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London Contemporary School of Piano
United Kingdom
Registrace 30. 06. 2011
Our CZcams channel stands as one of the world's leading platforms for comprehensive 21st-century piano education, backed by real research and development. At the London Contemporary School of Piano, we transform how you perceive and play music. Hundreds study under our world-class piano coaches, achieving exceptional results. Our ethos is unique: we believe in liberating and inspiring every pianist, regardless of background. With us, you're not just learning songs, but tapping into a lifelong musical passion. Our innovative methods diagnose your musical path, ensuring rapid progress. From Bach to Stevie Wonder, you'll be playing favorites quickly. Members attest to our unparalleled approach, with many seeing rapid, outstanding results. Assisted by top-tier strategies and coaches, your piano dreams are within reach. Our LIVE virtual lessons, led by world-class pianists, redefine music education. Experience the difference: www.contemporaryschoolofpiano.com.
How To Decorate Piano Chords
Learn how to decorate piano chords now! In this piano tutorial, we'll dive into piano chord hacks that will transform your music. Learn how to add beautiful chord embellishments on piano to make your chords sound good!
We will cover:
-- Tips and tricks for enhancing your basic chords.
-- Spice up your playing and learn blues embellishments.
-- Master your chord practice with effective piano chord exercises.
-- Understand the relationship between piano chords and scales for better improvisation.
-- Add melodic embellishment on piano to your chords for a richer sound.
-- Master common and more complex piano chord progressions, including a circle of fifths progression.
-- Improve your dexterity and control for more expressive playing with finger independence exercises.
If you like to master your piano chords, watch this video next - it’s all about how to practice piano effectively with these piano chords warm ups:
czcams.com/video/DGQcZl_XA-M/video.html
Claim your FREE gift - Resources Pack - by getting in touch with us at London Contemporary School of Piano so that we can help you solve your challenges and accelerate you progress at the piano:
www.contemporaryschoolofpiano.com/contact/
Join our Flagship Online Course that will transform your musicianship forever: The COMPLETE MUSICIAN Course with Tom Donald:
lcsp.samcart.com/products/the-complete-musician-essential-course-2024/#/sc-checkout
Get Your GROOVE Mastery Course to access all the resources you need to master piano grooves and expand your piano groove vocabulary:
lcsp.samcart.com/products/groove-mastery-everyday/
If you enjoyed this piano chords tutorial on how to decorate piano chords and would like to get more top tips on learning piano, make sure to subscribe to our CZcams channel right here:
czcams.com/channels/ZWqaBf6VLuD0cSKF4cukPg.html
czcams.com/video/tCfvcgSsMZU/video.html
#londoncontemporaryschoolofpiano #howtodecoratepianochords #pianotutorial
We will cover:
-- Tips and tricks for enhancing your basic chords.
-- Spice up your playing and learn blues embellishments.
-- Master your chord practice with effective piano chord exercises.
-- Understand the relationship between piano chords and scales for better improvisation.
-- Add melodic embellishment on piano to your chords for a richer sound.
-- Master common and more complex piano chord progressions, including a circle of fifths progression.
-- Improve your dexterity and control for more expressive playing with finger independence exercises.
If you like to master your piano chords, watch this video next - it’s all about how to practice piano effectively with these piano chords warm ups:
czcams.com/video/DGQcZl_XA-M/video.html
Claim your FREE gift - Resources Pack - by getting in touch with us at London Contemporary School of Piano so that we can help you solve your challenges and accelerate you progress at the piano:
www.contemporaryschoolofpiano.com/contact/
Join our Flagship Online Course that will transform your musicianship forever: The COMPLETE MUSICIAN Course with Tom Donald:
lcsp.samcart.com/products/the-complete-musician-essential-course-2024/#/sc-checkout
Get Your GROOVE Mastery Course to access all the resources you need to master piano grooves and expand your piano groove vocabulary:
lcsp.samcart.com/products/groove-mastery-everyday/
If you enjoyed this piano chords tutorial on how to decorate piano chords and would like to get more top tips on learning piano, make sure to subscribe to our CZcams channel right here:
czcams.com/channels/ZWqaBf6VLuD0cSKF4cukPg.html
czcams.com/video/tCfvcgSsMZU/video.html
#londoncontemporaryschoolofpiano #howtodecoratepianochords #pianotutorial
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It's like thinking out of the box, I love this re-harmonization.
Excellent approach. Unfortunately you end up with much too complicated examples. Why not show some simple songs that give the satisfaction of quick results. That’s what brings the beginner in and motivates that person to keep going at it.
I understand what you are saying, but this tutorial and approach is not really for beginners, I do have some other tutorials I can recommend to you that are more appropriate for beginners. Maybe start with this one : czcams.com/video/TMTBoXj8OCo/video.html And if you are new to the piano then this one is for complete beginners: czcams.com/video/-7vypWO-7lA/video.htmlsi=RtQXh2Wbje6vnoD0 The reality is, that a beginner won't be able to attempt the techniques in this video unless they have mastered the first main pillar for popular music on piano and that is chords. Having some more structure to your learning will take away that frustration of landing on CZcams videos and finding them too hard or too easy. I hope this helps, and many thanks for taking the time to watch these tutorials.
I just bought a goldfish has the same rhythm as 'CA-mels IN the WA-ter', which I was taught years ago. They are more like 10/8 time than 5/4. e.g. 1-2-3, 1-2-3, 1-2, 1-2 (repeat)... which is 10 beats. A good mnemonic for 5/4 is: MAN-go ban-NA-na... which is 1-2-3, 1-2 (repeat)... or 5 beats.
let it be
Could you call the secondary dominant the 6 chord?
I’m blown away with your video- thank you!
Thank you! I’m taking a jazz improv class in college and learning this progression in Autumn Leaves. I love this video to get me out of the sequential thinking. I’ve hit that wall!
Great! Very helpful!
I left the real Hotel California real life video for the last piece of this lesson. That's how amazing this is!
I always look at chords on a sheet music. Then i can pick out the melody because I find that the notes are always in the chords.
What a performance!! 😱 Incredible! Thank you!
I have been self teaching myself the Piano for four months and have been learning this piece for about three weeks now. I find that I tend to keep using different fingering each time I play it. Often only noticed after playing the bar. Is there any sheet music with fingering added for this?
Yes and this piece is built on three note triads - so with 5 fingers in the right hand there are always going to be ways in which to use your fingering. Ultimately a triad can played many ways - 1 3 5, 1 2 4, 1 2 5 etc. So the real question you've stumbled on here is even more fundamental - how do I choose my fingering when playing chords?
Great video 🎉loved it, well explained, thank u
Love it! Particularly starting at 10:00. I need groovy rhythm!!!!!!!!!!!!!!!!!!!!!!!
Thanks for sharing this with such ease ,this will definitely improve my playing,great content.
Thanks Tom! It’s so obvious from watching your great video that understanding about chords and knowing what signposts to actively listen out for have been sadly lacking in my adventures in self-learning since 2019. It’s a bit embarrassing but I realise I’ve been playing rather mindlessly, note by single note, while learning to sight-read classical pieces. This has made me (kind of tensely) reliant upon sheet music. I can see from this session that understanding chord patterns could simplify things dramatically and free you up to simply enjoy the sounds of different progressions in themselves. PS I’m working on your gospel chord pattern video which has had the same revelatory (and joyous) effect!
Love your work Tom, every bit a good as Adele’s voicing. Thanks again for an amazing tutorial.
What make and model piano? It sounds great.
Interesting, I’m self taught never broken down what I do with pop music but it’s exactly how you describe. Chords, groove/rhythm/mood and then lastly melody arranged on top. I did a version on hotel California akin to moonlight sonata because it hit me that the chord progressions were similar and it would work. Here’s a link to my short, this is the kind of method I’m using now to teach students. czcams.com/users/shorts_0XyI1TkI1U?si=K3XhJwtIzo8FJA8Y
Very good explanations. Thanks a lot. I totally agree with the method: first chords, then groove, at last melody. But I have got one problem: To put it altogether I really have to know the melody very very well. The chords and the groove are learned relatively easy and can be handled in a flexible way, but the melody not. Otherwise the song is not recognizable.
Brilliant, Brilliant, and ever more Brilliant !
"a thoughtful chord" - what a wonderful description - thanks Tom
Thank you Tom, this is a game changer! Working toward my ABRSM Grade 1 was just repition of a couple of major scales across 2 octaves and C major in both hands for 1 octave but without understanding how to make other scales. Watching this I went away and quickly found I could tackle other scales and importantly based on the tone/semitone could immediately hear when I was right or wrong, even as a novice. Amazing stuff.
Why do the fingerings for this piece vary wildly across several published sheets available to the public???
That's a very good question. The main answer is because there are so many finger patterns you can use in this piece. It's unlikely Bach would have written any down himself, he would have kept that admin in hands of person playing the piece. Is there any fingering you are unsure about?
@@contemporaryschoolofpiano Hi and thanks for your reply, most kind. I won't go over every single difference i've noted as that'd be exhausting and your original reply would most likely answer most. Some obvious i've noticed on different sheets; Bars 1 to 4.....some start with RH 135 and stay there while others start on 124, hit a 135, then return to 124. Some LH start 31, others 21. On the 6th bar, some have LH 32 while others 21 and on RH 125 and still others 235. Some other sheets LH will continue alternating 21 with 31 up to the 9th bar where some have a LH 41 fingering while others keep the 31. Bar 12 introduces the 1st flatted note and that LH sequence some are played with 21 while others have 32. RH in the same bar is playing 124 while others 125. Other sheets have some LH spots going from 41 to 31 in the same bar! You can see then my frustration though i don't mind playing different fingerings, i'm trying to remain consistent as i had picked up some bad habits in my previous studies and am trying to make corrections to help my playing in the future. Thanks so much for your help.
@tropicvibe yes and this piece is built on three note triads - so with 5 fingers in the right hand there are always going to be ways in which to use your fingering. Ultimately a triad can played many ways - 1 3 5, 1 2 4, 1 2 5 etc. So the real question you've stumbled on here is even more fundamental - how do I choose my fingering when playing chords?
This is brilliant. I am so excited that I practice in my head a lot of the time. thank you for making sense out of inversions. 🙂
Another amazing video ! Thanks Tom
very helpful😊! Thank's a lot. Inga from Germany near Munich
Absolutely my topic! This is the only reason I play the piano! ❤
Brilliant explanation. I like and enjoy very much your teaching Tom. Best wishes from Spain
Best sight reading video I’ve come across. Well explained and taught Tom.
Always great videos. Thanks a lot for sharing 👍
Hi Tom! I love this tutorial! But I have a request; a video which goes in depth into the other styles of playing the right hand (example arpreggio), rather then flat chords. Thanks!
Great idea. Have you checked out our tutorial on Groove? czcams.com/video/Jwb761FovBw/video.htmlsi=dCVbRAHBG-UZIT4d
How do I know the top note?
Way to fast for me to see what you are playing Tom .oddly I could from sheet music .
The problem is these techniques are rarely notated. If it's too quick for you, you can use the slow down button on CZcams. There are a few Elton John tutorials on this channel that are slower that might move at the right tempo for you.
Thank you
Good job and lesson Tom!..you always show stuff that others dont..this lesson on decorating chords is a good example..which i why i stick with your channel!
This is the best presentation of the blues scale I've seen!
Excellent, less talk and more instruction. Great example of what most of us want to replicate . Thank you. And slow enough to follow without dialing down the speed.
Great lesson! Please also explain /demonstrate how you would embellish chords which are not in root position? Thank you
Yes, you can apply the same principle to inversions, let's say you are playing C in first inversion. E G C - then you can cover notes, D, E, F, G, C (maybe even add A) it's trickier but that's how you would do it.
What a great video. Former HS piano teacher here. I was given a method book to use, filled with public domain tunes like "When the Saints Go Marching In." Kids weren't digging it, shocker. Next year, 6 weeks to learn the treble clef for the RH, then on to lead sheets & pop tunes. Always asked them, What song do you want to learn, and made lead aheets for them, rarely more than 6 triad chords. All as you say here, I confirm.
so basically there's no shortcut - learn your theory, your voicings, and how to arrange for the piano
Thank you!
Very helpful lesson - Thanks!
13:30 I just want to appreciate how you're only playing a chorded right hand here, but still there's a groove I found myself tapping along to. I totally get your point about groove!
How does this technique work with inversions?
Yes, you can apply the same principle to inversions, let's say you are playing C in first inversion. E G C - then you can cover notes, D, E, F, G, C (maybe even add A) it's trickier but that's how you would do it.
Thank you!
Hello Tom. Thanks for a great video. I've just enrolled in your "Complete Musician" course, and I'm very excited for it to start! A question: When you really started to "get going" with the last demo, at about 14:30, I noticed you starting to do some more funky things in your left hand. I'm always bored by my own left hand technique - I largely just rock up and down on octaves and fifths (e.g. C - G - C and back down, if in C major). Please can you make a video specifically on the left hand accompaniment and how to make it more varied and interesting.
I would love to be able to sit down and just play like this. I'm looking forward to starting the Complete Musician course next week.
OMG Tom. This is exactly what I was hoping you would teach us. You are not only a great piano teacher, you are a mind reader.
Absolutely fascinating!
I'm running out of superlatives for your lessons Tom!! Thank you for one that speaks to the fills!!