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Peter Sheppard Skaerved
United Kingdom
Registrace 11. 02. 2013
Violinist
Support my work on Patreon:
www.patreon.com/sheppardskaerved
Support my work on Patreon:
www.patreon.com/sheppardskaerved
Knowledge Exchange Violin at the Royal Northern College of Music Collections
Tomasso Vitali - D minor Prelude (Published 1700)
Violin - Antonio Stradivari 1685
Peter Sheppard Skærved
9 9 2024 Manchester
Tomasso Vitali was the eldest son of Giovanni Battista Vitali, and was a violinist in the court orchestra of Duke Francesco II at Modena. It is clear that there were deep links between the capello and the violin makers in Cremona. Indeed, in 1685, the year this violin was made, Vitali complained to Duke Francesco that he had bought a violin for 12 Pistole, labelled Nicolò Amati, only to discover that it was actually by the younger Francesco Ruggieri (whose instruments sold for much less, and only had a workshop outside the city walls, at that point a mark of status). And much later, Stradivari's son, Omobono, travelled to Modena, to help Vitali with a legal issue.
So there's now question that music would have been played on a violin much like this, if not this charming and elegant little Stradivari!
Violin - Antonio Stradivari 1685
Peter Sheppard Skærved
9 9 2024 Manchester
Tomasso Vitali was the eldest son of Giovanni Battista Vitali, and was a violinist in the court orchestra of Duke Francesco II at Modena. It is clear that there were deep links between the capello and the violin makers in Cremona. Indeed, in 1685, the year this violin was made, Vitali complained to Duke Francesco that he had bought a violin for 12 Pistole, labelled Nicolò Amati, only to discover that it was actually by the younger Francesco Ruggieri (whose instruments sold for much less, and only had a workshop outside the city walls, at that point a mark of status). And much later, Stradivari's son, Omobono, travelled to Modena, to help Vitali with a legal issue.
So there's now question that music would have been played on a violin much like this, if not this charming and elegant little Stradivari!
zhlédnutí: 61
Video
Jim Aitchison - Piano Quintet No 1 (Session outtakes)
zhlédnutí 129Před 14 hodinami
Jim Aitchison - Margarete (After Anselm Kiefer) Piano Quintet No 1 (July 2024 Revision) 1. After Wagner (Tristan & Isolde) & Bach (O Haupt Blut und Wunden) 2 . After the magic square from 'Melencolia 1' by Albrecht Dürer 3 . After 'Todesfuge' by Paul Celan Kreutzer Quartet - Peter Sheppard Skærved, Mihailo Trandafilovski, Morgan Goff, Neil Heyde Roderick Chadwick - Piano Angela Burgess Recital ...
In the studio - Jim Aitchison - Piano Quintet No 1
zhlédnutí 70Před 19 hodinami
Kreutzer Quartet - (Peter Sheppard Skaerved, Mihailo Trandafilovski, Morgan Goff, Neil Heyde) Roderick Chadwick - Piano ...a glimpse into the recording studio... Angela Burgess Recital Hall 1 September 2024
At the practice desk in New York City
zhlédnutí 57Před 14 dny
Robert Saxton - Manhattan Memories (August 2024) Peter Sheppard Skaerved - Violin outside on the Upper West Side New York City 24 8 24 'Robert Saxton is writing me a series of miniatures for solo violin. These are dedicated to my wife, Malene Sheppard Skaerved and me, from the composer and his wife, the soprano Tessa Cahill. The pieces all reflect things we all like, ranging from the natural wo...
Knowledge Exchange Violin in Genova
zhlédnutí 506Před 14 dny
Peter Sheppard Skærved in conversation with Violinmaker Alberto Giordano June 2024 Director - Malene Sheppard Skærved Camera/Editor - Immo Horn An interview with one of Italy’s most celebrated violinmakers, Alberto Giordano, in his workshop in Genova Alberto has a particularly deep understanding and knowledge of Paganini’s Guarneri violin, ‘Il Canone’, which is housed in the Palazzo Tursi, just...
Returning to an inspirational place
zhlédnutí 470Před měsícem
Peter Sheppard Skærved - Violin Exploring the Church of St Anthony - in - Meneage (Cornwall) and introducing Michael Alec Rose's new work inspired by the church and its recent history Peter Sheppard Skærved spent summers as a child at St Anthony & hours practising in this beautiful church, in-between sailing, walking and shrimping. Together with his mother & brother, they gave annual concerts i...
Knowledge Exchange Violin at the Newark Violin Making School
zhlédnutí 3,9KPřed měsícem
Violin and Music Making Presented Malene & Peter Sheppard Skaerved with Ben Hebbert, John Francis Wright and student makers from the violing making school. With music by Playford, Baltzar, Tartini, Evis Sammoutis, David Gorton and De Machy Directed by Malene Sheppard Skaerved Camera/Editing Immo Horn Supported by the Royal Academy of Music, London A Knowledge Exchange/Research England project W...
Jim Aitchison- Transience Patterns - Piano Quintet no.2 Part II, III.Spring
zhlédnutí 75Před měsícem
Jim Aitchison- Transience Patterns - Piano Quintet no.2 PART II. (Variations on Johannes Brahms, Enigma Canon, 'Mir lächelt kein Frühling' , WoO 25) III. Spring Kreutzer Quartet Peter Sheppard Skaerved, Mihailo Trandafilovski James Sleigh, Neil Heyde Roderick Chadwick - Piano Session extract - Engineer Adaq Khan ABRH Royal Academy of Music London July19th 2024 Image: Spring in St Paul Minnesota...
Jim Aitchison- Transience Patterns - Piano Quintet no.2 'Autumn' and 'Winter'
zhlédnutí 46Před měsícem
Jim Aitchison- Transience Patterns - Piano Quintet no.2 PART II. (Variations on Johannes Brahms, Enigma Canon, 'Mir lächelt kein Frühling' , WoO 25) I . Autumn II. Winter Kreutzer Quartet Peter Sheppard Skaerved, Mihailo Trandafilovski James Sleigh, Neil Heyde Roderick Chadwick - Piano Session extract - Engineer Adaq Khan ABRH Royal Academy of Music London July19th 2024 Image: Whitehall Plain -...
Jim Aitchison- Transience Patterns - Piano Quintet no.2 II. Blind Tide
zhlédnutí 38Před měsícem
Jim Aitchison- Transience Patterns - Piano Quintet no.2 II. Blind Tide Kreutzer Quartet Peter Sheppard Skaerved, Mihailo Trandafilovski James Sleigh, Neil Heyde Roderick Chadwick - Piano Session extract - Engineer Adaq Khan ABRH Royal Academy of Music London July19th 2024ard Skaerved
Jim Aitchison - Prelude /Canon (Mir lächelt kein Frühling)
zhlédnutí 122Před měsícem
Jim Aitchison- Transience Patterns - Piano Quintet no.2 Prelude - Canon (Mir lächelt kein Frühling) Kreutzer Quartet Peter Sheppard Skaerved, Mihailo Trandafilovski James Sleigh, Neil Heyde Roderick Chadwick - Piano Session extract - Engineer Adaq Khan ABRH Royal Academy of Music London July19th 2024
A glimpse from the studio/lo fi audio. Recording Jim Aitchison
zhlédnutí 42Před měsícem
Kreutzer Quartet (Peter Sheppard Skaerved, Mihailo Trandafilovski, James Sleigh, Neil Heyde) with Roderick Chadwick - Piano Recording - Jim Aitchison - Piano Quintet No 2 (small session glimpse/in room microphone - not recorded output) Angela Burgess Recital Hall, RAM, London 19 7 24
Robert Saxton ‘Lament of Holger Dansk’ (First listen!)
zhlédnutí 89Před měsícem
Robert Saxton ‘Lament of Holger Dansk’ for Malene & Peter July 2024 Peter Sheppard Skaerved - Violin at the desk (Wapping) 21 7 24
Rosá Lind - ‘Pelagos‘(
zhlédnutí 94Před měsícem
Rosá Lind - ‘Pelagos‘(for Barbara Hepworth) (2024) World Premiere In the James Turrell Skyspace Tremenheere Sculpture Gardens Peter Sheppard Skaerved - Violin 12 July 2024
Niccolò Paganini - Preludio in Genova, on the Paganini/Sivori Vuillaume
zhlédnutí 228Před 2 měsíci
Niccolò Paganini - Preludio Paris 1838 Peter Sheppard Skærved - Violin Jean-Baptiste Vuillaume 1833-4 ‘Sivori’ (ex- Paganini) Palazzo Rosso - Genova June 10th 2024 Director - Malene Sheppard Skærved Camera & Editing - Immo Horn ‘Knowledge Exchange Violin’ www.peter.sheppard.skaerved.com VI VII MMXXIV
Mihahilo Trandafilovski ‘blue spiral, white waves’
zhlédnutí 108Před 2 měsíci
Mihahilo Trandafilovski ‘blue spiral, white waves’
Montanari on the 1685 Stradivari from the collection of the Royal Northern College of Music
zhlédnutí 207Před 2 měsíci
Montanari on the 1685 Stradivari from the collection of the Royal Northern College of Music
Knowledge Exchange Violin at Newark Violin School/Evis Sammoutis - Nicosia Etude & Conversation!
zhlédnutí 110Před 2 měsíci
Knowledge Exchange Violin at Newark Violin School/Evis Sammoutis - Nicosia Etude & Conversation!
Responding to the Palazzo Rosso, Genova: Torelli
zhlédnutí 151Před 2 měsíci
Responding to the Palazzo Rosso, Genova: Torelli
Rodolphe Kreutzer - G minor Etude No. 23 'La Révolution'
zhlédnutí 146Před 2 měsíci
Rodolphe Kreutzer - G minor Etude No. 23 'La Révolution'
Tartini on Paganini's Violin. At the Palazzo Rosso Genova
zhlédnutí 325Před 2 měsíci
Tartini on Paganini's Violin. At the Palazzo Rosso Genova
Evis Sammoutis - κλεψύδρα at the Palazzo Rosso Genova
zhlédnutí 143Před 2 měsíci
Evis Sammoutis - κλεψύδρα at the Palazzo Rosso Genova
Peter Sculthorpe - ‘Alone’ at Newark Violin School
zhlédnutí 156Před 2 měsíci
Peter Sculthorpe - ‘Alone’ at Newark Violin School
Michael Alec Rose - The Unvarnish’d Truth - for the Paganin/Sivori Vuilaume
zhlédnutí 149Před 2 měsíci
Michael Alec Rose - The Unvarnish’d Truth - for the Paganin/Sivori Vuilaume
Passacaglia in Newark Parish Church. Biber & Medieval wonder
zhlédnutí 57Před 2 měsíci
Passacaglia in Newark Parish Church. Biber & Medieval wonder
Michael Alec Rose - ‘New Work’ live in Newark Parish Church
zhlédnutí 133Před 2 měsíci
Michael Alec Rose - ‘New Work’ live in Newark Parish Church
Peter Sheppard Skaerved with the 'Sivori' Vuillaume in Genova
zhlédnutí 199Před 2 měsíci
Peter Sheppard Skaerved with the 'Sivori' Vuillaume in Genova
Michael Alec Rose - 'The Unvarnish'd Truth' 2024 at the Palazzo Rosso, Genova
zhlédnutí 43Před 2 měsíci
Michael Alec Rose - 'The Unvarnish'd Truth' 2024 at the Palazzo Rosso, Genova
quite delicious.....
Excellent!
Thanks Mic!☺
If only the transcription were a little more Legible
Good point - but it is not a transcription! That's Abel's manuscript!
Beautiful playing! Is the violin neck length increased to modern standard length? The baroque bow and bowing is an inspiration. Are the strings gut? Thank you!
Fascinating interview. Thank you.
Bravo !
sodelicious.............................
Wonderful - except, of course, for that final piece, which surely constitutes violin-abuse?
@@jimmccue8063 I am fascinated, and heavily involved in many genres and periods of music. I certainly don’t expect everybody to like everything that I do! It is worth saying, from the makers point of view, a piece like this explores many things that fascinate them - as proved in the workshop, it was part of. But I would rather that my audience is honest, rather than pretending to like things that they don’t. Thanks so much for listening. I really mean it.
The Playford on an Andrea Amati, in that acoustic, was magic!
Thank you for posting this. I was a student at Penn when this concerto was premiered by Isaac Stern, and I remember a discussion one evening where both Stern and Rochberg spoke about this concerto. Stern asserted adamantly that this was a great concerto (his early championship is a matter of record) but also that it was the hardest concerto he had ever had to learn. I don’t remember any discussion about the cuts that he had asked for, but I was immensely grateful to hear the restored version in your Naxos recording, and now in this live concert recording.
To clarify, when I was an 11 year old, I heard his recording, and it changed my life. However, he insisted on very substantial cuts (movements and technical challenges). My performances and recording restore the missing materials.
Wonderful, thanks for this great video, the interviews and performances!
Nr. 24 invece, ma bravo!
Nella prima edizione (che utilizzo sempre) n. 23!!! Ma mille grazie!!
Bravo !
Thank you for posting this mesmerising beautiful piece. So sorry I couldn't be there.
Bellissima canzone!
Lovely…and beautifully edited!
About half way in there is a progression that for all the world sounds to me like an echo of French church bells ringing. Quite a piece of music.
no one gives a fuck...we're all surrounded y filth and trash, figuratively and literally, and you guys sit in your guilded halls wearing lace underwear, scratching away at your arcane crap.
Terrific work, lovely performance! Thank you.
Revelatory -- thank you! And perhaps before long we'll hear something of Sivori himself, via the British Library cylinders lately attributed to him...
The snippets of Paganini sounded gorgeous.
BRAVO !
I must have missed something... fingers never rest? Torrents? Only 20 minutes of emptiness here.
What a powerful performance, and a rapturous response from the audience.
I am now nearly 70 and I stilll cannot understand why Nicola Lefanu is not better known.
She is one of our great composers!
BRAVO !
Expressive and colourful work. Beautiful performance too!
You played the violin sooo good, but what is "knowledge exchange" exactly?
answer here - www.peter-sheppard-skaerved.com/2022/06/knowledge-exchange-violin-2022/ and here www.peter-sheppard-skaerved.com/2023/01/knowledge-exchange-violin-2023/ and here www.peter-sheppard-skaerved.com/2023/08/knowledge-exchange-violin-part-3-autumn-2023/ and here www.peter-sheppard-skaerved.com/2024/03/knowledge-exchange-violin-part-4-spring-2024/ Happy reading
Tremendous music!
Thank you! I find this subject very interesting! When you say baroque set up about the Nicola Amati Violin, I'd like to know something about the strings, I suppose they are gut strings?
Wonderful.
BRAVO !
Well that was a discovery! Not a piece I knew before, in spite of my being a lover of Janacek's music. Wonderfully played as always.
It is an astonishing work - a burst of lyricism in the fateful summer 1914
🎉❤
Thank you, Peter 🌻🌸
quite delicious......
His „music for the magic theater „ is one of my favorite pieces to have ever played.
This sounds postRomantic and expressionistin its middle.The 2nd mov. is unfirgettable,strong motifs!The finale reconciles all!+
Love this
Hello Peter, Why the use of this obtrusive vibrato?
Perhaps it was obtrusive, but it's what came out that day: in I am a little notorious for using (apparently) too little. Thanks for listening, - it is appreciated, truthfully
@@PeterSheppardSkaervedviolin All right, noted!
Beautiful!
An epic journey!
I've just finished listening. It's hard to describe how wonderful this is. The second movement is particularly astonishing for me. I own the score of this piece, and yet listening to this recording today it really seems very different from my recollection. I must return to the score and investigate (I wonder if the score I own is not the "original version"). In any case, this version surely is *the one*. A very important concerto!
Love this one!
very nice
lovely