Jack Mayo, Camera Operator, CINELIVE
[1:16] “Having that versatility in one lens really matters when you’re shooting something like a concert for hours on end.
[2:44] “Being T2.9 starting at 24, you just get a whole wide range of options for shorts. So it’s a great one lens fits all for live TV, for concerts, for sports, where you need an operator to just have one lens throughout the whole show.”
Bob Poole, Wildlife Cinematographer
[1:27] “It’s extremely manageable on the shoulder. I don’t know of any other lens that is that lightweight and has that much of a zoom range.”
Robert Kage, Camera Operator, Unscripted/Reality
[1:36] “In unscripted and reality, we’re doing long takes. You need to have something that’s ergonomic. A lot of times with these lenses, you end up with two batteries on the back of your camera to get the balance right. But that wasn’t a problem with this lens.”
[3:15] “With these lenses, finally, the compromises are going away.”
Chris Metcalf, Camera Operator, SOC Awards
[1:59] “For an awards show, this one lens gave me the ability to get anything from the band on stage to the wide shot. With its compact size, I could be on a standard sized tripod. I was literally in the seats of the theater.”
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Learn more about the FUJINON Duvo Series zoom lenses: fujinon.com/duvo
Follow @FUJINONLenses:
Facebook: FUJINONLenses
Twitter: FUJINONLenses
Instagram: fujinonlenses
www.fujinon.com
But don't take our word for it...see for yourself what the pros are saying.
Highlights:
Christopher Bell, Camera Operator, NASCAR Daytona 500
[00:06] “The 24-300 Duvo in an ideal handheld lens.”
[2:57] “From the storytelling aspect…this lens is exactly what the sport needs.”
Domenick Satterberg, Sports Cinematographer
[00:29] “It’s a perfect run-and-gun lens.”
[2:24] To have that falloff at 24mm…this is a game changer…it’s like two Cabrios in one. I can shoot this whole game as if I was shooting on a prime lens.”
Elijah Klein, Camera Operator, Church of the Highlands
[00:54] “I think this lens can help any church establish that more cinematic look to capture the emotion of what’s going on in the song. We bring them closer to the service.”
Jack Mayo, Camera Operator, CINELIVE
[1:16] “Having that versatility in one lens really matters when you’re shooting something like a concert for hours on end.
[2:44] “Being T2.9 starting at 24, you just get a whole wide range of options for shorts. So it’s a great one lens fits all for live TV, for concerts, for sports, where you need an operator to just have one lens throughout the whole show.”
Bob Poole, Wildlife Cinematographer
[1:27] “It’s extremely manageable on the shoulder. I don’t know of any other lens that is that lightweight and has that much of a zoom range.”
Robert Kage, Camera Operator, Unscripted/Reality
[1:36] “In unscripted and reality, we’re doing long takes. You need to have something that’s ergonomic. A lot of times with these lenses, you end up with two batteries on the back of your camera to get the balance right. But that wasn’t a problem with this lens.”
[3:15] “With these lenses, finally, the compromises are going away.”
Chris Metcalf, Camera Operator, SOC Awards
[1:59] “For an awards show, this one lens gave me the ability to get anything from the band on stage to the wide shot. With its compact size, I could be on a standard sized tripod. I was literally in the seats of the theater.”
----------------
Learn more about the FUJINON Duvo Series zoom lenses: fujinon.com/duvo
Follow @FUJINONLenses:
Facebook: FUJINONLenses
Twitter: FUJINONLenses
Instagram: fujinonlenses
www.fujinon.com
zhlédnutí: 1 778
Video
Behind the Scenes: The Wingman | Ground to Air | Sony BURANO and FUJINON 25-1000mm F2.8
zhlédnutí 99KPřed 8 měsíci
The Wingman was created as a showcase for the new Sony BURANO. For the short film’s ground to air scenes, academy award-winning cinematographer James Friend, ASC, BSC paired the new cinema camera with Fujifilm’s new FUJINON Duvo 25-1000mm F2.8 CineBox lens and an ARRI Hi-5 for wireless focus control, showcasing the cinematic capabilities, flexibility and optics of the lens. Watch this behind-th...
FUJINON | SOC Long Lens Workshops
zhlédnutí 977Před rokem
Take a look inside our popular series of long lens workshop, which brings hands-on education from our experts and a panel of renowned camera operators to motion picture professionals across broadcast and cinema production. Check for upcoming workshops here: bit.ly/3qDjXmG If you'd like us to host a workshop near you, drop a comment here telling us where! TOPICS COVERED -Safely & efficiently bui...
FUJINON Premista Zoom en la Serie PARAÍSO BLANCO
zhlédnutí 100KPřed rokem
El director de fotografía Alfonso Parra, AEC, ADFC habla sobre la filmación de la serie de ViX Paraíso Blanco, filmada en Sony Venice principalmente con zooms Fujinon Premista. La serie Cuenta la vida de Carlos Ledher, un famoso narcotraficante colombiano de origen alemán. Míralo ahora en la nueva plataforma ViX, el servicio de streaming en español más grande del mundo: vix.com/es-es/detail/ser...
BTS | Creating the Ultimate Lens Test for FUJINON HZK 25-1000mm CineBox PL Lens | Camera Team
zhlédnutí 254KPřed rokem
The camera team behind "Hyperactive," the automotive action film introducing FUJIFILM’s FUJINON HZK25-1000mm F2.8 CineBox PL lens, shares a behind-the-scenes look at how they created the ultimate test for this first-of-its-kind lens. Featuring commentary from: Director / Executive Producer: AJ Bleyer Cinematographer: Eric Robbins 1st Assistant Camera: John Ruiz WATCH THE FULL FILM: czcams.com/v...
“Hyperactive”| FUJINON HZK25-1000 Cine Box PL Lens | Launch Film
zhlédnutí 8KPřed rokem
LAUNCH FILM: Director AJ Bleyer puts FUJIFILM’s FUJINON HZK25-1000mm F2.8 Cine Box PL lens through its paces in automotive action film, “Hyperactive.” Director / Executive Producer: AJ Bleyer Cinematographer: Eric Robbins 1st Assistant Camera: John Ruiz To learn more about FUJINON HZK25-1000, go to fujinon.com/hzk25-1000 Special thanks to the amazing team at Advent Films and our generous prod...
Behind the Scenes with Top Gun: Maverick Aerial Team
zhlédnutí 42KPřed 2 lety
The air-to-air team behind Top Gun: Maverick shares a detailed behind-the-scenes look at exactly how they pulled off making the groundbreaking film, including gear choices, challenges, victories, and more. Featuring commentary from: Claudio Miranda, ASC- Director of Photography David B. Nowell, ASC- Aerial Cinematographer/Team5 Michael FitzMaurice- Aerial Cinematographer Kevin LaRosa- Aerial Co...
Top Gun: Maverick BTS with Cinematographer Claudio Miranda, ASC
zhlédnutí 350KPřed 2 lety
Claudio Miranda, ASC, the award-winning cinematographer behind Top Gun: Maverick, shares behind the scenes footage, stories from the set, and all the ins and outs of selecting and working with the gear used to create this history-making film. GEAR LIST: Camera: Sony Venice FUJINON Lenses: Premista 28-100mm T2.9 Premier 14.5-45mm T2.0 Premier 18-85mm T2..0 Premier 24-180mm T2.6 Premier 75-400mm ...
Virtual Production Experts Weigh In: Why PREMISTA LF Cine Zooms Check All the Boxes
zhlédnutí 67KPřed 2 lety
Cinematographer Mark James, Resolution Productions Group SVP/CTO Todd Freese, and Miller Creative CEO Scott Miller address what makes a successful virtual production, and why Premista Large Format Zooms are their lenses of choice...from optical quality to making their days, and more. Follow @FUJINONLenses Facebook: FUJINONLenses/ Twitter: FUJINONLenses Instagram: instag...
DP Stephen McGee Tests "Perfect Combination" RED Komodo/FUJINON MKs in Series of Extreme Settings
zhlédnutí 83KPřed 2 lety
3 countries. 2 Fujinon Lenses. 1 RED Komodo. National Emmy Award-Winning Director/DP Stephen McGee films his way through a series of extreme environments, from snowing volcano to humid beach to wet rainforest to dry farm land. He credits the success of his gimbal shots on this fast-paced, multi-country, multi-environment shoot to the RED Komodo/Fujinon MK Lens pairing. "That solo operator hustl...
Juan A. Fernández AEC Talks Through Benefits of Cabrio XK 20-120 Cinema Lens
zhlédnutí 2,6KPřed 3 lety
Cinematographer Juan A. Fernández AEC explains the benefits of the Fujinon Cabrio XK 20-120 with the Blackmagic URSA Mini Pro 12K, and the reasons why it is one of his favorite go-to lenses for many different applications.
BTS Filming Street Magnate on 19-45mm Premista Zoom (feat. cinematographer Joe "Jody" Williams)
zhlédnutí 1,3KPřed 3 lety
GO behind the scenes with the filmmakers behind "Street Magnate," a short film shot entirely on the Fujinon Premista 19-45mm T2.9 large format zoom lens with the Sony Venice. Presented by Fujifilm. Commentary from director Phil Lee, cinematographer Joe "Jody" Williams, camera assistant Uriah Kalahiki, and camera operator Josh Ramos. Directed by Phil Lee Cinematography by Joe "Jody" Williams Col...
"Street Magnate": Short Film Shot by Joe "Jody" Williams on Premista 19-45mm Zoom
zhlédnutí 1,6KPřed 3 lety
Don't Judge the Streets by Its Cover. Fujifilm presents "Street Magnate", a short film shot entirely on the Fujinon Premista 19-45mm T2.9 large format zoom lens with the Sony Venice in Chicago. Directed by Phil Lee Cinematography by Joe "Jody" Williams Color by Kelly Armstrong Produced by Darryl Manuel
"Street Magnate" Cast & Crew Discuss Filming with Cine Zoom (feat. Joe "Jody" Williams)
zhlédnutí 521Před 3 lety
Don't Judge the Streets by Its Cover. Cast & crew of "Street Magnate" (presented by Fujifilm) came together to discuss shooting the short film entirely on the Fujinon Premista 19-45mm T2.9 large format zoom lens with the Sony Venice. They address how it all came together and challenges faced while filming during the COVID-19 pandemic in Chicago. Directed by Phil Lee Cinematography by Joe "Jody"...
“Adrift”: 6-Minute "Oner" Shot by Adam Suschitzky BSC on Premista Zoom
zhlédnutí 1,2KPřed 3 lety
One Hook-Up, One Lens, One Shot. Fujifilm presents this short film, written and directed by Samuel de Ceccatty, shot in one take by Adam Suschitzky BSC on the Premista 19-45mm T2.9 with ARRI Alexa Mini LF. Directed by Samuel de Ceccatty Cinematography by Adam Suschitzky BSC Produced by Palma Derzsi 1st AC: Elhein de Wet GBCT Camera Operator: Rob McGregor Directed by Samuel de Ceccatty Cinematog...
"Adrift" Cast & Crew Discuss Filming "Oner" on Cine Zoom (feat. Adam Suschitzky BSC)
zhlédnutí 409Před 3 lety
"Adrift" Cast & Crew Discuss Filming "Oner" on Cine Zoom (feat. Adam Suschitzky BSC)
Trailer for “Adrift”: a Short Film Introducing the FUJINON Premista 19-45mm Large Format Zoom
zhlédnutí 996Před 3 lety
Trailer for “Adrift”: a Short Film Introducing the FUJINON Premista 19-45mm Large Format Zoom
Cinematographer Adam Suschitzky BSC on Filming "Adrift" With One Lens, In One Take
zhlédnutí 6KPřed 3 lety
Cinematographer Adam Suschitzky BSC on Filming "Adrift" With One Lens, In One Take
Cinematographers Discuss the Changing Perceptions of Cinema Zooms
zhlédnutí 2KPřed 3 lety
Cinematographers Discuss the Changing Perceptions of Cinema Zooms
BLIND TEST: FUJINON Cabrio XK20-120 Zoom and Modern Prime Lenses
zhlédnutí 1,6KPřed 3 lety
BLIND TEST: FUJINON Cabrio XK20-120 Zoom and Modern Prime Lenses
BLIND TEST: FUJINON Premista Zooms & High-End Large Format Primes (Narrated by Marko Massinger)
zhlédnutí 13KPřed 3 lety
BLIND TEST: FUJINON Premista Zooms & High-End Large Format Primes (Narrated by Marko Massinger)
Camera Operator Andrei Austin, ACO, SOC, Associate BSC Talks FUJINON Premista 19-45mm FF Zoom
zhlédnutí 535Před 3 lety
Camera Operator Andrei Austin, ACO, SOC, Associate BSC Talks FUJINON Premista 19-45mm FF Zoom
Tobias Schliessler, ASC Talks Advantages of FUJINON PREMISTA Large Format Zooms
zhlédnutí 455Před 3 lety
Tobias Schliessler, ASC Talks Advantages of FUJINON PREMISTA Large Format Zooms
Camera Operators React to FUJINON PREMISTA 19-45mm Lightweight Wide Large Format Zoom
zhlédnutí 7KPřed 4 lety
Camera Operators React to FUJINON PREMISTA 19-45mm Lightweight Wide Large Format Zoom
BLIND TEST: FUJINON Premista Zooms & High-End Large Format Primes
zhlédnutí 5KPřed 4 lety
BLIND TEST: FUJINON Premista Zooms & High-End Large Format Primes
BLIND TEST: Fujinon Premista Zooms & Modern Large Format Cinema Zooms
zhlédnutí 914Před 4 lety
BLIND TEST: Fujinon Premista Zooms & Modern Large Format Cinema Zooms
Youngest DGA Director AJ Bleyer Talks Storytelling & Making Your Days with FUJINON PREMISTA Lenses
zhlédnutí 56KPřed 4 lety
Youngest DGA Director AJ Bleyer Talks Storytelling & Making Your Days with FUJINON PREMISTA Lenses
Church Production Panel Preview: Taking God's Message Beyond the Doors
zhlédnutí 139Před 4 lety
Church Production Panel Preview: Taking God's Message Beyond the Doors
Cinematographer Paolo Sodi Talks Filming with FUJINON PREMISTA Large Format Lenses
zhlédnutí 1,2KPřed 4 lety
Cinematographer Paolo Sodi Talks Filming with FUJINON PREMISTA Large Format Lenses
Super
Bro would you kindly like stop all the talking and actully show the samples which is why were here to see the quality of the lens
❤
Make zoom's great again! Love that. way out of my budget but still good to know it exists
Mommy, can Daddy have for Christmas?
wouldn't limit its uses to these areas. this could be amazing for commercials and narrative!
Especially narrative work when often you're dealing with the unexpected and the unscripted. I've always thought that zoom lenses were the best lenses to have for most documentary situations because set up literally gets in the way of the story.
Wait, what? Did we not reveal which Lens was A and B? Overall, I think B was superior. But at 135mm A had better contrast and skin tone. Both completely usable.
czcams.com/video/CwXBY7jIDHY/video.htmlfeature=shared
Somewhere sometime, someone and something will enter your life and inspire you to do something out of your comfort zone.
Absolutely breath-taking
Favorite Burano short yet! So impressive. How about some BTS of all that plane rigging?
Looks sensational.
🔰😂🔰😂🔰🔰🔰🔰🔰
Just the right amount of overkill. I really wanna try that lens! ❤
At 0'48" we see the guts of the lens. What's going on there?!
Many things! Full zoom, iris, focus motors and encoders. Electronic back focus for constant optical performance in all weather at all lengths, stabilizer, serial control, encoder raw output. Everything you could want in one lens ;)
@@LukeCartwright-ij3yi hey Luke, thanks. Very familiar with what these lenses can do. I was just wondering why it was open and exposed like that?! We’ve met btw. You helped me with my XK6 a couple of times. Cheers for the reply ✌🏼
@@watchvideosoul Apologies! We were using external power only and not anything via the 12pin so a switch setting has to change, also showing the 1st AC where the zoom/focus motors go etc. I've just realised you're Nez! Hope you're keeping well sir.
@@LukeCartwright-ij3yi got it, thank you! Cheers Luke ✌🏼
Enjoyed that guys & girls. Well done. Great framing.
WHEN IS THE 30mm Tilt shift going to be available??? It was promised in October, no stores in America sell them yet. WTF is going on Fuji? Why doesn't fuji put out any updates on this major problem?
Hey, I'm also hyperactive, I have a 12,000-foot studio, I'd like to do a test ;-)
with a parabolic ceiling, one really cant see how much pincushion or barrel distortion exists at the edges of screen
OK, let's try it on a Sony FX30.
lovely short
So great to see AJ here
How much did this lens cost again? I need it badly 😮
Check with your favorite dealer!
Please make a cinema camera already lol
Thats sooo sicckk ilove these lenses
Ilove your lenses you are the best lenses ever iuse them daily
This guy! Thank you. Super simple, super clear, exactly what I needed.
Muy falso hombre
so...?
What
Iam interested in this lens it looks perfect for me, how much is it.
check with your favorite dealer!
@@FUJINONLenses ok iam going ahead
@@FUJINONLenses😮 1:34 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮 2:04 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮 2:18 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮 2:41 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮 2:56 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮 2:59 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮 3:39 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮 3:56 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮 4:17 😮😮😮😮😮😮😮😮😮😮😮😮 4:21 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮 4:47 😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮😮
Interesante , lo veré , se podrá desde Colombia?
@jhonhd vix.com/es-es/detail/series-4279
Fabulous Lens. Amazing Camera. Excellent Cinematography & whole life in a short story.
Promo-SM 🤩
This is great!!!!
Incredible!❤ So inspiring and so beautiful ❤
I put this lens on my DJI gimbal but I can't get it to balance.
:)))
Stunning
I za o q o ore ro3i{<ok aqmko9p
Ññ
El. Choou. De. Bettita
How did he not get Oscar nominated? Totally unbelievable!
Terrific BTS film of an outstanding commercial production project. Kudos to all involved, including the driver(s)!
I’ll say it for the umpteen time, I’ve already seen TGM 4 times in the theater but this film is spectacular !
This is insane, honestly. That it was shot on this lens it's madness, and I love every single bit of it lol #CinematographyGoals
This is the kind of video that makes people with GH4s and DSLRs say that their footage can look like cinema camera footage.
Yy
Interesting to see how broadcast has adopted cinema lenses into live broadcast (fox sports) and now cinema/commercial/scripted is finding uses for broadcast gear in their environment
Fb de
Put this lens on a U-Crane!
Amazing!
🔥🔥🔥