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Anthony Mondon
France
Registrace 16. 10. 2011
Anthony Mondon - Chemins qui ne mènent nulle part (2023)
Sur un texte de Rainer Maria Rilke (Les Quatrains Valaisans) :
Chemins qui ne mènent nulle part
Entre deux prés,
Chemins que l’on dirait avec art
De leur but détourné,
Chemins qui souvent n’ont
Devant eux rien d’autre en face,
Que le pur espace
Et la saison.
Interprétation par le Trio Sélénia (Dania El Zein, soprano ; Agnès Graziano, piano ; Cécile Robergeot, violon)
Chemins qui ne mènent nulle part
Entre deux prés,
Chemins que l’on dirait avec art
De leur but détourné,
Chemins qui souvent n’ont
Devant eux rien d’autre en face,
Que le pur espace
Et la saison.
Interprétation par le Trio Sélénia (Dania El Zein, soprano ; Agnès Graziano, piano ; Cécile Robergeot, violon)
zhlédnutí: 230
Video
Anthony Mondon - Metaphors (2020)
zhlédnutí 260Před měsícem
Metaphors - 2020 - for mixed chorus (SSAATTBB) Performed by the Transylvania State Philharmonic Choir (general rehearsal, May 2023).
Gabriel Fauré - Trois Mélodies, Op.85 (1902)
zhlédnutí 2,1KPřed 8 měsíci
1 - Dans le forêt de Septembre 2 - La fleur qui va sur l'eau 3 - Accompagnement 1-2. Catulle Mendès (1841-1909) 3. Albert Victor Samain (1858-1900) 1-3 : Sarah Walker 2 : Tom Krause Piano : Malcom Martineau
Arnold Schoenberg - Psalm 130, Op.50b (1950)
zhlédnutí 1,8KPřed 10 měsíci
Simon Joly Chorale / Robert Craft
Anthony Mondon - L'eau avale les ombres (2023)
zhlédnutí 723Před 11 měsíci
L'eau avale les ombres, pour violoncelle et piano (2023) Textes d'après Edgar Poe et Gaston Bachelard Commande du Duo Heredis Concert avant-scène à l'Auditorium de Lyon 27 mai 2023 Interprètes : Duo Heredis (Marwane Champ, Maud Le Bourdonnec) Prise de son : Nascimo Marconnet
Niccolò Castiglioni - Gymel (1960)
zhlédnutí 887Před rokem
Flute : Peter-Lukas Graf Piano : Tuija Hakkila
Amy Beach - 3 Shakespeare Choruses, op. 39 (1897)
zhlédnutí 4,4KPřed rokem
1. Over Hill, Over Dale 2. Come unto These Yellow Sands 3. Through the House Give Glimmering Light Conductor: Derek Greten-Harrison Ensemble: Etherea Vocal Ensemble
Luciano Berio - Quattro canzoni popolari (1946 -1952)
zhlédnutí 2,2KPřed rokem
Dolce cominciamento (1946-1947) ; La donna ideale (1946-1947) ; Avendo gran disio (1952, Jacopo da Lentini) ; Ballo (1946-1947). Albane Carrère · Nicolas Krüger
Anthony Mondon - Pseudomnésie (2022)
zhlédnutí 835Před rokem
Violon : Rachel Koblyakov Enregistrement live au Conservatoire National Supérieur de Musique et de Danse de Paris (sept. 2022)
Anthony Mondon - Pas contre pas (2022)
zhlédnutí 1,2KPřed rokem
Pas contre pas, pour violoncelle et piano (2022) Commande du Duo Heredis Marwane Champ (violoncelle), Maud Le Bourdonnec (piano) duoheredis/ Copyright photo Duo Heredis : Blandine Soulage photographe Création à l'Institut-Goethe de Lyon (21/11/22) Note de programme : Pas contre pas est une commande en lien avec le travail de recherche de Maud Le Bourdonnec sur la musique traditionn...
Henri Dutilleux - Sonate pour piano (1948)
zhlédnutí 26KPřed rokem
Henri Dutilleux - Sonate pour piano (1948)
Giacinto Scelsi - 5 Incantesimi (1953)
zhlédnutí 2,2KPřed rokem
Giacinto Scelsi - 5 Incantesimi (1953)
George Benjamin - Meditation on Haydn's Name (1982)
zhlédnutí 4,2KPřed rokem
George Benjamin - Meditation on Haydn's Name (1982)
Sofia Goubaïdoulina - Quaternion (1996)
zhlédnutí 1,2KPřed rokem
Sofia Goubaïdoulina - Quaternion (1996)
Sofia Gubaidulina - Garten von Freuden und Traurigkeiten (1980)
zhlédnutí 876Před rokem
Sofia Gubaidulina - Garten von Freuden und Traurigkeiten (1980)
Bia 638 for Bethoven בנגינה קלה לסל"ח בסיום 2.
Yikes! Not heard that one before. Very precise like an etching, and full of witty unexpected patterns and near-repeats. Excellent.
You don't hear it as pronounced in this version, but this is a precursor to Philip Glass!!
"The lunatic is on the grass".
Only just realised/worked out that the text in the (first part of the) final movement here is the same as the text in Movement 6 of Bach's monumental cantata BWV 21.
❤
One of my favorites since I was a kid. Questionable authorship... listening to it again with that in mind - YES, it's a fantastic piece and brilliantly performed! - I can see that it's a bit simplistic for Bach, however entertaining it is. (Like the 8 Little Preludes & Fugues, which I also recently saw were spurious. My world is shattered!) Wonderful playing.
My gosh - this is wonderful!
AMO❤
l'inno alla gioia di beethoven battute 25 e seguenti
00:17
00:30
Might be one of Brahms' worst sets of variations for me. There's almost nothing here.
Sopranos have to have infinite breath or something
Bravo
6:57 POV: two consecutive world cup group stage exits
It's clear Messiaen was his teacher
Thank you. For some, that opening section, with its blissfully unfolding oboe melody, is the most beautiful starts to any work Brahms ever wrote. (Both formally, and in spirit, it is also close to the opening the Violin Concerto's slow movement, with that combination of lengthy mood-setting oboe melody, principally wind-accompanied, finally giving way to the main song - of the violin in one case, the choir in the other: the two works are less than two years apart...)
Ah if Mozart had lived longer! He would have written more lieder ( ehr... his actual outputs should be revaluated, thanks to Mondon!). I imagine a concert in 1820 , he and young Franz Schubert enchanting Viennese public during a concert.....A dream unfortunately
7
I like a lot of Benjamin but come on, I can't stand this "no time signature" thing. It's just impractical!
tenho 13 anos e vou tocar esta musica
I guess no-one notice a picture of Bach in the Bottom right corner!😂 1:19
고전시대 푸가 바흐느낌 좋타!
Good Lord, this rendition really SWINGS. Now I'm wondering if I really prefer the more frequently played Piano Quartet #1. In other words, I may have previously underestimated this piece, and that's the very highest compliment I can give to a group of musicians.
I have no idea what's going on but I'm pretty sure being uncomfortable because of the music is intended, so great job making me extremely confused and scared
Well I get it!. Yep. It’s rhythm focus to begin so he plays with it. But the harmony, it’s not like…. It is t exactly serialism or the atonal. Harmonic ambiguity let’s go with that. It was some tone tonic tonzized in there some place but he has chords that are real chords and he made them from scratch due to him knowing how and why the chord so he pulls a holdsworth, guitar, made some big cluster poly deals probably. I’ve not once read a music note or theory none the terms I’ve just implied as a quantum linguist professor and so I thought I’d try out my technique here lol good sonata. For what I’m listening to and heard this month, he right in there with Prokofiev’s piano sonata No.6. Fauré, etudes bout the third one he shreds or we’ll the player of the interpretation for … art sound performance art no ugh for goodness sake
Dunstable's genius has a unique and tender beauty to it.
Something in me changed the first time I heard this
El final es hermoso y celestial
Paula bell scat?
Thank you so much, I would have spent at least an hour searching this song!
This piece of music moves me like no other. ....
Amazing - have never heard this before. Was just listening to Full Fathom Five by Sub Sub - so completely different, yet equally amazing!
Never heard anything so beautiful!
2:25
I don't see any evidence that Beethoven took the Ode to Joy theme from this piece. All I could find on the web was "Well they sound similar, idk lol, maybe." All Mozart did here was go up the major scale, and then down, repeating on the highest and lowest keys. The Ode to Joy happens to open the same way. That is some SERIOUSLY flimsy evidence that it was copied. That's like saying the Jaws theme was stolen from "Fur Elise" because they both repeat the same semitone change. Nearly every piece in existence goes up a scale, and then back down. Most Mozart pieces are on a major scale. That's half of the work already! Now, out of the 600+ pieces Mozart writes, one of them happens to repeat the highest and lowest notes twice once they are reached.
He did not know how to create music.
Wagner was very high when he wrote this.
based Hurel
There's a curious difference between what the performers sing and the displayed score at Deposuit potentes de sede. On the last note of the phrase, the tenor sings a D flat rather than the C written, creating a major 7th with the soprano rather than the written bare octave. That's at about 4m00s.
Love it
Just the right length.
Bruh i remember another soprano and I having to stagger and exchange tatum at the endddddd
Alban Alban? Berg? Oh so he done out together his own quartet? Since when. Since he ain’t alive bruh? These dude oh yeah u know he probably did yeah he was around putting down in Alban berg band. So he conducted this or played and conduct? I’ll do my research and be fun learning quest.
Hey man, you not put nothing in the description! If you want to be the worlds greatest classical music score videos channel have to do as much as the others. They talking bout, each motifs feel and origin, and the music theory terminology for the sounds and harmony and piece that can be. They give back ground on the Composer and some idea how the piece was received and it’s significants now if it has any ever. I just want you to have a fair shot at being the Music classical video score Champion and and most prolific knowledge in that field on the given subject, music adjective revered weird 🎉
Belissimo
So fast but you didnt make for #1
The guy that wrote the song should have known they were blue lotuses and not poppy flowers.
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