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Analogue Diaries
United States
Registrace 13. 01. 2021
Welcome to Analogue Diaries.
My name is Marina Boichuk and I'm a portrait and music photographer in Seattle. I am Ukrainian but moved to US over 10 years ago.
This channel is mostly a documentary of my film photography and creative experiments. I shoot both film and digital.
Thanks for watching!
My name is Marina Boichuk and I'm a portrait and music photographer in Seattle. I am Ukrainian but moved to US over 10 years ago.
This channel is mostly a documentary of my film photography and creative experiments. I shoot both film and digital.
Thanks for watching!
Darkroom Printing from Lomography Purple Film With Intrepid Enlarger
Making darkroom prints at home from LomoChrome Purple film using Intrepid Enlarger. Sharing my process of adjusting colors, creating contact sheets and printing 5 photos from 120 roll of Lomo Purple.
Easel by Accura. Try searching on eBay
My copy stand is from Amazon: a.co/d/5ptARrB
Chemistry and paper from Freestyle photo
Fuji Paper Lustre: shorturl.at/gsBL9
Fuji Paper Glossy: shorturl.at/arxY7
Bellini RA4 chemistry: shorturl.at/hpTX5
Where else to find me:
Check my work: www.marinaboichuk.com/
IG marinaboichuk
Prints: analoguediaries.darkroom.com/
Timestamps:
0:00 Intro
0:30 My experience with contact sheets
2:01 Tools for printing contact sheets
2:51 Enlarger, lens and paper
3:12 My favorite easel for 8x10 prints
4:09 Chemistry kit
4:35 Printing tanks
5:34 How to use Cibachrome
6:18 How to adjust colors when making RA4 prints
7:23 Ho to determine exposure compensation on Intrepid
8:31 A bit of darkroom bts
9:13 Analyzing contact sheets and figuring out color settings
12:12 Analyzing 5 different prints from the roll. Print 1.
13:42 Print 2
14:27 Print 3 and dodging and burning technique
15:32 Print 4
15:52 Print 5
Easel by Accura. Try searching on eBay
My copy stand is from Amazon: a.co/d/5ptARrB
Chemistry and paper from Freestyle photo
Fuji Paper Lustre: shorturl.at/gsBL9
Fuji Paper Glossy: shorturl.at/arxY7
Bellini RA4 chemistry: shorturl.at/hpTX5
Where else to find me:
Check my work: www.marinaboichuk.com/
IG marinaboichuk
Prints: analoguediaries.darkroom.com/
Timestamps:
0:00 Intro
0:30 My experience with contact sheets
2:01 Tools for printing contact sheets
2:51 Enlarger, lens and paper
3:12 My favorite easel for 8x10 prints
4:09 Chemistry kit
4:35 Printing tanks
5:34 How to use Cibachrome
6:18 How to adjust colors when making RA4 prints
7:23 Ho to determine exposure compensation on Intrepid
8:31 A bit of darkroom bts
9:13 Analyzing contact sheets and figuring out color settings
12:12 Analyzing 5 different prints from the roll. Print 1.
13:42 Print 2
14:27 Print 3 and dodging and burning technique
15:32 Print 4
15:52 Print 5
zhlédnutí: 1 887
Video
Self Portraits on Film Ferrania P33. Studio Vlog & Darkroom Fails...
zhlédnutí 983Před 21 dnem
Creating studio self portraits on Ferrania P33 film with Pentax Spotmatic. Developing and making darkroom prints out of this film/ Where else to find me: Sign up for my newsletter, I post more film photos om my blog: www.marinaboichuk.com/follow-my-analogue-adventures/ Check my work: www.marinaboichuk.com/ IG marinaboichuk Prints: analoguediaries.darkroom.com/ Timestamps: 0:00 In...
This Black & White Film Never Fails
zhlédnutí 1,6KPřed měsícem
Talking about my all time favorite black and white film and sharing sample photos shot under various light conditions. Kodak Tri-X is the most beginner friendly film and works with many developers. It takes a lot to mess it up really. Where else to find me: Sign up for my newsletter, I post more film photos om my blog: www.marinaboichuk.com/follow-my-analogue-adventures/ Check my work: www.mari...
Taking Chances With Expired Film Again
zhlédnutí 2,5KPřed 2 měsíci
Shooting 620 Kodak Verichrome expired in 1974 and 1961. I got this film from film photographers swap and only figured it's 620 film and not 120 when I got home. Where else to find me: Sign up for my newsletter, I post more film photos om my blog: www.marinaboichuk.com/follow-my-analogue-adventures/ Check my work: www.marinaboichuk.com/ IG marinaboichuk Prints: analoguediaries.dar...
Macro Photography With Helios-44 Lens
zhlédnutí 1,9KPřed 3 měsíci
Shooting Reto Glow 400 film with Pentax Spotmatic and Helios lens. Experimenting with 20 years old expired Konica Centuria 100 film. Where else to find me: Check my work: www.marinaboichuk.com/ IG marinaboichuk Prints: analoguediaries.darkroom.com/ Timestamps: 0:00 Intro 0:52 Camera, lens, macro rings and metering 2:22 Photos 5:23 Scanning 7:08 Shooting expired Konica Centuria 100
Kentmere 400 vs Arista EDU 400 With Hasselblad 500cm
zhlédnutí 1,4KPřed 3 měsíci
Shooting Kentmere 400 and Arista EDU 400 film with Hasselblad 500CM at Georgetown Steam Plant. Sharing my results and first impressions with these film stocks. Check out Georgetown Steam Plant, it's cool: georgetownsteamplant.squarespace.com/ Where else to find me: Check my work: www.marinaboichuk.com/ IG marinaboichuk Prints: analoguediaries.darkroom.com/ Timestamps: 0:00 Intro ...
Street Candy Film Review
zhlédnutí 545Před 4 měsíci
In this video I'm testing Street Candy ATM400 and MTN100 films. Creating studio portraits on 35mm film, sharing results and making darkroom prints from both of these films. Models: Lin: stoneel Marika: twotonetakeover Where else to find me: Check my work: www.marinaboichuk.com/ IG marinaboichuk Prints: analoguediaries.darkroom.com/ Timestamps: 0:00 I...
Color Printing With Intrepid Enlarger
zhlédnutí 2KPřed 4 měsíci
Making color prints from Kodak Vision3 500T negative with Intrepid Enlarger. Easel by Accura. Try searching on eBay My copy stand is from Amazon: a.co/d/5ptARrB Chemistry and paper from Freestyle photo Fuji Paper Lustre: shorturl.at/gsBL9 Fuji PAper Glossy: shorturl.at/arxY7 Arista RA4 chemistry: shorturl.at/fL147 Bellini RA4 chemistry: shorturl.at/hpTX5 Where else to find me: Check my work: ww...
Adox Color Mission 200
zhlédnutí 623Před 5 měsíci
First time shooting Adox Color Mission film. Model: lis.fish Where else to find me: Check my work: www.marinaboichuk.com/ IG marinaboichuk Prints: analoguediaries.darkroom.com/ Timestamps: 0:00 Intro 0:32 Camera & Metering 1:00 Camera issue and random multiple exposures 1:40 Working with models and BTS 2:57 More BTS and some takeaways 4:07 Some large format photos ...
Frugal Film Project January '24
zhlédnutí 772Před 5 měsíci
January results from Frugal Film Project 2024. First time shooting Holga GCFN 120 with Lomography 800 film. Join FFP: groups/1163101494091862/?mibextid=c7yyfP Where else to find me: Check my work: www.marinaboichuk.com/ IG marinaboichuk
How To Scan Film Without A Macro Lens
zhlédnutí 2,2KPřed 5 měsíci
Showing how to scan film with mirrorless camera, bellows system and enlarger lens. Talking about my experience from using Lomo Digitaliza , Intrepid and Negative Supply film scanning systems. Scan 35mm , 120 and 4x5 film sheets at home. My Previous Film Scanning Video: czcams.com/video/q52n4DGOnoM/video.html How to connect Sony cameras to Lightroom: czcams.com/video/gMDLoqrbJY8/video.htmlsi=qV0...
This Cheapest Medium Format Color Film is Better Than Portra
zhlédnutí 4,6KPřed 6 měsíci
Shooting portraits with Reflx Lab 500T medium format film. Models: Katie the_katiegibbons Lucia lucia.cecchetto Where else to find me: Check my work: www.marinaboichuk.com/ IG marinaboichuk Prints: analoguediaries.darkroom.com/ Timestamps: 0:00 Intro 0:15 Where This Film Comes From? 0:45 Why It Is Cheap? 1:40 What is Reflx Lab 500T? 3:39 Results From...
Portraits on the New Harman Phoenix Film. First Impressions
zhlédnutí 1,8KPřed 6 měsíci
Portraits on the New Harman Phoenix Film. First Impressions
A Future For 120. Exploring Experimental Film Stocks
zhlédnutí 1,6KPřed 7 měsíci
A Future For 120. Exploring Experimental Film Stocks
These Cheap Lens Filters Are Actually Good
zhlédnutí 683Před 8 měsíci
These Cheap Lens Filters Are Actually Good
Cinematic Photography on Kodak Vision 3 Film
zhlédnutí 1,4KPřed 8 měsíci
Cinematic Photography on Kodak Vision 3 Film
Large Format Portraits On Expired Film. Fuji Reala with Pentax 645
zhlédnutí 1,1KPřed 10 měsíci
Large Format Portraits On Expired Film. Fuji Reala with Pentax 645
Large Format Photography Goes Wrong...
zhlédnutí 1,9KPřed 11 měsíci
Large Format Photography Goes Wrong...
Why Kodak Vision 3 500T Never Disappoints
zhlédnutí 2,5KPřed rokem
Why Kodak Vision 3 500T Never Disappoints
Gives a super interesting look
Wish the finale prints were on screen a little more longer.
You can check full video :)
Hello. I'm looking to get a similar setup as this. I was wondering how the focusing/magnification works with a bellows and enlarger lens. How do you make sure the negative fills the frame at 1:1 magnification and is in focus at the same time? It seems to me you would need to adjust the bellows in and out and the whole thing closer or further from the negative at the same time. Any help would be appreciated! thank you!
You are correct you adjust the crop and focus with bellows and copystand. There is focus peaking on sony cameras that allow to focus on the grain. Once I found focus and distance for specific format I mark on the bellows and copystand for further use, so I don’t need to repeat the whole focusing process all over again next time I scan.
@@AnalogueDiaries Thank you! How do you decide how far to extend the bellows? It seems like you could either have them extended further and then have to move the copy stand up, or extend the bellows shorter and move the copy stand lower? And once you decide how far out the bellows should be to fill the frame, won't moving the copy stand then change the framing of the negative? I feel like I'm missing something lol Does moving the copy stand up and down not change the framing?
@@nothankyou90 there will be always a mid spot how long the bellows stretched and how low or high copystand is, you decide yourself. I just try to fill out the frame with a negative. Check 5:05 you can see marks on the copystand (there are too many of them but you get the idea) and I put same marks on the bellow rail (they're not visible on the video, but they are there). I move this copy stand all the time and use it for darkroom printing and no it doesn't affect my further scanning. Those marks are starting points for different formats and I adjust focus every time I scan, it doesn't take much time really.
@@AnalogueDiaries Thank you! I appreciate your thorough answers. Have a nice day.
very nice Prints 👌
thank you!
Дуже цікаво і з душею
I just found your channel. I have 35mm film and digital cameras, Nikon. I also have a nice Wista SP45 camera with lenses. I liked your video when you used the expired film. You are an inspiration to go out and use my stuff. Thanks!
Interesting video, well done you are very persistent with your experimentation. I used to do colour printing from slides using the Cibachrome process and a Durst colour enlarger. The approach to filtration was that if you ended up using all three filter colours together that was effectively adding neutral density and extending your exposure. So if you find you are at 100Y, 150M and want to add 50C you can deduct 50 from each leaving 50Y and 100M which gives the same result without the longer exposure. Not sure if the Intrepid enlarger with LEDs works that way though but, if it does, you could shorten your long exposures.
@@billebdon4338 nope, Intrepid doesn’t work that way. The number you can set each color to has a different rage, the numbers are not equal on CMY. This is something to do with the way LED works as guys from Intrepid explained me.
Wich copystand do you use?
Link in the description.
Awesome video Marina they look great!
These came out so cool!! Thank you for sharing!
Portra is actually based on Vision 3 technology. The RemJet layer is necessary to protect the film while in motion within the motion picture camera and it also carries the highly effective antihalation layer. I have shot 250d and I love the colours it produces.
That's some ballsy printing. Kudos for you trying to tackle it. You are a much more patient and forgiving person than I am. I couldn't even justify shooting that film, yet alone printing it. Big ups. You earned a lot of dark room karma points. I hope your prints made you happy.
Thanks! I’m always geeking out about colors, even when digital editing. It’s so fascinating how colors shift depending on what you do.
That is so cool! What an awesome idea and I think it came out super awesome. You’re so talented!
Thank you! 🙏🏻
TBH, I hadn't enjoyed watching any video recently as much as I did yours. Kudos to you for trying to print from this crazy film. This Lomo Purple is a poor copy of the Kodak Aerochrome, which in essence was an aerial surivailance film of the cold war period. In order to disgunish between natural foliage and man made synthetic camouflage, the dyes were sensitised to react differently to the Chlorophyll present in natural plants, leaves etc, and it showed as purple. Whomever has made this film for Lomo, must have further tweaked the dyes to come up with this crazy colours. I should image the red shows up as red, as this colour cuts through the atmospheric haze and gives detail, a bit like using a red filter in landscape photogarphy to bring out detail in distant hills etc, but thats only a guess on my part. Good job young lady. BTW, I wish that the original Cibachrome printing paper still existed. I did print a lot of that magnificent paper in the 1980s . The Cibachrome colours were to die for.
Thanks for sharing this, always great learning about history of film and what it used to be. I wish I had a chance to try any other color paper. I got lots of expired BW one from Kodak and it’s incredible, modern Ilford is no way near it. I bet it’s the same with Cibachrome.
@@AnalogueDiaries I used to print on Kodak Elite paper in the late 80s. It was the most beautiful B&W paper that I ever used, thick, heavy, lucsious with tonality to match. It was so expensive to produce that Kodak stopped making it. I hope Kodak gave you some of that paper.
@@lensman5762 I have Polycontrast RC. The glossy one is beautiful
@@AnalogueDiaries Look forward to seeing prints on that paper.
Great pritning video as usual! Love your channel dude, and its comforting to see that other people are kinda making up their own rules with the intrepid enlarger lol
Thank you! That’s what you gotta do as there is not much info on this enlarger yet. But we’ll change it someday 😃
Those final prints turned out pretty good. It's a pity you have you have yo go through so much paper to get to the results you like. But, that's what you have to do, sometimes!!
Thanks! Yeah sometimes it takes way too much paper 🫣 But you get there eventually.
Looks good! Might have to try and print some of that film. Im not familiar with the intrepid enlarger but can you not set Cyan to 0? That would take your times way down and allow you to stop the lens down more for sharpness.
On Intrepid the lowest number on Cyan is 88. CMY settings are very different from traditional enlargers on this one.
Wow! You put a lot of effort into making those prints. Excellent video.
I like geeking out about color science 😆
Well done! I loved the process, still a lot to learn and this was helpful! I decided to try the cibacrhome tank
Thank you! Glad it was helpful.
Those darkroom prints turned out so cool! Thank you for showing the process.
Thank you!
well done for printing and showing poeple how to print and for promoting printing , more please, more people need to be printing their work ... ps very nice shots and results ... the second one of the final set is the pick of bunch the final 5 shown are all great ...
Thanks! I love printing, need to do more of this
Nicely done!
Thank you! 🙏
Thank you very much for this instructive tutorial , expecting a Helios soon and your shots are beautiful inspirations !
I havent found any other company respooling 65mm Vision 3. Does anyone know?
Where do you point the meter to measure ambient?
If it’s outdoors and no background (for example a field) I’d just read the light meter or use in camera light meter. When I can reach the background (wall in a studio) point toward the camera and see what it says.
Im glad I watched the reviews before trying it. sent it back for a refund. Lesson learned look up reviews before buying unknown films
Supermodel. They came out nice.
🌻 Марино, чудові портрети! Ви надихнули мене поексперементувати з портретами, бо у мене є подібне антикварне крісло, яке я знайшов на дорозі 😝 ❤️✌️🇺🇦
Дякую! Знайшов крісло на дорозі - клас! Дуже цікаво подивитися, що вийде. Надсилайте фото у Інстаграм 🙂
Портрети супер! 👍
Дякую 🙏🏻
P33 is a great film! I loved it in 510-Pyro and Kodak D-76, but I haven't used it in HC-110/Ilfotec HC, but that's for next year and the full review. Loved your self-portraits and prints!
I have to find Pyro. My local shop only has Rodinal, HC, TMax and DDX. Not many budget friendly options 😬
@@AnalogueDiaries Order from Freestyle!
good shot, well done developing and printing ., what to see more of the complete process .. the print is the end goal ... Ansel Adams!!!
Why not just go for the P30?
Just trying different things 😁
Another good video!
Thanks for watching!
Wow I love your editing on the photoshoot part of this video, really well done. Great to get all the details after though.
Thank you 🙏🏻
Love the images. Great job!
Thank you 🙂
Great results! I like the contrast and love the fact that it dries so flat.
Thank you! Yes, the most flat 35mm film ever 🤯
You have done very well, nice photos. With a new film I would have bracketed teh shots by hlaf a stop increments over a two stops span to see what worked best, an dkeot a record of the exposure. And you are correct Rodinal is not the best match for P33. If you did decide to go for HC110, I'd have a look at the Euro HC by Bellini. It is the same formulation, dilution and development times but you don't have to buy a litre of it as it is quite costly. I buy it in 250ml bottles, but I think you can even buy a 100ml of it. It is a pretty good combination with Pan F Plus @ iso 32, and Delta 100 @ iso 80.
Already got Kodak HC110 that was available at my local camera store. Yeah, I'm definitely not someone who ever brackets photos, especially when doing self portraits. That alone is enough of a challenge and I just have fun with film photography in general 😅
Really fun. Good job.
I shot a roll of that, sent it off to the darkroom for development. Surprised at how grainy it was for 160iso film. Do like the contrast tho.
The grain might come from excessive agitation. I’ve heard Ferrania P30 and P33 particularly sensitive to that and might show more grain if agitated incorrectly. I’ll try HC110 next time and see whether it works.
Results look stunning! Reminds me of Paolo Roversis work.
Wow! Thank you 🙏🏻 I’m a low key fan of Paolo’s work
Love it ‘! Keep on shooting on ! Tommy
found a portrait image u shot on lomography site and it linked to this video (: thank u for sharing
Thanks for watching! 🙏🏻
great review, I shoot one to, but a few more tips, a con, if there is one, is that the camera has a Baffle in the back, this protects the film with no darkslide when lens changing, but operates at 1/15th of a sec. any shutter speed below this needs you to HOLD the shutter button until the click, so the baffle doesn't cut the time short; Also to better use filters, and the pro shade (a compendium hood, extendable), you need the CF lenses, with a constant B60 size (bayonet of 60mm dia.), the C's have various diameters from 45 mm on up, the CF series is a consistent size throughout the focal length range (excluding the 300 & 500 mm lenses, which have a larger front barrel).
Loved the Photos.
I have a question. I have the 105, 55 and 75 all SMC pentax. For some reason, with the 105 and the 75, when I stop down the aperture in manual mode, it also stops down the lens. So if my lens is at 22, I can't even see what I'm trying to get in focus because it's too dark. The only lens that doesn't stop down is the 55 - I can see a bright screen at all apertures. Do you know why this happens to the 105 and 75 but not the 55? i have to focus wide open and then fix my fstop its pretty annoying. Do you have this issue or is my copy defective? the viewfinder is only bright in all apertures if i ahve the lens in automatic mode once i switch to anything lower than f11 i basically cant see anything in the viewfinder its wayyy too dark.
I’ll be sacrilegious … XP2 😮😂 (used to enjoy Kodak BW400CN but they stopped making that years ago) … but for a traditional b&w, Tri-X every time - though it is probably a conditioned bias due to the photos & photographers I have always liked (pretty much the de facto photojournalism film back in the day)…
XP2 is a great film 😌
Nice video ! Tri-x looks great in HC-110 B as well.
Thank you! Good to know 🙏🏻
Recently I've tried Rollei Retro 400 and I think it is very similar to Tri-X 400 because of high contract. I love it and highly recommend
Thanks for the suggestion, now I will totally try it.
@@AnalogueDiariesgiven your experimental nature 😉, pretty sure you can shoot infrared with it too (R72 filter & 6 stop filter factor I think 🤔)