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Professor Provolone came through with a banger vid. A+

Thank you, I could actually follow you better and grasped how we can use this basic form that I think Jim Bruno said you can play anything if you know it.... I didnt count the bars but Michel Petrucciani used that one note thing for a good number and seemed like got the biggest applause for it... I like a recording where just he and his father played together guitarist

A lot to chew on here.. But definitely worth the watch. Thanks.

Another great lesson. Love the sleeping dog in the background.

Your content is great & informative but your channel has very few subscribers and views. I noticed that you regularly upload videos on CZcams. I checked your channel and found some problems. Your videos are not SEO optimized, videos are not using powerful tags, channels are not properly optimized and Channel tags are not used. As a result, your video doesn't reach the audience.....

Hey hey... I could do all this all day... haha and never play anything. You name it. Cool just going everywhere with major seven to minor 7 close together as possible or as far apart just shells and put the root in the middle... I usually get sidetracked from tunes doing stuff like that Now im doing the 4ths triads with the tritone proceeding eyes are crossing but its good, tricky moving a sharp 5 down when used to a perfect Kind of cool though to get in the tri and the 4ths in one..... Nice too with those 3rd/b6 min3rd/6th great posts as always

Was just gonna say that playing triads isn't just a hardbop/postbop flavor--they are used all the time in bebop. Depending on how you play triads, you can open up odd groupings with your eighth notes and accents. There's a huge rhythmic element that is often ignored with playing triads, whether in patterns or triad pairs--things can get polymetric, but ya gotta know where that downbeat is at all times so you don't float off to sea. Anyways, Hersey the Jazz Dog better be on your next jazz album (maybe with the title "No Chocolate Candy Allowed" because that stuff is deadly for our doggos).

great stuff.

He's back 🎉

The Blues rules

Nice. You get a great tone out of that Tele Thinline

great playing & sound. sorry to geek out but what's the story on that guitar and what gauge strings? Thanks!

Bravo! That'd be a good one to talk about.

Nice intro, and when you hit that A note on second time through the verse… I can hear frank! Great phrasing

Sounds really great, Larry. Special and seasoned!

Nice sound guys. 🇬🇧

Great suggestion. Gonna do this right now. Ty

One of my favorite songs that I learned years ago

Fantastic playing and tone …what amp you using

🔥🔥🔥

Great one, LT!

Great lesson! Months (years?) of practice in this little gem!

I like how Hershey popped up lol. Good tips.

Are you playing a westville? Sounds great!

Useful lesson. Thanks!

“…can’t lose the form”. Try me.

Where's the pooch??

Great ideas. Any similar ideas on improving sequencing (taking that 1 bar lick and moving it up/down) would be appreciated - it's sort of the next level for me.

Nice sound man!

congratulations on getting barkley . he will do the eagles good

Great one! Thanks Larry! ❤ Bebop!

What was the venue/state/city?

The major triads around the cycle of 4ths is a Great Exercise for Guitarists! I will make a case for the creative potential of the 1-2-3-4 fingering exercise. The ③ ② ① strings at the same fret are a minor triad. The ④ ③ ② strings at the same fret are a major triad. The ④ ③ ② ① strings at the same fret are a minor 7th chord. The ⑤ ④ ③ ② strings at the same fret are a dom9sus4 chord. If a guitarist were to practice the “24 Permutations” of the 1-2-3-4 fingering exercise, they could (with some diligent patience and imagination) create some interesting chromatic approach and enclosure ideas surrounding these chord forms. Thank you for sharing your Excellent Playing and Teaching Expertise!

Thank you Larry! I had to reduce the speed of the video but I got it. Say hello to the Jazz Dog !🐶🎵🎼🎶

Always great to get some new practice tips. Thanks LT

Man...felt like you were speaking right to me on this one. Thanks buddy

Very nice Larry

Hi thanks.... was starting working out what you were doing and ended up doing 135#5 and 6 is the 3 of F and 315b5 and 4 is the 1 of Bb so forth to C not what I meant but kind of ok kind of autopilot with a pattern but also work out good fingering... probably working some of these out is going to help with bass lines as well

Love it, thanks

Buddy was like, "Here we go again... Can't a brother just take a nap in peace without listening to this circle of fifths BS?" 😆🐾 #DogLife #JazzGuitarProblems.

Much appreciated. Blessings and love to ya. Back to the shed!

thanks! Very useful, I can do it slowly, will work on it daily!

This is definitely the way to practice, taking the idea through all 7 notes in the scale in all 12 keys, starting off basic with 3rds, triads, 7th chords then all the other intervals 4th, 5ths etc, then things like enclosures and pivot arpeggios. Then throw in Barry Harris’ chromatic scale and right there is pretty much all the jazz vocabulary practice you will ever need right? Did I miss anything?

fingerboard Tetris. yes! Nice exercise, thanks for posting!

Hey glad you uploaded longer tuneage.... Yea if you are just going to play arrangements you may as well do classical if you are into that.....figured out a new thing for me that was pretty cool that minor a tri tone away spelled out some alterations for a dominant so you could do a pedal note and take the other minor that is almost totally the dominant and run it down through other minor to the other 9 chord with the 5 on top that is like a half dim sounds good ... sounded like a clifford brown thing

Yeah, Larry, the Curtis Mayfield/Cornell Dupree/Jimi R&B stuff is great and useful. Thanks for an excellent lesson.

if were me, i wud 20 db lower strum chords during that part.

i love what you do!!!!! you sound very nice and soulful

So good! What was the venue called?

Everything sounded great, except the audience chatter