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David Merlin Lewin
Registrace 30. 12. 2011
Ravel, Glière, Kodály - Violin/Cello duet - Live
Live from Gladsax Church, Sweden, during the 4th Kammarmusik Festival i Gladsax on the 25th July 2024.
Emma Bandeniece: Cello
David Merlin: Violin
Concert program:
- Maurice Ravel (1875-1937): Sonata for Violin & Cello
"A la mémoire de Claude Debussy” (1922)
00:22 I Allegro
05:57 II Très vif
09:50 III Lent
16:17 IV Vif, Avec entrain
- Reinhold Glière (1875-1956):
8 Pieces for Violin & Cello Op.39 (1909)
22:47 I Prelude
24:53 II Gavotte
27:19 III Berceuse
30:21 IV Canzonetta
32:23 V Intermezzo
34:09 VI Impromptu
36:25 VII Scherzo
39:27 VIII Etude
- Zoltan Kodály (1882-1967):
Duo for Violin & Cello Op.7 (1914)
41:02 I Allegro serioso, non troppo
49:49 II Adagio - Andante
58:37 III Maestoso e largamente, ma non troppo lento - Presto
01:08:30 Encore:
- George Philipp Telemann (1681-1767):
Canonic Duo No.4 in D minor
III Presto
-------------------------------
ABOUT THE CONCERT PROGRAM
Maurice Ravel was born on March 7, 1875 in Ciboure - a small town in France near the Spanish border. M. Ravel's talent was already noticeable at an early age, and at the age of fourteen he entered the Paris Conservatory. The sonata for violin and cello was dedicated to her friend - the French composer Claude Debussy, and was written in the period from 1920-1922 in la minor, but one of the main motifs is the relationship between minor and major, which is already present in the violin voice in the first measure. After the melodic first movement, the lively second movement, there is a meditative third part and a energetic fourth part, where after a polyphonic strife, the ending resolves in C major.
Reinhold Glière was born on January 11, 1875 in Kiev to a German father (a wind instrument maker) and a Polish mother. In 1891, he started studying with violinist Otakar Ševčik, and in 1894 he entered the Moscow Conservatory of Music.
Harmony was taught to him by Anton Arensky, and polyphony by Sergejs Taneyev, so it is not surprising that Glier's the influence of the Russian romantics is felt in his works. After graduating from the conservatory, he won a gold medal for his one-act opera "Earth and Heaven". Soon after his studies, his composition professor Sergej Taneyev found two private students for him, who would later become notable composers - Nikolai Myaskovsky and the then eleven-year-old Sergej Prokofiev. R. Glier's rarely performed opus 39 for violin and cello was composed in 1909 after the composer's return from Berlin - it is dedicated to Boris Kaliusno.
Hungarian composer Zoltán Kodály was born on December 16, 1882 in a musical family. As a child Z. Kodály studied the violin, piano and sang in the cathedral choir in the city of Nagyszombat (now Trnava, Slovakia), where for the first time he encountered the importance of choral singing. At that time, he had access to the cathedral's music library, which allowed him to get acquainted with a wide range of music. Zoltans Kodais learned to play the cello in order to replace the missing musicians in string quartet evenings organized by his father. Later, he studied modern languages and philosophy at university, but after that he returned to music, obtaining a doctorate at the Ferenc Liszt Academy of Music in Budapest with a diploma thesis "Strophic structure in Hungarian folk songs".
While studying Hungarian folk music, he spent time with the composer Bela
Bartok with whom he went to the Hungarian countryside to collect folk songs. Later they published a collection of them. The influence of folk music can be felt in Z. Kodály’s own compositions - also in the duo for violin and cello. It was composed in 1914, and already in the opening of the first movement pentatonic scales can be heard as well as hungarian folk-inspired, rhapsodic passages. The second part is full of sadness and pain, possibly reflecting the despair World War I which had recently began.
The last morvment begins with a violin monologue, but then another stage follows - Presto - where the folk spirit returns, and you can hear the Hungarian dance verbunkos and other Hungarian melodies, which lead to a triumphant conclusion.
Emma Bandeniece: Cello
David Merlin: Violin
Concert program:
- Maurice Ravel (1875-1937): Sonata for Violin & Cello
"A la mémoire de Claude Debussy” (1922)
00:22 I Allegro
05:57 II Très vif
09:50 III Lent
16:17 IV Vif, Avec entrain
- Reinhold Glière (1875-1956):
8 Pieces for Violin & Cello Op.39 (1909)
22:47 I Prelude
24:53 II Gavotte
27:19 III Berceuse
30:21 IV Canzonetta
32:23 V Intermezzo
34:09 VI Impromptu
36:25 VII Scherzo
39:27 VIII Etude
- Zoltan Kodály (1882-1967):
Duo for Violin & Cello Op.7 (1914)
41:02 I Allegro serioso, non troppo
49:49 II Adagio - Andante
58:37 III Maestoso e largamente, ma non troppo lento - Presto
01:08:30 Encore:
- George Philipp Telemann (1681-1767):
Canonic Duo No.4 in D minor
III Presto
-------------------------------
ABOUT THE CONCERT PROGRAM
Maurice Ravel was born on March 7, 1875 in Ciboure - a small town in France near the Spanish border. M. Ravel's talent was already noticeable at an early age, and at the age of fourteen he entered the Paris Conservatory. The sonata for violin and cello was dedicated to her friend - the French composer Claude Debussy, and was written in the period from 1920-1922 in la minor, but one of the main motifs is the relationship between minor and major, which is already present in the violin voice in the first measure. After the melodic first movement, the lively second movement, there is a meditative third part and a energetic fourth part, where after a polyphonic strife, the ending resolves in C major.
Reinhold Glière was born on January 11, 1875 in Kiev to a German father (a wind instrument maker) and a Polish mother. In 1891, he started studying with violinist Otakar Ševčik, and in 1894 he entered the Moscow Conservatory of Music.
Harmony was taught to him by Anton Arensky, and polyphony by Sergejs Taneyev, so it is not surprising that Glier's the influence of the Russian romantics is felt in his works. After graduating from the conservatory, he won a gold medal for his one-act opera "Earth and Heaven". Soon after his studies, his composition professor Sergej Taneyev found two private students for him, who would later become notable composers - Nikolai Myaskovsky and the then eleven-year-old Sergej Prokofiev. R. Glier's rarely performed opus 39 for violin and cello was composed in 1909 after the composer's return from Berlin - it is dedicated to Boris Kaliusno.
Hungarian composer Zoltán Kodály was born on December 16, 1882 in a musical family. As a child Z. Kodály studied the violin, piano and sang in the cathedral choir in the city of Nagyszombat (now Trnava, Slovakia), where for the first time he encountered the importance of choral singing. At that time, he had access to the cathedral's music library, which allowed him to get acquainted with a wide range of music. Zoltans Kodais learned to play the cello in order to replace the missing musicians in string quartet evenings organized by his father. Later, he studied modern languages and philosophy at university, but after that he returned to music, obtaining a doctorate at the Ferenc Liszt Academy of Music in Budapest with a diploma thesis "Strophic structure in Hungarian folk songs".
While studying Hungarian folk music, he spent time with the composer Bela
Bartok with whom he went to the Hungarian countryside to collect folk songs. Later they published a collection of them. The influence of folk music can be felt in Z. Kodály’s own compositions - also in the duo for violin and cello. It was composed in 1914, and already in the opening of the first movement pentatonic scales can be heard as well as hungarian folk-inspired, rhapsodic passages. The second part is full of sadness and pain, possibly reflecting the despair World War I which had recently began.
The last morvment begins with a violin monologue, but then another stage follows - Presto - where the folk spirit returns, and you can hear the Hungarian dance verbunkos and other Hungarian melodies, which lead to a triumphant conclusion.
zhlédnutí: 247
Video
Babe film Completo (2012) Daniel Merlin
zhlédnutí 49Před 2 měsíci
This film tells the life of our grandmother Laura (Leah) Rosendorn on the day of her 90th birthday. Filmed by one of her grandsons Daniel Merlin.
David Merlin plays Debussy "Jardins sous la pluie"
zhlédnutí 54Před 2 měsíci
Last number from Suite Estampes. Practise at home of Debussy´s Masterpiece
J.S. Bach - Sonata for Viola da Gamba n.1 BWV 1027
zhlédnutí 318Před 4 měsíci
J.S. Bach - Sonata for Viola da Gamba n.1 in G Major, BWV 1027 00:05 I. Adagio 04:32 II. Allegro ma non tanto 08:18 III. Andante 12:23 IV. Allegro moderato Emma Bandeniece, cello David Merlin, keyboard Live from living room Wishing a peaceful and happy Easter to everyone
David Merlin & Friends - J.S. Bach - Brandenburg Concerto n.5 BWV 1050, live concert
zhlédnutí 432Před 4 měsíci
J.S. Bach - Brandenburg Concerto n.5 BWV 1050 Live from San Lorenzo de El Escorial, Madrid. David Merlin: Piano Ernesto Schmied: Recorder Íñigo Aranzasti: Violino principale Daniel Hurtado: Violino di ripieno Isidro Ristori: Viola di ripieno Emma Bandeniece: Cello 00:30 I Allegro 11:07 II Affettuoso 16:46 III Allegro
J.S. Bach - WTC I Prelude & Fugue n.10 in E minor BWV 855
zhlédnutí 182Před 6 měsíci
David Merlin Lewin: Keyboard Painting by Rembrandt
BandArt & Gordan Nikolic - Beethoven 7th Symphony Op.92
zhlédnutí 390Před 6 měsíci
Bandart Orchestra Gordan Nikolic: concertino/director Ludwig Van Beethoven Symphony no. 7 in A major. Op. 92 - 00:00: I Poco sostenuto - Vivace - 14:24: II Allegretto - 23:58: III Presto - 34:34: IV Allegro con brio Live from Auditorio Nacional de Madrid. 2nd of February 2008.
J.S. Bach - WTC I - Prelude & Fugue n.7 in E-flat major BWV 852
zhlédnutí 82Před 6 měsíci
David Merlin Lewin: Keyboard Picture: Emma’s dog
J.S. Bach - WTC I Prelude & Fugue n. 6 in D minor BWV 851
zhlédnutí 153Před 6 měsíci
David Merlin Lewin: Keyboard Painting: Thomas Cole: The Course of the Empire, Destruction, 1836
J.S. Bach - WTC I - Prelude & Fugue n.5 in D major BWV 850
zhlédnutí 64Před 6 měsíci
David Merlin Lewin: Keyboard Painting: Tiziano Vecelli: Boy with dogs in a landscape
Ivry Gitlis plays Sarasate Zigeunerweisen
zhlédnutí 2,8KPřed 7 měsíci
Ivry Gitlis plays Sarasate Zigeunerweisen
Ivry Gitlis & Pierre Barbizet play Beethoven Scherzo from Spring Sonata
zhlédnutí 919Před 7 měsíci
III Scherzo: Allegro molto
Ivry Gitlis plays Brahms Violin Sonata n.3 I Allegro
zhlédnutí 757Před 8 měsíci
1962, Paris Piano: Tasso Janopoulo
Mischa Maisky & Martha Argerich play Brahms Lerchengesang
zhlédnutí 790Před 8 měsíci
Mischa Maisky & Martha Argerich play Brahms Lerchengesang
Daniil Shaffran playing Granados Spanish Dance n.5
zhlédnutí 83Před 8 měsíci
Daniil Shaffran playing Granados Spanish Dance n.5
Gordan Nikolic & Xiao Mei Zhu - J.S. Bach Sonata BWV 1016
zhlédnutí 271Před 8 měsíci
Gordan Nikolic & Xiao Mei Zhu - J.S. Bach Sonata BWV 1016
Prof. Yitskhok Niborski sings a Yiddish song
zhlédnutí 208Před 8 měsíci
Prof. Yitskhok Niborski sings a Yiddish song
Larrazabal, Schubert Piano Trios. Trio Villa-Lobos
zhlédnutí 231Před 8 měsíci
Larrazabal, Schubert Piano Trios. Trio Villa-Lobos
Giuseppe Mancini conducts Beethoven’s Cavatina from String Quartet Op.130
zhlédnutí 131Před 8 měsíci
Giuseppe Mancini conducts Beethoven’s Cavatina from String Quartet Op.130
D. Merlin plays 3 Chopin Valses at home
zhlédnutí 200Před 9 měsíci
D. Merlin plays 3 Chopin Valses at home
Ebersberg Trio plays Jean Françaix, Scherzo from String Trio (1933)
zhlédnutí 166Před 10 měsíci
Ebersberg Trio plays Jean Françaix, Scherzo from String Trio (1933)
A. Dvorak - Slavonic dance Op.72 no.2 (Piano 4 hands)
zhlédnutí 395Před 11 měsíci
A. Dvorak - Slavonic dance Op.72 no.2 (Piano 4 hands)
G. Mahler - Symphony no.1 “Titan” III. Satz. (Piano 4 hands)
zhlédnutí 260Před 11 měsíci
G. Mahler - Symphony no.1 “Titan” III. Satz. (Piano 4 hands)
J.S. Bach - Liebster Jesu, wir sind hier BWV 731
zhlédnutí 319Před 11 měsíci
J.S. Bach - Liebster Jesu, wir sind hier BWV 731
Receita de Samba - Live Concert - September 1st 2023
zhlédnutí 323Před 11 měsíci
Receita de Samba - Live Concert - September 1st 2023
L.V. Beethoven - Sonata for Violin & Piano op.30 n.2 in C minor (Brainin/Ludwig)
zhlédnutí 227Před 11 měsíci
L.V. Beethoven - Sonata for Violin & Piano op.30 n.2 in C minor (Brainin/Ludwig)
J.S. Bach - Trio Sonata BWV 529 (Version for Recorder and Piano)
zhlédnutí 182Před rokem
J.S. Bach - Trio Sonata BWV 529 (Version for Recorder and Piano)
J.S. Bach - Prelude, Fugue & Allegro BWV 998
zhlédnutí 126Před rokem
J.S. Bach - Prelude, Fugue & Allegro BWV 998
This is beyond impressive! I can see Merlin is in your name, because this piece takes a wizard to play this well!!
Gran concierto, música y músicos de primera!!
Così sfolgorante e vivo ...
Goa Meir in publiek
Très beau document. Seulement ce serait très aimable si vous pouviez nous dire d'où provient cet enregistrement et sa date, etc.
Very incredible
I feel pity for all the morons pointing mistakes and saying that a 7 years old plays better. You should just get a midi version and enjoy your tik tok life❤🤖
Esta obra Felipe Larrazábal (1816-1873) Piano Trio n.2 in A major Op.138 es una majestuosidad de parte de Larrazabal, wow. Está a la altura de los grandes compositores, y un orgullo proveniente de Venezuela. Impresionante, gracias por compartir
Pour ceux qui sont friands de caricature ! Se moquer du monde à ce niveau , compositeur compris , relève d’un défi : soit une une blague monstrueuse , soit d’un désir malsain de vomir sur Debussy !
Totalement d'accord avec vous,mais vous savez de quoi vous parlez !!! Difficile de faire comprendre que le cadre dans lequel évolue un interprète est large très large même ! Mais qu'en sortir relève d'un total mauvais goût...?
Unmistakable style of Gitlis.
Can you please check your mail if you're still around? Thanks! Great job, masterful play
What a treasure. A lyrical moment that unfolds through timelessness. So beautiful. No artifice, nothing performative. Just straight from his elevated heart, shared now with us so long after his death. What a gift. No wonder Menuhin respected him above all others. Thank you for posting this.
Wow. He makes the violin sound like an electric guitar 🎸🥹❤
ı
Magnifico
Beautiful! Thank you both & happy Easter. 😊
Thank you! Same to you and your loved ones
@@merlindavidsThanks a lot, David!
Bravo a esos 2 amigos desde 1685! :-) 😘😘 Excelente (nada nuevo, David, Emma…:-)
Gracias querido y distinguido Embajador de la Bach Society de Salamanca : )
Live from living room!! Excellent
Faltó el Termo, pero valió la pena igual
Just wow!!!
Bravi tutti!!💐🤗🎵🎵
Tack querido
Bravo
i've never seen this performance of his before. i love how he was always a little bit different. thanks for sharing.
Qué gran fuga alla francese!!
Magistrale!!!!!!!!!
Maravilloso ❤
Magnifiquo Et tant pis pour les détracteurs qui pour la plupart de jouaient pas du violon La critique journalistique est tellement facile
Gorgeous playing. Out of this world. The only Violinist who could match tthis is David Nadien with his magnificent vibrato.🥀
Hermoso! 💐🤗
Top, David. Toque de maestro y sonido de vinilo de maestro
Qué obra y qué cuadro, el fin del imperio romano o el apocalipsis de occidente. Graba más!!
Gitlis' interpretations might be dirty off the rocker, like l'enfant terible he was. But they come back to haunt me every single time. I can not escape his music. He takes the piece from the composer and reinvents it in terrible but so sincere and deeply emotional way that draws tears. I am forever chained to his music. Forever. There is no escape. There is no escape.
Me encantó, felicitaciones !
Charme❤
Amazing!
This Piece fits to the playing style of Ivry Gitlis, I feel. A great Violinist he was!
masterful
HOME EXTRAORDINARI ❤❤
Cello was beautiful. Pianist, as usual, stunning.
Is that bow vibrato?
💙🌸
Скверное звучание...аж в глазах дваица....в обох...вах..
Muy..hermoso..el..instrumento..se..llama..cavaquinho..es..brasilero..,un..tema..bregeteiro..tambien..lo..tocan..❤❤❤❤❤❤❤❤❤
One if the greatest. Thank you.🙏🙏🙏
Bravo!!!!
I feel the strong influence of Joseph Hassid interpretation of this piece. They were both companions students of Carl Flesh in London...
Its such a tragedy Hassid had such horrific struggles with mental health and died so young…those recordings of him at 17 are unbelievably incredible. I can only imagine how amazing he would’ve been if he had lived on and continued playing.
This is sublime and heart-breaking. Thank you so much for sharing it!
Toujours merveilleux...vigueur, nuances, sonorité incomparable et surtout unique...je l'écoutais il y a quelques jours dans son dernier enregistrement du Concerto de Beethoven, le mouvement lent est si beau ...un musicien totalement amoureux de son violon❤
Fugue Alla Giga BWV 577 On the Piano.
Instead of the Organ.
respect all my heart.
Flawless, one of the all time greatest violinists.