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The Piano Experience
France
Registrace 12. 10. 2019
The goal of this CZcams channel is to make people discover great piano recordings.
I share rare, unpublished, commercials recordings and also I compare interpretations.
*If you want your recording to be removed, please send me an e-mail and I will remove it.*
For all videos :
No copyright infringement is intended, if any exists.
The intention is to memorialize, to preserve for public memory, to archive for future users, to rescue this event from loss.
I share rare, unpublished, commercials recordings and also I compare interpretations.
*If you want your recording to be removed, please send me an e-mail and I will remove it.*
For all videos :
No copyright infringement is intended, if any exists.
The intention is to memorialize, to preserve for public memory, to archive for future users, to rescue this event from loss.
Dinu Lipatti plays Ravel - Miroirs, "Alborada del Gracioso" [Audio + Score]
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Dinu Lipatti plays Ravel : Miroirs "Albarado del Gracioso" [Audio + Score]
Piece : Maurice Ravel - Miroirs "Albarado del Gracioso"
Pianist : Dinu Lipatti
Date of Recording : JJJJJJ
BIOGRAPHY
Joseph-Maurice Ravel was a French composer, conductor and pianist. He is often mentioned alongside Claude Debussy as one of the pioneers of impressionist music. Ravel was also known for his extremely difficult piano pieces; which demanded perfect technique and resonating skill from pianists.
Maurice Ravel was born on March 7, 1875 in Basque, Ciboure, France. Ravel’s father was a Swiss inventor who was rumored to have provided an early design for the internal combustion engine. His father had a keen musical insight, and he would often encourage his wife (Ravel’s Mother) to educate her son of her Spanish heritage. At the age of six, Ravel started taking piano lessons with Henry Ghys, and after making rapid progress, he went on to study composition, harmony and counterpoint with Charles-Rene. Soon, at the tender age of fourteen, he gave his first piano recital.
Around 1890, Ravel’s obvious talents at the piano had him admitted to the Paris Conservatoire. There, most people were of the opinion that he was utterly heedless, even so, Ravel won first prize in a piano student competition at the Conservatoire in 1891. Ravel was expelled from the institution in 1895 as he had failed to win a competitive medal in three years (as was the requirement at the Conservatoire). Ravel however, readmitted himself to the Conservatoire in 1898, this time with an emphasis on composition, and yet again he was expelled in 1900 for the same reason. Even though Ravel was studying under the great Gabriel Faure and the eminent André Gedalge; this was a difficult time for Ravel as music critics were not particularly fond of his work. However, he did produce one masterpiece in 1900 which was a piano piece titled “Jeux d’eau”.
By 1905, Ravel was silencing his critics head on, he released a series of five piano pieces itled “Miroirs” or “Mirrors”. “Mirrors” was highly appreciated due to its vivid expressions and technical intricacies. “Mirrors” was also highly renowned for its fantastic use of harmony. Ravel’s other major works from this period include his “Histoires Naturelles”, which were a series of humorous animal songs, and his “Rapsodie Espagnole”, which was a piano four hands work. “Rapsodie Espagnole” was also scored for a full orchestra due to its outstanding success. He also composed the highly famous opera “L’heure espagnole” during this time, which was renowned for its spectacular orchestration and instrumentation. Another honorable mention from this period is Ravel’s masterpiece; “Gaspard de la Nuit”.
During World War I, Ravel served as a truck driver at the Verdun Front. He also composed a few pieces, amongst which his most popular work was included, his “Le Tombeau de Couperin”, which was revered for its astounding harmonic elements. After the war, Ravel wrote a piece for a ballet which was titled “La Valse”. He was also named as a member of the French “Legion d’honneur” in 1920, but he refused to attend the ceremony.
Ravel’s most popular work was written ten years before his death, and it was an orchestral work titled “Bolero”. Ravel was quite surprised by the success of the work and he was known to have stated that “it has no music in it”. Maurice Ravel died on December 28, 1937. Historians believe that his death could be attributed to the critical injuries that he received in a car accident in 1932, after which his mental health rapidly deteriorated.
Dinu Lipatti plays Ravel : Miroirs "Albarado del Gracioso" [Audio + Score]
Piece : Maurice Ravel - Miroirs "Albarado del Gracioso"
Pianist : Dinu Lipatti
Date of Recording : JJJJJJ
BIOGRAPHY
Joseph-Maurice Ravel was a French composer, conductor and pianist. He is often mentioned alongside Claude Debussy as one of the pioneers of impressionist music. Ravel was also known for his extremely difficult piano pieces; which demanded perfect technique and resonating skill from pianists.
Maurice Ravel was born on March 7, 1875 in Basque, Ciboure, France. Ravel’s father was a Swiss inventor who was rumored to have provided an early design for the internal combustion engine. His father had a keen musical insight, and he would often encourage his wife (Ravel’s Mother) to educate her son of her Spanish heritage. At the age of six, Ravel started taking piano lessons with Henry Ghys, and after making rapid progress, he went on to study composition, harmony and counterpoint with Charles-Rene. Soon, at the tender age of fourteen, he gave his first piano recital.
Around 1890, Ravel’s obvious talents at the piano had him admitted to the Paris Conservatoire. There, most people were of the opinion that he was utterly heedless, even so, Ravel won first prize in a piano student competition at the Conservatoire in 1891. Ravel was expelled from the institution in 1895 as he had failed to win a competitive medal in three years (as was the requirement at the Conservatoire). Ravel however, readmitted himself to the Conservatoire in 1898, this time with an emphasis on composition, and yet again he was expelled in 1900 for the same reason. Even though Ravel was studying under the great Gabriel Faure and the eminent André Gedalge; this was a difficult time for Ravel as music critics were not particularly fond of his work. However, he did produce one masterpiece in 1900 which was a piano piece titled “Jeux d’eau”.
By 1905, Ravel was silencing his critics head on, he released a series of five piano pieces itled “Miroirs” or “Mirrors”. “Mirrors” was highly appreciated due to its vivid expressions and technical intricacies. “Mirrors” was also highly renowned for its fantastic use of harmony. Ravel’s other major works from this period include his “Histoires Naturelles”, which were a series of humorous animal songs, and his “Rapsodie Espagnole”, which was a piano four hands work. “Rapsodie Espagnole” was also scored for a full orchestra due to its outstanding success. He also composed the highly famous opera “L’heure espagnole” during this time, which was renowned for its spectacular orchestration and instrumentation. Another honorable mention from this period is Ravel’s masterpiece; “Gaspard de la Nuit”.
During World War I, Ravel served as a truck driver at the Verdun Front. He also composed a few pieces, amongst which his most popular work was included, his “Le Tombeau de Couperin”, which was revered for its astounding harmonic elements. After the war, Ravel wrote a piece for a ballet which was titled “La Valse”. He was also named as a member of the French “Legion d’honneur” in 1920, but he refused to attend the ceremony.
Ravel’s most popular work was written ten years before his death, and it was an orchestral work titled “Bolero”. Ravel was quite surprised by the success of the work and he was known to have stated that “it has no music in it”. Maurice Ravel died on December 28, 1937. Historians believe that his death could be attributed to the critical injuries that he received in a car accident in 1932, after which his mental health rapidly deteriorated.
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Video
Two years after his death: A tribute to the great Allan Evans
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Two years ago, the great "sound archaeologist", record producer and writer Allan Evans died. His tragic deat has left the music world in shock. On September 3, 2020 a Memorial was held in his honor. This video is a reupload of this memorial to pay tribute to his work. September 3 2020 , a Memorial for the late, great, much loved “sound archaeologist” Allan Evans was held at 3pm New York Time. T...
Leo Ornstein - A Wild Man's Dance : Documentary w/ Interviews of Ornstein, Performances of Hamelin..
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Vladimir Horowitz : Carnegie Hall Rehearsal, 7 January 1965 (Improvising, Conversations, Chopin etc)
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Vladimir Horowitz - Parody of the promotional message for the RCA album “Showcase in Sound” (1954)
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Leo Ornstein plays Ornstein : Tarantelle, S. 155 (1963?)
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🎹🎶 LIKE and SUBSCRIBE for more score videos ! czcams.com/channels/YfxUOsroDhIEyXiZa_zglA.html 🎹🎶 SUBSCRIBE to my PATREON ! → www.patreon.com/thepianoexperience This recording was made at the time he completed the S. 155 Tarantelle. You can hear him hesitate as he struggles to remember just what he had written. From : leoornstein.net/audio.html
Leo Ornstein : Composing Sessions
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🎹🎶 LIKE and SUBSCRIBE for more score videos ! czcams.com/channels/YfxUOsroDhIEyXiZa_zglA.html 🎹🎶 SUBSCRIBE to my PATREON ! → www.patreon.com/thepianoexperience "These recordings of working (composing) sessions were made many years ago on an ancient reel-to-reel tape recorder in Ornstein's tiny studio in New Hampshire where he worked on a bad upright piano. The sound quality is dreadful, but the...
![George Crumb - Makrokosmos IV, Celestial Mechanics (1979) [Audio + Score]](http://i.ytimg.com/vi/OALdMoDmoGw/mqdefault.jpg)
George Crumb - Makrokosmos IV, Celestial Mechanics (1979) [Audio + Score]
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🎹🎶 LIKE and SUBSCRIBE for more score videos ! czcams.com/channels/YfxUOsroDhIEyXiZa_zglA.html 🎹🎶 SUBSCRIBE to my PATREON ! → www.patreon.com/thepianoexperience George Crumb - Makrokosmos IV, Celestial Mechanics [Audio Score] (1979) [Audio Score] George Crumb (b.1929)'s Makrokosmos is recognized as one of the masterpieces of twentieth century piano writing. Inexplicably, volume four of Makrokosm...
![George Crumb - Makrokosmos II, Twelve Fantasy Pieces after the Zodiac (1972) [Audio + Score]](/img/n.gif)
George Crumb - Makrokosmos II, Twelve Fantasy Pieces after the Zodiac (1972) [Audio + Score]
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🎹🎶 LIKE and SUBSCRIBE for more score videos ! czcams.com/channels/YfxUOsroDhIEyXiZa_zglA.html 🎹🎶 SUBSCRIBE to my PATREON ! → www.patreon.com/thepianoexperience George Crumb - Makrokosmos II, Twelve Fantasy Pieces after the Zodiac (1972) [Audio Score] Alluding to Bartók’s Mikrokosmos, the first and second volumes of Crumb’s Makrokosmos bear the subtitle Twelve Fantasy-Pieces after the Zodiac. Th...
Nobuo Uematsu - Main Theme from Final Fantasy VII [Audio + Score]
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🎹🎶 LIKE and SUBSCRIBE for more score videos ! czcams.com/channels/YfxUOsroDhIEyXiZa_zglA.html 🎹🎶 SUBSCRIBE to my PATREON ! → www.patreon.com/thepianoexperience Nobuo Uematsu - Main Theme from Final Fantasy VII [Audio Score] Nobuo Uematsu (植松 伸夫, Uematsu Nobuo, born March 21, 1959) is a Japanese composer and keyboardist best known for his contributions to the Final Fantasy video game series by S...
Sergei Lyapunov - Mazurka 8 in G minor, Op. 36 (Anthony Goldstone) [Audio + Score]
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Film : Serge Koussevitzky rehearses and conducts Rimsky-Korsakov's Scheherazade (1940s)
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Frederic Rzewski - Les Moutons de Panurge (1969) [Audio + Score]
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Frederic Rzewski - Les Moutons de Panurge (1969) [Audio Score]
Josef Hofmann plays Beethoven : Sonata No.14 "Moonlight" Op. 27 (1936) [Audio + Score]
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Josef Hofmann plays Beethoven : Sonata No.14 "Moonlight" Op. 27 (1936) [Audio Score]
Film : Josef Hofmann smoking with his wife Betty Short and with friends. (1920s?)
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Film : Josef Hofmann smoking with his wife Betty Short and with friends. (1920s?)
Henry Cowell - Two Pieces, II. 'The Tiger' [1928] [Audio + Score]
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Henry Cowell - Two Pieces, II. 'The Tiger' [1928] [Audio Score]
Julius Eastman - Evil Nigger [Audio + Score] (1979)
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Julius Eastman - Evil Nigger [Audio Score] (1979)
Sergei Bortkiewicz - 10 Etudes Op. 15 [Audio + Score]
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Sergei Bortkiewicz - 10 Etudes Op. 15 [Audio Score]
Kernis - Superstar Etude № 1 [Audio + Score]
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Kernis - Superstar Etude 1 [Audio Score]
Ferruccio Busoni - Sonatina № 6 "Fantasia da Camera super Carmen" [Audio + Score]
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Ferruccio Busoni - Sonatina 6 "Fantasia da Camera super Carmen" [Audio Score]
Moritz Moszkowski - Suite for Two Violins and Piano in G minor Op. 71 [Audio + Score]
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Moritz Moszkowski - Suite for Two Violins and Piano in G minor Op. 71 [Audio Score]
Moritz Moszkowski - 12 Etudes for Left Hand Solo Op. 92 [Audio + Score]
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Moritz Moszkowski - 12 Etudes for Left Hand Solo Op. 92 [Audio Score]
Samuil Feinberg plays Feinberg : Piano Sonata No. 1 Op. 1
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Samuil Feinberg plays Feinberg : Piano Sonata No. 1 Op. 1
Arturo Márquez - Danzón № 2 (1994) [Audio + Score].
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Arturo Márquez - Danzón 2 (1994) [Audio Score].
Film : Funeral of Pianist Vladimir Horowitz in Milan (Italy) (1989)
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Film : Funeral of Pianist Vladimir Horowitz in Milan (Italy) (1989)
Xian Xinghai - The Yellow River Piano Concerto (1970) (Yundi Li) [Audio + Score]
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Xian Xinghai - The Yellow River Piano Concerto (1970) (Yundi Li) [Audio Score]
Todo está dicho de este gran tenor
Maybe this is the way Mozart or Beethoven would have played Chopin.
Спасибо большое! Это наслаждение! Прекрасное исполнение! Нужно, чтобы юные музыканты почаще слушали такие записи!
I feel like soon we will see Kitty and Matt from 'Gunsmoke' Gould should be wearing a garish red striped shirt and a garter belt on the arm,sitting at the honkey- tonk piano. Thats the way he plays the !st mvt : from a player piano in a saloon post Civil War.
10:10
The music itself aside, this is worth watching just for the technique alone... the way his hands seem to almost accidentally fall on the right keys is a marvel to behold
According to Wikipedia, Ilana Vered (b.1943) is an Israeli pianist and teacher. The etudes she is credited with being the first to do it were recorded in 1970. She took lessons with none other than Vlado Perlemuter and Rosina Lhevinne. The effect of their combined approach is enduring and can be heard clearly. Since Vlado Perlemuter was Moszkowsky's student, it's no wonder this repertoire choice came as his influence. From reading the composer's biography, one could surmise that Franz Liszt himself admired Moszkowsky: the fact that as unforgiving as he was towards fellow musicians, he sat at the second piano to assist Moszkowsky in premiering his piano concerto is quite telling.
Il finale è veramente comico 😂😂😂😂
I absolutely adore Gould, but the only reason I won't say _"He should have left Chopin for others to play"_ is that this is so funny, maybe an autist's Chopin. Thanks for posting, bookmarked !
Непревзойденный Великий Тенор!!!
Anyone who loves Chopin's work must listen to Samson Francois. He was born to play Chopin.
Please consider uploading a score video of the Efrem Zimbalist concerto. It has an intresting history.
Raise your hand if Jean Shepherd brought you here
I love his Music so much.
i listened to this so the music wouldn't be beautiful enough to distract me from studying while listening
Cuentan los viejos de la lirica que hubo uno tan bueno como carusso un español julian gayarre ,pero es mas antiguo que carusso y no hay grabaciones pues aun no llegaba la tecnologia ,pero admiro ptofundamente a csrusso porque la lirica y rl brl canto virne de itslia como no va a csntar bonito es como el blues viene de menphis teneesee y q mejor que ellos cantan el blues ,los profesores de canto dicen se canta como se parla se csnta como sr habla ,si claro pero como se parla o habla en italiano ,he ahi la formula !!!!
Sublime ❤
Insane in the best possible way! Wow.
4:44 II
Музыка во плоти…. МУЗЫКА, какая она должна быть-из сердца.
IL TENORE ... la voce aveva tutti i timbri.. un'orchestra... ❤❤❤❤❤❤❤
Unico
Мы также хотим послушать ваш рассказ об Александре Скрябине. Мы любим Скрябина. 🌷🌷🌷(Netherlands 2024)
Stop right now and shut that trap off. Their harpsichord concerto nit piano concerto. What terrible interpretations.
beautiful improvisation
unbelievable performance and memorable!
2:50 - Nikolayeva is my favorite
En una ocasión le preguntaron a Claudio Arrau cuales eran sus pianistas favoritos, en ese momento dijo que Kempff y Barenboim.
I'm not sure who I'm more impressed with, the composer or the pianist. That's usually a good sign.
He play chopin staccato
Caruso's voice anointed with the endless love. ❤
When I listening Caruso I'm diving into my childhood and getting as happy as child again.
The velvety voice of Caruso remaince even on highest notes .
The best of all times. Singing Caruso may cure any kind of illness.
The improvisation is gorgeous
Op. 32, No. 12 is incredible
The sound quality is phenomenal
The name of the pianist who did all that work is not worth mentioning??? Anyway... It is French pianist Alain Raës!
What a treasure of a recording….I wonder if Wanda Toscanini gave permission for these to be released posthumously?
Riesce a rendere contrappuntistico anche Chopin. Senza parole.
Tatjana Nikolajewa, die Pianistin mit dem großen Herzen, spielte ein Jahr vor ihrem Tod alle Präludien und Fugen ihres Freundes Dimitri Schostakowitsch ein. So ein großes Geschenk für uns alle!!! ❤❤❤
We were visiting Aiken Georgia last year and came across a small display case dedicated to Hofman in the local museum. He lived there for years and his wife ran a girls dance academy. Many of the locals were unaware that one of the greats of the keyboard had lived there.Interesting facts about Hofman. Having small hands he had special pianos built with smaller width of keys. In his 20’s he played 27 concerts in a row without repeating a piece. He played so many concerts in his youth that Congress passed a labour law preventing the exploitation of child protégés. He was for a long time Anton Rubinsteins only pupil. He remains an inspiration to pianists and musicians ! Thanks for this wonderful video.
Crumb scores always seem SO beautifully and meticulously written out. As much thought seems to have gone into what the reader sees as went into the composition.
Надо признать,-при всей феноменальности,-у маэстро-начисто отсутствует какое-либо звукоизвлечение....
Впервые услышал его родной язык...мирово...чудо...
特别喜欢的作品！超级好听！
Timeless piece. Hundreds of years later it's priceless. Beautiful voice.
I’m related to this wonderful man, I believe he’s my great great grandpas brother
Anton rubinstein taught the young Hofmann, "Learn every detail of the score, minutely, and then if you decide you want to change something, go ahead." That was accepted in the 19th century. Personally some of Hofmann's changes in live performance are better than what the composer wrote. I'll bet the composer would agree.
Our Jussi, second. He was a great admirer of Caruso and bought his records.