![Neil van Niekerk](/img/default-banner.jpg)
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Neil van Niekerk
United States
Registrace 26. 10. 2006
Photography techniques tutorials and gear reviews.
Most of the videos relate to lighting,
whether off-camera lighting, studio lighting, or on-camera flash.
For more, check out the the website link.
Most of the videos relate to lighting,
whether off-camera lighting, studio lighting, or on-camera flash.
For more, check out the the website link.
Camera & flash settings : high-speed flash sync & off-camera lighting
Camera & flash settings : high-speed flash sync & off-camera lighting.
More info on the Tangents blog:
neilvn.com/tangents/choosing-camera-and-flash-settings-with-high-speed-flash-sync-off-camera-lighting/
Tutorial on high-speed flash sync:
czcams.com/video/9MWPa6i19yc/video.html
Sara's Instagram account:
sara.sobolova
#flashphotography #highspeedflash #offcameraflash
More info on the Tangents blog:
neilvn.com/tangents/choosing-camera-and-flash-settings-with-high-speed-flash-sync-off-camera-lighting/
Tutorial on high-speed flash sync:
czcams.com/video/9MWPa6i19yc/video.html
Sara's Instagram account:
sara.sobolova
#flashphotography #highspeedflash #offcameraflash
zhlédnutí: 722
Video
Review : Profoto A2 flash & Clic light modifiers
zhlédnutí 2,5KPřed 8 měsíci
Profoto has created an entire system of portable lighting with accessories around their Profoto A2 flash. With this behind-the-scenes video, I show how I used the Profoto A2 flashes and accessories during a photo session with a friend, Franklin Elliot, who is a musician and actor. The intent was to create a series of promotional photos, with a variety of looks. For more info check the related b...
Creating dramatic studio lighting with Profoto A2 flashes
zhlédnutí 2,1KPřed 10 měsíci
Profoto has created an entire system of portable lighting with accessories around their Profoto A2 flashes. I had the rare opportunity to connect again with one of my favorite models, Erin Leigh Pribyl, for a photo session in my studio. Even in this short video clip, you'll get a sense of her personality. With this, I wanted to create dramatic portrait lighting with a hint of the old Hollywood ...
Profoto flash : freeze mode
zhlédnutí 3,1KPřed rokem
Profoto flash : Freeze mode helps us get crisply sharp images when photographing movement and action. My gear list on B&H: bhpho.to/3khwatY #profoto #profotoflash #flashphotography #offcameraflash
On-camera bounce flash tutorial
zhlédnutí 52KPřed rokem
On-camera bounce flash photography : the really, really big tutorial. Related tutorial video: czcams.com/video/1mF9UHK8LwU/video.html More resources: neilvn.com/tangents/flash-photography-techniques/ neilvn.com/tangents/video-tutorial-on-camera-bounce-flash-photography/ My book about On-Camera Flash neilvn.com/tangents/recommends/nvn-book-on-camera-flash-2nd-ed/ My gear list on B&H: bhpho.to/3k...
Timelapse photography tutorial
zhlédnutí 1,6KPřed 2 lety
Timelapse photography tutorial, covering all the essential techniques, and necessary gear. Further details on the blog post: neilvn.com/tangents/time-lapse-photography-tutorial/ #timelapse #timelapsevideo #timelapsephotography
Sony A1 highlight recovery comparison between large and medium RAW options.
zhlédnutí 2,3KPřed 2 lety
Comparing the highlight recovery between the large and medium RAW options on the Sony A1. More info here, including a link to download the RAW files to check for yourself. neilvn.com/tangents/sony-a1-large-vs-medium-raw-highlight-recovery/ #sonyalpha #sonyalpha1
What's in my camera bag -- January 2022 edition
zhlédnutí 3,2KPřed 2 lety
For those who might be curious about this kind of thing, this is what's in my camera bag ... for now. But there are always gradual changes and shifts. We'll see again in a year's time. More info and links here: neilvn.com/tangents/whats-in-my-camera-bag-2022/ neilvn.com/tangents/camera-sensor-cleaning/ neilvn.com/tangents/category/vintage-lenses/ neilvn.com/tangents/time-lapse-photography-proje...
Bounce flash photography & that one thing you need to know
zhlédnutí 44KPřed 2 lety
An easy to understand explanation of how the Inverse Square Law affects bounce flash photography in an unexpected way. Also check this video for a thorough tutorial on bounce flash photography: czcams.com/video/V5iCy6OK0rc/video.html My gear list on B&H: bhpho.to/3khwatY #flashphotography #bounceflash
Fashion inspired photo session in New York, with the Zeiss ZX1
zhlédnutí 2,9KPřed 3 lety
Fashion inspired photo session in New York, with the Zeiss ZX1 More details in this related blog post: neilvn.com/tangents/fashion-inspired-photo-session-in-new-york-with-the-zeiss-zx1/ Affiliate links to the Zeiss ZX1 Amazon: neilvn.com/tangents/recommends/zeiss-zx1/ B&H: neilvn.com/tangents/recommends/zeiss-zx1-bh/ As another installment on the theme of Two Perspectives, I met up with my frie...
review: Profoto A10 flash
zhlédnutí 4,8KPřed 3 lety
review: Profoto A10 flash, and using the Profoto app to control the flash. More details in this related blog post: neilvn.com/tangents/review-profoto-a10-flash/ Affiliate links to photo gear used: Profoto A10: neilvn.com/tangents/recommends/profoto-a10-flash-nikon/ Profoto Click Creative Gel Kit: neilvn.com/tangents/recommends/profoto-clic-creative-gel-kit/ #profoto #profotoflash #flashphotogra...
Off-camera flash with the Profoto A-series flashes: A1, A1x A10, using the Profoto OCF adapter
zhlédnutí 16KPřed 3 lety
Off-camera flash with the Profoto A-series flashes: A1, A1x A10, using the Profoto OCF adapter. As with any of the review videos on this site, I wanted to make it wider in appeal than just mentioning the specific device in this case, the Profoto OCF adapter. I want anyone who watches the video to perhaps learn more about how I shoot and perhaps pick up an idea or two. More info: neilvn.com/tang...
Video tutorial: Manual flash settings with speedlights
zhlédnutí 32KPřed 4 lety
Video tutorial: Manual flash settings with speedlights One advantage that the larger speedlights have over the smaller speedlights - aside from more power - is that they show the distance the flash can reach for the specific settings. This video is a continuation of the off-camera flash tutorial series. What is described in this video is also written out in more detail in this article: neilvn.c...
Video tutorial: TTL fill-flash
zhlédnutí 33KPřed 4 lety
Video tutorial: TTL fill-flash This video tutorial on TTL fill-flash settings, is the visual counterpart to this article - Flash Exposure Compensation (FEC). Whether you use on-camera bounce flash, or off-camera TTL flash as in this off-camera flash tutorial, you will need to adjust your FEC to control the amount of TTL flash you get. Adjusting the FEC allows you varying degrees of fill-flash. ...
Off-camera flash tutorial - Using off-camera flash on location
zhlédnutí 9KPřed 4 lety
Continuing on from the previous off-camera flash tutorial video, we explore balancing ambient light with off-camera flash. With this video tutorial, we use a speedlight in a softbox, and we look at using TTL flash. There is a certain simplicity when we work with TTL flash in a non-static situation - we allow the technology to help us get to proper flash exposure quickly. More about this in the ...
How to balance off-camera flash with ambient light.
zhlédnutí 49KPřed 4 lety
How to balance off-camera flash with ambient light.
How to use off-camera flash in a simple scenario - where there is no ambient light.
zhlédnutí 9KPřed 4 lety
How to use off-camera flash in a simple scenario - where there is no ambient light.
Product Photography in the studio -- 2 Perspectives
zhlédnutí 2,5KPřed 4 lety
Product Photography in the studio 2 Perspectives
Creative portraits in the studio, using continuous lighting
zhlédnutí 54KPřed 4 lety
Creative portraits in the studio, using continuous lighting
Comparing the Profoto B10 vs Profoto B1 & B2
zhlédnutí 14KPřed 5 lety
Comparing the Profoto B10 vs Profoto B1 & B2
Intimate male portraiture / male boudoir photography
zhlédnutí 276KPřed 6 lety
Intimate male portraiture / male boudoir photography
Always pick up something every time I watch one of your videos Neil !📸
At 46:51 this type of photo is what im looking to create consistent what size of reflector would you recommend to use in an outdoor open shade situation? Also do you have a book on posing people who are non models?
I don't have any books or video tutorials on posing. But if you like that basic / essential pose for a portrait, check up on "Short Lighting". For me, that was a breakthrough concept when I first saw it explained in a book. I don't use reflectors outside -- nearly always off-camera lighting, which I find is more controllable.
@@neilvn Thank you so much for replying. I will surely check it out!
Okay, totally NOT photography related: Cool shirt in this video! Like it a lot, could you post back what brand/style it is please... Good to see someone still having some kind of dress sense (looks very club clothes, goth style shirt...) in the photog tutorials, instead of just old jeans, ratty t-shirt, and frizzy hair (hi, Jared...) If you want be thought of as "cool", then dress accordingly... (you/Neil, Joe Edelman, and Lindsay Adler are the only photographers dressing like you want people to believe you have an eye for style. It does come through to the clients...just saying...)👍✌😎
@@d.williams2568 - aaah, thank you kindly. The shirt is from the Robert Graham brand. I like the style, and I also like a paisley type pattern. I have several of these in black / grey / blue / purple, because it’s pretty much all I wear. :)
I really enjoyed this class. It gave me lots of ideas that I'm eager to experiment with. I've lined up a model so I can get some practice. One question that I had was in regards to the flash "zoom" setting. When you're bouncing a flash, do you keep it full wide, or adjust the zoom? I imagine that in TTL mode the zoom will adjust automatically to your lens focal length, but I've been considering how the zoom might affect your bounce light.
I mostly keep the flash zoomed as tight as possible cause a wide zoom isn't necessary or even useful. Also, -- more control -- less flash power is "eaten up" by the black modifier I use with my on-camera flash. -- the zzzt-zzzt sound of the flash head becomes annoying.
Just note that TTL flash has nothing to do with how your flash head zooms. It does the same thing for manual exposure flash.
@@neilvn yes, I thought keeping the zoom tighter will make the light brighter, and because it's being bounced then it will already be wide and diffused. Thanks so much for answering my question !
@@FilmRunnerMedia -- exactly that.
Great video! Curious, do you need a permit to use a flash stand in NYC??? Thanks! 🇨🇦
If it is a big production with multiple lights, yes. But that is why we remain mobile with a monopod. And we also make sure we don't impede pedestrian traffic.
When Neil speaks, I listen.
Wow! That's a huge compliment. I'll just have to make sure all future videos live up to that.
Good timing Neil. I have just started playing with flash and your superb teaching technique will help me a great deal. Many thanks.
Sara, the dancer's Instagram: instagram.com/sara.sobolova/
Great video ! Just subscribed :)
Great stuff Neil! Take that Facebook. I found you.
excellent tutorial ! love your accent too - could listen to you all day
@@pamcollins3167 - aaw, thank you
Ain't watch the video yet but liked cuz I know it's excellence you're teaching!
@@souljah9e - that’s high praise.
Was it a bother or hindrance having all those people walk by and through the shot while you were lying on the ground? Or just part of the game when shooting in public spaces?
@@martink8080 - it’s like you say, it’s part of the game. I’ll patiently time my shots. I will also manage expectations beforehand, telling the dancer / model / subject that we’ll give it two or three minutes, and if it doesn’t work, we move along. I won’t get stuck in one spot, frustrated that it isn’t working.
Really professional results here Neil. Thanks for posting and showing us how it’s done. Do you have planned alternative locations or do you mooch around after each session until you find them? I.e. did you previously know of the sun’s position and the light and shade that would be perfect for the shot?
@@christianpetersen1782 - I have specific places in mind that we walk to, but I also look for interesting opportunities that come up, because you can’t always predict from previous days what the light (etc) would look like. So it’s about 50/50. The main photo here was an opportunity. Not planned beforehand.
Your videos are excellent, the explanation and results shown are amazing, thank you so much for sharing
inspiring... Thank you!!!
Thank you, Neil!
Thanks.
Great Video Neil
Thanks for sharing your valuable experiences...
This should have 51M views not 51K
Thank you so very much for this. You made everything so simple and easy to understand am truly grateful.
Excellent content, thanks 👍
One question: how come you have a Dutch name and a German accent? :)) Fantastic stuff, this goes immediately into my GOLDEN TUTORIALS folder... There are very minor points I would have done slightly different, like with structuring video or editing (give a bit more time to showing the examples, and next to each other works best), but that's a side matter. I felt like back at school when we wondered how some great teachers stood out and could reach out and catch our attention. I've seen this video actually twice, counting the number of times I had to rewind to be able to follow (have no such a flash yet). Extremely welcome stuff, and I'll be buying the modern flash I had hesitated to, now under impact of this video. Can't wait!
I have a Dutch last name because I am South African. Hence the accent? Anyway, thank you for the kind words.
@@neilvn oh, that's great! So would you be able to read and understand if I wrote here something in Dutch?
@@Emerald_City_ -- yes, I would. But I would have to concentrate. Don't make me work for it.
@@neilvn No worries! I'm as (un)comfortable with Dutch as with English language... :)) I also might mix them up occasionally. Still, after more than a day since I've watched, am much impressed by your video lecture. Influenced by it, now am at the verge of buying a second hand Olympus FL-900R flash. Do you think it's a good idea? Is less than half of the price of the new product. Your models are fantastic. Also all from South Africa?
@@Emerald_City_ -- I live and work in the USA. New Jersey / New York City. So all my models are local to me. I'm not familiar with the Olympus system. But my recommendation would be to get the larger version of whatever flash they offer, as opposed to a smaller, underpowered one.
Hello! Great video! Question: what if the reflector had been white instead of black? What difference would that make?
Having a white or reflective part to this would definitely make the device more efficient ... HOWEVER, the idea behind the black foam is that it acts as a flag. Not a flash modifier per se. With the black foamie thing / flag, I want to control the DIRECTION of the light that I am bouncing. If I use a white card or some metallic reflector inside the flag, it would throw light up towards the ceiling again ... which is light from the lens axis again, somewhat defeating the idea behind using the black foam as a flag.
@@neilvn Thank you very much! Great work and best regards from Germany!💥
Very impressive
This is such a good tutorial. Not only the best flash photography class, but the best photography tutorial on CZcams of any kind.
Learned lot about bouncing flash by reading your books.Thank You!
Hi Neil. Excellent video. I'm curious if when you are bouncing flash in this manner with TTL, do you often find the need to up the flash exposure compensation depending on the distance of the bounce and/or the distance of the subject? Also, when you bounce behind you, are angling the flash slightly up at all, or is it essentially just straight back? Thanks again for this insightful content
I do not understand a few things. I use a Nikon F3 analog camera with an SB-800 speedlite. I use a simple A-41 adapter so I do not have TTL. I only get “aperture priority non-ttl”, “distance priority” and “manual”. I do not understand in these settings how to determine my exposure time.
Your best approach would be to use a light meter to measure your flash, since you are missing out on immediately seeing your results with film photography (instead of digital.)
While listening to your video this morning and earing once again about the end of the curve when talking about the inverse square law, a sample explanation came to my mind to help me visualize how it works. Let’s say the light source is at 1 meter from our subject with the proper power to have a perfect exposure. Test 1. Let’s move our subject from 1 to 2 meters. 1 meters difference to lose 2 stops of light. Test 2. Let’s move our subject from 2 to 4 meters. 2 meters difference to lose 2 stops of light. Test 3. Let’s move our subject from 4 to 8 meters. 4 meters difference to lose 2 stops of light. Test 4. Let’s move our subject from 8 to 16 meters. 8 meters difference to lose 2 stops of light. And we can go on with the same results. As we can see for each test, the difference it takes to lose 2 stops of light is greater as we increase the distance between the light source and our subject. That's the end of the curve you were talking about and now I can visualize why it works.
Thank you for the reference from the other video. Your point was proven 8 years ago and is still relevant today. Besides all the demonstrations between the different diffusers, I particularly liked what you said at the very end - "Cost you nothing!" 🙂
Best tutorial on bounce flash I’ve seen! Connects all the dots. Thank you!
Wow, that was very interesting and mind opening! I was in the process of watching videos that compares Magmod products with Godox about their flash modifiers. I'll buy one of your books instead. Your explanation about using the flatten portion of the distribution of light based on the inverse square law was kind of a revelation. It's so obvious that we just don't see it. I already did some tests with my wife yesterday and it simply works. That and hiding direct light from your subject with the black foam are the keys. Fantastic video, not too long for what we learn.
Then you'll find this older video of interest as well: czcams.com/video/L08G2dfIwFY/video.html
Really excellent explanation and demonstration. I setup a test with my son's stuffed animals in a small room to test. Was able to follow and see the differences. Thank you!
😀🎯
Wonderful. You earned a new subscriber. One question, if you don't mind: does this work on any wall or just white colored walls?
If the walls and ceiling are warm toned, you're still safe to bounce your flash. But if the walls and ceiling are painted green or blue, then the spectrum of color you’ll get when bouncing your flash, will lack the warmer tones you need for good skin color. Your best option then is either direct flash, or off-camera flash.
Excellent tutorial! Substance over flashy influencers!
THANK YOU!!!!
Awesome work Neil. Do you conduct workshops?
I do offer workshops, whether online or in person. The in-person workshops went on a hiatus during the '20 - '21 pandemic, and I never kickstarted them again. It's about time! neilvn.com/tangents/photography-workshops/
@@neilvn If you get them restarted you have your first attendee.
I recently came across your channel because of Omar Gonzalez commenting on how great your black foamie thing works. I really enjoy your channel as you have such a fabulous way of explaining the world of light and flash… can’t thank you enough.
very interesting and insightful. thank you.
The BEST video about using on camera flash I have EVER seen! Thank you! 🙏🙏🙏
Which flash would you recommend A2 or A10
As a small moonlight, I would recommend the A2. If you want a flash you can use on your camera -- then the A10 is what you want.
Absolutely brilliant video, great information thank you
Neil's BFT is a game changer. Although I've modified mine to have a white interior.
Legendary information!
How about color cast picked from the surfaces the light is bouncing from? Do you correct it with gels?
Yes, you will pick up color casts. But this generally isn't a problem if you shoot in RAW .. unless the surfaces that you bounce your flash off is predominantly green or blue in tone. Then you might very well have a discontinuous spectrum of light, where the orange and and other warm tones that give you good skin tone, are missing. Then color correction is tough or impossible.
@@neilvn Thank you for this insightful answer!
Hi Neil. I have come across this video, your demonstrations and explanations are so useful and easy to follow, I now need to catch up on your other vid’s. I do have a question which I would be so, so grateful for your experience and guidance. Would you ever bounce a flash off a window?
It is entirely possible to bounce the light from your flash off a window .... IF you can bounce it at a sensible angle, and also temper your expectations. Here is an example: neilvn.com/tangents/using-on-camera-bounce-flash-outside/
I really love all of the examples with comparisons! Great video!
14:23 That photo of the trumpet player is exceptional. A stunningly good image. Wow.
Thank you! And the technique is so easy once you get how to control your on-camera flash. Anyone can do it.
@@neilvn For years I’ve used a home-made diffuser using Ikea drawer liner (a trick that you probably know about, let me know if you don’t) and I’ve been happy with the results, but using the technique that you demonstrate adds depth and contours to the image of a face that the diffuser can’t. Your photos are awesome, I hope your clients appreciate just how good those images are!