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Roberto Osti
United States
Registrace 27. 07. 2013
Roberto Osti | Anatomy and Drawing teacher at NYAA, PAFA and Saint Joseph's University.
Originally from Italy and now living in New Jersey, Roberto Osti studied figurative art at the New York Art Students League, and has an MFA from the New York Academy of Art. Osti has a degree in Anatomical and Surgical Drawing with honors from University of Bologna in Italy, and has also studied with acclaimed British painter, Jenny Saville.
Osti’s illustrations have appeared in such publications as Scientific American, Natural History, New York Times, and the Italian magazine Salve. He is the author and illustrator of the book, Basic Human Anatomy: An Essential Visual Guide for Artists, published and presented in 2016 at the Pennsylvania Academy of the Fine Arts in conjunction with his talk about anatomy, ‘The Site of the Soul.’
His paintings have been exhibited in galleries in Europe and the United States. He is the author of Basic Human Anatomy (2016), and Dynamic Human Anatomy (2021)
Originally from Italy and now living in New Jersey, Roberto Osti studied figurative art at the New York Art Students League, and has an MFA from the New York Academy of Art. Osti has a degree in Anatomical and Surgical Drawing with honors from University of Bologna in Italy, and has also studied with acclaimed British painter, Jenny Saville.
Osti’s illustrations have appeared in such publications as Scientific American, Natural History, New York Times, and the Italian magazine Salve. He is the author and illustrator of the book, Basic Human Anatomy: An Essential Visual Guide for Artists, published and presented in 2016 at the Pennsylvania Academy of the Fine Arts in conjunction with his talk about anatomy, ‘The Site of the Soul.’
His paintings have been exhibited in galleries in Europe and the United States. He is the author of Basic Human Anatomy (2016), and Dynamic Human Anatomy (2021)
Stereometry Course Trailer # 11 Body Proportions and Alignment
Stereometry Course Trailer # 11 Body Proportions and Alignment
Full Course: www.patreon.com/collection/457036
Understanding Anatomy and Measurements for Better Visualization - The speaker delves into the intricacies of anatomy and measurements, emphasizing the importance of arm abduction for improved muscle visualization. They discuss the positioning of the elbow joint and the creation of the carrying angle. The speaker also provides insights into the relative sizes of the forearm, upper arm, hand, and head, and the location of the thumb. The posterior view of the hand in supination is also touched upon.
Keeping the arm abducted can improve visualization of measurements and organic forms. The elbow joint is positioned at the level of the ribcage box, with a slight carrying angle. When drawing, ensure the arm is slightly shorter than the upper arm, and pay attention to the hand's proportion relative to the head and forearm. Include details like the base of the thumb and hypothenar eminence when sketching the hand.
00:00 Arm Positioning for Visualization - Keeping the arm abducted helps with better visualization of measurements and organic forms. Blocking in the more organic forms can be challenging if the arm is too close.
00:42 Elbow Joint Alignment - The elbow joint is at the level of the ribcage box, but the plane of the joint is not perpendicular to the axis, creating a carrying angle for the arm. The arm needs to be slightly shorter than the upper arm.
02:27 Hand and Arm Proportions The hand is evaluated in size compared to the head and forearm. It reaches about halfway down the thigh and includes details like the base of the thumb and the hypothenar eminence.
Full Course: www.patreon.com/collection/457036
Understanding Anatomy and Measurements for Better Visualization - The speaker delves into the intricacies of anatomy and measurements, emphasizing the importance of arm abduction for improved muscle visualization. They discuss the positioning of the elbow joint and the creation of the carrying angle. The speaker also provides insights into the relative sizes of the forearm, upper arm, hand, and head, and the location of the thumb. The posterior view of the hand in supination is also touched upon.
Keeping the arm abducted can improve visualization of measurements and organic forms. The elbow joint is positioned at the level of the ribcage box, with a slight carrying angle. When drawing, ensure the arm is slightly shorter than the upper arm, and pay attention to the hand's proportion relative to the head and forearm. Include details like the base of the thumb and hypothenar eminence when sketching the hand.
00:00 Arm Positioning for Visualization - Keeping the arm abducted helps with better visualization of measurements and organic forms. Blocking in the more organic forms can be challenging if the arm is too close.
00:42 Elbow Joint Alignment - The elbow joint is at the level of the ribcage box, but the plane of the joint is not perpendicular to the axis, creating a carrying angle for the arm. The arm needs to be slightly shorter than the upper arm.
02:27 Hand and Arm Proportions The hand is evaluated in size compared to the head and forearm. It reaches about halfway down the thigh and includes details like the base of the thumb and the hypothenar eminence.
zhlédnutí: 234
Video
Positioning the superficial muscles of the female torso
zhlédnutí 244Před 9 hodinami
Positioning the superficial muscles of the torso on the rounded stereometric volume of the female figure. Join my exclusive Patreon community! Visit www.patreon.com/robertoostidrawing to subscribe now! The video details the superficial muscles of the female torso, including the abdomen, rectus abdominis, external oblique, pectoralis, serratus, and deltoid. Highlights 🏋️♀️ Rectus Abdominis: Ori...
Light on form - Chapter 2: the Sphere PREVIEW
zhlédnutí 48Před 16 hodinami
Foundation series: Light on Form a new Patreon course by Roberto Osti Full Course: www.patreon.com/collection/631994 The first lesson of this course will be available to everyone. Chapter 1: the Cube - www.patreon.com/collection/631994 (available for free) Chapter 2: the Sphere - Understanding Light Effects on a Sphere - This content delves into the impact of light on a sphere, discussing the f...
Drawing the Human Body: Hands and Feet | Lesson 3A | Preview
zhlédnutí 132Před 21 dnem
Drawing the Human Body: Hands and Feet | Lesson 3A | Preview
Preview - It's Alive! Giving Life & Dynamism to the Stereometric Figure | #4: Sitting figure 2
zhlédnutí 186Před měsícem
Preview - It's Alive! Giving Life & Dynamism to the Stereometric Figure | #4: Sitting figure 2
It's Alive! Giving Life & Dynamism to the Stereometric Figure | #3: Sitting Figure 1
zhlédnutí 565Před měsícem
It's Alive! Giving Life & Dynamism to the Stereometric Figure | #3: Sitting Figure 1
It's Alive! Giving Life & Dynamism to the Stereometric Figure | #2: Figure sitting on ground
zhlédnutí 440Před měsícem
It's Alive! Giving Life & Dynamism to the Stereometric Figure | #2: Figure sitting on ground
It's Alive! A new Patreon Course by Roberto Osti
zhlédnutí 318Před měsícem
It's Alive! A new Patreon Course by Roberto Osti
It's Alive! Giving Life & Dynamism to the Stereometric Figure | #1 Figure Arched Back, 3/4 view
zhlédnutí 487Před měsícem
It's Alive! Giving Life & Dynamism to the Stereometric Figure | #1 Figure Arched Back, 3/4 view
Portrait Drawing, Foundation and Practice Positioning the Sternocleidomastoid
zhlédnutí 263Před měsícem
Portrait Drawing, Foundation and Practice Positioning the Sternocleidomastoid
Stereometry Course Trailer # 10 - Body Proportions and Alignment
zhlédnutí 169Před měsícem
Stereometry Course Trailer # 10 - Body Proportions and Alignment
Light on Form a new Patreon Course by Roberto Osti
zhlédnutí 91Před měsícem
Light on Form a new Patreon Course by Roberto Osti
Excerpt from my New Renaissance Atelier course "The Portrait in Oil, Theory and Practice"
zhlédnutí 156Před měsícem
Excerpt from my New Renaissance Atelier course "The Portrait in Oil, Theory and Practice"
Excerpt from my New Renaissance Atelier course "Watercolor Essentials"
zhlédnutí 302Před měsícem
Excerpt from my New Renaissance Atelier course "Watercolor Essentials"
STEREOMETRY COURSE TRAILER #9: Understanding Human Anatomy: Drawing the Pelvis & Axial Skeleton
zhlédnutí 165Před měsícem
STEREOMETRY COURSE TRAILER #9: Understanding Human Anatomy: Drawing the Pelvis & Axial Skeleton
Drawing the Human Body: Hands and Feet | Lesson 2B | Preview
zhlédnutí 185Před 2 měsíci
Drawing the Human Body: Hands and Feet | Lesson 2B | Preview
Patreon Webinar #2 - Preview: Pelvis Structure and Axial Skeleton
zhlédnutí 248Před 2 měsíci
Patreon Webinar #2 - Preview: Pelvis Structure and Axial Skeleton
Patreon Webinar #2 - Reading the Body - Preview: Skeleton Reconstruction
zhlédnutí 364Před 2 měsíci
Patreon Webinar #2 - Reading the Body - Preview: Skeleton Reconstruction
Stereometry Course: lesson 8 - Preview
zhlédnutí 242Před 2 měsíci
Stereometry Course: lesson 8 - Preview
Mastering the Art of Drawing: Techniques and Structures
zhlédnutí 189Před 2 měsíci
Mastering the Art of Drawing: Techniques and Structures
Open Drawing Sessions #33: The Skull! - Understanding the Process of Adjusting and Setting Up Lo...
zhlédnutí 301Před 2 měsíci
Open Drawing Sessions #33: The Skull! - Understanding the Process of Adjusting and Setting Up Lo...
Exploring God, Mathematics and Light in Renaissance and Baroque Art
zhlédnutí 340Před 2 měsíci
Exploring God, Mathematics and Light in Renaissance and Baroque Art
Drawing the Human Body: Hands and Feet | Lesson 2A | Preview
zhlédnutí 162Před 2 měsíci
Drawing the Human Body: Hands and Feet | Lesson 2A | Preview
Stereometry Course - Lesson 3: Proportions - Preview
zhlédnutí 361Před 3 měsíci
Stereometry Course - Lesson 3: Proportions - Preview
Drawing Anatomy, the Gluteal Muscles Structure and Function
zhlédnutí 361Před 3 měsíci
Drawing Anatomy, the Gluteal Muscles Structure and Function
Drawing the Human Body Hands and Feet | Lesson 1A | Preview
zhlédnutí 235Před 4 měsíci
Drawing the Human Body Hands and Feet | Lesson 1A | Preview
Drawing the Human Body: Hands and Feet | Materials
zhlédnutí 399Před 4 měsíci
Drawing the Human Body: Hands and Feet | Materials
Should we buy second book after completing first book, can you please suggest. I love your work and dedication of creating content regulary
Learn how to accurately draw the pelvis and its landmarks, focusing on proportions, movement, and structure in figure drawing. Highlights 🦴 Understanding the iliac spines and pelvis structure is crucial for figure drawing. 📏 The pelvis is slightly wider than it is high, with specific proportions to follow. ✏ Key landmarks include the anterior superior iliac spine and pubic bone, which guide leg placement. 🔄 Analyzing skeletal tilt helps depict movement and angles in your drawings. 🧍♀ The female form shows wider hips compared to the ribcage, affecting leg placement. ✨ Consider three-dimensionality in drawing for a more realistic representation. 📚 Reference materials, like books, can enhance understanding of anatomy in art. Key Insights 🦵 Pelvis Proportions: The pelvis serves as a foundational element in figure drawing. Its width-to-height ratio is essential for accurate representation, ensuring the drawing maintains anatomical correctness. 🔍 Landmarks Importance: Identifying key landmarks such as the iliac spines and pubic bone allows artists to establish a solid framework for the figure, enhancing the overall composition and structure. ⚖ Movement and Tilt Analysis: Observing the tilt of the pelvis and sternum reveals the figure’s posture and movement, helping artists capture dynamic poses accurately. 🌊 Female Form Characteristics: Understanding the anatomical differences in male and female figures, particularly the wider hips of women, is crucial for realistic portrayals. 🎨 Three-Dimensional Thinking: Approaching drawing with a focus on three-dimensionality rather than flat shapes fosters depth and realism, enriching the artistic outcome. 📖 Resource Utilization: Leveraging educational resources, such as anatomy books, can deepen one’s grasp of human structure, ultimately refining drawing skills. 🧩 Muscle Compression and Stretch: Recognizing how muscle behavior changes with body position aids in depicting realistic forms, emphasizing the relationship between underlying bone structure and surface musculature.
👏👏👏🔥🔥🔥
Keys: 00:01 Arm Positioning for Visualization 00:42 Elbow Joint Alignment 02:27 Hand and Arm Proportions
FAQ Q: What is the origin of the rectus abdominis muscle? A: The rectus abdominis muscle originates at the fifth, sixth, and seventh ribs and connects to the pubic bone. Q: How is the rectus abdominis muscle segmented to create a six-pack appearance? A: The rectus abdominis muscle is segmented into three equal parts, sometimes further divided to create a 10-pack with the top part resembling a six-pack. Q: What is the significance of the semi-lunar line in the abdomen? A: The semi-lunar line serves as a boundary between the external oblique and rectus abdominis muscles, visually separating the two muscle groups. Q: How does the pectoralis muscle contribute to a realistic representation of the chest? A: The pectoralis muscle is divided into three parts above, at, and below its insertion point, showcasing an overlapping pattern of muscle fibers for realism. Q: Where is the serratus muscle located and what is its relationship with surrounding muscles? A: The serratus muscle is found on the lateral aspect of the rib cage and interacts with neighboring muscles such as the latissimus dorsi. Q: Which muscles are included in the block diagram of the neck muscles? A: The neck muscles diagram features the sternocleidomastoid, trapezius, deltoid, triceps, biceps, and brachialis, highlighting their unique patterns and positions.
Full Course: www.patreon.com/collection/457036
Hey sir, can you do more about how to figure out where the weight is on a figure in contrapposto. I can draw it intuitively but can't put it to words or explain it.
can you please make video about leg muscles from back
😍😍👏👏👏🔥🔥🔥🔥
Very good video
🙏 THANKS 🙏💞🔥💯💞U BEAUTIFUL 🙏
very helpful, thank you very much!
😍😍👏👏🔥🔥
😊😊🥴🤪😍🤬💜💜💜💜💜💜💜💜💜💜
Just what you need! 🙏THANK YOU! YOU ARE UNREALLY COOL 🙏 Excellent
🙏 THANKS 🙏 U UNREAL BEAUTIFUL 💗🙏
czcams.com/play/PLTotaKU7T8SNFY6IXxGE-fiB5l8oPNmvB.html
@@RobertoOstiDrawing It is very important for me! 🙏 Thank you! 🙏 You are flawlessly beautiful!
It is a great honor for me to learn from a great world-famous master!🙏💞
Why the views are so low? Such helpful guide!
... bro
I saw ur this video too earlier and subbed ty
Thanks!
Underrated
😍😍😍👏👏👏🔥🔥🔥
wow
😍😍👏👏👏🔥🔥🔥🔥
Your channel is a Gem!!
Great trick😮
Esta muy difícil
Зато правильно😢
that’s very helpful for my drawings! thank you for pointing this out
Muy buen dato
🙏
Thanks!
So good
02:25 - Iliac Spine at the upper quarter: The iliac spine and inguinal ligament are the landmarks located at the upper quarter of the pelvis, as mentioned in the video. The iliac spine and pubic bone are also positioned within this segment.
helpful
😍😍👏👏👏🔥🔥🔥🔥
Very nice art sir! I love your book on basic human anatomy!
❤❤❤
😮❤😊
May i know what colored pencil are you using?
Polychromos by Faber Castell
❤
Thank you!
Incredibly helpful! Thanks alot
You are welcome!
💞💯🔥💞🙏 THANKS 🙏 U beautiful
💞🙏💯🔥🙏 THANKS
You are so welcome
🙏 THANKS 🙏 U UNREAL BEAUTIFUL 🙏💞
First off, Thank you so much for these well organized and explained methods for color mixing with a split palette! I am doing the exercises and love this tutorial series. I did want to point out that at 18:25 your illustration for scaling the cool yellow, warm red, you accidentally wrote +blue instead of +Red. Hopefully everyone figures it out. Again, thanks for this tutorial!
Thank you so much! I sometimes mispeak, it's tricky to pint and talk! Im sure the viewers will understand. Thanky ou for catching this though!
Thank you for sharing this video 🙏👏👌
Can you make a video on how to draw human body in prespective? I have the basic anatomy clear but i mess up when i have to draw in prespective. Thank you
I usually don't use perspective to draw the body but how about a compromise: I will post videos on how to draw the body in foreshortening!
Hello! Can tou please make a video on prespective. Although i onow how to draw pelvis and other parts but i mess when drawing posses and it looks very weird.
03:03 Neck and Pelvis >>> In this part of the video, I talk about the relationship between the neck and the pelvis. I mention that the pelvis is equal in height to the head and its width at the base of the neck is about half the width of the head. I also discuss a method for measuring the height of the pelvis. However, specific landmarks related to the neck and pelvis are not discussed in the video.
The pelvis for me was the most difficult part to draw But these videos helped me so much Thank you!🙏 I wish i could learn from you in real life.
I teach at a univeristy in NYC and one in Philly, but Ialso teach atthe Studio Incamminati also in Philly, that is open to everyone. Check my website, you will find a list of workshops I teach. I also teach workshops in Italy in Winter and Summer,if you feel like traveling!
Thank you 😭🙏🙏🙏
You're welcome 😊