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JeffreyPlaide
Australia
Registrace 28. 09. 2007
This channel provides music and video experimentations. Much of the work is derived from personal visual collages and aural soundscapes creating surreal and dynamic experiences. Visual synthesis is the creation of visual imagery and composite works built up from different visual sources to create unifying structures. Music synthesis is the creation of musical compositions and soundscapes built up from various elements to create a self-contained work that is a musical expression in its own right. The strange and the mysterious evoke our sense of wonderment and awe. Departing from the everyday and into the realms of mystery and imagination enables other dimensional influences to enter our experience. Audio and visual synthesis fosters complex arrangements and probabilities and serendipities. Synchronicities with musical compositions and multi-layered complex visuals play with light and movement, creating cascading combinations of sound and image, modulating forms and subjective rhythms.
Scan Modulation Sinusoidal Geometries
Scan Modulation - Sinusoidal Geometries is a unique electronic experimental visual and music composition, paying close attention to the different, but inter-connected various visual motifs present in video synthesis. Of particular interest, is the focus on background and foreground elements - each using a different means of visual synthesis generation. All visual elements have been synthesized, drawing inspiration from pioneering and classical means of creation. This includes oscillon, and oscillon-like formations - generated by modulating circle outlines in different planes of rotation to create jewel-like and lace-like formations. These formations have been inspired from oscilloscopic oscillons using vector graphics. Modulation of the video picture here replaced the vector display approach. Another approach was the generation of Spirographic designs, again using image manipulation, key-frame movements, and the superimposition of dozens of the fundamental animation, time-delayed to create the Spirographic motion, with rotations and movement to impart the integrity of the circular pattern. Lissajous-like patterns were inspired from real Lissajous curves. Curved lines were modulated with superimposed glows. These were then mirrored to give the visual impression of a Lissajous curve without actually being one. The oscillons, Lissajous patterns and Spirograph designs were created from many different approaches and combined based upon the level of complexity required. Another approach was the creation of the “galaxy” formations. These were oscillon-like modulations replicated and rotated to create the kaleidoscopic/Spirographic dot pattern. Added glows accentuated the dynamism of the complex animation. Other visual elements included the creation of background textures. Some textured backgrounds were animations based upon modulated lines. Others involved colourised video synthesis methods based upon sinusoidal gradients. The other kind of background element was the X-Y counter combination display (inspired by the EMS Spectron Video Synthesizer and it’s ability to create complex X-Y logic patterns based upon the AND, OR and XOR functions). Complex checkerboard patterns were created by logical means and animated to create very intricate dynamic designs based upon the X-Y counter logical operations through multiple layers of complexity in the video editing process. The background textures provide a reference context, while the superimposed Spirographic curves and mandalas provide a visual focus. All is in motion. All is dynamic. Like “cosmic weavings”, various video synthesis methods come into play. The music was composed from Eurorack modular synthesizer components - mostly atmospheric textures with surreal melody lines. These atmospheric sequences were then sped up or slowed down and synchronised to the images. Some signal-generated tones were added for extra emphasis effects. It was decided to have the sound design as complex as the visuals. The composition works as an educational display - providing visual possibilities to the viewer of some of the classic modes of video synthesis. Even the “vector graphics” were synthesized. The composition aims to inspire as well as to entertain, with the infinite variety of visual forms forming a celebratory composition of styles and approaches. The aim is to educate and inspire - to demonstrate what can be possible.
zhlédnutí: 655
Video
Scintillations & Electrics Splice
zhlédnutí 625Před 3 lety
Scintillations & Electrics Splice is an original electronic experimental music composition utilizing sound texture sequences generated by a Eurorack modular sound system. The composition embodies textured atmospherics to create a somewhat mysterious and meditative contemplative experience for the eyes as well as the ears. In practice, the sound textures informed the creation of the videographic...
e Treatment Lux Imaginals
zhlédnutí 426Před 3 lety
e Treatment Lux Imaginals is a pure electronic experimental work exploring pure facets of audio and video synthesis. The inspiration for the creation of then work lies in the mysteries of the EMS Spectron Video Synthesizer, created in 1975. Theories of a visual nature based upon the EMS Spectron have been explored and manifest. X-Y counter complex logical background patterns have been created u...
The Adaption Foundry - Oscillon Formations
zhlédnutí 410Před 3 lety
The Adaption Foundry - Oscillon Formations is an original and experimental animated showcase of the visual harmonics that can be created by various oscilloscopic and oscillon-forming structures, and having these structures modulate and morph into other structures. The inspiration came from looking at researches made with lissajous oscilloscopic forms, much as the oscillon pioneer Ben Laposky de...
Cosmic Senate Impulses
zhlédnutí 807Před 4 lety
Cosmic Senate Impulses is a complete audiovisual experimental electronic experience. All elements of the composition were created electronically or synthesized in form and arrangement. Being experimental, the work lends itself to a variety of interpretations, but it is one basically of the celebration of logically-derived imagery, and the imagery generating itself by repetitive processes. Can a...
Maxima Compiler Track
zhlédnutí 477Před 4 lety
Maxima Compiler Track is an original electronic music experimental work inspired by past electronic music pioneers who may have worked with limited resources to record their musical expressions. In this light, I have endeavoured to record a complete composition using only the resources of the Eurorack modular synthesizer system, and a small digital portastudio for the recording of the individua...
Of Cells & Seeds (linear & exponential)
zhlédnutí 495Před 4 lety
Of Cells & Seeds (linear & exponential) is an experimental, original electronic music composition created by various texture sequences produced by a Eurorack modular synthesizer system. The composition is of a longer-form presentation comprising four sections or movements - formation, growth, propogate and renewal. The electronic tectures attempt to describe the formation and growth processes o...
Scallion Shimmer System SG
zhlédnutí 573Před 5 lety
Scallion Shimmer System SG is an original visual/music experience realised by purely electronic means. The entire video production is realised by video synthesis techniques. The music was composed using a Eurorack modular synthesizer system. The concept of the work was built up from the visuals up rather than by creating a composition using the music track as a reference. The entire work is an ...
Origin Matrices
zhlédnutí 415Před 5 lety
Origin Matrices is a surreal and electronic experimental music composition utilising modular synthesizer and signal generated sound sources. The Eurorack modular synthesizer system provided much of the complex tonal combinations heard in regular sequences, but not actually sequenced as such. A Korg MS-20 mini monophonic synthesizer also provided the phasing filter sweeps heard at the conclusion...
The Office of Research & Development
zhlédnutí 2,4KPřed 6 lety
The Office of Research & Development is an original and purely experimental electronic music composition using the Eurorack modular synthesizer system with some signal-generated tones for atmospherics. The composition flowered from the remains of a previous work using various multi-oscillator tone sources and either mixed together for a choral envelope of tones, or "sequenced" in a way using an...
Complex Logic Disseminations
zhlédnutí 549Před 6 lety
I have a strong fascination with logical pattern forms and patterns derived from processes where logic or arithmetic functions (and their simulations) are applied. Using simple X and Y counters or checkerboard forms, logic applied to these simple elements can yield very interesting developments. The principle modes of interaction include AND/OR/XOR, addition, subtraction and multiplication are ...
Radio Frequencies
zhlédnutí 58KPřed 6 lety
Radio Frequencies is a free-form experimental electronic music composition using the free control of individual audio oscillators to create modulating and FM tone sources as the basis for wild and free tonal expression not unlike the early electronic music pioneers who used discrete signal generators for the creation of complex sonics. The Eurorack modular synthesizer system was used as the mos...
Messeden Playform Developments
zhlédnutí 435Před 6 lety
Messeden Playform Developments is an experimental and original music composition utilising the combinational sonic textures from the Eurorack system of modular synthesizer with some high-frequency sonic effects created by pure signal generation. The composition is primarily an experiment in ambient textural atmospherics married to completely synthetic visual image textures inspired by the EMS S...
Radiola Observable Differences
zhlédnutí 455Před 7 lety
Radiola Observable Differences is an original and experimental electronic music composition utilising software sequencing and the Eurorack format of modular synthesizer system for sonic effects and some melody lines. The visuals for the longer-format composition have been inspired by the animation effects that such video synthesizers as the Fairlight CVI could produce in real time. The inspirat...
Glimmer Bastions
zhlédnutí 3,8KPřed 7 lety
Glimmer Bastions is an experimental and original Radiophonically-inspired electronic music composition. It has been inspired by the early electronic music composers, and their use of creating a loop of sound to act as the catalyst for a complete musical composition. In this case, electronically-generated sounds (from a Eurorack modular synthesizer system and pure signal generated tones) were us...
Mount Pleasant Electro-Sputnik Ensemble
zhlédnutí 485Před 7 lety
Mount Pleasant Electro-Sputnik Ensemble
Science Dixon State-Variable Development
zhlédnutí 647Před 8 lety
Science Dixon State-Variable Development
Bryzoan Reactive & Upper Frequency Modality
zhlédnutí 479Před 8 lety
Bryzoan Reactive & Upper Frequency Modality
Logic Inversions & Exclusive OR (XOR) Transformations
zhlédnutí 829Před 9 lety
Logic Inversions & Exclusive OR (XOR) Transformations
Grandeur Pipes With Random Fluctuations
zhlédnutí 229Před 9 lety
Grandeur Pipes With Random Fluctuations
Someone compared musique concrete to chopped and screwed (slowed and reverb). Anyone agree or disagree?
Fascinating
0:33 slideshows about to be crazy 😭💀
Helps me sleep and massauges my mind in peace.
Oh man is this what the CIA plays for you before they make you do A JFK?
Helped me sleep at night.
Amazing. Bravo!
2:26 I thought I was about to hear Roundabout by Yes
puta christ
how about st nick
Nowadays this kind of thing is completely illegal and will get you thrown in prison
It wasn't an E but never mind.
This guy works so slow! And the result sounds like a musical greeting card! 😅 I also find it funny how he basically describes the robotic vacuum cleaners we've had for 20+ years! 😅
This guy works so slow! And the result sound like a musical card! 😅
The beginning is sampled by city morgue😲😲
Sega Genesis with quantization noise: perfectly fine Sega Genesis without QN:
me when I murder the shit out of a Vileplume and evolve into Feraligatr
For anyone who's not autistic, here's an easier to read version of the megalithic text block in the description: I have a strong fascination with logical pattern forms and patterns derived from processes where logic or arithmetic functions (and their simulations) are applied. Using simple X and Y counters or checkerboard forms, logic applied to these simple elements can yield very interesting developments. The principle modes of interaction include AND/OR/XOR, addition, subtraction and multiplication are also used. The XOR (Exclusive OR) operation is particularly interesting because it can turn two input patterns (monochrome) into dynamic areas where each element region appears in the opposite light or dark shade. The composition embodies explorations into logical animated pattern development, much like the logical patterns that could be created with digital imagery or digital video. The EMS Spectron video synthesizer could create such logical animations, and using the theory from such machines, effective emulations can be created with added elements to enhance the animation effect. The composition was constructed in three sections - an introductory section comprising modulating textures and circular organic forms, the second section comprising more complex interactions and image overlays/external keys. The third section began by portraying more minimal interactions - likened to logical elementary phase formations, but this changed with the inclusion of start motif graphics with a colour-cycling effect to create animation. The colour-cycling graphics morphed into one another by use of Alpha transitions based upon the patterns themselves. The colour cycling provided an interesting contrast to the strict logic of the proceeding graphics. The three stages were created separately in order to achieve an independence in the editing process and so that elements from one section are not repeated in another. The three sections were joined together with additional overlays and graphical elements and together with the original electronic modular synthesizer music, formed the completed final master composite. I am fascinated by the electronic "textile weave" logical interactions of basic monochromatic elements, such as X and Y counter stripes. This being - generation into development, into a resolution. The approach therefore is a design that evolves and transforms using fundamental mathematical functions such as AND/OR/XOR, addition, subtraction. Organic external keys and soft linear wipes are used as a contrasting balance to the strict linear geometrics. The possible permutations of logical linear interactions with just horizontal and vertical counters is enormous. Playing with such divisions and imparting movement in either the X or Y plane, or both planes, creates numerous geometrical combinations that can be used for interesting abstract image developments. Imagery representing either the macro or microcosms are implied by the relationships animated by either the background logically-derived "textile weaves" or the organic/sinusoidal overlays that pulsate like cellular organisms. Also implied is the idea of particle interactions, and the world of the sub-atomic. The additive synthesis approach also stems from the process of not only adding the three sub-sections together, but that this composite master is further enhanced by the inclusion of added overlays and superimposed graphical elements. Boolean or arithmetic operations can create very interesting image results when two or more patterns are interlaced to form new formations. This is true for still or images in motion. Complex interactions can result when two video tracks have been generated by logical constructs as well as the external key combining the two images. Here, we have three image elements all in dynamic motion - the first video track, the second video track, and the external key creating divisions of where the different tracks will appear. The visuals have been embellished with extra graphic elements - added to the logical back grounds, creating complex visual compositions. Towards the end of the work, star-shaped graphics are mixed with star-burst light effects, each element using an Alpha wipe pattern based upon the visual itself ( a colour-cycling extravaganza). The ambient background music has been composed with aural textures created by a Eurorack modular synthesizer system - oscillators, filters, switching sequencing techniques, ring modulation and logic combinations together with some frequency shifting and delays. Several texture tracks were synchronised to the visuals with added signal generation tones to create an added overall ambience. The total effect is one of exploration. From logically-derived patterns and formations, to organic light overlays, to celebratory designs concluding the work. Many visual elements were added and mixed during the process of creation. Formation and evolution were the key concepts to be explored. Various light-effects enhance the experience so that the work celebrates the metaphysical and the cosmic.
Vorhaus visited Middlesex University circa 2007, with Mark Jenkins, and delivered a lecture/performance. I treasure my signed White Noise CD - one of my desert island electroacoustic works.
new analog horror clips looking great 🔥🔥 /j
1:40
I feel like im at the laughing horses orifice headquarters again
Oh! It's mesmerizing. Ah its so powerful, its taking over my brain! I can't, resist, I have this overwhelming urge, to, to... click the pause button and watch a different video
Bro 💀
Ok. 👍
The synthi is not pathetic
Absolutely epic.....and for the time and technology. This is exactly why music is an art. That and Rimba tubes.
I realize that Peter was fortunate enough to have had ‘spousal subsidization’ support, but that, in no way, lessens the absolutely gargantuan, and seminal (and sacrificial) contributions this man made in the service of advancing the entire realm of synthesizers dba musical instruments. I do hope this gentle synth dynamo is RIP.
Good lord, the physical manipulation of media on tape must've taken the patience of a saint and skill of a surgeon.
i am obsessed..........................
Bluetooth e wifi e gps e celular network e torre e Tv e internet e network
Very insightful. Thank you
Starting 4:18 reminds me of Art Of Noise 👌
1979, wow. Genius. I did a lot of experimenting with tapes and cassettes myself, until I bought my Casio SK-5 sampling keyboard. Spent a lot of time making music like this. A shame all my cassettes disappeared in a fire.
Hand this guy a Sampler and the world would have been his oyster...
important footage
why am i just hearing his stuff now.
Multi track recorder? 4 mains leads of 4 tape recorders wired to 4 leaver switches on a peice of wood! Creativity in action. More money doesn’t mean creativity. Hence the holding of breath as Dr Who gets Disney funding for its 60th. Hmmm expensive bland suit crap.
If you hear the moog Version of the 10th anniversary dr who theme you can here all the hearts in UK breaking as did Delias.
Old steel factory lampshades are rare
1979 the start of the state of modernity and thatcher’s nightmare future for the dissolution of the British masses.
very good video, thanks
💙
Magnificent. Thank you
There is no charge to make sound of this as a EAS alarm maker but so creepy.
Astonishing! Where can I download the WAV file?
The basis and inspiration of modern chill-hop and LoFi.
Kraftwerk
"Guess you guys aren't ready for that, but your kids are gonna love it".
Too bad it hasnt any sense of rhythm
this guy just casually explained producing.
I always loved Synfactory/StudioFactory! Thanks for this and the great description, all these years later.