Video

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Come back to Boston, Patricia!

Thank god, thank god that I have Gregory’s Primer. Finally, a book that inspires me, while teaching me. Strangely, until this moment, I hadn’t read any of Mr. Orr’s poetry. His poems, leave me breathless. Truly enjoyed this humble poets wisdom.

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Timestamps, intro to intro: Toward Nightfall 1:26 The White Room 5:58 In the Library 8:34 A Tiger 10:41 Folk Songs 13:43 Country Fair 15:23 Mirrors at 4 A.M. 18:10 Charm School 21:52 Late Train 24:35 Mummy’s Curse 26:23 Filthy Landscape 29:22 Icarus’s Dog 30:24 Labor and Capital 32:12 1938 34:04 O Spring 38:09 The Saint 39:48 Description 40:48 So Early in the Morning 41:35 Night Owls 43:16

His dark humor is colorful.

Thunders bastards first thought for Me was any sense of thunder without Seeing lightning's striking production. Sure, Bass or bombs, i imagine, A chaotic threatening Storm could produce Thunder for those unabke to be Aware of the lightning...place, idk. I Love language and poetry for that capacity, to reveal new, for as long or deep as a person wants to peel...seemingly or certainly but the person may Have to want it. May Have to Work. Re- warding in subtle and life Changing ways simu-l taneously. Thanks! 31:20

Thunders bastards first thought for Me was any sense of thunder without Seeing lightning's striking production. Sure, Bass or bombs, i imagine, A chaotic threatening Storm could produce Thunder for those unabke to be Aware of the lightning...place, idk. I Love language and poetry for that capacity, to reveal new, for as long or deep as a person wants to peel...seemingly or certainly but the person may Have to want it. May Have to Work. Re- warding in subtle and life Changing ways simu-l taneously. Thanks!

Thunders bastards first thought for Me was any sense of thunder without Seeing lightning's striking production. Sure, Bass or bombs, i imagine, A chaotic threatening Storm could produce Thunder for those unabke to be Aware of the lightning...place, idk. I Love language and poetry for that capacity, to reveal new, for as long or deep as a person wants to peel...seemingly or certainly but the person may Have to want it. May Have to Work. Re- warding in subtle and life Changing ways simu-l taneously. Thanks!

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Who cried at the last poem? I didn't.

Thanks for posting this.

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Thanks, Campbell.

Such a life altering, amazing week at the Palm Beach Poetry Festival that year. To experience his touching performance (virtually, during the pandemic) was a gift.

excited to possibly study with Nick

DIMENSIONS Lili The Underworld, the Netherworld, a place most cannot see Where people from the past exist, their time our future now When mystery of stranger things, appear we are perplexed Visits from the other side who knows what will be next? But it's not new, the ancients knew, the evidence abounds Lines of pyramids, we cross, they cross, it's all in knowing how. Within our minds if we explore, the portals as they're known The doors will open wide, some find them just by chance And venture through lost for all time, they cannot leave the trance But others from one side or both who learn the way to pass Can travel and return again, a new world, future, past What's to be gained? reward or peril we cannot just stay still We've gained the gift, we can't refuse our destiny at last. A strange new world, we learn to speak the tongues all spoken there Some we meet who've traveled too, we find we can converse We learn from them, they learn from us and so our minds expand To learning Nature's deepest truths within our Universe And when we find the travelers lost, we show the long way back Lead them to the portal's door and then they leave our hand But most have chosen not to leave, they've found their promised land. The Spirits help us find the doors, we're joined within our heart They travel with us to the door and bid us to depart We're home again but where is home when different worlds entice? I love them both, there must be more I crave for more, more worlds, more joy, more time When we return we find that time for us has all stood still But we have learned from lifetimes there and now we all must share The gifts we all have taken back, our minds, our hearts fulfilled. They call us Witches, evil beings, they'd hang us all today We don't hurt them, they would kill us if they could Wizened Spirits, they'd burn and torture, slay But if they ask we'd teach them all the secrets of the worlds The potions for their health, their own Gods will not share Now who is evil when their book, not one word does impart One recipe, one herb, one potion, one word for broken hearts.

Wonderful!

Poetry is nothing more than a transfer of emotion-

Inspiring, wonderful talk! Marvelous choice of poems and insightful commentary.

Thanks, Tim.

His articulate insights and eloquence are inspiring.. Add to those the poems of others he reads as illustration, you've got a dynamite lecture.

Dude just won the Lyric Poetry Award - 2022 from the Poetry Society of America.

Condolences to Mile's family 🌹

Heartfelt interview with Miles, Nickole, and Laure-Anne! I'm anxious to read "A Quotient of Myself Divided by Myself" by Miles Coon.

So sorry to hear of his loss.

Palm-good morning,what a unusual ,

Felicidades, es un buen ejemplo. 486 sentadillas son unos Kimmy-jka.Monster muchas y un buen ejercicio. Se deja ver que hay muy buenos resultados 😍👍 Saludos desde la Cd.. de world 🌹😉💖 los mortalesc abian apreciado tan hermosa mujer.k

Brief Bio: I’m Al Fogel born in 1945 and at an early age began writing poems. In 1962 I was introduced to a neighbor who just returned from Avatar Meher Baba’s “ East west” gathering and handed me a book titled “The Everything and the Nothing” that included brief but powerful passages by Meher Baba that touched me deeply and i became a “ Baba Lover” In 2010 while on Jane Reichhold’s AHA website workshopping poems I befriended a Chinese man who helped me perfect my Senryu and Haibun. I am now considered one of the nations leading authorities on Tanka , Senryu, and Haibun. Here are some examples of each of my specialties. They are all from the contemporary American format. Senryu ( senryu is the humorous human side of haiku. Usually 3 lines but can be 2 or 1 line so long as it is 17 syllables or less). It is considered the humorous human side of haiku. For example, the following two of mine are horrific and heartbreaking dealing with the Holocaust): cattle cars - between the slats human eyes ~ Stutthof - the stench of burnt smoke from the chimneys (And here are some more examples): thrift store purchase inside the leather jacket a tarnished half-heart ~ dentist chair the hygienist removes my Bluetooth ~ Internet argument all his words in CAPS hers in EMOTICONS ~ after the divorce he spends more time at the dollar store ~ damsel in distress Clarke Kent still searching for a phone booth ~ cauliflower ears once a contender now boxing vegetables ~ under the influence - moonshine ~ Audubon sale all variety of seeds. . . early birds welcome ~ Buddhist fortune cookie the unfolded paper reads “ better luck next birth!” ~ sudden downpour. . . adults run for shelter ~ sidewalk cafe birds and people tweeting ~ Crowded crosswalk the “seeing eye” dog leads the way ~ deserted train depot a long line of tracks leading nowhere ~~ return to my youth lit by the tracks of Lionel trains. ~ Tanka: (Tanka is comprised of 5 lines of 31 syllables or less. Usually there are far less syllables) Here are 3 examples: returning home from a Jackson pollock exhibition I smear my face with paint and morph into art ~ crowded bus a young lady offers me her seat it seems like only yesterday I was offering mine ~ deserted train depot a conductor shouting “ All Aboard!” now a long line of tracks leading nowhere ~ Haibun: ( the haibun consists of a prose section with one or more haiku that must in some way relate to the prose. All Haibun have titles Here are some examples: The Mathematics of Retribution “Karma is unfathomable,” I inform her It’s late and our conversation turns heavy “ Seems simple to me, “my girlfriend responds. “If I murder you, then it’s reasonable that I will be murdered in this or another life to balance the ledger.” “ Not necessarily so” I’m quick to rejoin. “What if you murdered me in this life because I murdered you in a prior life karmic debts and dues are now equalized.” “But what if I get caught and I go to jail for life. Where’s the equal payback in that?” “As I said, karma is unfathomable.” We continue discussing reincarnation and then add the possibilities of “group karma” to the mix Finally, at about midnight, we fall asleep Stutthof - the stench of burnt hair from the chimneys ~~ Mama There were days when I pretended to be too sick to go to school - - just for mamas loving embrace -her arms the heat of home Even with the onset of dementia, her cheerfulness was so contagious it was a joy being around her despite the illness. She made everyone laugh with her spontaneous unpredictable behavior. nursing home bumper wheelchair her favorite pastime Once a week I would whisk her away from the assisted-living facility and we would spend several hours together -grabbing a meal or frequenting some of her favorite second-hand stores where she loved to shop and donate clothes. When we drove to her favorite thrift in November, her dementia worsened. thrift store the dress mama donated she wants to buy On a cold December morn mama passed. The funeral was simple. There was a light drizzle as the family gathered at the gravesite. One by one, with eyes full of rain, we said our last goodbyes. autumn twilight - oh mama tuck me under hug me one more time ~ ‘Round Midnight It was a huge ballroom on the top floor of a building on Broadway --an important midtown crossroads in the heart of the Great White Way. My uncle still talks with reverence about how -in his heyday -he would travel by rail to the corner of Lenox and walk inside to the beat of jungle music. Who knew what to expect? One night you might be listening with rapt attention to Theloneous Monk and Dizzy Gillespie the godfathers of bebop in their signature beret caps, or the Nicholas Brothers flashing their wild acrobatic spins and splits, or enchanted by the sweet taste of Brown Sugar -with Bojangles out front. And when the Bird was in flight, even the moon was not high enough. But in 1940 the ballroom closed its doors to make way for a commercial housing development and another kind of night. Harlem The A-train replaced by the Bullet ~ Atlantic City New Jersey I had just graduated from high school I remember stopping for saltwater taffy -as evening journeyed slowly into night. Nearing curfew, we sat on a protruded sandy enclave--holding hands, looking out at the ocean, not saying much. In the distance the lights from an ocean liner flickered as the night kept coming on in... first “french kiss” under the boardwalk “over the moon!” ~~ All love, Al

I hope you don’t mind me sharing the following poem, one of my all time favorite meta poetic poems by a poet named “Howard Dull” titled “Suibhne Gheilt” that I recently chanced upon. When I read it, I became speechless. And most of my poetry friends consider this as one of their all time favorites. It was published in a 1970s anthology titled “ Open Poetry” and proves that once Poetry hits you in your heart, you could be the worst nefarious scoundrel with kings at your bidding and Empires at your command but you will be transformed and never again return to your former Self. ~~ Suibhne Gheilt 1 He has haunted me now for over a year that madman Suibhne Gheilt who in the middle of a battle looked up and saw something that made him leap up and fly over swords and trees - a poet gifted above all others - 11 How could a proud loud mouth who yelled KILL KILL KILL as he plowed done the enemy - heads rolling off of his sword - be so lifted up ( or fly up as those below saw it - wings beating) be so suddenly gifted with poetry and nest so high in Ireland’s tall trees? Is there a point where all paths cross? And why am I so drawn to him that all my questions seem shot in his direction? “And they ran into the woods and threw their lances and shot their arrows up through the branches” What parallels could I ever hope to find - my refusal to fight ( weaseling out on psychiatric grounds)? my leaving my country behind? my poetry? “and my wife wept on the path below. . . Oh memory is sweet but sweeter is the sorrel in the pool in the path below” I fly down every night to eat 111 Sweeney like the rest of us would have been better off if he had never anything to do with women. But the point of it lies hidden in a pool of milk in a pile of shit for you to see when a milkmaid smiles Sweeney like the rest of us flies down and when she pours the milk into the hole her heel made in the cowdung Sweeney like the rest of us kneels down and drinks and dies on the horn the cowherd hid in it. So before you have anything to do with women remember Sweeney the bird of Ireland lying on his back in the middle of that path in the moonlight. 1V And on my way home this morning ( my wife waiting) my shadow racing up the path ahead of me I saw something ( a black stone?) thrown at the back of its head ducked and spun around so fast I almost fell down - it was a bird flying up into a tree V No good could come out of this war out of what burns in the heart of our highly disciplined John Q. Killer as a whole village bursts into one flame - the villagers streaming like tears towards the forest cover his helicopter’s blades blow the leaves off and and the flame towards. . . as we sit in front of our bubbles watching our president ( whose bubbletalk no one can escape and he is a little bit mad -calling the reporters in for an interview while he’s sitting on the bubble having a bubble movement) and first lady climb into their big bubble bed an Lucy, born of their own bubbles, crawls in between - “ Mah daddy has so many troubles turning the world into a bubble and sick of crossfire - the cries of the women and children flying over his head - he stumbled down to the riverbank and found, the wreckage twisted around the tree behind, his skull. . . Noises, there are noises, noises that can of themselves drive a man mad -NOISES! But last night the Stockhausen penetrated from the four sides of the auditorium, stripping each layer of feeling and thought until all that was left was something the size of a nut - so tiny, so hard, so impenetrable it was alone in the middle of an infinite space. . . -Howard Dull ~~ ps: Howard Dull was such an obscure poet that he never published a book and ( to my knowledge) never published another poem. But OMG, this was so brilliant that in my opinion it should be read and studied at the college level. All love in isolation from Miami Beach, Florida, Al

Enjoyed your poems. And your unique word choices enhanced the poems emotional impact and kept me engaged throughout. I’m a poet specializing in Japanese forms: haiku, tanka, haibun, kyoka, senryu. I hope you don’t mind me sharing a tanka and my haiku, a tribute poem to Bashō’s frog with commentary by the late AHA founder and poet Jane Reichhold who considered my Basho haiku among her top 10 haiku of all time. What an honor. Here’s the Bashō poem and commentary: Bashō’s frog four hundred years of ripples At first the idea of picking only 10 of my favorite haiku seemed a rather daunting task. How could I review all the haiku I have read in my life and decide that there were only 10 that were outstanding? Then realized I was already getting a steady stream of excellent haiku day by day through the AHA forum. The puns and write-offs based on Basho's most famous haiku are so numerous I would have said that nothing new could be said with this method, but here Al Fogel proved me wrong. Perhaps part of my delight in this haiku lies in the fact that I agree with him. Here he is saying one thing about realism-ripples are on a pond after a frog jumps in, but because it refers back to Basho and his famous haiku, he is also saying something about the haiku and authors who have followed him. We, and our work, are just ripples while Basho holds the honor of inventing the idea of the sound of a frog leaping is the sound of water As haiku spreads around the world, making ripples in more and larger ponds, its ripples are wider-including us all. But his last word reminds us all that we are ripples and our lives ephemeral. It will be the frogs that will remain. ~~ And my tanka: returning home from a Jackson Pollock exhibition I smear my face with paint and morph into art ~~ -All love in isolation from Miami Beach, Florida, Al

Terrific, Bradley! Thanks!

Thanks for bringing this poem to video, Julie.

Yay Bradley! At the sound of the bell, the walls collapse!

Hi Marge. I heard you on Rattle and love your book The Woman in the Moon!

I love this version, Mary.

So lovely, Julie. I can relate. <3

Wow! Julie.

Great poem, Judy.

Wonderful, Julia.

Bravo, David! I love this poem.

Beautiful Julia! Stunning language and emotional honesty. Brava!

Brief Bio: I’m Al Fogel born in 1945 and at an early age began writing poems. In 1962 I was introduced to a neighbor who just returned from Avatar Meher Baba’s “ East west” gathering and handed me a book titled “The Everything and the Nothing” that included brief but powerful passages by Meher Baba that touched me deeply and i became a “ Baba Lover” In 2010 while on Jane Reichhold’s AHA website workshopping poems I befriended a Chinese man who helped me perfect my Senryu and Haibun. I am now considered one of the nations leading authorities on Tanka , Senryu, and Haibun. Here are some examples of each of my specialties Some of my own haibun and senryu ~ dentist chair the hygienist removes my Bluetooth ~ Internet argument all his words in CAPS hers in EMOTICONS ~ after the divorce he spends more time at the dollar store ~ damsel in distress clarke kent still searching for a phone booth ~ cauliflower ears once a contender now boxing vegetables ~ under the influence - moonshine ~ Audubon sale all variety of seeds. . . early birds welcome ~ Buddhist fortune cookie the unfolded paper reads “ better luck next birth!” ~ sudden downpour. . . the adults run for shelter ~ sidewalk cafe the birds and people tweeting ~ busy crosswalk the seeing eye dog leads the way ~ **senryu is usually humorous, but it can also be serious. For example, the following two of mine are horrific and heartbreaking ( dealing with the Holocaust): ~ cattle cars between the slats human eyes ~ stutthof - the stench of burnt hair from the chimneys ~ thrift store purchase inside the leather jacket a tarnished half-heart ~ deserted train depot a long line of rusted tracks leading nowhere ~~ return to my youth lit by the tracks of Lionel trains. ~ Tanka: returning home from a Jackson pollock exhibition I smear my face with paint and morph into art ~ crowded bus a young lady offers me her seat it seems like only yesterday I was offering mine ~ deserted train depot a conductor once shouted “ All Aboard!” but now it’s just a long line of tracks leading nowhere ~ Haibun: The Mathematics of Retribution “Karma is i fathomable,” I inform her It’s late and our conversation turns heavy “ Seems simple to me, “my girlfriend responds. “If I murder you, then it’s reasonable that I will be murdered in this or another life to balance the ledger.” “ Not necessarily so” I’m quick to rejoin. “What if you murdered me in this life because I murdered you in a prior life karmic debts and dues are now equalized.” “But what if I get caught and I go to jail for life. Where’s the equal payback in that?” “As I said, karma is unfathomable.” We continue discussing reincarnation and then add the possibilities of “group karma” to the mix Finally, at about midnight, we fall asleep Stutthof - the stench of burnt hair from the chimneys ~~ Mama There were days when I pretended to be too sick to go to school - - just for mamas loving embrace -her arms the heat of home Even with the onset of dementia, her cheerfulness was so contagious it was a joy being around her despite the illness. She made everyone laugh with her spontaneous unpredictable behavior. nursing home bumper wheelchair her favorite pastime Once a week I would whisk her away from the assisted-living facility and we would spend several hours together -grabbing a meal or frequenting some of her favorite second-hand stores where she loved to shop and donate clothes. When we drove to her favorite thrift in November, her dementia worsened. thrift store the dress mama donated she wants to buy On a cold December morn mama passed. The funeral was simple. There was a light drizzle as the family gathered at the gravesite. One by one, with eyes full of rain, we said our last goodbyes. autumn twilight - oh mama tuck me under hug me one more time ~ ‘Round Midnight It was a huge ballroom on the top floor of a building on Broadway --an important midtown crossroads in the heart of the Great White Way. My uncle still talks with reverence about how -in his heyday -he would travel by rail to the corner of Lenox and walk inside to the beat of jungle music. Who knew what to expect? One night you might be listening with rapt attention to Theloneous Monk and Dizzy Gillespie the godfathers of bebop in their signature beret caps, or the Nicholas Brothers flashing their wild acrobatic spins and splits, or enchanted by the sweet taste of Brown Sugar -with Bojangles out front. And when the Bird was in flight, even the moon was not high enough. But in 1940 the ballroom closed its doors to make way for a commercial housing development and another kind of night. new Harlem the a-train replaced by the bullet ~ Atlantic City New Jersey I had just graduated from high school I remember stopping for saltwater taffy -as evening journeyed slowly into night. Nearing curfew, we sat on a protruded sandy enclave--holding hands, looking out at the ocean, not saying much. In the distance the lights from an ocean liner flickered as the night kept coming on in... first “french kiss” under the boardwalk “over the moon!” ~~ All love, Al

I hope you don’t mind me sharing the following poem, one of my all time favorite meta poetic poems by a poet named “Howard Dull” titled “Suibhne Gheilt” that I recently chanced upon. When I read it, I became speechless. And most of my poetry friends consider this as one of their all time favorites. It was published in a 1970s anthology titled “ Open Poetry” and proves that once Poetry hits you in your heart, , you could be the worst nefarious scoundrel with kings and Empires at your command but you will be transformed and never again return to your previous Self. ~~ Suibhne Gheilt 1 He has haunted me now for over a year that madman Suibhne Gheilt who in the middle of a battle looked up and saw something that made him leap up and fly over swords and trees - a poet gifted above all others - 11 How could a proud loud mouth who yelled KILL KILL KILL as he plowed done the enemy - heads rolling off of his sword - be so lifted up ( or fly up as those below saw it - wings beating) be so suddenly gifted with poetry and nest so high in Ireland’s tall trees? Is there a point where all paths cross? And why am I so drawn to him that all my questions seem shot in his direction? “And they ran into the woods and threw their lances and shot their arrows up through the branches” What parallels could I ever hope to find - my refusal to fight ( weaseling out on psychiatric grounds)? my leaving my country behind? my poetry? “and my wife wept on the path below. . . Oh memory is sweet but sweeter is the sorrel in the pool in the path below” I fly down every night to eat 111 Sweeney like the rest of us would have been better off if he had never anything to do with women. But the point of it lies hidden in a pool of milk in a pile of shit for you to see when a milkmaid smiles Sweeney like the rest of us flies down and when she pours the milk into the hole her heel made in the cowdung Sweeney like the rest of us kneels down and drinks and dies on the horn the cowherd hid in it. So before you have anything to do with women remember Sweeney the bird of Ireland lying on his back in the middle of that path in the moonlight. 1V And on my way home this morning ( my wife waiting) my shadow racing up the path ahead of me I saw something ( a black stone?) thrown at the back of its head ducked and spun around so fast I almost fell down - it was a bird flying up into a tree V No good could come out of this war out of what burns in the heart of our highly disciplined John Q. Killer as a whole village bursts into one flame - the villagers streaming like tears towards the forest cover his helicopter’s blades blow the leaves off and and the flame towards. . . as we sit in front of our bubbles watching our president ( whose bubbletalk no one can escape and he is a little bit mad -calling the reporters in for an interview while he’s sitting on the bubble having a bubble movement) and first lady climb into their big bubble bed an Lucy, born of their own bubbles, crawls in between - “ Mah daddy has so many troubles turning the world into a bubble and sick of crossfire - the cries of the women and children flying over his head - he stumbled down to the riverbank and found, the wreckage twisted around the tree behind, his skull. . . Noises, there are noises, noises that can of themselves drive a man mad -NOISES! But last night the Stockhausen penetrated from the four sides of the auditorium, stripping each layer of feeling and thought until all that was left was something the size of a nut - so tiny, so hard, so impenetrable it was alone in the middle of an infinite space. . . -Howard Dull ~~ ps: Howard Dull was such an obscure poet that he never published a book and ( to my knowledge) never published another poem. But OMG, this was so brilliant that in my opinion it should be read and studied at the college level. All love in isolation from Miami Beach, Florida, Al

Enjoyed your reading and poems that engaged me throughout. I, too, am a poet specializing in Japanese forms: haiku, tanka, haibun, kyoka, senryu. I hope you don’t mind me sharing a tanka and my haiku tribute poem to Matshuo Bashō’s frog with short but in depth commentary by the late AHA founder and poet Jane Reichhold who considered my haiku among her 10 favorite haiku of all time! What an honor. Here’s the Bashō poem with Jane Reichhold’s insightful commentary: Bashō’s frog four hundred years of ripples At first the idea of picking only 10 of my favorite haiku seemed a rather daunting task. How could I review all the haiku I have read in my life and decide that there were only 10 that were outstanding? Then realized I was already getting a steady stream of excellent haiku day by day through the AHA forum. The puns and write-offs based on Basho's most famous haiku are so numerous I would have said that nothing new could be said with this method, but here Al Fogel proved me wrong. Perhaps part of my delight in this haiku lies in the fact that I agree with him. Here he is saying one thing about realism-ripples are on a pond after a frog jumps in, but because it refers back to Basho and his famous haiku, he is also saying something about the haiku and authors who have followed him. We, and our work, are just ripples while Basho holds the honor of inventing the idea of the sound of a frog leaping is the sound of water As haiku spreads around the world, making ripples in more and larger ponds, its ripples are wider-including us all. But his last word reminds us that we are ripples and our lives ephemeral. It will be the frogs that will remain. ~~ And my tanka: returning home from a Jackson Pollock exhibition I smear my face with paint and morph into art ~~ -All love in isolation from Miami Beach, Florida, Al

Enjoyed your reading and poems that engaged me throughout. I, too, am a poet specializing in Japanese forms: haiku, tanka, haibun, kyoka, senryu. I hope you don’t mind me sharing a tanka and my haiku tribute poem to Matshuo Bashō’s frog with short but in depth commentary by the late AHA founder and poet Jane Reichhold who considered my haiku among her 10 favorite haiku of all time! What an honor. Here’s the Bashō poem with Jane Reichhold’s insightful commentary: Bashō’s frog four hundred years of ripples At first the idea of picking only 10 of my favorite haiku seemed a rather daunting task. How could I review all the haiku I have read in my life and decide that there were only 10 that were outstanding? Then realized I was already getting a steady stream of excellent haiku day by day through the AHA forum. The puns and write-offs based on Basho's most famous haiku are so numerous I would have said that nothing new could be said with this method, but here Al Fogel proved me wrong. Perhaps part of my delight in this haiku lies in the fact that I agree with him. Here he is saying one thing about realism-ripples are on a pond after a frog jumps in, but because it refers back to Basho and his famous haiku, he is also saying something about the haiku and authors who have followed him. We, and our work, are just ripples while Basho holds the honor of inventing the idea of the sound of a frog leaping is the sound of water As haiku spreads around the world, making ripples in more and larger ponds, its ripples are wider-including us all. But his last word reminds us that we are ripples and our lives ephemeral. It will be the frogs that will remain. ~~ And my tanka: returning home from a Jackson Pollock exhibition I smear my face with paint and turn into art ~~ -All love in isolation from Miami Beach, Florida, Al

Bio: I’m Al Fogel born in 1945 and at an early age began writing poems. In 196 I was introduced to a neighbor who just returned from Avatar Meher Baba’s “ East west” gathering and handed me a book titled “The Everything and the Nothing” that included brief but powerful passages by Meher Baba that touched me deeply and i became a “ Baba Lover” I continued writing poems and in 2010 while on Jane Reichhold’s AHA website workshopping poems I befriended a Chinese man who helped me perfect my Senryu and Haibun. Subsequently I am now considered one of the nations leading authorities on Tanka , Senryu, and Haibun. Here are some examples of each of my specialties senryu ~ dentist chair the hygienist removes my Bluetooth ~ Internet argument all his words in CAPS hers in EMOTICONS ~ after the divorce he spends more time at the dollar store ~ damsel in distress clarke kent still searching for a phone booth ~ cauliflower ears once a contender now boxing vegetables ~ under the influence - moonshine ~ Audubon sale all variety of seeds. . . early birds welcome ~ Buddhist fortune cookie the unfolded paper reads “ better luck next birth!” ~ sudden downpour. . . the adults run for shelter ~ sidewalk cafe the birds and people tweeting ~ busy crosswalk the seeing eye dog leads the way ~ **senryu is usually humorous, but it can also be serious. For example, the following two of mine are horrific and heartbreaking ( dealing with the Holocaust): ~ cattle cars between the slats human eyes ~ stutthof - the stench of burnt hair from the chimneys ~ Tanka ( I already posted the Jackson Pollock one about painting his face but here’s another Tanka ~ Here is another Tanka: thrift store purchase inside the leather jacket a tarnished half-heart ~ Haibuns The Mathematics of Retribution “Karma is i fathomable,” I inform her It’s late and our conversation turns heavy “ Seems simple to me, “my girlfriend responds. “If I murder you, then it’s reasonable that I will be murdered in this or another life to balance the ledger.” “ Not necessarily so” I’m quick to rejoin. “What if you murdered me in this life because I murdered you in a prior life karmic debts and dues are now equalized.” “But what if I get caught and I go to jail for life. Where’s the equal payback in that?” “As I said, karma is unfathomable.” We continue discussing reincarnation and then add the possibilities of “group karma” to the mix Finally, at about midnight, we fall asleep Stutthof - the stench of burnt hair from the chimneys ~~ Mama There were days when I pretended to be too sick to go to school - - just for mamas loving embrace -her arms the heat of home Even with the onset of dementia, her cheerfulness was so contagious it was a joy being around her despite the illness. She made everyone laugh with her spontaneous unpredictable behavior. nursing home bumper wheelchair her favorite pastime Once a week I would whisk her away from the assisted-living facility and we would spend several hours together -grabbing a meal or frequenting some of her favorite second-hand stores where she loved to shop and donate clothes. When we drove to her favorite thrift in November, her dementia worsened. thrift store the dress mama donated she wants to buy On a cold December morn mama passed. The funeral was simple. There was a light drizzle as the family gathered at the gravesite. One by one, with eyes full of rain, we said our last goodbyes. autumn twilight - oh mama tuck me under hug me one more time ~ ‘Round Midnight It was a huge ballroom on the top floor of a building on Broadway --an important midtown crossroads in the heart of the Great White Way. My uncle still talks with reverence about how -in his heyday -he would travel by rail to the corner of Lenox and walk inside to the beat of jungle music. Who knew what to expect? One night you might be listening with rapt attention to Theloneous Monk and Dizzy Gillespie the godfathers of bebop in their signature beret caps, or the Nicholas Brothers flashing their wild acrobatic spins and splits, or enchanted by the sweet taste of Brown Sugar -with Bojangles out front. And when the Bird was in flight, even the moon was not high enough. But in 1940 the ballroom closed its doors to make way for a commercial housing development and another kind of night. New Harlem The A-Train replaced by the Bullet ~ Atlantic City New Jersey I had just graduated from high school I remember stopping for saltwater taffy -as evening journeyed slowly into night. Nearing curfew, we sat on a protruded sandy enclave--holding hands, looking out at the ocean, not saying much. In the distance the lights from an ocean liner flickered as the night kept coming on in... first “french kiss” under the boardwalk “over the moon!” ~~ All love, Al

I hope you don’t mind me sharing the following poem, one of my all time favorite meta poetic poems by a poet named “Howard Dull” titled “Suibhne Gheilt” that I recently chanced upon. When I read it, I became speechless. And most of my poetry friends consider this as one of their all time favorites. It was published in a 1970s anthology titled “ Open Poetry” and proves that once Poetry hits you in your heart, , you could be the worst nefarious scoundrel with kings and Empires at your command but you will be transformed and never again return to your previous Self. ~~ Suibhne Gheilt 1 He has haunted me now for over a year that madman Suibhne Gheilt who in the middle of a battle looked up and saw something that made him leap up and fly over swords and trees - a poet gifted above all others - 11 How could a proud loud mouth who yelled KILL KILL KILL as he plowed done the enemy - heads rolling off of his sword - be so lifted up ( or fly up as those below saw it - wings beating) be so suddenly gifted with poetry and nest so high in Ireland’s tall trees? Is there a point where all paths cross? And why am I so drawn to him that all my questions seem shot in his direction? “And they ran into the woods and threw their lances and shot their arrows up through the branches” What parallels could I ever hope to find - my refusal to fight ( weaseling out on psychiatric grounds)? my leaving my country behind? my poetry? “and my wife wept on the path below. . . Oh memory is sweet but sweeter is the sorrel in the pool in the path below” I fly down every night to eat 111 Sweeney like the rest of us would have been better off if he had never anything to do with women. But the point of it lies hidden in a pool of milk in a pile of shit for you to see when a milkmaid smiles Sweeney like the rest of us flies down and when she pours the milk into the hole her heel made in the cowdung Sweeney like the rest of us kneels down and drinks and dies on the horn the cowherd hid in it. So before you have anything to do with women remember Sweeney the bird of Ireland lying on his back in the middle of that path in the moonlight. 1V And on my way home this morning ( my wife waiting) my shadow racing up the path ahead of me I saw something ( a black stone?) thrown at the back of its head ducked and spun around so fast I almost fell down - it was a bird flying up into a tree V No good could come out of this war out of what burns in the heart of our highly disciplined John Q. Killer as a whole village bursts into one flame - the villagers streaming like tears towards the forest cover his helicopter’s blades blow the leaves off and and the flame towards. . . as we sit in front of our bubbles watching our president ( whose bubbletalk no one can escape and he is a little bit mad -calling the reporters in for an interview while he’s sitting on the bubble having a bubble movement) and first lady climb into their big bubble bed an Lucy, born of their own bubbles, crawls in between - “ Mah daddy has so many troubles turning the world into a bubble and sick of crossfire - the cries of the women and children flying over his head - he stumbled down to the riverbank and found, the wreckage twisted around the tree behind, his skull. . . Noises, there are noises, noises that can of themselves drive a man mad -NOISES! But last night the Stockhausen penetrated from the four sides of the auditorium, stripping each layer of feeling and thought until all that was left was something the size of a nut - so tiny, so hard, so impenetrable it was alone in the middle of an infinite space. . . -Howard Dull ~~ ps: Howard Dull was such an obscure poet that he never published a book and ( to my knowledge) never published another poem. But OMG, this was so brilliant that in my opinion it should be read and studied at the college level. All love in isolation from Miami Beach, Florida, Al

Enjoyed your poems and unique word choices that enhanced the emotional impact and kept me engaged throughout. I’m a poet specializing in Japanese forms: haiku, tanka, haibun, kyoka, senryu. I hope you don’t mind me sharing a tanka and my haiku, a tribute poem to Bashō’s frog with commentary by the late AHA founder and poet Jane Reichhold who considered my Basho haiku among her top 10 haiku of all time. What an honor. Here’s the Bashō poem and commentary: Bashō’s frog four hundred years of ripples At first the idea of picking only 10 of my favorite haiku seemed a rather daunting task. How could I review all the haiku I have read in my life and decide that there were only 10 that were outstanding? Then realized I was already getting a steady stream of excellent haiku day by day through the AHA forum. The puns and write-offs based on Basho's most famous haiku are so numerous I would have said that nothing new could be said with this method, but here Al Fogel proved me wrong. Perhaps part of my delight in this haiku lies in the fact that I agree with him. Here he is saying one thing about realism-ripples are on a pond after a frog jumps in, but because it refers back to Basho and his famous haiku, he is also saying something about the haiku and authors who have followed him. We, and our work, are just ripples while Basho holds the honor of inventing the idea of the sound of a frog leaping is the sound of water As haiku spreads around the world, making ripples in more and larger ponds, its ripples are wider-including us all. But his last word reminds us that we are ripples and our lives ephemeral. It will be the frogs that will remain. ~~ And my tanka: returning home from a Jackson Pollock exhibition I smear my face with paint and morph into art ~~ -All love in isolation from Miami Beach, Florida. Al

Enjoyed your poetry. I’m a poet specializing in Japanese forms: haiku, tanka, haibun, kyoka, senryu. I hope you don’t mind me sharing a tanka and my haiku, a tribute poem to Bashō’s frog with commentary by the late AHA founder and poet Jane Reichhold who considered my Basho haiku among her top 10 haiku of all time. What an honor. Here’s the Bashō poem and commentary: Bashō’s frog four hundred years of ripples At first the idea of picking only 10 of my favorite haiku seemed a rather daunting task. How could I review all the haiku I have read in my life and decide that there were only 10 that were outstanding? Then realized I was already getting a steady stream of excellent haiku day by day through the AHA forum. The puns and write-offs based on Basho's most famous haiku are so numerous I would have said that nothing new could be said with this method, but here Al Fogel proved me wrong. Perhaps part of my delight in this haiku lies in the fact that I agree with him. Here he is saying one thing about realism-ripples are on a pond after a frog jumps in, but because it refers back to Basho and his famous haiku, he is also saying something about the haiku and authors who have followed him. We, and our work, are just ripples while Basho holds the honor of inventing the idea of "the sound of a frog leaping is the sound of water". As haiku spreads around the world, making ripples in more and larger ponds, its ripples are wider-including us all. But his last word reminds us all that we are only ripples and our lives are that ephemeral. It will be the frogs that will remain. ~~ And my tanka: returning home from a Jackson Pollock exhibition I smear my face with paint and turn into art ~~ -All love in isolation from Miami Beach, Florida. Al