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Luke Holliday
Registrace 10. 05. 2015
My First Time Shooting 16mm Film
A behind-the-scenes look at my first attempt at shooting on film!
Full project here: czcams.com/video/SuJbBJLSvrg/video.html
Crew Credits:
Shot on Kodak 200T | Processed at Kodak Film Lab Atlanta
Directed by Abby Holliday, Elise Hubers, and Luke Holliday
Director / Producer: Elise Hubers
Director of Photography: Luke Holliday
1st AC: Fabio Souza
Loaders: Emily Russo and Lydia Supinger
Digital Camera Operator: Cavan Miller
Key Grip: Jake Henson
Grips: Hudson Armstrong and Jack Miller
Location Sound: Antoine Holliday
Live Audio Mix: Jon Class
HMU / BTS Photo: Grace Holliday
Manager / PA: Zach Jones
BTS Video: Quinton Jackson and Tanner Grandstaff
Colorist: Ryan Berger
Dancer: Coty Perno
Anonymous #1: Josh Newberg
Anonymous #2: Liam Haehnle
Body: Josh Newberg
Extras:
Lydia Belanger
Jake Harrington
Grace Holliday
Liam Haehnle
Thomas Bowles
Hannah Bowles
Jack Berding
Bella Sgarlata
Special Thanks To:
Contrast Cine, The Lotz Family, Holly Holliday, Andrea Bustin, and Brett Hubers
Connect with me on IG! luke.m.holliday
Full project here: czcams.com/video/SuJbBJLSvrg/video.html
Crew Credits:
Shot on Kodak 200T | Processed at Kodak Film Lab Atlanta
Directed by Abby Holliday, Elise Hubers, and Luke Holliday
Director / Producer: Elise Hubers
Director of Photography: Luke Holliday
1st AC: Fabio Souza
Loaders: Emily Russo and Lydia Supinger
Digital Camera Operator: Cavan Miller
Key Grip: Jake Henson
Grips: Hudson Armstrong and Jack Miller
Location Sound: Antoine Holliday
Live Audio Mix: Jon Class
HMU / BTS Photo: Grace Holliday
Manager / PA: Zach Jones
BTS Video: Quinton Jackson and Tanner Grandstaff
Colorist: Ryan Berger
Dancer: Coty Perno
Anonymous #1: Josh Newberg
Anonymous #2: Liam Haehnle
Body: Josh Newberg
Extras:
Lydia Belanger
Jake Harrington
Grace Holliday
Liam Haehnle
Thomas Bowles
Hannah Bowles
Jack Berding
Bella Sgarlata
Special Thanks To:
Contrast Cine, The Lotz Family, Holly Holliday, Andrea Bustin, and Brett Hubers
Connect with me on IG! luke.m.holliday
zhlédnutí: 1 494
Video
12800 ISO (Lighting Breakdown)
zhlédnutí 29KPřed 4 měsíci
Lighting some big spaces on a budget :) Special thank you to this amazing crew for bringing this shoot to life! Director @carsoncharlesbutcher Gaffer @jarrettjarvis15 @thesourcegrip Grip @luke._lamar Steadicam @trentmillspaugh 1AC @chaserobertlochamire VFX @vokestudio PA / the hunter guy @drewharrison BTS @_preston_long_ Rentals: @contrast_cine Link to full music video: czcams.com/video/aY-2XpD...
Difficult Lighting Situations (cinematography breakdown)
zhlédnutí 1,1KPřed 10 měsíci
Quick cinematography breakdown of a music video scene I shot last year! Enjoy :) Full video: czcams.com/video/EDLPrPuURBE/video.html Connect with me on IG! : luke.m.holliday
My Cinematography Reel - 2022
zhlédnutí 4KPřed rokem
Connect with me on IG! luke.m.holliday Here's my updated cinematography reel! Sorry about my absence from here! I've been busy working on these jobs, and I also just took some much needed time off from freelancing. I'm getting back into it now, but while things are still slow I'd love to spend some time breaking down some of these new projects! Let me know if there are any specif...
A Full-Frame Red Komodo...?
zhlédnutí 26KPřed 2 lety
Viltrox putting ARRI outta business huh? Guess we'll see. Connect with me on IG! - luke.m.holliday Here's a link if you wanna pick up the speed booster!: viltroxstore.com/collections/speed-booster/products/viltrox-ef-r3-pro-canon-ef-to-c70-red-komodo-071x-focal-reducer (Looks like they made a new one? With a fancy locking mechanism. Idk, I'm confused haha. Anyway, there it is) He...
Make Better Videos With No Crew
zhlédnutí 4,7KPřed 2 lety
Here's me sharing some of my experience shooting films and music videos with a very small crew, or no crew at all! Hopefully this helps you maximize the resources and crew you do have, so that you can still make something you're really proud of! Happy filmmaking, friends. Shot on Red Komodo and Sigma 18-35 Light: Aputure 300dii Connect with me on IG!: luke.m.holliday
how I shot this MOODY music video! Red Komodo and Vazen Anamorphic
zhlédnutí 12KPřed 2 lety
A look inside my brain for how I went about shooting this live session. It’s one of my favorites! Follow Tim: Spotify: open.spotify.com/artist/5Ey3CuclF1I1yTc1i0YDgc?si=5lpofgIURJOSYpOyPrmmSQ Instagram: timothyedwardcarpenter Follow Abby: Spotify: open.spotify.com/artist/4q7Td1MO6rNg3UCvqrzz1k?si=FgglqAr-RjiGi_12AvRFZQ Instagram: abbyholliday Follow Nate: Instagram: ...
Why You're Not Motivated To Create
zhlédnutí 2,3KPřed 2 lety
As filmmakers and creatives, we all struggle to stay motivated from time to time. Here are some of my thoughts on that! And thank you to my sister Abby for joining me on this one! Here are her links: Spotify: open.spotify.com/artist/4q7Td1MO6rNg3UCvqrzz1k?si=N1KJ8nBUS0Ww7k675c3p4Q Instagram: abbyholliday
The Red Komodo is PERFECT (for me)
zhlédnutí 44KPřed 2 lety
After owning the Blackmagic pocket 6k for over a year, I finally decided to upgrade! Here are my thoughts on the Komodo after owning one for 6 months, and who I think it’s for. Enjoy :) Connect with me on IG! luke.m.holliday Another great video on the Komodo from a DP's perspective: czcams.com/video/LfVQOsza1V0/video.html&t
I Dropped Out Of College.
zhlédnutí 1,2KPřed 3 lety
My story of going to college to study film, and why I finally peaced out. Enjoy :)
Why I'm Starting A YouTube Channel
zhlédnutí 1,5KPřed 3 lety
Hi! My name is Luke Holliday. I'm a cinematographer based in Cincinnati, Ohio (update: recently re-located to Nashville, TN) Welcome to my channel! I'm super excited to unpack what I've learned and what I'm currently learning as a freelance filmmaker. We're in this together! Hit subscribe and join me on this journey of learning, making mistakes, and taking imperfect action. See ya soon, -Luke C...
Making A CINEMATIC Car Commercial (On A Budget)
zhlédnutí 8KPřed 3 lety
Connect w/ me on IG! luke.m.holliday And follow our team! cavproductions elisehubers spencerkolssak mitch_buckey995 Here's a quick look at how we made our Aston Martin commercial! Enjoy :)
Luke Holliday Cinematography Reel
zhlédnutí 1,9KPřed 3 lety
Here's my new reel for 2021! Huge thanks to all the wonderful people I had the privilege of working with this crazy, unpredictable year. Y'all crushed it and I'm really proud of all the cool things we got to create. Vimeo Link: vimeo.com/500543250?fbclid=IwAR3DmaL_zkEeornKt0idIYEySDz0YUX-gqpcxaPAN10HOpihPDQlxpvt4ow Gear stuff Cameras: Pocket 6k and Ursa Mini 4.6k Lenses: Sigma Art and Canon FD ...
Aston Martin - "What Makes a Leader" (Spec Commercial) Shot on BMPCC6k
zhlédnutí 24KPřed 3 lety
Hey everyone! A few months ago, my friends and I headed up to Cleveland, Ohio to rent an Aston Martin for 24 hours and shoot a spec ad with it. We're super proud of what came of our crazy adventure! Thanks for watching and I hope you enjoy :) Production Studio: CAV Productions Director: Cavan Miller Cinematographer: Luke Holliday Producer: Elise Hubers Audio Engineer: Mitch Buckey Colorist: Chr...
Cinematic Short Film Lighting (My Process)
zhlédnutí 6KPřed 4 lety
A quick rundown of my thought process in figuring out how to light our location for a short film. Thanks for watching! Cine Tracer (the game we used): www.cinetracer.com/ My main camera: bhpho.to/3caePtw My second camera (filming me): bhpho.to/2VcgyYg Quasar Q50R (tube lights we rented): bhpho.to/34q77IL
Luke Holliday - Cinematography Reel 2018
zhlédnutí 1,9KPřed 5 lety
Luke Holliday - Cinematography Reel 2018
Billie Eilish - Come Out And Play (Cover)
zhlédnutí 47KPřed 5 lety
Billie Eilish - Come Out And Play (Cover)
How to Create REPTILE EYES! VFX Tutorial (Adobe After Effects)
zhlédnutí 11KPřed 6 lety
How to Create REPTILE EYES! VFX Tutorial (Adobe After Effects)
ripping that celluloid
Ripping that celluloid
@@LukeHolliday all my homies love ripping that celluloid
Ripping that celluloid ✊😔
Ripping that celluloid
Such a great showcase on how to be prepared and make something awesome on film! Stoked for you!
So much SAUCE! This inspires me to rip some cell-cell as they say.
Super neat getting to peek into your process - shooting film has always been intimidating, but your approach makes it seem a bit more accessible!
Luke could explain the dictionary to me 🥰
Hey Luke it’s Josh S (JP) congrats on everything man! So glad you’re living your dreams man!
can you go into some more detail about what you mean by 500T having 'less' resolution? Or where you researched this? I've heard someone else say this recently and am curious, since they are just different speeds - when I hear this in film terms it confuses me because you're getting the same res scans aren't you?
Yeah it’s still the same resolution scans, but you’ll get a bit more detail out of the 200 cause it has a finer grain structure!
OK! Dope SAWCE!
Now this is awesome!
Sick that you shot film! Just wanted to point out one thing, if you're spot metering skintone, and then going 1 to 2 stop over, you're actually just correctly exposing, and not overexposing. most Caucasian skin tone is naturally about a stop to 2 stops over when compared to middle grey. What I like to do when shooting film, is during the testing phase, I set up a soft light source with whoever the main talent is going to be, and preferably all the additional cast as well, and then Incident meter the light, and then I spot meter the face. That way I know exactly how many stops brighter, and/or darker each subjects skintone is when compared to middle grey. After that point, I can use a spot meter and know how many stops over I'll be even if I didn't have the chance to incident meter the image. As an example, if I incident meter the light and it read T4, and then I spot meter the subjects face and it read T5.6 5/10ths, I know that subjects skin tone is 1 and a half stops brighter than middle grey. So if I'm then spot metering on set, and want the image to be a stop over, I'll set the camera 2 and a half stops over what is read by the spot meter rather than just 1 and a half
That’s a great point! I think I realized that after getting all the footage back. Love the tip about testing with the main talent too!
Consider that celluloid RIPPED. So fun workin on this with you bro. Incredible results🤟🏼
Thanks for all your help and for some super swag BTS moments :) always so fun working together my bro
great video dude, you got some beautiful results!
Thanks man :)
hope to see more celluloid
Me too 🎞️🙏🥵
Thanks Luke, glad you got to do that! It's definitely an opportunity worth grabbing when you get the chance. Also, I've noticed this before in your videos, but in this one it really stood out to me in both your talking head and the 16mm film: Your color grading is On Pointttt!!
Thank you so much! The color on the 16mm footage was done by Ryan Berger, he did a great job :)
LOVE THIS! What a fun time it was :):) YOU ARE AMAZING LUKE
Hell yeah 🍻
❤❤❤
Top tier explanation
Do you remember what lenses you used for the interior shots?
VFX breakdown?
show the raw!!!!
What apertures did you generally shoot in..?
Around a 2.8 mostly! Which is wide open on that lens :)
@@LukeHolliday Nice looking images.
What picture profile did you use to get such a clean look?
S-Log 3 slightly over exposed!
@@LukeHolliday thanks dude
I have the ZVE1 for short form content, and youtube style videos. I love lowlight shots without grainy footage
Awesome video Luke. There is a general hate against the Sony 12800 ISO "milky look" - but I love it. Thank you for sharing your process!
It sorta is milky haha, I found that monitoring with a -1 stop exposure LUT really helped with that! So I basically gave it a bit more light. Thanks so much and thanks for watching!!
@@LukeHolliday super smart! Will try it.
I see it works with the samsung t5 ssd, is this correct?..cant really find a Straight answer..
No, it does not :( just Cfast 2.0 cards! I think the Komodo X has a USB port for firmware updates or something, but neither of them can record to an external SSD
Low budget is gonna start needing to be disclosed. 😂 7-8 really expensive lights. 6000 camera, multiple crew Actors V-fx Props “Low budget”
It’s all relative! This certainly isn’t a DIY setup you can go do in your backyard. When I say “tight budget,” I mean that for what the job required, we had to be very resourceful! There were expectations that we were going to make it look like a massive sci-fi movie, but with an indie music video budget. I understand it’s not a super accessible video for anyone, but hopefully it’s still helpful to see how we used the resources we had to get the result we got!
@@LukeHolliday oh 100%, loved the video, and the work - looks awesome. I just think it would be useful in the future to disclose a range. It would help other cinematographers better understand the industry and rates, and expectations. It would also make the videos more candid. Which is always a good thing. Either way, just gave me a chuckle lol cause I know it wasn't truly low budget.. it was just low budget relative to what you'd typically need to do for looks like this. etc great stuff!
Beautifully lit.
Thank you!
Сrazy result with just 200's :O
Semi unrelated question: can you link or provide the info on the bug foggers used?
It’s just a Cutter “Propane Insect Fogger” from Home Depot! They are selling them less and less these days, but I was able to buy one a few months ago!
@@LukeHolliday 🙏🏽
Great breakdown! Love how it looks and love how you put this together. Super cool! 🙌
"pretty tight budget" proceeds to use a 6k dollar camera
Its a rental
So epic
It looks so freaking good
Thank you so much!
Love it. What was power distribution like?
Thank you!! Great question, I believe we actually ran both lights off of one Honda generator (idk the model exactly). We could only run one of the lights at 100%, and the other at like 70%. Lots of gold mount batteries for everything camera, with a house nearby where we charged up.
@@LukeHolliday nice - thank you! great work
Holy crap! This video just randomly popped up on my home feed and then I saw Chase in the bts photo and was like, “hey I know that guy” and then realized I basically know this whole crew! Haha! Well done on this btw.
Oh no way!! Haha that’s awesome. Chase is the man, love getting to work with him. Thank you and thanks for watching!!
Great video, but how did you deal with noise in such a high ISO like this? did you removed the grain in post or it wasn't that noisy because of the lights?
Thank you! The Sony FX3 and FX6 have a second base ISO of 12800, which is why it’s cleaner than other cameras at that high iso! It’s their superpower for sure. To reduce noise even more, I monitored with a LUT that was 1 stop darker. So that just means I slightly over-exposed to make sure I got enough detail in the shadows. No grain was added in post, I liked how the noise looked actually haha
@@LukeHollidayI would love to see a breakdown on how you made your monitor LUT. I’ve been asked to develop one for the FX3 on an upcoming project but haven’t found much info on how to make one properly.
@@TreW9808I have a film emulation called filmbox. It’s a film emulation plugin and it makes creating LUTs super easy for any camera. I really love it but it does cost some $$
I saw the Abby Holliday hoodie then looked at your channel name then realized! Yo, I'm a huge fan of your cinematography and Abby's music. Saw her live in Madison, Wi and it was incredible. Keep up the good work 🙌
Aw that's so awesome!! So glad you got to see her play live! Thanks for watching man :)
Dig it.
where's the link to the music video?
Just added the link to the description!
looks amazing
Thanks so much!! ✨
What color temp were your fixtures and what did you rate your camera to?
If I remember correctly, I think our moonlight fixtures were set at 5600k, and my camera was set to around 4000k! The “fire” effect light was quite warm, somewhere around 2000-2500k
@@LukeHolliday you didn't shoot raw?
@@davemorphling7432 no raw on this one! I actually wanted to try the ProRes raw thing on this one, but it ended up being a little too complicated to figure out the workflow this time around. Still curious to try that soon on the FX6 or FX3!
128000 second base ISO is a game changer
It really is! This was my first time trying to light something at this iso, it was mind blowing how bright it looked on screen vs to my eye
The Creator has been on my mind for a few weeks now. It was liberating to watch Gareth Edwards chase his actors around with a Sony FX3. Great breakdown of this lighting setup, creating moonlight can be a real pain. Awesome work :D
Thanks Adam!! Yeah I was very fascinated by their process on that movie. Very cool to see people advocating for that shooting style on big budget movies!
killing it dude
Stupid good end results! Love how simple the setups were!
Thanks Jackson!!
He's back!
Luke thanx
Мир
January 2024: Raptor X is here 😅