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I’m thinking about buying a used one from reverb. Your thoughts $800. I’d put in a Benedetto floating pick up.

long live elephant tusk !!!!!

my man

What strings are you using in this video?

Excellent! Lots of truly unusual tips! Many thanks!

In my prayers 🙏🏿🙏🏿🙏🏿

🎼Wow...🎶 03.19.24

Can you please do twinkle twinkle little star?

😂😂😂😂And for my next trick !!

Brilliant. at 4.09 you talk about Benson rotating the pick from below. Do you think Hendrix did thge same? I am sure I have watched videos of Hendrix using that same George Benson position.I couldn't figure out why, but I think you may have given me a clue. Appreciate we are not talking about Hendrix here but...interesting.

Greetings. Could the fender Mustang III amp give me a sound similar to yours with a Godin 5th avenue achtop guitar?

Demonetized? One thousand subscribers? I really don’t like the CZcams model.

The PM is VERY light. I'd love to have one/ what do the numbers mean?

Yer getting a great tone off that guitar!

Not a nickles worth of difference in all those tone. any of them are fine !

czcams.com/video/POtnGG0IdC4/video.html

Too much talking to in video

Wow

This is really great content here 👍🎸 I know I'm really late to the oarty but wanted to thank for the great videos, you're an awesome teacher

I am looking for the words to this carol. Anyone know please?

im just starting and i bought this lock to practice and i get that one pin 1 i guess im oversetting pin 2 thanks to your explanation. My question is and since i am a giant newb ive seen a lot of tutorials and im not even remotely good at lock picking but i am trying to learn i guess where i am stuck now is those clicks you guys keep on refering too i i hear a lot of clicks when im picking and also sometimes i dont know if i am on a pin or not so i just move my tool up and down with the leverage of the lock like i pull this tool down and let the front lift up from the leverage i dont try and pick each pick with my own muscle should i ? Should i put tension and then go to each pin and use leverage with the tool to lift them or should i use my own force and try and feel?

Thank you for this lesson. You actually sound like a teacher, meaning you are able to break down fairly complex concepts, so that they are more usable and understandable for a beginner.

This is really helpful thank you!

Hope you get your L5 back very soon brother

You longer videos are more informative and allow us to stay with the issues longer. You shouldn’t be concerned about their length.

Nice, I’ve been Googling the way to note dominant cycles and not having them become V7/V7/V7/V7/ 😅. This was very helpful! 12:44

This really is an excellent lesson. Clearly spelt out - thank you. I think it is my fifth video of yours today.

Is this guitar made in Japan?Thanks!

Man I hope your health is good to go these days and it looks like you're at 2k subs now. Hopefully you are making your living here🙏

Please 🙏 I'm confused I thought you used Minor7 scale chord tones then

Congratulations 💯🔥

Paul thank you so much for this. I hope you know how much this is appreciated and the impact you have on musicians you are doing purposeful work and I for one am very grateful

Thanks for this video, and your time!

Hi Paul - I’m just starting to learn lock-picking. Thus far I’ve been able pick three Masterlock No. 5 locks pretty easily. I’m now trying to pick a Masterlock No. 140 and finding it to be quite challenging, in spite of having watched your and other people’s helpful videos on the No. 140 lock. More specifically, I can’t seem to get any of the pins to set. Last night I attempted to pick it while listening to it through a stethoscope. I could feel each pin moving against its corresponding spring. With the stethoscope I could even hear the individual springs moving yet I heard no clicks. I varied the tensioning from very light to quite heavy, and tried both clockwise and counter-clockwise tensioning, both to no avail. I’m surprised that I can’t get any of the pins to set with a good clicking sound. I also tried a variety of picks of varying style and depth. Do you have any suggestions as to where I’m going wrong? - Thanks very much - Jim UPDATE: No sooner had I sent my most recent message to you I got the 140 lock open. I found that I had to apply quite a high torque to get it finally open. MaybeI had managed to open it previously but had not applied sufficient torque during the final step?

How does one overset a given pin? Thanks!

Great lesson !

Beautiful ! And beautiful guitar ! 😉👍🎶

That jazz cat came out of nowhere!

Thank you Paul, that was a wonderful instruction. I am working on Body and Soul; can you show a bit of that with the chord melody?

Lesson starts at 3:11.

Good one, thanks.

Excellent review - thanks Paul. Ebony fretboard, bridge? Tailpiece?

Gorgeous. Thank you so much. Fabulous recording and performances!

This is wonderful, Paul! Listening to this, I can imagine myself transported in time to a shadowed 16th century cathedral. Thank you so much for recording this!

Hey Paul, great stuff there. I have a couple L5s, and I don’t get as much of an “acoustic” tone as you do. What kind of amplification do you have here?

Got it. After a few dozen reviews, I see what you're doing. I would still like to know why you inserted the F#. Is that a switch from the natural minor to the melodic or harmonic minor to sound better?

Great stuff but I found some of it confusing. It must be above my pay grade, right now. You said you were using G minor (Aeolian by the look of it) but then then you drop in an F# to make an 8 note scale but never explained why. Didn't get that. Nevertheless, 'llI keep coming back to this until it all makes sense. Good info.

Hi! Amazing video and playing, do you stil use it for home and gigs?

Sounds great! Tips on how to dial on patches to get them to sound this good?

Is your father Anton Hofreiter?